During the summer of 2013, a new area of occupied Sápmi (the northern parts of Fennoscandia in Europe) were under attack from the mining industry. If it were not for groups of brave resisters, the test blasting outside Jokkmokk in Lapland, Sweden, would have gone by without incident. The local Sámi people would have once again been exploited, and future generations poisoned without even a debate. But this time, something happened. The Gállok Rebellion tells the story of the resisters in Gállok, and shines a light on views which are not often televised. The film collates the efforts of many groups working together and serves as a call to action, to continue to protect the natural world which is under siege.
Perfect Storm offers an initial analysis of the underlying causes and wider context surrounding the riots throughout England in 2011. Contrary to the portrayals presented by mainstream media and trite political rhetoric around law and order, the riots were sparked by poverty, inequality and frustration over police killing a young man in Tottenham. How does the damage weigh up to the criminal conduct of banks and corporate tax avoiders when the costs of the riots are over four thousand times less than the recent financial crisis? Whose priorities are at play here?
Just Do It -- A Tale of Modern-Day Outlaws follows a group of activists in the UK to document their protests and actions over one year dealing with issues around climate change. Demonstrations at Copenhagen’s 2009 G20 summit and at the Drax coal power station in North Yorkshire, England, are just some of the events documented.
In June 2010, leaders from the twenty largest economies met in Toronto, Canada with representatives of corporate interests to discuss the policies that shape globalisation. With exclusion zones, overlapping layers of security fencing and an estimated 25,000 police and military personnel, the city was transformed into an armed grid. Over 1.3 billion dollars were spent on security measures -- more than all previous G8 or G20 meetings combined. Tales From The G20 shows some sides of the Summit, from unmarked vans with snatch squads of plainclothes police to the pre-emptive arrest of people now facing years in prison for organising demonstrations or simply being on the street...
Mark Kennedy was an undercover police officer who spent eight years as a infiltrator and informer on environmental movements and other protest groups throughout Europe. Confessions of an Undercover Cop accounts the actions of Kennedy from his perspective, which reveals an insight into the dark, twisted psychology of a police informant and the methods they use to destabilise movements and activists...
By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly 'pacifist' social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on 'Endgame,' the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
On October 15th 2007, a series of intense police raids occurred around the small village of Ruatoki in New Zealand. Operation 8, as it was called, was the result of 18 months of invasive surveillance of Maori sovereignty and peace activists accused of attending 'terrorist training camps' in the Urewera ranges—the homeland of the indigenous Tūhoe people. This film examines why and how the raids took place. Did the "War on Terror" become a global witch-hunt of political dissenters reaching even to the South Pacific?
The Tall Man is the story of an Aboriginal man, Cameron Doomadgee (tribal name: Mulrunji) who in 2004 was arrested by Senior Sergeant Chris Hurley (the so-called 'Tall Man') in Palm Island, a tropical paradise in Australia's Far North. 45 minutes after the arrest, Mulrunji was found dead in the Palm Island police station. His injuries were like those of someone who'd been in a fatal car crash. The police claimed he had "tripped on a step," but the community knew this was bullshit. The Palm Islanders protested for truth and burnt down the police station. The subsequent trial of Hurley—who had been decorated for his work in Aboriginal communities—made headlines day after day, shadowed by Queensland police threatening to strike. The police officer was acquitted for the death by the Attorney General. The Tall Man follows these stories by delving into the courtroom, the notorious Queensland police force, and speaking with the Indigenous community of Palm Island, where this tale is sadly still indicative of many of the continuing atrocities of Aboriginal deaths in police custody.
A secret illegal project from the 1950s, 60s and 70s called COINTELPRO, represents the state's strategy to prevent resistance movements and communities from achieving their ends of racial justice, social equality and human rights. The program was mandated by the United States' FBI, formally inscribing a conspiracy to destroy social movements, as well as mount institutionalised attacks against allies of such movements and other key organisations. Some of the goals were to disrupt, divide, and destroy movements, as well as instilling paranoia, manipulation by surveillance, imprisonment, and even outright murder of key figures of movements and other people. Many of the government's crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, COINTELPRO 101 opens the door to understanding this history, with the intended audience being the generations that did not experience the social justice movements of the 60s and 70s; where illegal surveillance, disruption, and outright murder committed by the government was rampant and rapacious. This film stands to provide an educational introduction to a period of intense repression, to draw many relevant and important lessons for the present and the future of social justice.
