Ghosts of Abu Ghraib examines the sexual abuse, torture, rape, and murder of detainees at Abu Ghraib prison at the hands of US military police in the fall of 2003. The film shows how the abuse was systemic of the military-intelligence complex, flawing the "bad apples" theory that was sprouted through the media at the time. By making reference to Stanley Milgrim's obedience experiments of the 1960s, the film asks: How can ordinary people take these actions? And what orders came from the chain of command?
From 1974, Hearts and Minds documents the events of the Vietnam War using news clips as well as directly captured footage showing actions and other happenings on the ground by the United States military during the war. The film also follows Vietnamese people themselves as to how the war affects them and why they fight back. Hearts And Minds reveals a racist and self-righteous militarism of the west, ironically in stark similarity to recent happenings in Iraq and elsewhere.
Heroes reports on the treatment of returning combat soldiers from Vietnam in the early 1980s. The film investigates the strange cultural absence of reverence or memory to soldiers returning home, and shows with first-hand accounts and interviews with returning soldiers, opines from the front line about America's unpopular war.
Hijacking Catastrophe examines the evidence that neoconservatives used the September 11, 2001 attacks to usher in a new doctrine of expanding American power through military force under the guise of a "war on terror" and that the doctrine -- known as the Project for the New American Century -- had been laid out prior to 9/11 by its authors, which include Dick Cheney, Paul Wolfowitz, Donald Rumsfeld, Jeb Bush and Dan Quayle...
In the early 1940s, hundreds of thousands of people unknowingly became test subjects in toxins experiments and biological weapons tests conducted by the United States government. LSD tested on civilians, nerve gas sprayed into suburbs, hospital patients injected with plutonium, children exposed to biological and chemical agents just to see what would happen...the list goes on. And in most if not all cases, tests were carried out without the knowledge or consent of those involved. In 1996, evidence of these secret operations hit the news, uncovering a history of secret operations and covert projects that cast a large shadow over the operations of US military and intelligence agencies, to this day. Experiments with biological weapons and the testing of chemical warfare were only part of the story...
War is hell, but for Hollywood it has been a god-send, providing the perfect dramatic setting against which courageous heroes win the hearts and minds of the movie going public. The Pentagon recognises the power of these celluloid dreams and encourages Hollywood to create heroic myths; to rewrite history to suit its own strategy and as a recruiting tool to provide a steady flow of willing young patriots for its wars...
HyperNormalisation wades through the culmination of forces that have driven this culture into mass uncertainty, confusion, spectacle and simulation. Where events keep happening that seem crazy, inexplicable and out of control—from Donald Trump to Brexit, to the War in Syria, mass immigration, extreme disparity in wealth, and increasing bomb attacks in the West—this film shows a basis to not only why these chaotic events are happening, but also why we, as well as those in power, may not understand them. We have retreated into a simplified, and often completely fake version of the world. And because it is reflected all around us, ubiquitous, we accept it as normal. This epic narrative of how we got here spans over 40 years, with an extraordinary cast of characters—the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, early performance artists in New York, President Putin, Japanese gangsters, suicide bombers, Colonel Gaddafi and the Internet. HyperNormalisation weaves these historical narratives back together to show how today's fake and hollow world was created and is sustained. This shows that a new kind of resistance must be imagined and actioned, as well as an unprecedented reawakening in a time where it matters like never before.
For the past 15 years, the misnomer "War on Terror" has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?
The Guantanamo detention camp, "Gitmo", covers forty five square miles of Cuba inside an area under a "permanent lease" to the United States. Since 2002, the base has become synonymous with its detainment of "suspected terrorists". Although Barack Obama has given orders for the detention camp to be closed, the facilities remain open to this day. David Miller's quiet, powerful film is the result of three days the film-maker spent touring the camps in May 2008 as part of a small group of media representatives allowed there. Although the event was presented as a chance to 'see inside' the working of Guantanamo, it was in fact a carefully staged PR exercise designed to yield predictable, stale and controlled media images...
The United States proudly self-identifies as the major purveyor of peace and democracy across the world. But does this perception of self match up to the actual policies and history of military actions throughout recent decades? Are the United States' seemingly constant wars of aggression befitting to achieving peace? These are some of the central dichotomies addressed in this short film In Whose Interest? We see internal documentation of the US involvement in countries like Vietnam or Guatemala which indicate that the main factors motivating American foreign policy are clearly economic concerns. In Guatemala, the United States overthrows a democratically elected government to install a military-backed dictatorship that is suitable to the American United Fruit corporation. A similar pattern emerges in Vietnam, El Salvador and East Timor. Perhaps most oppressive yet is US policy in the Middle East, where the US provides Israel with more than $3 billion per year in military assistance—more aid than they give to the entire continent of Africa. We see how American policy is determined by the corporate sector, tightly linked to the state, which makes decisions in their own self-interest—in stark opposition to the rhetoric of democracy...
