Ninety percent of American media is controlled by five big, for-profit-conglomerates, creating a media monopoly of informational and social control never before possible. The overwhelming collective power of these firms raises troubling questions about democracy. Using a handful of in-depth cases out of a vast array of examples, speaking with renowned journalists, activists, and others, Shadows of Liberty reveals the hidden machinations of the news media, drawing into focus the vast mechanisms of censorship, cover-ups, and corporate control that have been built up over many decades. Journalists are prevented from pursuing controversial news stories, people are censored for speaking out against abuses of government power, and individual lives are shattered as the arena for public expression has been turned into a vessel for advertising, warmongering and distraction. Will the Internet remain ‘free’, or succumb to the same control by the same handful of powerful, monopolistic corporations—as we see?
Esc & Ctrl is an online series of short documentary films where journalist and filmmaker Jon Ronson explores some aspects of screen culture and the Internet. By exemplifying the concepts of control of information and the screen culture’s reactions to publishing, censorship, viral videos, media attention and manipulation; a small set of stories weave together to pose bigger questions around democracy and open communication in the age of the computers and a corporately mediated virtual world.
The Tall Man is the story of an Aboriginal man, Cameron Doomadgee (tribal name: Mulrunji) who in 2004 was arrested by Senior Sergeant Chris Hurley (the so-called ‘Tall Man’) in Palm Island, a tropical paradise in Australia’s Far North. 45 minutes after the arrest, Mulrunji was found dead in the Palm Island police station. His injuries were like those of someone who’d been in a fatal car crash. The police claimed he had “tripped on a step,” but the community knew this was bullshit. The Palm Islanders protested for truth and burnt down the police station. The subsequent trial of Hurley—who had been decorated for his work in Aboriginal communities—made headlines day after day, shadowed by Queensland police threatening to strike. The police officer was acquitted for the death by the Attorney General. The Tall Man follows these stories by delving into the courtroom, the notorious Queensland police force, and speaking with the Indigenous community of Palm Island, where this tale is sadly still indicative of many of the continuing atrocities of Aboriginal deaths in police custody.
Mea Maxima Culpa: Silence in the House of God examines the systemic abuse of children in the Catholic Church told through the story of four deaf men who set out to expose the priest who abused them during the mid-1960s. Each of the men brought forth the first known case of public protest against clerical sex abuse, which later lead to the sex scandal case known as the Lawrence Murphy case. Through their case, the film follows a cover-up that winds its way from the row houses of Milwaukee, Wisconsin, through to Ireland’s churches, and all the way to the highest office of the Vatican.
Produced while the invasion was in full swing, Iraq for Sale investigates some the many private contractors and consultants that were brought into to Iraq as part of the United States military machine. Four major contractors are profiled: Blackwater, K.B.R.-Halliburton, CACI and Titan, along with investigations of human rights violations, systemic misconduct, corruption, and profiteering. The film posits what damage is done to the ‘average citizen’ when corporations decide to wage war. For those in opposition to war and corporate power, the connection between the invasion of Iraq and the private corporations who profit from the fighting is plain to see. For those who still may not be so easily convinced, the film not only explores the questionable motivations of the corporate decision-makers whose wartime profiteering has affected the lives of countless soldiers and their families, not mention the lives of millions of civilians, but also the increasingly negative international reputation of the United States as a result.