With economic collapse besieging the United States, domestic violence statistics show a sharp increase in violence against women. States are closing shelters and cutting support programs, and the culture ignores domestic violence, except when celebrities are involved on TV. In the meantime, more spouses have been killed by their partners in the past several years than soldiers have been killed in Iraq. Power and Control addresses this life and death issue during a time of urgent crisis, a timely and comprehensive exploration of physical and emotional abuse in dominant culture, as refracted through the story of Kim Mosher, a mother of three who has recently left her abusive husband. As Kim and her fragile daughters take up residence in a domestic violence shelter, the film follows the harrowing struggles in a single-parenting survivor's quest to find work, housing and peace of mind. We also meet Kim's husband, Josh, himself a survivor of abuse. His attempts to explain his behaviour are troubling--shocking in the context of the story's final twist. The multi-level narrative also examines the root causes of domestic violence and the solutions that have evolved to stop it, celebrating the battered women's movement activists who demanded revolutionary change in the 1980s, and examining alternative approaches now being advocated.
The Chicago Conspiracy reviews the legacy of the military dictatorship in Chile by sharing the story of combatant youth who were killed by the Pinochet regime as a backdrop to the history of the military dictatorship and current social conflict. The larger history is wrapped around three shorter pieces, which explore the student movement, the history of neighbourhoods that became centres of armed resistance against the dictatorship, and the story of the indigenous Mapuche...
Lethal Force takes a detailed look at four incidents, in different parts of Australia, where people suffering mental illness or psychological distress died after being shot or tasered by police. Specifically detailed is how in certain cases, the victims had even sought help at hospital and after having left of their own free will, were shot dead by police...
For 20 years the NSW Crime Commission went about its business with drugs quietly. When it scored a bust, it stood back and let politicians and the police bask in credit. But all that changed with the sensational arrest of the commission's assistant director, Mark Standen, on charges of trafficking drugs. His spectacular downfall threw a spotlight onto the Crime Commission's remarkable array of powers and how it abuses them. Secret hearings, witnesses compelled to answer questions, broad powers of search and surveillance, no independent review process...
Unwritten Future documents the events during the Republican National Convention in 2008 where excessive use of force and questionable tactics by police are on full show. Even peaceful radio host Amy Goodman is arrested. The film is dispersed with interviews with activists, asking them what they are fighting for, contrasted with police response and the aftermath.
Between 1970 and 1972, a group of activists used weapons to symbolically attack property, sparked by demonstrations in London against the Vietnam War. Calling themselves the Angry Brigade, the group published a series of communiqués with the actions, explaining the choice of targets and the philosophy. Targets included the embassies of repressive regimes, police stations, army barracks, boutiques, factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police. The attacks on senior authority figures increased the desire for 'results' and consequently brought an avalanche of police raids. But from the start the police were faced with the difficulty of getting to grips with the section of society they found to be totally alien -- were they facing an organisation, or an idea?
The Australian Federal Police--the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978--has enjoyed consistent showers of praise by politicians and the public ever since it's inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the "terrorism case" against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP...
Law Professor James Duane from the Regent Law School in Virginia Beach, Virginia; and Police Officer George Bruch from the Virginia Beach Police Department, both explain why even innocent people should never talk to the police or agree to answer questions from the police. Citing a trove of examples and even though pertaining to US law, this talk is particularly applicable for political activists the world over as Security Culture 101.
This documentary looks at the erosion of civil liberties and increase in government surveillance since 1997 in the UK with the advent of "New Labour" and Tony Blair. Modern politicians, regardless of left or right, always seem to promise hope and change, but what is delivered is more of the same. To illustrate this, the film tracks 6 key areas that have been rapidly dismantled in so-called democracies over the last few decades: Freedom of speech; the right to assemble and protest; the presumption of innocence; the right to privacy; detention without charge, the prohibition on torture...
The Invisible War documents the rapid militarisation of police in recent years by looking at the deployment of so-called 'non-lethal' weapons and the real effects of their use. Shotguns loaded with bean bags, rubber bullets, wood, rubber, and foam cylinders; electrical tasers; pepper sprays, OC-gas, and other chemical weapons; microwaves, stink bombs, pulsed energy weapons and many more. What is interesting is that, according to an overwhelming amount of recorded cases, these weapons have turned out to have caused many deaths and/or serious injuries, and are more often used on peaceful non-compliant citizens, or protesters, as a means of obedience rather than protection—invoking serious questions about the future of police and society.