Inside Burma -- The Land Of Fear exposes the history and brutality of one of the world's most repressive regimes. Nearly the size of Texas, with a population of more than 40 million, Burma has rich natural resources. Yet Burma is also a secret country. Isolated for the past 40 years, since a brutal military dictatorship seized power in Rangoon, Burma has been relegated to one of the world's poorest countries, with the assault on its people all but forgotten by the rest of the world. Award winning film-makers John Pilger and David Munro go undercover to expose how the former British colony is ruled by a harsh, bloody and uncompromising military regime...
The United States heralded many grandiose promises of freedom and equal rights as they invaded Iraq. But still years on from the invasion, the reality of everyday life for women inside Iraq is of course a different story. To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet. Iraq -- The Women's Story provides a compelling account of a life inside Iraq that is never seen on news bulletins...
Produced while the invasion was in full swing, Iraq for Sale investigates some the many private contractors and consultants that were brought into to Iraq as part of the United States military machine. Four major contractors are profiled: Blackwater, K.B.R.-Halliburton, CACI and Titan, along with investigations of human rights violations, systemic misconduct, corruption, and profiteering. The film posits what damage is done to the 'average citizen' when corporations decide to wage war. For those in opposition to war and corporate power, the connection between the invasion of Iraq and the private corporations who profit from the fighting is plain to see. For those who still may not be so easily convinced, the film not only explores the questionable motivations of the corporate decision-makers whose wartime profiteering has affected the lives of countless soldiers and their families, not mention the lives of millions of civilians, but also the increasingly negative international reputation of the United States as a result.
Initially, the Americans claimed that they were not recording casualty figures. George Bush stated that America would do its "utmost to avoid civilian casualties". But now, details of the US Military themselves recording over 109,000 deaths have been released by Wikileaks -- over 66,000 civilian deaths; 176,000 civilians and others wounded. Iraq's Secret War Files reveals the true scale of civilian casualties, and examines evidence that after the "scandal" of Abu Ghraib, American soldiers continued to torture prisoners; and that US forces did not intervene in the torture and murder of detainees by Iraqi security services...
For many years, there has been widespread speculation, but very little consensus, about the relationship between violent video games and violence in the real world. Joystick Warriors draws on the insights of media scholars, military analysts, combat veterans, and gamers themselves, to examine the latest research on the issue. By setting its sights on the wildly popular genre of first-person shooter games, Joystick Warriors exploring how the immersive experience these games offer link up with the larger stories this culture tells about violence, militarism, guns, and manhood. It also examines the gaming industry's longstanding working relationship with the United States military and the arms industry, showing how the games themselves work to sanitise, glamorise, and normalise violence while cultivating regressive attitudes and ideas about masculinity and militarism.
Kanehsatake: 270 Years of Resistance documents the 'Oka Crisis' of 1990 in which the government of Oka, Canada, pushed for plans to develop a private golf course and new luxury housing on sacred indigenous land. The film captures the events as they unfold, from the beginnings as frivolous government 'negotiations' to the resulting siege by the Canadian Army and local police...
Mirage Men examines evidence of a conspiracy by the United States military to fabricate UFO folklore over decades in order to deflect attention away from classified military projects. The film profiles a retired Special Agent, Richard Doty, who worked for the United States Department of the Air Force Office of Special Investigations, and the United […]
My Country, My Country documents the United States' invasion of Iraq from an insider's perspective, as told by Iraqi citizens themselves, and by the efforts of a devoted father and Sunni Muslim political candidate. Filmmaker Laura Poitras also spends time on the ground following the United States military 'Civil Affairs' team during the 2005 elections in Iraq. As the US government attempts to "bring democracy" to the country, Baghdad native Dr. Riyadh is faced with making the difficult decision of supporting the popular boycott of the elections, or fighting for a democracy that seems ever more unlikely with each passing day. With intimate footage of Dr. Riyadh's interactions with the public and candid interviews featuring the opinions of every-day citizens, My Country, My Country provides a rare look inside the struggle in Iraq in the context of an ongoing brutal occupation.
On 8th August 1945, the United States dropped its second atomic bomb on Nagasaki, Japan, three days after the bombing of Hiroshima. The city was a veritable apocalyptic vision, devastated by this new type of weapon. Nagasaki -- The Horror Of Fat Man documents the memories of survivors, both Japanese civilians and Western Prisoners Of War, as they relate the morbid aftermath of the bombings, the United States occupation, and the segregation that still effects fallout victims to this day.
