Nearly 100 years after its creation, the power of the United States Federal Reserve has never been greater. Governments and financial systems around the world pay close attention to the Fed Chairman’s every word, philosophies and ideologies. Yet the average person knows very little about the most powerful and least understood financial institution. Money For Nothing takes viewers inside the Fed and reveals the impact of Fed policies past, present, and future.
Migratory Songbird populations are drastically collapsing. Many species have already been driven extinct. But yet, as an endangered species, the birds are still targeted by poachers. Millions of birds are unlawfully slaughtered each year for large sums on the black market. Emptying the Skies explores the wonder of these marvelously tiny globe-flying birds, along with the story of the Committee Against Bird Slaughter, an action group of citizens who have dedicated their lives to directly stop and confront the poachers. They disrupt and destroy trapping, freeing as many birds as possible, changing the world one bird at a time.
Web Junkie travels to China, the first country in the world where Internet addiction has been classified as a clinical disorder. The film focuses on the methods used to treat young people, which reveal a surreal mix of prison, hospital, and military operations, with a dose of group therapy thrown in for good measure. We also see the cultural and emotional effects of Internet addiction in China’s society of hyper-competitiveness, which speaks to the dominant culture worldwide. Web Junkie exposes the virtual world in a country—and indeed world—of disparity, where health officials have no idea how to cope with a younger generation that finds World of Warcraft more exciting and supposedly more “real” than their own lives.
In November 2012, yet another incident at a textiles factory in Bangladesh killed at least 112 people. Walmart’s brand shorts were among the clothing found in the charred remains. Walmart blamed its supplier, saying the order had been sub-contracted without its permission. With this example among the many, Made in Bangladesh illustrates the complex organisation of corporate obfuscation—the industries that continue to drive sweat shops, slave labour and child labour under a very clever hall of mirrors…
Dirty Wars follows investigative reporter Jeremy Scahill into the hidden world of the United States’ covert wars and assassination programmes—from Afghanistan to Yemen, Somalia, and beyond. What begins as a relatively commonplace report on the cover-up of a murderous US night raid in a remote corner of Afghanistan, quickly turns into a global investigation of the secretive and powerful Joint Special Operations Command (JSOC)—a top secret arm of the Military-Industrial-Intelligence Complex. As Scahill digs deeper into the activities of JSOC, he is compelled to report on the growing chilling underworld of covert operations carried out across the globe at the behest of the United States government: Targeted killings of American citizens; secret drone strikes; outsourcing American kill lists to warlords, private corporations and paramilitaries. The list goes on. Dirty Wars is a sobering investigation and personal journey into the most important human rights story of our time.
Why did appointed officials of the Australian Reserve Bank and its employees break sanctions in Iraq and cosy up to Saddam Hussein through a frontman during the late 1990s, early 2000s and beyond? Why did a former Deputy Governor and other directors hand-picked by the Reserve Bank to safeguard its subsidiary companies from corruption, end up—over a decade—overseeing some of the most corrupt business practices possible? How did they allow millions of dollars to be wired to third parties in foreign countries—including a known arms dealer—in order to win banknote contracts knowingly using bribery and supporting corruption?
In 1970, 1,500 hippies and their spiritual guru Stephen Gaskin founded a commune in rural Tennessee, United States. Members gave over their life savings, grew their own food, delivered their babies at home and built a self-sufficient society. Raised in this alternative community by a Jewish mother from Beverly Hills and a Puerto Rican father from the Bronx, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. As well as facing their past after years of hiding their upbringing, they chart the rise and fall of America’s largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part by its own idealism, is reflected in the personal story of a family split apart by differences. American Commune finds inspiration in failure, humour, and most surprisingly, that community values are alive and well in the next generation.
For many years, there has been widespread speculation, but very little consensus, about the relationship between violent video games and violence in the real world. Joystick Warriors draws on the insights of media scholars, military analysts, combat veterans, and gamers themselves, to examine the latest research on the issue. By setting its sights on the wildly popular genre of first-person shooter games, Joystick Warriors exploring how the immersive experience these games offer link up with the larger stories this culture tells about violence, militarism, guns, and manhood. It also examines the gaming industry’s longstanding working relationship with the United States military and the arms industry, showing how the games themselves work to sanitise, glamorise, and normalise violence while cultivating regressive attitudes and ideas about masculinity and militarism.
