Invasion is a short film about the Unist’ot’en camp, where Wetʼsuwetʼen First Nation peoples have been living on their traditional unceded territory since time immemorial, only to face repeated threats in the past decade by the Canadian government and corporations that are relentlessly pushing to install oil pipelines and other extractive industries on their land. Wetʼsuwetʼen feel they have a sacred duty to protect their land from harm and preserve it for future generations, and so formed the Unist’ot’en camp to resist the colonisers and their destructive ways. Located 1,200 km from Vancouver, the camp is on the shores of the Wedzin Kwah and mouth of Gosnell Creek, as a healing space for Indigenous people and settlers alike, and an active example of decolonisation and resistance.

Miraculous and vital, Seed—The Untold Story follows passionate seed keepers that are tirelessly working to protect a 12,000 year-old food legacy. For only in the last century, 94% of seed varieties have disappeared, as biotech and chemical companies rapaciously took over control over the majority of the world’s food seeds. Farmers, scientists, lawyers, and indigenous seed keepers fight literally a battle for life to defend the future of food. In a harrowing and heartening story, these heroes rekindle a lost connection to a treasured source of life, and revive a culture connected to food, and the Earth.

Servant or Slave follows the lives of five Aboriginal women who were stolen from their families and forced into indentured labour to be domestic “servants” for white people during the late 1890s and into 1900s in Australia. With the government exercising complete control over their wages and livelihood, many thousands of Aboriginal children were condemned to a treadmill of abuse, battery, rape, and slavery, only to discover that even today they’ve had to fight for recognition, respect and reparation for their treatment in the past. This film recounts their experiences, as a portrait of courage, strength and the fortitude to pursue justice for the crimes committed against them.

Concerning Violence narrates the events of African nationalist and independence movements in the 1960s and 1970s which challenged colonial and white minority rule. The film is an archive-driven video essay based on author Frantz Fanon’s ‘The Wretched of the Earth,’ covering the most daring moments in the struggle for liberation in the so-called ‘Third World,’ as well as an exploration into the mechanisms of decolonisation. Fanon’s text, which was banned soon after publication more than 50 years ago, remains a major relevant tool for understanding and illuminating the neo-colonialism still happening today, as well as the reactions against it.

For the past four years Submedia has been visiting a camp of the Unist’ot’en of the Wet’suet’en Nation in so-called British Columbia in Canada. The Unist’ot’en continue to fend off intrusions to their land by rapacious oil and gas companies. The threats are large and systemic and involve the very base of life itself. This two-part series of short films document the direct actions that are effective in keeping the threats of oil and gas out. Stopping the corporations physically is paramount, as they’ll stop at nothing…

Utopia is both an epic portrayal of the oldest continuous human culture on the planet—indigenous Australia—and an investigation into a suppressed colonial past and rapacious present. One of the world’s best kept secrets is revealed against the great Australian ‘mining boom,’ showing how the country’s racially divided past and current-day media collusion play their parts in a system that is apartheid in all but name. The film examines the exploitation of the Aboriginal population, both as a people and of the land they have lived on for centuries, and how so many institutions have profited while people continue to suffer. The injustice stretches across countless generations and stories. Utopia reveals this universal story of power and resistance, driven by old imperatives, in a media age of saturation which is profoundly silent and complicit; a call to continue resistance.

Stop the Flows is a media project in progress to document resistance movements around the world that are working towards stopping the flows of oil and gas, minerals and other natural ‘resource’ extraction from within their communities, territories and landbases; as well as stopping the flow of the tremendous amounts of wealth generated from these destructive activities. This series aims to support and capture the many forms of organising, direct-action, protest and resistance movements throughout the world working to end mining, the oil economy, nuclear power and more…

Damocracy travels from the deepest corners of the vast Amazon rainforest in Brazil to the mountains and plains of fertile upper Mesopotamia in south east Turkey, to expose the myth that large-scale dams, as clean energy, are a solution to climate change. The film records the priceless cultural and natural heritage the world will lose in the Amazon and Mesopotamia if two planned large-scale dams are built—the Belo Monte dam in Brazil, and the Ilisu dam in Turkey. Damocracy documents the story of resistance by the thousands of people who will be displaced if the two projects go ahead, and issues a call to the world to support this fight to save the last rivers from industrial civilisation…