National Bird: Drone Wars is the story of the United States' secret program for drone strikes, conducted all around the world, told through three military whistle-blowers plagued by guilt over participating in the killing of faceless people in foreign countries. They decide to speak out publicly, despite the possible consequences. Their stories take dramatic turns, leading one of the protagonists to Afghanistan where she learns about a horrendous incident, but her journey also provides for peace and redemption. National Bird provides an insight into the United States' secret drone program through the eyes of participants, veterans, and survivors, connecting their stories to images.
In 1990, alarming evidence of NATO-sponsored terrorist attacks came to light. NATO’s secret "stay behind" armies that were set up across Western Europe after the Second World War were supposedly intended to help put together a resistance if the Soviet Union invaded. However, they went on to commit terrorist attacks against their own populations, so as to influence domestic politics. The forces still exist post-Cold War. This film is the shocking story of Operation Gladio--a tale of espionage, conspiracy and political violence carried out by the United States.
We've been told again and again that sports and politics don't mix, that games are just games and athletes should just "shut up and play." But Not Just a Game argues that far from providing merely escapist entertainment, American sports have long been at the centre of some of the major political debates and struggles of our time. By tracing the good, the bad, and the ugly of American sports culture, Not Just a Game shows how American sports have glamorised militarism, racism, sexism, and homophobia; but also traces a largely forgotten history of rebel athletes who stood up to power and fought for social justice beyond the field of play.
On April 19, 1995, Timothy McVeigh, a former soldier deeply influenced by the literature and ideas of the radical right, parked a truck with a five-ton fertiliser bomb in front of the Alfred P. Murrah Federal building in Oklahoma City. Moments later, 168 people were killed and 675 were injured in the blast. Oklahoma City traces the events that led McVeigh to that day from the perspective of the survivors, first-responders, investigators, and journalists who covered the events. The film provides an exploration of the convergence of various conservative religious movements and white supremacist militias that rose to prominence in the early 1990s, and were catalysed by the actions of government during that time.
The Pentagon has a long tradition of cooperation with Hollywood. Movie studios can save millions of dollars and achieve spectacular success by securing use of military stock footage, military equipment, weapons and manpower. But the catch is that Hollywood must alter scripts, whitewash history, censor and present their films to display war and the military in a favourable way. As a consequence, mainstream commercial films become the best and most powerful, widespread propaganda...
How does one sell a war? This was a question that weighed heavy on the minds of those in the United States government long before the invasion even started. Operation Saddam: America’s Propaganda Battle takes a look at the marketing of war -– a cocktail of distortion, lies and forgeries -– as shown by former secret service agent Ray McGovern, American investigative journalist Seymour Hersh and best-selling author John MacArthur, presenting the individual stages of the propaganda battle, by which American, British and other governments sought to justify the second invasion of Iraq...
John Pilger returns to the Occupied Territories of the West Bank and Gaza where, in 1974, he filmed a documentary with the same title -- Palestine Is Still The Issue -- a film about the same issues, a nation of people, the Palestinians, forced off their land and subjected to military occupation by Israel. Pilger hears extraordinary stories from Palestinians, though most of his interviews are with Israelis whose voices are seldom heard, including the remarkable witness of a man who lost his daughter in a suicide bombing. But for Palestinians, the overriding, routine terror, day after day, has been the ruthless control of almost every aspect of their lives, as if they live in an open prison. This film is about the Palestinians and a group of courageous Israelis united in the fight to be free...
Pandora's Box -- A fable from the age of science, is a six part series examining the consequences of political and technocratic rationalism, tying together communism in the Soviet Union, systems analysis and game theory during the Cold War, economy in the United Kingdom during the 1970s, the insecticide DDT, Kwame Nkrumah's leadership in Ghana during the 1950s and 1960s and the history of nuclear power.
Pax Americana and the Weaponization of Space takes us to the Cold War and beyond, where an arms race of weapons technology plays out by the world's superpowers in space. Satellites, nuclear weapons, tracking technologies, rockets--the weaponisation of space was and is more of the same colonialism in the tradition of empire, much like the sea battles of the 18th and 19th centuries. Indeed, as we learn through Operation Paperclip, the United States recruited than 1,600 scientists from Nazi Germany for work in the Space Race after the end of World War II. Fast forward to today, in the name of protecting commercial investment, the United States has crowned itself with being the so-called "arbiter of peace" in space. But with their weapons industry replacing almost all other manufacturing in America, this claim is ludicrous. More than fifty cents of every US tax dollar is spent on the military. The dream of the original Dr. Strangelove, Wernher von Braun--the Nazi rocket-scientist turned NASA director--has survived every US administration since World War II and is coming to life ever more rapidly. Today, space is largely weaponised, a massive military-industrial-complex thrives, and many nations are manoeuvring for advantage with yet more weapons of war, surveillance, and control.