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54:33Shot clandestinely at a blue jeans factory in southern China where a young girl and her friends work around the clock for pennies a day, China Blue reveals what international retail companies don’t want us to see: how the clothes are actually made…
Diamond Empire is a two-part series that investigates how an advertising slogan invented by Madison Avenue executives in 1948 has come to define some of the most intimate and romantic rituals and ideals of this culture. The films take apart the myth that “diamonds are forever,” exposing how one white South African family, through a process of monopoly and fantasy, managed to exert control over the global flow of diamonds and change the very way this culture projects the notion of courtship, marriage, and love—an achievement all the more stunning given that diamonds are in fact neither scarce nor imperishable. Zeroing in on how the diamond empire managed to convert something valueless into one of the most coveted commodities in history, these films provide a vigorous investigation into how marketing and consumer culture shape not only global trade and economics, but also our very identities.
32:44Santa’s Workshop — Inside China’s Slave Labour Toy Factories shows the long working hours, low wages, and the dangerous work and conditions inside these toy factories. Workers who protest or try to organise unions risk imprisonment. Low labour costs and government protections for multinational corporations attract more and more companies to China. Figureheads blame the Chinese suppliers, but they say in the same sentence that increasing competition gives them no option. What and whom to believe?
1:06:05In October 2003, an extraordinary uprising challenged the United States empire and kicked out President Gonzalo Sánchez de Lozada — a representative of the United States administration and transnational corporate interests. The people are calling for new forms of representation and organisation that question the portrayed notions of democracy and traditional political parties. In February 2003, a mutiny by the police against the imposition of income taxation on the poor to fulfil IMF demands, provoked the withdrawal of tax measures; throughout 2002, peasants revolted against the US-imposed ‘coca war’ — the coca-eradication plan — that would’ve destroyed the only possible source of survival for thousands of people. In 2001, the people of Cochabamba fought successfully against the a most outrageous form of privatisation — of the water supply — forcing the government to cancel the agreement with Bethell, a US-based company…
1:20:48The Yes Men are a culture-jamming activist-duo from the United States that are known for their impersonations of entities that they dislike as a form of protest. Using spoofed personas, they spread awareness of problematic social issues through the mainstream media. The two have also created and maintained fake websites, which have even led to numerous interviews, conferences, and TV invitations for their spoofed personas to espouse the truth about just how corporations and governmental organisations often act in dehumanising ways toward the unwitting public. In this film, we see how the two Yes Men take on the World Trade Organisation and confront the brutal realities of globalisation using satire and tactical media to get their message across, culture-jamming the corporate interest.
1:16:07From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova and the “War on Terror” in New York, Afghanistan, and Iraq, The Fourth World War documents the stories of women and men all around the world who resist being annihilated in this war. Centred around economics and systems such as NAFTA, GATT, the G20, APEC and others, this is a war which plays along with the spread of rapacious globalisation, a feat that has pervasive consequences in the real world…
2:24:03Did you know that the legal system recognises a corporation as a person? What kind of ‘person’ is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
23:46Coca Or Death delves into Bolivia — a country torn apart by the demands of the western world for coca. This film investigates why bloody battles have broken out between farmers and armed troops on the streets of La Paz, and what the impact of privatisation is having through the country. Coca has become a symbol of national resistance in Bolivia…
24:11As high-technology permeates further into the industrialised world, manufacturers will go to any lengths to get the raw materials to make their gadgets. Coltan from the Congo is one such rare ingredient. Few in the west know where their gadgets come from and that in the middle of Africa much human suffering is created in the pursuit of “technological advancement”…
53:54The myths of globalisation have been incorporated into much of our everyday language. “Thinking globally” and “the global economy” are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In some respects you are already living in it. The clothes in your local store were probably stitched together in the factories of Asia. Much of the food in your local supermarket will have been grown in Africa…
1:08:5030 Frames A Second is an immersive first-person account of the events that unfolded during the week the World Trade Organisation came to Seattle in the United States, November 1999. The film is assembled from the perspective of 15-year veteran network-news cameraman Rustin Thompson, who became disillusioned with mainstream media and hence covered the WTO as an independent journalist. As such, even with press credentials for the event, Thompson is swept into the retribution of the state and police power which hit at the protests with tear gas, pepper spray, and police abuse. For him and the protesters alike, it begs the question about the functioning of the so-called democracies we live in, where civil liberties and human rights are curtailed in favour of facilitating the vast corporatocracy and global economic empire—precisely one of the points that sparked protests in the first place…
1:17:57We tend to think of slavery as one of the points in Colonial History’s dark past—an offence against humanity that was abolished in the 18th century. But slavery is rampant like never before. It’s just that today the slaves are well hidden in plain sight. The global economy has enabled the immense wealth of the West, giving rise to strengthening a sinister market in slaves throughout Africa, Asia, South America, Britain and the United States. This film sets out to discover where slavery is flourishing, why it’s touching all of our lives, and how we can challenge it.
42:53S11 documents protest actions in Melbourne, Australia, 2000 against the World Economic Forum meeting. Specific accounts of police brutality and ferocious attacks on people protesting national and international issues are captured, in direct contradiction with mainstream media coverage, portraying activists as violent protesters.
51:58Globalisation has gone to great lengths to coerce many countries around the world to open ‘free trade zones’ for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
1:32:29Is the human population going to outstrip the Earth’s food supply? The effects of modern agriculture not only lead to a short term food surplus which quickly slipped as population boomed, but agriculture itself causes huge environmental problems such as soil erosion, salinity and chemical pollution—all further illustrating an impossible system in perpetuity. Food or Famine looks at projects in North America, Chile, Indonesia, Africa and India which are participating in a worldwide movement to return to local food growing methods based on the land and healthy ecological principles. The film also examines the worldwide imbalance between food consumption and production, stoking the need to confront the mounting challenges ahead…
40:37By addressing the question of violence and the media from a number of different angles, The Killing Screens presents a comprehensive view on how to think about the effects of the media environment in new and complex ways. In contrast to the relatively simplistic behaviourist model, that “media violence causes real-world violence,” renowned media scholar and researcher George Gerbner shows us how to think about the psychological, political, social, and developmental impacts of growing up and living within a cultural environment of pervasive violent imagery and narratives. What are some of the impacts of this culture and what can be done about it?
45:23Controlling Interest is one of the first documentary films to provide a critical analysis on the growth of multinational corporations, and their impacts on people and the environment. Upon its release, Controlling Interest quickly became a standard audio-visual text for those concerned about the growing impact of multinational corporations, examining how the ever-increasing concentration of money and power affects employment in the United States, shapes patterns of development across the world, and influences foreign policy. This is the film that helped kick-off the anti-globalisation movement. Remarkably candid interviews with business executives provide a rare glimpse of the reasoning behind corporate global strategy, and the never-ending search for resources, ever-cheaper labour, and the commodification of life. The film documents the impact of corporate decisions on people around the world, including how “freedom” has come increasingly to mean the freedom of global corporations to operate without restriction. Some of the case studies include Massachusetts’ declining machine tool industry, Brazil’s “economic miracle,” and Chile before and after the 1973 coup.
27:01John Pilger travels to Bangladesh to report on the horrors of the famine in the country, its causes and tragedies, circa 1975. With people passing away on the street on a daily basis from starvation and US foreign policy continually ignored, An Unfashionable Tragedy documents the plight that continues to this day, showing that food is a powerful weapon, more powerful than oil…