The End of Poverty? traces the growth of global poverty back to colonisation in the 15th century to reveal why it's not an accident or simple bad luck that there is a growing underclass around the world. Featuring interviews with a number of economists, sociologists, and historians, the film details how poverty is the clear consequence of free-market economic policy which has allowed powerful nations to exploit poorer ones for their assets, turning the money back to the hands of the concentrated few. This also follows on to how wealthy nations--especially the United States--thereby exert massive debts, seize a much disproportionate exploit of the natural world, and how this deep imbalance has dire consequences on the environment and on people...
Let's Make Money investigates the development of the world-wide financial system, showing that elitists economically exploit the rest of society, especially in the developing world, but also in western nations. Using the savings of a typical depositor as a case study, the film moves around the global system, showing exploitation at many levels. There are several interviews with investment managers, politicians, economists as well as homeless people and workers who give their take on the system and its impacts...
For millions of people, the global economic collapse has generated curiosity about how money systems actually work, as opposed to how they're portrayed, especially when so many financial pundits seem to be baffled. In The Ascent of Money, economist Niall Ferguson works through some history that created today's money system, visiting the locations where key events took place and poring over actual ledgers and documents, such as the first publicly traded share of a company. Viewed with a critical eye, this series aims to show how the history of money is indeed at the core of civilisation, with economic strength determining political dominance, wars fought to create wealth and individual financial barons determining the fates of millions.
Robert Beckford visits Ghana to investigate the hidden costs of rice, chocolate and gold and why, 50 years after independence, a country so rich in 'natural resources' is one of the poorest in the world. He discovers child labourers farming cocoa instead of attending school and asks if the activities of multinationals, the World Bank and International Monetary Fund have actually made the country’s problems worse...
Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation...
The Big Sellout reveals the reality of privatisation and globalisation by examining the corporate takeover of basic public services throughout the world, such as water supply, electricity, public transportation, and public health care. In South America, Asia, Africa, but also in Europe and the United States, filmmaker Florian Opitz talks to the architects of the new economic world order, as well as to ordinary people who have to deal with the real direct effects. The result is a tapestry of narratives the world over that show where the dogma of privatisation cames from, who profits from it, what societies lose, and why resistance is so important.
Confessions of an Economic Hit Man is a presentation by John Perkins, based on the book by the same name published by him in 2004. Perkins describes the role: "Economic hit men are highly-paid professionals who cheat countries around the globe out of trillions of dollars. They funnel money from the World Bank, the US Agency for International Development (USAID), and other foreign "aid" organisations into the coffers of huge corporations and the pockets of a few wealthy families who control the planet's natural resources. Their tools included fraudulent financial reports, rigged elections, pay-offs, extortion, sex, and murder. They play a game as old as empire, but one that has taken on new and terrifying dimensions during this time of globalisation."
There are plenty of anarchists in the world. Many have committed robbery or smuggling for their cause. Fewer have discussed strategies with Che Guevara or saved the skin of Eldridge Cleaver, the leader of the Black Panthers. There is only one who has done all that, and also brought to its knees the most powerful bank in the world by forging travellers cheques, without missing a single day of work bricklaying. He is Lucio Urtubia from a tiny village in Navarra in North of Spain. Lucio, 75, now lives in Paris, still doing valued political work. Lucio has been protagonist and witness to many of the historic events of the second half of the 20th century. His family was persecuted by Franco's regime; he was on the streets of Paris for the phenomenon of May of 1968; he actively supported Castro's revolution; and helped thousands of exiled people by providing false documents to them. But without a doubt, his greatest triumph came in the second half of the 1970s where he swindled 25 million dollars from the First National Bank--or Citibank--to later invest the money in causes he believed in.
Money is a new form of slavery and is only distinguishable from the old slavery simply by the fact that it is impersonal--that there is no human relation between master and slave. Debt in government, corporate and household has reached astronomical proportions. Where does all this money come from? How could there be that much money to lend? The answer is that there isn’t...
Based on the book of the same title by Juliet Schor, The Overspent American scrutinises the form of consumerism ever-pervasive in this current era that is driven by upscale spending and debt; shaped and reinforced by a media system driven by commercial interests. We're encouraged from all angles to spend money we don't have, working longer hours than ever before. Illustrated with hundreds of examples, The Overspent American draws attention to both the financial and social costs of this giant consumption machine, where the frivolous and relentless search for "happiness" and identity is espoused by advertising.