In 1929, in the face of collapsing demand for coal and a deepening economic crisis, mine owners in the Hunter Valley of New South Wales, Australia; announced, with the support of government, that they would cut miners' wages and strip them of their workers rights. When the workers refused to agree to these terms the mine owners locked the gates. 10,000 miners, pit boys and their families now found themselves without a job. What began as an dispute about industrial labour ended up overpowering a government, crippling an industry and besieging a community. This event challenged the rights of every Australian worker, and redefined the political and industrial landscape of a country that witnessed an event forever remembered as 'The Great Australian Lockout.'
If one steps back and looks at what freedom actually means in the West today, it's a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for "individual freedom," yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force "freedom" on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.
New surveillance technologies are penetrating every aspect of our lives and we don’t even know it. All across the world, millions of cameras are watching us. The police are able to record almost every journey and operate on ever expanding powers of search and arrest; governments collect our DNA, fingerprints and iris scans while colluding with corporations to profile us and analyse our behaviour. All of these measures, it is said by the state, is to protect our freedom...
5th June 1989, Tiananmen Square, Beijing. After weeks of mass killing, oppression and violence by the Chinese government against it's own people, the image of a lone man standing defiant with his shopping to a line of tanks still lives on...
Nina Hobson, an officer in the Leicestershire police force, leaves the force disillusioned at the rampant culture of sexism, apathy and neglect that is rife amongst the institution. Five years later, Nina returns to the police force, but this time as an undercover journalist to document the culture behind the scenes, blowing the whistle. Filmed over four months, gaining unprecedented access to officers, Nina secretly captures footage first-hand showing the various ways the culture perpetuates itself. Reports of sexual assault and rape are not taken seriously, to the extent that in one scene, a female police officer says that if she was ever raped, she would not report it to the police. We see multiple cases where officers turn away from domestic violence incidents because they do not want to turn up, or do not want to answer emergency calls because they are out to get a meal instead. In another scene, officers are playing poker and indoor cricket rather than attending to others who are working with prisoners or doing patrol work. In another scene, a police officer boasts about how he pretended not to see someone injured and bleeding because he had a football match to watch while on duty. The examples continue. The result is that Undercover Copper not only exposes the brutality of these specific incidents, but posits fundamental questions about the police as an institution itself, embedded in a larger culture that is apathetic, misogynist, and self-interested. It shows just how much needs to be done to turn this around.
The Secret Policeman exposes first hand evidence of racism in the British police forces, revealing how much it has been driven underground since 2002 when a government inquiry branded the police as institutionally racist. Undercover journalist Mark Daly joins the Greater Manchester Police as a trainee, and infiltrates Bruche Police Training Centre in Warrington, Cheshire for several months using hidden cameras to capture direct instances of racism throughout the police force.
The Miami model was the name given to a set of tactics employed by police during protests in Miami, Florida relating to the Free Trade Area of the Americas (FTAA) trade agreement meetings in November 2003. State Attorney Kathy Fernandez Rundle responded to allegations of police brutality by saying, "The police were very professional, very controlled... I think we have a model here for the rest of the world to emulate in the future when these sort of events take place." This film documents these tactics from the perspective of the protesters, to show what really happened to them and to document their work opposing the FTAA, countering the mainstream media narratives of the event and the tropes espoused by those in power.
30 Frames A Second is an immersive first-person account of the events that unfolded during the week the World Trade Organisation came to Seattle in the United States, November 1999. The film is assembled from the perspective of 15-year veteran network-news cameraman Rustin Thompson, who became disillusioned with mainstream media and hence covered the WTO as an independent journalist. As such, even with press credentials for the event, Thompson is swept into the retribution of the state and police power which hit at the protests with tear gas, pepper spray, and police abuse. For him and the protesters alike, it begs the question about the functioning of the so-called democracies we live in, where civil liberties and human rights are curtailed in favour of facilitating the vast corporatocracy and global economic empire—precisely one of the points that sparked protests in the first place...
Recorded by over 100 media activists, this film tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organisation summit. Vowing to oppose--among other faults--the WTO's power to arbitrarily overrule nations' environmental, social and labour policies in favour of unbridled corporate greed, thousands of people from all around the United States came out in force to stop the summit. Against them was a brutal police force and a hostile media. This Is What Democracy Looks Like documents the struggle, as well as providing a narrative to the history of success and failure of modern political resistance movements.