In groups we are told what to do, but do we always do so? Do groups give us courage to obey, or do they inhibit us? How do protest and change emerge? In Random 8, a randomly selected group of eight people from all walks of life are brought together in a bare room, mobile phones are confiscated, and cameras record their reaction to a series of simple instructions that escalate in intensity and in degree of challenge. The film cites the issues raised by several famous psychological experiments, including the work of Stanley Milgram in the 1960s who studied human obedience to orders, even when the orders were immoral or caused pain to others; and the work of sociologist Bill Gamson et al, in which groups were asked to carry out unjust requests made by an authority figure. What can happen when we’re asked to do something that goes against our beliefs?
In Mediastan, an undercover team of journalists drive across central Asia interviewing editors of local media outlets to publish secret US diplomatic cables that were provided to WikiLeaks in 2010. Success is varied. And so, after regrouping with Julian Assange in England, questioning the editor of the Guardian, and obtaining candid footage of the New York Times editor and its publisher Arthur Sulzberger, Mediastan closes by leaving the viewer with an informative first-hand overview of the machinations of mainstream media. By venturing into the minds—and actions—of the people and institutions who shape the news, Mediastan shows the system for what it’s worth, and reveals its true motivations…
By taking the example of documenting the conditions in zoos and circus shows, An Apology to Elephants is a film about the institutional cruelty to animals and their environments. In the circus, elephants are whipped, beaten and struck with hooks—a pain-compliance technique called bull-hooking—to perform tricks and behave according to the requirements of captivity. The film also looks at the prevalence of the ivory trade, stating that the current elephant killing rate would lead to extinction of the species in ten years. The film is a call to more than an apology, it’s a call to stop these sadistic institutions and repair the damage done to animals and the environment by this culture.
In the past 40 years, global consumption of fish has doubled. Having decimated natural fish populations globally, the industrial food system has turned to mass-scale farming practices in order to sustain the unsustainable, supplying huge supermarket chains and commercial food outlets with cheap processed fish products. What do we know about this and these processes? And what of the lives of the fish? What about their health and the health of the waters in which they’re taken? Fillet-Oh!-Fish is the result of yet another indictment of the industrial food system, agriculture and factory farming—all of which have egregious implications to the health and well-being of species, and the planet as a whole. We see myriad mixes of pesticides and other chemicals, leading to toxic rivers and streams, the pervasiveness of the industrial food system, with glimpses into working conditions and processing methods, as well as the perniciousness of globalisation, with the world-wide reach of this crazy system that has hijacked a fundamental life-giver: food.
How To Stop A Multinational follows three women in Argentina as they put themselves in harms way to stop a gold mining company from entering their town. With the activists having defeated a Canadian mining company, the campaign is now against a Chinese one that wishes to extend the operation, making use of large quantities of fresh water—up to 45,000,000 litres per day—a plan that seriously threatens the future viability of the town and the environment. This short film documents the campaign which is still in its early days, where activists carry out a series of direct-actions to stop the mining company from physically entering the town; training villagers, informing others and filming the outcomes along the way…
The Square follows the anti-government protest movement in Egypt through the eyes of six very different activists, starting in Tahrir Square in 2011, up until the 2013 coup d’état. The film follows the activists on a life-changing journey through the euphoria of victory into the uncertainties and dangers of the current military rule, where everything they fought for is now under threat or teetering in the balance. The Square becomes an immersive experience, transporting the viewer into the intense emotional drama and personal stories behind the revolts. It is an inspirational account of people asserting their rights, struggling against multiple forces—from a brutal army dictatorship willing to crush protesters with military tanks, to a corrupt Muslim Brotherhood using mosques to manipulate voters; a struggle unfinished, unfolding.
