Adrift is a short film that explores the phenomenon of space junk, where human-made objects launched into space and are now defunct orbit the Earth literally as garbage. The film makes visible some of the immediate impacts and dangers of the technological escalation of this culture, where old satellites, spent rocket stages, and other items orbit the Earth, only to collide with one another at high velocities, generating smaller fragments that collide with other items, and so on. The end point is a cascading complex of junk that engulfs the entire space around the Earth. Adrift aims to make this phenomenon visible, putting a big question mark against the claims made by many futurists and technologists that future space colonisation would even be possible, if only it were a tenable or sensible idea in the first place...
David Attenborough explores just how far climate change is altering our planet--from drought-stricken rainforest to declining polar bears, from flooded homes to bleached coral. Are We Changing Planet Earth? explores the evidence that it is industrial civilisation and the activities of humans which are radically changing the climate...
Artifishal is a film about people, rivers, and the fight for the future of wild fish and the environment that supports them. It explores wild salmon’s slide toward extinction, threats posed by fish hatcheries and fish farms, and this culture's relentless pursuit of engineering, mechanisation, and commodification in the face of environmental collapse. The film shows how fish hatcheries and fish farms threaten wild salmon populations, which in-turn has wide effects on the rest of the environment, but instead of helping wild salmon recover, this culture powers on with hatcheries and farms at great cost, both economically and ecologically. Artifishal explores the process, and what's at stake if this culture continues its destructive path.
Following on from previous reports about the numerous threats from industry facing the Great Barrier Reef, investigative journalist Marian Wilkinson returns to Queensland, Australia some years later to not only review the continued declining state of the reef, but to unfortunately investigate a new string of threats. This year, the government agency tasked with protecting the reef has approved a plan to expand the Abbot Point coal port which has serious cumulative effects on the already stressed reef and surrounding ecology. This in conjunction with the realities caused by anthropogenic climate change means the health of the reef has arguably past tipping point. Do we care enough to shift our perception of viewing everything through the lens of the economy? And not only that—do we care enough to act?
Bikpela Bagarap (Big Damage) is the story of logging in Papua New Guinea, following the reality of systemic exploitation by logging companies of indigenous communities, where locals are not even citizens in their own country. Customary landowners are coerced into signing release documents, or sign with the understanding that promises for clean water, health and education will be delivered. On the contrary, traditional hunting grounds are destroyed, waterways polluted, and livelihoods threatened.
In the early hours of March 24th 1989, the Exxon Valdez oil supertanker runs aground in Alaska. The ship discharges several tens of millions of gallons of crude oil. The incident becomes the biggest environmental assault in North American history, and in a flash, the news shoots across the planet along with footage of thousands of dead seabirds, sea otters and other marine life covered in oil, devastated. Thick black tides rise and cover the beaches of the once-pristine reefs of Alaska. Black Wave recalls this event, a generation later, by speaking with renowned marine toxicologist Riki Ott and the fishermen of the little town of Cordova, Alaska. They tell us all about the environmental and social consequences of the black wave that changed their lives forever—the legacy of the Exxon Valdez that still lingers today.
Half of all marine life has been lost in the last 40 years. By 2050 there will be more plastic in the sea than fish. The way the ocean is different to how we thought 100 years ago. We can no longer think of it as a place of resources, a dumping ground, immune to change or decline. Blue takes us on a journey into the ocean realm, witnessing the critical moment of our time when the marine world is on the precipice. Passionate advocates for ocean preservation take us into their world where the story of the changing ocean unfolds. We meet those who are defending habitats, campaigning against exploitative commercial fishing, combating marine pollution, and fighting for the protection of keystone species. Blue comes at a time where decisions made today will pave the legacy for what we leave behind for generations to come.
Burned: Are Trees the New Coal? investigates the latest method of providing so-called "green" electricity, as espoused by the renewable energy movement. It's called biomass, which is a euphemism for clear-cutting and burning forests. It is claimed that this is first a sustainable method of electricity creation, but secondly, and more slanderous, is claimed to be carbon-neutral and environmentally friendly. So how did this become the purported saviour for the power-generation industry, and by extension, the modern environmental movement? Burned provides a visceral account of these questions, while documenting the accelerating destruction of forests to fuel this destructive culture.
All over the world, species are going extinct at an extraordinary rate--currently around 250 per day--a scale never before seen. Call of Life investigates the growing threat to Earth’s life support systems from this unprecedented loss of biodiversity by exploring the causes, scope, and potential effects of this mass extinction. The film also looks beyond the immediate causes of the crisis to consider how our cultural and economic systems, along with deep-seated psychological and behavioral patterns, have allowed this situation to develop and be reinforced, and even determine our response to it. Call of Life tells the story of a crisis not only of nature, but also of human nature; a crisis more threatening than anything human beings have ever faced...