Featuring George Bush's famous "go-shopping-speech" calling for a war against terrorism that deters the nation from the fear of consumption; Castro responding with hymns to the anti-consumerist, advertising-free island of Cuba; Bill Gates and Steve Ballmer preaching that the computer will give us peace on earth, and "bring people together rather than isolate them"; while Adbuster Kalle Lasn warns that advertising pollutes us mentally, that over-consumption is unsustainable, that we are running out of oil and this will cause a global economic collapse...
The discrepancies between the "War on Terror" and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, "the generosity of America and its allies." Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military 'skirmishes' continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, "in many ways worse than the Taliban."
Did you know that the legal system recognises a corporation as a person? What kind of 'person' is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
The film is a video essay by Professor Albert Bartlett essentially serving as an introduction to the concept of steady growth and doubling time, by taking us through the impacts and consequences of exponential growth on a finite planet. By making good observations of this impossible growth as applied to fossil-fuel consumption, population and the endless growth of which the global economy requires, this presentation gives us the basic tools to fundamentally understand that we've got a real problem on our hands.
The myths of globalisation have been incorporated into much of our everyday language. "Thinking globally" and "the global economy" are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In some respects you are already living in it. The clothes in your local store were probably stitched together in the factories of Asia. Much of the food in your local supermarket will have been grown in Africa...
Recorded by over 100 media activists, this film tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organisation summit. Vowing to oppose--among other faults--the WTO's power to arbitrarily overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, thousands of people from all around the United States came out in force to stop the summit. Against them was a brutal police force and a hostile media. This Is What Democracy Looks Like documents the struggle, as well as providing a narrative to the history of success and failure of modern political resistance movements.
The Mayfair Set is a four part series that studies how capitalists overtly and surreptitiously came to prolifically shape governments during the 1980s, epitomised by the Thatcher government in Britain at the time. But the corporate influence of political power doesn't simply arrive, it rather culminates after decades of engineering rooted in the economic collapse from the aftermath of the Second World War. This series focuses on the unreported and almost unseen approach that capitalists have taken since the 1940s to gradually take control of the political systems of not only the United States and Britain, but elsewhere around the world—exemplified by the boom of globalisation.
25 Million Pounds details the collapse of Barings Bank in the mid 1990s primarily by a broker called Nick Leeson, who lost £827 million ($1.3 billion) by speculating on futures contracts. The film contextualises the downfall as the history of Barings Bank was one of the oldest and most prestigious merchant banks in Britain, run by the same family for decades with extensive ties to Britain's elites. But in the late 19th century Barings almost went bankrupt after investing heavily in South American bonds, including backing the construction of a sewer system in Buenos Aires. The bank was saved by The Bank of England, but Edward Baring, the head of the bank, was financially ruined and never recovered. This film explores the culture of Barings and of the financial markets during the 1990s, and how Nick Leeson was able to cause another huge loss of money to the bank, this time bankrupting the company. He did this by claiming fictitious profits on the Singapore International Monetary Exchange and using money requested from London as margin payments on fictitious trades to finance his loss-making positions. It's also the profile of a stereotypical corporate psychopath, as Leeson himself explains how he was able to manipulate those around him to achieve his ends and rationalise his actions.
War By Other Means examines the policy of western banks making loans to so-called 'third world' countries, which are then unable to meet the crippling interest charges—debt used as a weapon. The film primarily analyses 'Structural Adjustment Programs,' which are proclaimed to enable countries to compete in the 'global economy,' but have the opposite effect of lowering wages which in turn further transfers the wealth from the poor to the rich.
Pandora's Box -- A fable from the age of science, is a six part series examining the consequences of political and technocratic rationalism, tying together communism in the Soviet Union, systems analysis and game theory during the Cold War, economy in the United Kingdom during the 1970s, the insecticide DDT, Kwame Nkrumah's leadership in Ghana during the 1950s and 1960s and the history of nuclear power.
Controlling Interest is one of the first documentary films to provide a critical analysis on the growth of multinational corporations, and their impacts on people and the environment. Upon its release, Controlling Interest quickly became a standard audio-visual text for those concerned about the growing impact of multinational corporations, examining how the ever-increasing concentration of money and power affects employment in the United States, shapes patterns of development across the world, and influences foreign policy. This is the film that helped kick-off the anti-globalisation movement. Remarkably candid interviews with business executives provide a rare glimpse of the reasoning behind corporate global strategy, and the never-ending search for resources, ever-cheaper labour, and the commodification of life. The film documents the impact of corporate decisions on people around the world, including how "freedom" has come increasingly to mean the freedom of global corporations to operate without restriction. Some of the case studies include Massachusetts' declining machine tool industry, Brazil's "economic miracle," and Chile before and after the 1973 coup.