Just along the fault lines of the Pacific Rim of Fire from Japan, lies Taiwan—another heavily industrialised, modern economy highly reliant on nuclear power. Ninety percent of the world’s earthquakes occur along the Rim of Fire, so no wonder there are worries about a fourth nuclear plant being built there. The government of Taiwan is promising to hold a referendum on its future, but if the reactor doesn’t go ahead the country’s nuclear strategy is in question, along with the $9 billion already spent on the plant. And the state-owned power company, Taipower, would face bankruptcy, leaving no one to manage Taiwan’s nuclear waste. The waste currently sits across the water on the tiny Orchid Island, quickly corroding and risking potential disaster for the native Tao inhabitants. As fears grow, can we learn from Fukushima before it’s too late?

Goodbye Indonesia investigates one of the world’s most forgotten conflicts—the West Papuan struggle for independence. When the Dutch decolonised their empire after the Second World War, they handed it all to the emergent country of Indonesia—all except the territory of West Papua, which forms one half of New Guinea, the second largest island on Earth. This remarkable landmass split neatly by colonial powers into West Papua and Papua New Guinea, is like few other places in the world…

Away from its busy capital city and famous canal, Panama is one of the world’s most ecologically diverse nations. Yet huge new hydroelectric dam projects now underway are seeing pristine rivers damned and virgin rainforest flooded. The government says it is vital for ‘economic growth’, with international corporate interests rushing into the country, and even the United Nations awarding ‘carbon credits’ on the basis that the resultant energy will be “sustainably produced”. But for the indigenous Ngabe people—whose homes are vanishing under water—it is a catastrophe, and they are fighting back…

Decades of over-fishing by the global tuna industry have now pushed the final frontiers to the waters of Papua New Guinea. In the 1950s, commercial fishing was extracting 400,000 tons of tuna from the ocean. This number is now close to 4 million tons. And it comes at a high cost: a human one, now affecting the last places on Earth to receive the full impact of globalisation. Set in “the land of the unexpected,” in the north-eastern part of Papua New Guinea, Canning Paradise follows the struggle of Indigenous tribes to protect their way of life, guarded by traditions dating back since the beginning of time. While many have lost hope, others are fighting for survival from the corrupt government and the omnicidal dominant culture.

A group of conservation photographers travel to British Columbia, Canada, to capture the region in response to plans by several oil companies who want to build a pipeline for export from the Alberta tar sands, across British Columbia to the coast of the Great Bear Rainforest. The tar sands in northern Alberta are the largest, most destructive industrial projects in human history. The proposed pipeline not only threatens this area, but many others across Canada and indeed the world. Spoil follows several renowned photographers and videographers who show the Great Bear Rainforest’s landscapes, wildlife, and indigenous culture; calling to act before it’s too late…

Bikpela Bagarap (Big Damage) is the story of logging in Papua New Guinea, following the reality of systemic exploitation by logging companies of indigenous communities, where locals are not even citizens in their own country. Customary landowners are coerced into signing release documents, or sign with the understanding that promises for clean water, health and education will be delivered. On the contrary, traditional hunting grounds are destroyed, waterways polluted, and livelihoods threatened.

The Tall Man is the story of an Aboriginal man, Cameron Doomadgee (tribal name: Mulrunji) who in 2004 was arrested by Senior Sergeant Chris Hurley (the so-called ‘Tall Man’) in Palm Island, a tropical paradise in Australia’s Far North. 45 minutes after the arrest, Mulrunji was found dead in the Palm Island police station. His injuries were like those of someone who’d been in a fatal car crash. The police claimed he had “tripped on a step,” but the community knew this was bullshit. The Palm Islanders protested for truth and burnt down the police station. The subsequent trial of Hurley—who had been decorated for his work in Aboriginal communities—made headlines day after day, shadowed by Queensland police threatening to strike. The police officer was acquitted for the death by the Attorney General. The Tall Man follows these stories by delving into the courtroom, the notorious Queensland police force, and speaking with the Indigenous community of Palm Island, where this tale is sadly still indicative of many of the continuing atrocities of Aboriginal deaths in police custody.