Project Censored explores the inner workings of mainstream media in the United States—a media which is often claimed as a free press in a democratic society. But is this really true? Instead what is revealed is a widespread and systemically entrenched culture of censorship and omission throughout the corporate media, as well as a gripping control over media content by centralised corporate control. Project Censored brings to light stories that have been deliberately suppressed, or at the very least obscured and ‘hollowed-out’ by entertainment values over real news content or discourse. Citing a range of examples and modern mainstream media techniques, Project Censored takes a critical view of this information arrangement that has huge implications for real democracy…
Peter Francis, a former undercover police spy turned conscientious whistleblower, breaks ranks by speaking to the media after becoming troubled by the unaccountable culture of secret police operations throughout the United Kingdom targeting peace activists for decades. Tactics included undercover police officers having sexual relationships with activists, even going as far as commonly having children with the women they were spying on. Undercover agents also often assumed the identities of dead children in order to have “solid cover stories.” We also see how undercover police were asked to look for intelligence that could be used to discredit the family of murdered teenager Stephen Lawrence and their campaign. The Lawrence family both speak of their shock at hearing about that the police did this to them. This short investigation opens a flood of questions about the secret history of covert police operations, and indeed the future of them in the context of the sprawling surveillance state of today.
Stop the Flows is a media project in progress to document resistance movements around the world that are working towards stopping the flows of oil and gas, minerals and other natural ‘resource’ extraction from within their communities, territories and landbases; as well as stopping the flow of the tremendous amounts of wealth generated from these destructive activities. This series aims to support and capture the many forms of organising, direct-action, protest and resistance movements throughout the world working to end mining, the oil economy, nuclear power and more…
Damocracy travels from the deepest corners of the vast Amazon rainforest in Brazil to the mountains and plains of fertile upper Mesopotamia in south east Turkey, to expose the myth that large-scale dams, as clean energy, are a solution to climate change. The film records the priceless cultural and natural heritage the world will lose in the Amazon and Mesopotamia if two planned large-scale dams are built—the Belo Monte dam in Brazil, and the Ilisu dam in Turkey. Damocracy documents the story of resistance by the thousands of people who will be displaced if the two projects go ahead, and issues a call to the world to support this fight to save the last rivers from industrial civilisation…
Gasland Part II follows on three years later, to continue documenting how the stakes have been raised on all sides in one of the most devastating environmental issues rapidly spreading the globe. This sequel further enriches the argument that the gas industry’s portrayal of natural gas as a clean and safe alternative to oil is a lie, where in fact fracked wells inevitably leak over time, and vent exuberantly more potent greenhouse gasses such as methane in cumulative effect, not to mention the continued string of cases of severe water contamination across the United States and even cases as far away as Australia. Gasland Part II follows deeper into these happenings, revealing yet more of an entrenched corporate collusion in the pursuit of exploiting dwindling ‘natural resources’…
The Wall Street Code explores the once-secret lucrative world of prolific algorithmic trading by profiling an inside programmer who, in 2012, dared to stand up against Wall Street and its extreme culture of secrecy, to blow the whistle on insights into the way the modern global money market works. His name is Haim Bodek—aka ‘The Algo Arms Dealer’—and having worked for Goldman Sachs, his revelations speak to the new kind of wealth made only possible by vast mathematical formulas, computer technologies and clever circumventions of laws and loophole exploits. Vast server farms and algorithms working beyond the timescale of human comprehension, have largely taken over human trading on the global financial markets for decades. What are the implications of that? The algorithms seem to have a life of their own. Snippets of code secretly lie waiting for the moment that your pension fund gets on the market; trades done in nanoseconds on tiny fluctuations in stock prices. And the only ones who understand this system are its architects—the algorithm developers. The Wall Street Code provides just a small insight into this new world of high-frequency trading, amongst other things…
Counter-Intelligence is a 5 part series that explores in-depth, the vast, sprawling and secret National Security State that operates throughout the United States—and indeed the world. The series examines the foundations of the Military-Industrial-Intelligence Complex, charting through to the myriad consequences in today’s world where secret intelligence organisations continue to hijack governments, manipulate elections and commit heinous crimes against humanity—all under the cloak of “National Security”. In the wake of the continued revelations of the NSA PRISM program, this series is now more important than ever to provide a solid historical context to the workings of the rapacious and ever-expanding National Security State…
Just along the fault lines of the Pacific Rim of Fire from Japan, lies Taiwan—another heavily industrialised, modern economy highly reliant on nuclear power. Ninety percent of the world’s earthquakes occur along the Rim of Fire, so no wonder there are worries about a fourth nuclear plant being built there. The government of Taiwan is promising to hold a referendum on its future, but if the reactor doesn’t go ahead the country’s nuclear strategy is in question, along with the $9 billion already spent on the plant. And the state-owned power company, Taipower, would face bankruptcy, leaving no one to manage Taiwan’s nuclear waste. The waste currently sits across the water on the tiny Orchid Island, quickly corroding and risking potential disaster for the native Tao inhabitants. As fears grow, can we learn from Fukushima before it’s too late?
