Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today’s invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.

In 1979, author and activist James Baldwin wrote a letter to his literary agent describing his next project, Remember This House, which was to be a revolutionary, personal account of the lives and assassinations of three of his close friends—Medgar Evers, Malcolm X and Martin Luther King, Jr. But eight years later, Baldwin died, leaving behind 30 completed pages. I Am Not Your Negro is a film of the book that was not finished, offering an incendiary snapshot of James Baldwin’s crucial observations on race relations in the United States, with a flood of rich archival footage. The film is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter, questioning black representation in the United States and beyond.

Using Oliver Stone’s epic film “JFK” as a springboard, Beyond JFK: The Question of Conspiracy brings together extensive research around the assassination of John F Kennedy in 1963, to challenge serious flaws in the official narrative. Featuring interviews with Jim Garrison, the District Attorney who brought the conspiracy case of Clay Shaw in 1969, as well as interviews with his staff, Numa Bertel, Lou Ivon and Perry Russo; in addition to numerous reporters, eyewitnesses, archivists, and others, Beyond JFK is a cumulative look into the huge amounts of public research that went into the counter-narrative of the JFK assassination, forming the basis of the production of the JFK movie as a way of presenting the research to the public through pop-culture.

Making Sense of the Sixties is a six part series analysing certain facets of the social and political upheaval of the 1960s and beyond in the United States. The series chronologically examines the cultural and political changes which shaped the era and left an indelible mark on later decades. From the assassinations of John F. Kennedy, Robert Kennedy and Martin Luther King; to the rapidly escalating atrocities in Vietnam; to the height of the Cold War and the Space Race, Making Sense of the Sixties weaves historical retrospect with the experiences of ordinary people to capture the mood and mindset of the era.

Through a secret program called the Counter Intelligence Program or ‘COINTELPRO’, the United States government set out to “disrupt dissident political organisations using infiltration, psychological warfare, harassment through the legal system and extralegal force and violence”. Groups such as the Black Panther Party and others throughout the civil rights movement were targets of the program. COINTELPRO — The FBI’s War On Black America establishes a historical perspective on the measures initiated by the FBI which aimed to discredit black political figures and forces of the late 1960s and early 1970s. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government’s role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King…

Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people—young and old, male and female, northern and southern—who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality—a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.