Films about police
Mark Kennedy was an undercover police officer who spent eight years as a infiltrator and informer on environmental movements and other protest groups throughout Europe. Confessions of an Undercover Cop accounts the actions of Kennedy from his perspective, which reveals an insight into the dark, twisted psychology of a police informant and the methods they use to destabilise movements and activists…
Let It Fall: Los Angeles 1982–1992 is a deep examination of a tumultuous decade in the city of Los Angeles, United States, leading up to the events of April 29, 1992, when the verdict was announced in the Rodney King case. The film traverses the conflicts between law enforcement and the black community to look at tensions across the city as a whole, and traces the roots of civil unrest to a decade before uprisings, as told through interviews with eyewitnesses and people directly involved in the events from diverse neighbourhoods across the city, including black, white, Hispanic, Korean, and Japanese Americans.
Less than three years after a popular uprising that led to President Hosni Mubarak’s ousting, and just one year after Egypt’s first elections, the elected government has been overthrown and the Egyptian military is running the state. And the Muslim Brotherhood—the secretive, long-outlawed Islamist group that came out of the shadows to win the presidency in June 2012—is once again being ‘driven underground.’ Were the Brothers ever really in charge? Or was the Egyptian deep state—the embedded remnants of Mubarak’s police force, Supreme Court and, most of all, military—in control all along? In Egypt in Crisis, we go inside the Egyptian revolution, tracing how what began as a youth movement to topple a dictator evolved into an opportunity for the Muslim Brotherhood to seemingly find the political foothold it had sought for decades—and then why it all fell apart. With Egypt’s hopes for democracy in tatters, and the military-led government violently cracking down, what will happen next?
During the 2019–2020 Hong Kong protests, after 6 months of ongoing actions, and with protesters facing escalating stakes from police shootings and other violent repression, students began to fortify a number of the city’s major universities and occupy vital roads nearby. This lead to a peak moment in the protest movement—the siege of the Hong Kong Polytechnic University. Protesters gathered at the university to defend their roadblocks, while the police shot tear gas and used water cannons to shower the protesters with water containing blue colouring and chemical irritants. 1,458 canisters of tear gas were fired at protesters, as well as 1,391 rubber bullets, 325 bean bag rounds, and 256 sponge grenades. The city’s hospitals were overwhelmed by the number of protesters needing urgent medical attention. Burn with Us documents a first-hand view of the conflict, and its results, in a fly-on-the-wall style.
Recorded by over 100 media activists, this film tells the story of the enormous street protests in Seattle, Washington in November 1999, against the World Trade Organisation summit. Vowing to oppose—among other faults—the WTO’s power to arbitrarily overrule nations’ environmental, social and labour policies in favour of unbridled corporate greed, thousands of people from all around the United States came out in force to stop the summit. Against them was a brutal police force and a hostile media. This Is What Democracy Looks Like documents the struggle, as well as providing a narrative to the history of success and failure of modern political resistance movements.
The setting is in the current and ongoing troubling police culture of violence, profiling and racism. Even a former NYPD officer now breaks ranks to say that the force aggressively targets poor and minority communities in order to meet secret and illegal arrest quotas. The result is a level of systemic harassment and brutality that could be hard to demonstrate, if not for growing groups of Cop Watchers—everyday citizens wielding cameras, that routinely record and publish troves of evidence documenting all kinds of patterns of police brutality and misconduct. This film follows some of the people who are doing this work, and clearly the police don’t like it. They push back hard. Cop Watchers hence face long prison sentences and trumped up charges for simply recording the police—something that is not itself a crime. In an age of intense corruption of public institutions, this film lays out abuses of power on a frightening scale, showing just how urgent serious action is required if a free society is said to continue to exist.
Unwritten Future documents the events during the Republican National Convention in 2008 where excessive use of force and questionable tactics by police are on full show. Even peaceful radio host Amy Goodman is arrested. The film is dispersed with interviews with activists, asking them what they are fighting for, contrasted with police response and the aftermath.