In the spring of 2012, a massive student strike in opposition to a tuition hike, rocked the streets of the Montréal for over six months. Protests and mass direct-action on the street became part of daily and nightly reality. Several times during the tumultuous spring, the numbers in the streets would reach over one hundred thousand. Police routinely clubbed students and their allies, and arrested them by the hundreds. Some were even banned from entering the city. But every time the cops struck, the student movement got bigger and angrier. This is a story about how the arrogance of a government underestimated a dedicated group of students, who through long-term organising, laid the foundation for some of the largest mass demonstrations in Canada’s history.
Salmon Confidential follows renowned biologist Alexandra Morton as she finds that wild salmon are testing positive for dangerous European salmon viruses associated with industrial salmon farming worldwide, and then, how a chain of events is set off by the Canadian government to suppress the findings. Scientists are gagged, research suppressed, evidence not allowed. With the industrial fish farms having moved into Morton’s neighbourhood in the late 1980s, since then, there has been a serious decline in wild salmon in the region. So, tracking her findings, the film follows Morton and her team as they move from courtrooms, to Canada’s most remote rivers, Vancouver grocery stores and sushi restaurants, providing insights into the workings of government agencies tasked with managing the ‘safety of fish and food supply,’ that always seem to put industry and the needs of corporations over the natural world, time and time again. Salmon Confidential becomes a call to action to help save the wild salmon from these atrocities, before they’re completely wiped out forever.
On 11th March 2011, a huge tsunami, triggered by an 8.9 magnitude earthquake, hits Japan. It cripples the Fukushima Daiichi nuclear power plant, releasing radiation, and turning the residents of Futaba into nuclear refugees. The devastation experienced by the town—dead livestock, crops abandoned, homes destroyed—was infinitely worse than anything reported by the newspapers. A year later, many refugees are still unable to return to homes that will be contaminated for many hundreds of years. The irony of this disaster occurring in a nation that experienced two nuclear bombs is not lost on the victims who poignantly question their responsibility for striking a Faustian bargain with nuclear power. Nuclear Nation examines the tragedy of Fukushima, and also whether it could one day be replicated on a grand scale.
White Like Me, based on the work of acclaimed anti-racist educator and author Tim Wise, explores race and racism in the United States through the lens of whiteness and white privilege. In a stunning reassessment of the American ideal of meritocracy and claims that we’ve entered a post-racial society, Wise offers a fascinating look back at the race-based white entitlement programs that built the American middle class, and argues that our failure as a society to come to terms with this legacy of white privilege continues to perpetuate racial inequality and race-driven political resentments today.
Let the Fire Burn documents the conflict of the City of Philadelphia and the Black Liberation organisation MOVE, that led to a disastrously violent confrontation in 1985. MOVE was originally established as a “back to nature” movement that practised green methods, and in May 1985, the Philadelphia Police Department decided to take action to evict the group from their row house at 6221 Osage Avenue. When gunfire broke out and tear gas was not enough to pull the MOVE members out of the house, the police decided to drop explosives on the house. A fire soon began to blaze, endangering the several children now trapped inside the house. In a controversial decision, the police opted to let the fire burn, resulting in the destruction of over 60 homes and the death of five children and six adults. Eleven people died in the resulting fire, and more than 250 people in the neighbourhood were left homeless. Ramona Africa, one of the two survivors, said that police fired at those trying to escape. The investigation commission that followed found that city leaders and law enforcement had acted negligently, but no criminal charges were filed.
