This film explores what affect the web is having on our society, as seen through the eyes of "the greatest Internet pioneer you've never heard of." Josh Harris--often called the "Andy Warhol of the Web"--founded a website during the renowned dot-com boom of the 1990s which was the world's first Internet television network. This concept was way ahead of its time. Using this platform, before broadband, a vision of that future was exemplified at an underground bunker in New York City where over 100 people lived together completely on camera, non-stop and unedited for 30 days over the millennium. These happenings, documented through We Live In Public, serve as a powerful analogy for the Internet as it's now known today and the price we pay for living in its 'public.' It shows the costs of willingly trading privacy and sanity for a constant voracious audience, attention, and the pursuit of celebrity, in an online world of pervasive surveillance.
Risk
Cornered in the tiny building of the Ecuadorian embassy in the United Kingdom for half a decade, WikiLeaks founder Julian Assange and his team are undeterred, continuing to release troves of important documents, even as the personal legal jeopardy he faces threatens to undermine the very organisation he leads and fracture the movement it inspired. Filmmaker Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle. Filmed over six years, Risk is a complex and volatile character study of the forces that crescendo with a high-stakes election year in the United States and its controversial aftermath. In a world order where a single keystroke can alter history, Risk is a nuanced and curious portrait of power, betrayal, truth, and sacrifice. How much of your own life are you willing to risk?
END:CIV
By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly 'pacifist' social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on 'Endgame,' the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
The central thesis of Planet of the Humans is that various people and organisations in the United States claiming to promote 'green energy' are actually promoting biomass energy--largely a euphemism for cutting down and burning forests--a practice which is not carbon neutral nor renewable nor sustainable. The film reveals the destruction of environments first-hand, and also explores how wind power and solar power don't fare much better than fossil fuels in terms of impacts once all the inputs for construction and maintenance are considered and compared. In most cases, the additional demands for resources and construction simply invoke more environmental degradation and pollution. The film examines this push for more industry through key figures in the modern environmental movement that are funded by entities connected to fossil fuels, or have established profit motives, revealing how the environmental movement has been essentially co-opted into a de-facto lobbying arm of 'green' industries. The film also posits that regardless of energy systems, overpopulation is a central problem of industrial civilisation, and that this current way of life is unsustainable no matter how it is powered or 're-imagined' by technology.
Aluminium is everywhere—beer cans, tinned food, cooking pans, computers, pens, cosmetics; and many medications, including most vaccinations. Though what do we know about this material? The Age of Aluminium profiles people whose health has been seriously impacted by unwitting exposure to aluminium; along with research exploring how aluminium as a known neurotoxin relates to the growing epidemic of chronic illnesses and disabilities such as breast cancer, Alzheimer’s disease, allergies, and autism. Aluminium mining and manufacturing have also created cataclysmic environmental problems in several parts of the world, as we see the devastating effects of aluminium mining in South America, and environmental disasters in Hungary and the UK. What are we doing with this material? And what can we do now to avoid the continued impacts on our lives and the natural world?
Governments all around the world are using high-tech mass surveillance tools to monitor their citizens. Western corporations, including Britain's largest weapons manufacturer, BAE, are among those which are creating and selling mass surveillance infrastructures all across the globe, but especially to particularly repressive regimes. Weapons of Mass Surveillance makes example of what is happening throughout the Middle East where journalists, human rights advocates and activists are being targeted with surveillance tools developed by western corporations with extreme real-world consequences. Political opponents to tyrannical power are targeted, jailed, and in some cases, tortured or "disappeared." This shows the power of mass surveillance tools for great harm, and how the west is culpable in perpetuating systemic repression both at home and abroad.
For years, the Earth Liberation Front--autonomous individuals operating in separate anonymous cells without any central leadership--carried out spectacular direct-actions against businesses that destroy the environment. Some of the targets were logging corporations, SUV dealerships, ranger stations, a slaughterhouse and a multi-million dollar ski-lodge at Vail, Colorado that was expanding into national forest. As authorities were not able to crack the case and disbanded many years later, the FBI got lucky when they were led to a former activist who agreed to co-operate with them and become an informant. If A Tree Falls provokes hard questions about environmentalism, activism, and the way 'terrorism' is defined by following the story of the activists who were turned over to the FBI, and their fate...
The Social Dilemma brings together former product directors and designers of Facebook, Google, Instagram, Pintrest, Twitter, and so on, to reflect on their creations and face questions about the age of addiction, information manipulation, and algorithmic social control they've ushered in. The creators speak openly about how they themselves took part in this co-optation of society, either naively or with malignant indifference, by designing websites in such a way to influence and manipulate billions of people for corporate interests by using deep psychological and addictive triggers in the human mind. Detailed explanations about how this can play out in the real world are illustrated through dramatisations, which are also expanded upon by experts in psychology, technology, and social studies. The result is a sobering call for emergency damage control, to undo the massive harm that technology companies have unleashed on society unrestrained for the past several decades, at a time of rapid social unravelling.