A secret illegal project from the 1950s, 60s and 70s called COINTELPRO, represents the state’s strategy to prevent resistance movements and communities from achieving their ends of racial justice, social equality and human rights. The program was mandated by the United States’ FBI, formally inscribing a conspiracy to destroy social movements, as well as mount institutionalised attacks against allies of such movements and other key organisations. Some of the goals were to disrupt, divide, and destroy movements, as well as instilling paranoia, manipulation by surveillance, imprisonment, and even outright murder of key figures of movements and other people. Many of the government’s crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, COINTELPRO 101 opens the door to understanding this history, with the intended audience being the generations that did not experience the social justice movements of the 60s and 70s; where illegal surveillance, disruption, and outright murder committed by the government was rampant and rapacious. This film stands to provide an educational introduction to a period of intense repression, to draw many relevant and important lessons for the present and the future of social justice.

In the name of “protecting children,” the Australian Government’s so-called “emergency intervention” into Aboriginal communities in the remote Northern Territory, has taken away all existing Aboriginal land rights, suspended racial discrimination laws and placed over 70 communities under compulsory government control with subsequent measures of course having very little to do with “protecting children.” Instead, the outcome has been the disempowerment of traditional land owners, the further theft of Aboriginal land, the theft of resources, with the intent being to forcibly assimilate Aboriginal culture.

The shocking story of a well respected Indigenous community leader in outback Western Australia who was locked in a metal cell in the back of a prison van and driven through the desert in the searing heat. Four hours later he was dead. Reporter Liz Jackson reveals the tragic train of events that led to this death, despite repeated warnings that Western Australia’s prisoner transport system was unsafe and inhumane…

A new gold rush is sweeping through the Amazon rainforest where scores of people are bustling in to hunt for the last nuggets and specks of gold. This insatiable rush is perpetuating the further destruction of one of the largest remaining tropical forests in the world; bringing with it weapons, mercury, crime and alcoholism, and turning once pristine creeks and rivers into dumping grounds for mining. In the forest also lies the story of the Wayanas, a Native American tribe from Guiana, who are being poisoned by the mercury releases from the mining. Their communities are enduring one of the world’s worst globalisation disasters, fighting back against all odds.

Renowned independent journalist John Pilger speaks about complicity and compliance, censorship and citizen journalism as well as issues such as the holocaust in Iraq and Kevin Rudd’s shrewd political apology to the Indigenous peoples of Australia as Prime Minister. “These days, a one-dimensional political culture ensures that few writers write, or speak out, as they did in the last century. They are talented, yet safe. In the media, the more people watch, the less people know. Beneath the smokescreen of objectivity and impartiality, media establishments too often ventriloquise the official line, falling silent at the sight of unpleasant truths.”

Atomic Footprints uses archival footage and new material from the outback of Australia to examine the nuclear fuel chain, and the current push to expand uranium mines throughout Australia. This film speaks with local indigenous communities about the impact of already-existing uranium mining and refinement, and shows in clear examples some of the reasons why we should continue to oppose it around the world.

In July 2005, the Australian government announced its plan to open a radioactive waste-dump facility in one of three Department of Defence sites in the Northern Territory of Australia. With widespread community resistance by the indigenous people of the territory, No Where Here in the Middle documents the ongoing story of resistance to the dump and the fight to be free of toxins, poison, and a brutal occupation.

Atomic Confessions investigates the devastating effects of atomic weapons testing carried out in Australia by the British military during the 1950s. Members of the Australian Army, Air Force and Navy detail former top-secret aspects of the tests, while prominent Aboriginal Elders describe the real impacts on the ground. Using archival film and photographs, as well as eye witness accounts, Atomic Confessions chronicles the consequences of nuclear testing imposed on the Australian people, and the land, showing that these tests are not just skeletons of the past…

Tūhoe — History Of Resistance documents the fight for justice of the Tūhoe people of Te Urewera, Aotearoa (New Zealand). Set on contested land in the Urewera ranges of the middle North Island, the film presents the ways of Māori—the indigenous peoples of the land.

Fight For Country tells the story of one of Australia’s largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed ‘uranium deposits’, collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.