Two years before the Occupy movement sprang forth in New York, a small group of land-rights activists occupied a piece of disused land in west London to create an “alternative model of moneyless, sustainable living” which they labelled, the Eco-Village. Echoing the dynamics of hippy communes in the United States decades earlier, Grasp the Nettle follows the often bewildering and even amusing actions of this group through many moments of idyllic beauty, as they use local trees and recycled rubbish to build small homes, go dumpster diving, build a manually operated shower and compost toilet, create a local seed bank, and help distribute dumpstered sandwiches to the city’s homeless. But the Eco-Village quickly becomes something other than just an idealistic experiment in political protest. It begins to attract vulnerable people who already live on the margins of society and need help: the homeless, the unemployed, alcoholics, the mentally ill. Some of them are invited to stay, but others cause a ruckus and harm the group. Tensions spark as the community grapples to deal with the increasing chaos while trying to stave off the fast-approaching prospect of eviction, through the ideologies of withdrawal, dropping out, freemanism and spirtuality. Grasp the Nettle is hence a valuable reflection of the efficacy of this type of Wandervogel-style activism, where lack of goals and support infrastructure, a diverse array of internal conflicts and horizontal hostility can be the ultimate undoing of idealistic and much-needed political resistance movements.
The Kill Team profiles four young American men, who referred to themselves as the “Kill Team,” that carried out a string of war crimes in 2010, during the United States’ invasion of Afghanistan, systematically murdering Afghan citizens. The film focuses on Private Adam Winfield who attempted, with the help of his father, to alert the military to the murders his platoon was committing. His pleas went unheeded. Faced with threats to his life from superior officers and other members of the military, Winfield makes a split-second decision that changes his life forever. The Kill Team follows Winfield and his family through the wartime events and legal proceedings that follow, interspersed with interviews of the other soldiers involved, and video footage from Afghanistan, revealing first-hand revelations of a war culture rooted in hatred, social pressure, and sociopathy.
Aluminium is everywhere—beer cans, tinned food, cooking pans, computers, pens, cosmetics; and many medications, including most vaccinations. Though what do we know about this material? The Age of Aluminium profiles people whose health has been seriously impacted by unwitting exposure to aluminium; along with research exploring how aluminium as a known neurotoxin relates to the growing epidemic of chronic illnesses and disabilities such as breast cancer, Alzheimer’s disease, allergies, and autism. Aluminium mining and manufacturing have also created cataclysmic environmental problems in several parts of the world, as we see the devastating effects of aluminium mining in South America, and environmental disasters in Hungary and the UK. What are we doing with this material? And what can we do now to avoid the continued impacts on our lives and the natural world?
The Secret of the Seven Sisters is a four-part series examining the rise of a powerful cartel of seven companies that control the world’s oil supply. The ‘seven sisters’ comprises Anglo-Persian Oil Company (now BP); Gulf Oil, Standard Oil of California (SoCal) and Texaco (now Chevron); Royal Dutch Shell; Standard Oil of New Jersey (Esso) and Standard Oil Company of New York (Socony), (now ExxonMobil). Prior to the oil crisis of 1973, the Seven Sisters controlled around 85% of the world’s petroleum reserves, but in recent decades the dominance of the companies and their successors has declined. This series is about the power of oil, the conspiracy of business, and the control that oil provides the few…
Goodbye Indonesia investigates one of the world’s most forgotten conflicts—the West Papuan struggle for independence. When the Dutch decolonised their empire after the Second World War, they handed it all to the emergent country of Indonesia—all except the territory of West Papua, which forms one half of New Guinea, the second largest island on Earth. This remarkable landmass split neatly by colonial powers into West Papua and Papua New Guinea, is like few other places in the world…
Less than three years after a popular uprising that led to President Hosni Mubarak’s ousting, and just one year after Egypt’s first elections, the elected government has been overthrown and the Egyptian military is running the state. And the Muslim Brotherhood—the secretive, long-outlawed Islamist group that came out of the shadows to win the presidency in June 2012—is once again being ‘driven underground.’ Were the Brothers ever really in charge? Or was the Egyptian deep state—the embedded remnants of Mubarak’s police force, Supreme Court and, most of all, military—in control all along? In Egypt in Crisis, we go inside the Egyptian revolution, tracing how what began as a youth movement to topple a dictator evolved into an opportunity for the Muslim Brotherhood to seemingly find the political foothold it had sought for decades—and then why it all fell apart. With Egypt’s hopes for democracy in tatters, and the military-led government violently cracking down, what will happen next?