Consisting entirely of archival footage, LA ’92 chronicles the 1992 Los Angeles riots, 25 years after they have passed. It includes film and video from the 1965 Watts Riots, the 1973 election of Tom Bradley, the 1978 promotion of Daryl Gates to Chief of LA Police, the shooting of Latasha Harlins, the Rodney King videotape, and the subsequent riots and violence that erupted after the acquittal of the officers involved in King’s beating.
The Invisible War documents the rapid militarisation of police in recent years by looking at the deployment of so-called ‘non-lethal’ weapons and the real effects of their use. Shotguns loaded with bean bags, rubber bullets, wood, rubber, and foam cylinders; electrical tasers; pepper sprays, OC-gas, and other chemical weapons; microwaves, stink bombs, pulsed energy weapons and many more. What is interesting is that, according to an overwhelming amount of recorded cases, these weapons have turned out to have caused many deaths and/or serious injuries, and are more often used on peaceful non-compliant citizens, or protesters, as a means of obedience rather than protection—invoking serious questions about the future of police and society.
5th June 1989, Tiananmen Square, Beijing. After weeks of mass killing, oppression and violence by the Chinese government against it’s own people, the image of a lone man standing defiant with his shopping to a line of tanks still lives on…
Do Not Resist documents, from the perspective of the police, their view of the social unrest following the shooting and killing of Michael Brown by police in Ferguson, 2014, against a backdrop of the routine and escalating use of military tactics and high-powered weaponry by local police forces throughout the United States in the past two decades. Military equipment deployed throughout the Middle East returns home to be used against the citizenry. Local police recruitment and training is awash in military commandments backed by views of escalating ‘righteous’ violence and sadism. Meanwhile curfews are imposed, along with frivolous drug raids and incessant racial profiling. The voices of concerned citizens ignored. What is the cultural and technological trajectory here?
In June 2010, leaders from the twenty largest economies met in Toronto, Canada with representatives of corporate interests to discuss the policies that shape globalisation. With exclusion zones, overlapping layers of security fencing and an estimated 25,000 police and military personnel, the city was transformed into an armed grid. Over 1.3 billion dollars were spent on security measures — more than all previous G8 or G20 meetings combined. Tales From The G20 shows some sides of the Summit, from unmarked vans with snatch squads of plainclothes police to the pre-emptive arrest of people now facing years in prison for organising demonstrations or simply being on the street…
Let the Fire Burn documents the conflict of the City of Philadelphia and the Black Liberation organisation MOVE, that led to a disastrously violent confrontation in 1985. MOVE was originally established as a “back to nature” movement that practised green methods, and in May 1985, the Philadelphia Police Department decided to take action to evict the group from their row house at 6221 Osage Avenue. When gunfire broke out and tear gas was not enough to pull the MOVE members out of the house, the police decided to drop explosives on the house. A fire soon began to blaze, endangering the several children now trapped inside the house. In a controversial decision, the police opted to let the fire burn, resulting in the destruction of over 60 homes and the death of five children and six adults. Eleven people died in the resulting fire, and more than 250 people in the neighbourhood were left homeless. Ramona Africa, one of the two survivors, said that police fired at those trying to escape. The investigation commission that followed found that city leaders and law enforcement had acted negligently, but no criminal charges were filed.