The Coconut Revolution documents the struggle of the indigenous peoples in the Bougainville Island. The movement is described as the world’s first successful eco-revolution, in that the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army stopped the mining plans of the RTZ company to exploit their land for resources…

In Australia between 1910 and 1970, one in three children were removed from Aboriginal families and placed in government institutions and foster homes. These children, in most cases, were never to see their family again. The film tells the story of three Aboriginal people who were removed. Bobby Randall, Cleonie Quayle, and Daisy Howard. Their stories are combined with interviews with well-known Australian historians Marcia Langton and Henry Reynolds, who describe the racist assumptions behind these policies. Removing children was a deliberate government policy and the aim was the eventual disappearance of Aboriginal people as a whole.

The 2000 Olympic Games in Sydney were universally recognised as an overwhelming success. The Australian heroine from start, when she carried the Olympic torch into the stadium, to finish, as she crossed the line to take 400m gold, was the indigenous athlete Cathy Freeman. Against the will of many of her still oppressed people, she came to represent the symbol, albeit shallow, of reconciliation between White Australia and Indigenous Australia. But the frenzy of flames and fireworks surrounding the Games blinded the rest of the world to the real history behind it all…

Bones of the Forest traverses the topic of deforestation through the lens of colonisation. Told through the eyes of both native and non-native elders, current and former loggers, environmentalists and protesters, the film shows the experience of the sights and sounds of threatened forest, alongside the plight of loggers and their families. The voices at times coalesce—loggers made redundant due to over-foresting, align with environmental activists who wish to save the forest from the destruction of this culture.

Kanehsatake: 270 Years of Resistance documents the ‘Oka Crisis’ of 1990 in which the government of Oka, Canada, pushed for plans to develop a private golf course and new luxury housing on sacred indigenous land. The film captures the events as they unfold, from the beginnings as frivolous government ‘negotiations’ to the resulting siege by the Canadian Army and local police…

Focusing specifically on mines in Canada, Uranium examines the hazards of uranium mining, the toxic and radioactive waste involved at every stage of the process, as well as the wholistic way that indigenous communities have been violated and destroyed by mining and refining practices throughout the country and the world…

In these three films, John Pilger and Alan Lowery return to Australia to celebrate the country’s bicentenary, interviewing an extraordinary range of Australians from diverse backgrounds, each of whose views are a long way from those of the treasured Aussie stereotypes…

On 1 May 1946, under occupation and wage slavery by the white man, 800 Aboriginal workers walked off sheep stations in the north-west of Western Australia, marking the beginning of a carefully organised strike that was to last for at least three years, and never officially ended. The strike was a demand for basic freedoms and for better wages considering the imposed conditions. A fight that sadly continues to this day, speaking to the truth of a country still occupied and brutally colonised, land that was never ceded.

The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Indigenous people were, and continue to be, treated…

In 1981, the New Zealand government invited the South African rugby team to tour New Zealand. This effectively split the country in half as the rugby tour was seen by some as endorsement of South Africa’s apartheid regime. Patu! recounts the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against the South African rugby tour. Sports grounds and suburban streets became battlefields as the film recounts visceral images of massive protest actions met with police brutality. Patu! is a record of heroism, and for many young people taking to the streets, it was their 1968. Māori and Pākehā, children and grandparents, gang members and clergymen—all in a moment of rare consensus, stood together to affirm shared values.

John Pilger travels to Reno, Navada in the United States, to investigate the threats facing Pyramid Lake—a reservation of the Paiute people. With water diversion beginning in 1905 by Derby Dam and the lake’s very existence threatened, the Paiute sue the conservation department of government—the DOI—to curtail further damage. By the mid 1970s, the lake had lost 80 feet of depth, with extensive impacts to fish and other life of the lake. Further water diversion in the 1970s was driven by a racially-exclusive sportsman’s and leisure reserve used for white hunting and recreation near the town of Fallon…

In Australia takes a candid look at the highs and lows of Australian society, circa 1976. The film ties together the workings of media manipulation in its early days, along with the removal of Prime Minister Gough Whitlam by Governor-General coup d’état—Kerr’s Cur—to demonstrate the common apathetic side of popular culture in the ‘lucky country.’ The film also touches on the subtlety of remnant class structures remaining from English heritage by revealing the workings of the ‘Occa’—a prudish stereotype of the common person portrayed and exploited by mainstream media, revealing views on immigration and racism in a country, ironically, colonised by immigrants.