Fashion Victims looks at the real cost of cheap clothes from the conditions of sweat shops in Bangladesh. On 24th April, 2013 more than a thousand people were killed when an eight storey building collapsed in the heart of Bangladesh’s capital, Dhaka. The collapse of Rana Plaza turned the world’s attention to the shocking conditions workers in the country’s clothing industry are forced to endure. In recent years, Australian companies have flooded into Bangladesh to take advantage of lax labour laws and the lowest wages in the world, paid to the predominantly young, female workers in the factories.
Using undercover filming, Sex and Survival in Madagascar exposes the booming child sex trade of the 21st Century. In the hub of Madagascar, one of the world’s poorest countries, prostitution is rampant and seen as an unavoidable means of survival. The film shows the complicity and complacency of authorities that do not act to stop this terror, and so the acts of resistance against sex slavery are carried out by the children themselves.
Chemical flame retardants are everywhere—in our furniture, our homes, our bodies. But do they work as promised? And are they making us sick? The three chemical companies producing flame retardants would prefer that we not ask these questions, and they’ve spent millions of dollars on lobbyists, publicists and influencers to ensure that we don’t. Toxic Hot Seat wades through the mess to piece together an intricate story of manipulation that details how Big Tobacco skillfully convinced fire safety officials to back a standard that, in effect, requires all furniture to be filled with toxic chemicals…
Not Anymore: A Story of Revolution is a short film about the Syrian struggle for freedom as experienced by a 32 year old rebel commander, Mowya; and a 24 year old female journalist, Nour; in Aleppo, Syria. The film shows why Syrians are fighting for their freedom, told through the emotional words of two powerful characters whose lives have been torn apart by war.
InRealLife asks: What exactly is the Internet and what is it doing to our children? Taking us on a journey ranging from the bedrooms of British teenagers to the explosive world of Silicon Valley, filmmaker Beeban Kidron suggests that rather than the promise of free and open connectivity, young people are increasingly ensnared in a commercial world. And as this is explained, InRealLife asks if we can afford to stand by while our children, trapped in their 24/7 connectivity, are being outsourced to the web.
The Society of the Spectacle is a film based on the 1967 book of the same name by French political theorist and philosopher, Guy Debord. The work traces the development of modern society, in which Debord argues that authentic social life has been replaced with representations, and that the history of social life can be understood as “the decline of being into having, and having into merely appearing.” This emerges from and gives rise to a pervasive and all encompassing spectacle in which relations between commodities have supplanted relations between people, in which “passive identification with the spectacle supplants genuine activity.” The film weaves the text of the original book with modern-day imagery, illustrating many elements of the spectacle, including that “the spectacle is not a collection of images, rather, it is a social relation among people, mediated by images.” This makes the material hard to decipher at times, especially with conflicting subtitles between languages: but this is part of Debord’s goal, to “problematise reception” and force the viewer to be active rather than passive. In addition, the words of some of the authors are “détourned” (hijacked) through deliberate misquoting. The result is a foundational work on the concept of the spectacle and its characteristics, to encourage critical thinking, to build and extrapolate critiques to apply to the wider social scale.
As nations around the globe attempt to fight sex trafficking, many consider legalising prostitution. Two filmmakers travel across ten countries to explore the issue, attempting to answer the question: “How can we prevent sexual exploitation before it happens in the first place?” Though governments are getting better at prosecuting traffickers and providing aftercare to victims, it is time we begin to ask the question of what lies at the root.