30 Frames A Second is an immersive first-person account of the events that unfolded during the week the World Trade Organisation came to Seattle in the United States, November 1999. The film is assembled from the perspective of 15-year veteran network-news cameraman Rustin Thompson, who became disillusioned with mainstream media and hence covered the WTO as an independent journalist. As such, even with press credentials for the event, Thompson is swept into the retribution of the state and police power which hit at the protests with tear gas, pepper spray, and police abuse. For him and the protesters alike, it begs the question about the functioning of the so-called democracies we live in, where civil liberties and human rights are curtailed in favour of facilitating the vast corporatocracy and global economic empire—precisely one of the points that sparked protests in the first place…
Using camera footage recorded by protesters at the scene of the World Trade Organisation riots in the United States during November 1999, Breaking The Spell documents the events of the time from the perspective of the activists, following the massive ‘controversial’ street protests and ensuing confrontations with police. Rather than attempting to cover every situation at the WTO, Breaking the Spell covers a few scenes in depth, filmed in the thick of the action, including footage that aired nationally on 60 Minutes…
Investigate journalist A.C. Thompson reports on the background of the white supremacists and neo-Nazis involved in the “Unite the Right” rally in Charlottesville, 2017. The event itself was chaotic and violent, amidst a backdrop of general passivity by the police and supine intelligence agencies, peaking on the day with a self-identified white supremacist ramming his car into a crowd of protesters, killing a young woman, Heather Heyer, and injuring 19 other people. Documenting Hate contextualises the events of that day by looking at the renewed trajectory of fascism in the United States, and the kinds of people attracted to its place in modern times, while profiling some of the characters from Charlottesville that lurked in the background. The second part of the investigation deals with the wake of the deadly anti-Semitic attack at the Tree of Life synagogue in Pittsburgh, showing how a neo-Nazi group, Atomwaffen Division, has actively recruited inside the United States military.
Just Do It — A Tale of Modern-Day Outlaws follows a group of activists in the UK to document their protests and actions over one year dealing with issues around climate change. Demonstrations at Copenhagen’s 2009 G20 summit and at the Drax coal power station in North Yorkshire, England, are just some of the events documented.
The Bentley Effect recounts the story of citizens throughout the Northern Rivers shire of Australia protesting against coal-seam gas extraction. When the community first learns of the news, a critical mass of people from all walks of life—farmers, landowners, mums, dads, activists, and scientists—come together to rally against the invasion. But despite enormous public opposition, the gas industry and the State Government are determined to see their plan through. So the community changes tact and resorts to differing methods of civil disobedience and non-violent protest. This culminates in a music festival of sorts in Bentley, New South Wales, which brings together the community and also spurs them on to initiating political action.
For 20 years the NSW Crime Commission went about its business with drugs quietly. When it scored a bust, it stood back and let politicians and the police bask in credit. But all that changed with the sensational arrest of the commission’s assistant director, Mark Standen, on charges of trafficking drugs. His spectacular downfall threw a spotlight onto the Crime Commission’s remarkable array of powers and how it abuses them. Secret hearings, witnesses compelled to answer questions, broad powers of search and surveillance, no independent review process…
The Tall Man is the story of an Aboriginal man, Cameron Doomadgee (tribal name: Mulrunji) who in 2004 was arrested by Senior Sergeant Chris Hurley (the so-called ‘Tall Man’) in Palm Island, a tropical paradise in Australia’s Far North. 45 minutes after the arrest, Mulrunji was found dead in the Palm Island police station. His injuries were like those of someone who’d been in a fatal car crash. The police claimed he had “tripped on a step,” but the community knew this was bullshit. The Palm Islanders protested for truth and burnt down the police station. The subsequent trial of Hurley—who had been decorated for his work in Aboriginal communities—made headlines day after day, shadowed by Queensland police threatening to strike. The police officer was acquitted for the death by the Attorney General. The Tall Man follows these stories by delving into the courtroom, the notorious Queensland police force, and speaking with the Indigenous community of Palm Island, where this tale is sadly still indicative of many of the continuing atrocities of Aboriginal deaths in police custody.
By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly ‘pacifist’ social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on ‘Endgame,’ the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
In 2015, Sandra Bland, a politically-active 28-year-old black woman from Chicago was stopped by police for a minor traffic offence in a small Texas town. Three days later, she was found dead in a police cell. Though the state claimed it was a suicide, her death enraged the public amid allegations of racially-motivated police murder. This film begins in the days after Sandra’s death, tracking the ensuing two-year battle between Sandra’s aggrieved family and the State of Texas. Following the details about the case, Say Her Name is punctuated by Sandra’s own passionate and moving commentary in 30-second “Sandy Speaks” video blogs. We see an empowered, enlightened woman, whose sharp, humorous, charismatic remarks address subjects from educating kids about black history to police brutality to the importance of natural hair. Say Her Name takes viewers inside this story that galvanised activists across the United States and the world.