Outage: We're currently experiencing server problems in certain regions. Please check back soon if titles are not working for you.Films about al-Qaeda
1:19:28(T)error is the story of a 62-year-old Theodore Shelby, a former Black Panther now turned informant for the FBI going under the name Saeed “Shariff” Torres. The film documents his work on an undercover sting operation that targets a Muslim American Khalifah Ali Al-Akili on weapons charges, as well as Tarik Shah, a professional jazz musician, accused of providing support to al-Qaeda, even though no actual terrorist contact ever took place. The cases are used as examples of preemptive prosecutions, and illuminate aspects of the surveillance state in the post-9/11 world of the United States.
55:599/11 — Ten Years Later takes a retrospective view of the United States to contextualise current global military and economic events. We see how the United States backed, funded and trained the Mujahideen in the 1980s at the direction of then-National-Security-Advisor, Zbigniew Brzezinski; and how this gives rise to Osama bin Laden and the group known as ‘al-Qaeda’ as assets of the United States military-intelligence-complex, amid the context of the Cold War. Also examined is the sprawling establishment of weapons trafficking and the “opum trade,” facilitated by the United States and Britain; along with a vast clandestine financial network funding such operations—with banks such as the BCCI at the core. We see how the events of September 11 are used as a “catastrophic and catalyzing event—like a new Pearl Harbor” amongst the context of neoconservative imperialism at home and abroad, which still continues today.
1:16:489/11: I Was There presents an portrayal of the attack on New York on 11th September 2001, from the perspective of several ordinary people who chose to pick up their video cameras and descend into the chaos that was happening around them on that day. The film is a collage of their personal video diaries, that document the attacks as they unfold, and the aftermath.
1:26:16Dirty Wars follows investigative reporter Jeremy Scahill into the hidden world of the United States’ covert wars and assassination programmes—from Afghanistan to Yemen, Somalia, and beyond. What begins as a relatively commonplace report on the cover-up of a murderous US night raid in a remote corner of Afghanistan, quickly turns into a global investigation of the secretive and powerful Joint Special Operations Command (JSOC)—a top secret arm of the Military-Industrial-Intelligence Complex. As Scahill digs deeper into the activities of JSOC, he is compelled to report on the growing chilling underworld of covert operations carried out across the globe at the behest of the United States government: Targeted killings of American citizens; secret drone strikes; outsourcing American kill lists to warlords, private corporations and paramilitaries. The list goes on. Dirty Wars is a sobering investigation and personal journey into the most important human rights story of our time.
1:42:17Fabled Enemies examines the US government’s intelligence apparatus and its involvement in the events of September 11, 2001. Many questions surround the proceedings of that day. What were the precise actions of a shadow government operating in an underground bunker with Dick Cheney? Why did the FBI have their investigations into Bin Laden obstructed and shut down by George Bush before the attacks? Were the alledged hijackers trained at US military bases? Why was the military running exactly the same situation as ‘war games’ at exactly the same time of the attack?
1:10:38Hijacking Catastrophe examines the evidence that neoconservatives used the September 11, 2001 attacks to usher in a new doctrine of expanding American power through military force under the guise of a “war on terror” and that the doctrine — known as the Project for the New American Century — had been laid out prior to 9/11 by its authors, which include Dick Cheney, Paul Wolfowitz, Donald Rumsfeld, Jeb Bush and Dan Quayle…
1:38:35Loose Change is a series of films that present evidence that the September 11, 2001 attacks were planned and conducted by elements of the United States government. The series also examines anomalies in the historical record of the attacks while drawing comparisons from some of the many mysterious and renowned events that have reshaped world history, such as the Reichstag Fire in 1933 that catapulted Hitler to dictatorship and the Gulf of Tonkin Incident in 1964 that led to the Vietnam War.
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today’s invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.
Is the threat of radical Islamism as a massive, sinister organised force of destruction—specifically in the form of al-Qaeda—a myth perpetrated by politicians across the globe, but particularly the American neo-conservatives, in order to unite and justify empire? This series of films charts the rise of both groups and movements, drawing comparisons between them and their origins, to provide much-needed and missing context to the War of Terror.
1:44:06Zero: An Investigation into 9/11 posits that the official narrative of the events surrounding the attacks of September 11 cannot be true. The film explores the various facets of that premise by testing scientific evidence and dramatic witness testimony against the official account to demonstrate its many shortcomings, contradictions, gaps and omissions. The question is posed that if the thesis of this film is correct, and the official narrative is false, then the entire justification for the ensuing wars of terror, rampant human rights abuses, and the curtailment of civil liberties, is built on a complex series of outrageous lies.