The oil industry giant Chevron began operating in Ecuador's Amazon rainforest in 1964, and by the time the corporation fled the area in 1992, their toxic footprint had brought about 1,700 times more damage than the infamous Exxon Valdez oil spill in the United States in 1989. Chevron vs. The Amazon visits the scene of this epic and enduring crime, to uncover the acts that have killed the riches of the world's tropical paradise. The Amazon is home to hundreds of thousands of unique species of plants, animals, insects, landscapes, as well as an equally diverse human population—all under severe and continued stress and threat. Chevron dumped 17 billion gallons of crude oil and 19 billions gallons of contaminated waste water into the Amazon. Prior to fleeing, they attempted to hide this by covering the areas with dirt or setting the toxic dumps on fire. This film shows the totality of these crimes, and how the land and its people have suffered from devastating impacts over the ensuing decades, as the first step to holding corporate criminals to account, for justice and the survival of the Amazon and its peoples.
China's factories provide low cost products such as computers and cars to the rest of the world, but the real cost is high with heavy air pollution, contaminated waterways, decimated land, terrible working conditions, widespread cancer and incidences of deaths. China's Dirty Secrets travels across the country to follow workers at factories that assemble computers, then to e-waste dumps, and finally an industrial incinerator burning medical waste, all showing first-hand the extensive environmental impacts of so-called "economic growth."
On 20th April 2010, the Deepwater Horizon oil rig exploded off the Gulf of Mexico in the United States, killing eleven workers, and spewing millions of barrels of oil into the ocean for weeks. Dirty Energy brings to light the personal stories of the Louisiana fishermen and local residents directly impacted by one of the worst environmental disasters in recent history, as they struggle to rebuild their lives and contend with emerging health crises related to the toxic dispersants used to clean up the explosion.
Almost 50 million tonnes of electronic waste is generated worldwide, every year. A large volume of it is shipped off to Ghana, in West Africa, as "second-hand goods" where electronics are not seen for what they once where, but rather for what they've become. Without dialogue or narration, e-Wasteland presents a visual portrait of vast landscapes polluted by electronic waste, shining a light on the endless consumerism of the 1st world; and the real, pervasive, ecological impact of electronic waste worldwide.
On April 20th 2010, a massive oil rig exploded in the Gulf of Mexico. It was called the Deepwater Horizon rig, operated by the BP corporation. The resulting fire claimed the lives of eleven workers, while the exploding oil well spewed over 4.2 million barrels of oil into the sea over 82 straight days, killing the ocean and millions of animals. The disaster is considered the worst environmental catastrophe in the history of the United States. Ecocide profiles the disaster through the residents of Grand Isle, the last inhabited barrier island off the coast of Louisiana, United States, who thought they were living in paradise until the BP oil explosion hit their shores. Through the lived experiences of this island community, we see the devastating repercussions of the explosion, several years later, that continue to this day.
In the past 40 years, global consumption of fish has doubled. Having decimated natural fish populations globally, the industrial food system has turned to mass-scale farming practices in order to sustain the unsustainable, supplying huge supermarket chains and commercial food outlets with cheap processed fish products. What do we know about this and these processes? And what of the lives of the fish? What about their health and the health of the waters in which they're taken? Fillet-Oh!-Fish is the result of yet another indictment of the industrial food system, agriculture and factory farming—all of which have egregious implications to the health and well-being of species, and the planet as a whole. We see myriad mixes of pesticides and other chemicals, leading to toxic rivers and streams, the pervasiveness of the industrial food system, with glimpses into working conditions and processing methods, as well as the perniciousness of globalisation, with the world-wide reach of this crazy system that has hijacked a fundamental life-giver: food.
Flow—For The Love Of Water builds a case against the growing privatisation of the world's dwindling fresh water supply with a specific focus on human rights, pollution, the politic of corporate influence in the emergence of a domineering global water cartel. The film names and clearly documents many of the culprits, while asking the question—can anyone really 'own' water?
Globalisation has gone to great lengths to coerce many countries around the world to open 'free trade zones' for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
Gasland Part II follows on three years later, to continue documenting how the stakes have been raised on all sides in one of the most devastating environmental issues rapidly spreading the globe. This sequel further enriches the argument that the gas industry's portrayal of natural gas as a clean and safe alternative to oil is a lie, where in fact fracked wells inevitably leak over time, and vent exuberantly more potent greenhouse gasses such as methane in cumulative effect, not to mention the continued string of cases of severe water contamination across the United States and even cases as far away as Australia. Gasland Part II follows deeper into these happenings, revealing yet more of an entrenched corporate collusion in the pursuit of exploiting dwindling 'natural resources'...
How to Let Go of the World and Love All the Things Climate Can't Change travels the globe, from New York City to the Marshall Islands and China, to meet with people who are committed to reversing the tide of global warming. The film examines the intricately woven forces that threaten the stability of the climate and the lives of the world's inhabitants.
In July 2005, the Australian government announced its plan to open a radioactive waste-dump facility in one of three Department of Defence sites in the Northern Territory of Australia. With widespread community resistance by the indigenous people of the territory, No Where Here in the Middle documents the ongoing story of resistance to the dump and the fight to be free of toxins, poison, and a brutal occupation.
On 11th March 2011, a huge tsunami, triggered by an 8.9 magnitude earthquake, hits Japan. It cripples the Fukushima Daiichi nuclear power plant, releasing radiation, and turning the residents of Futaba into nuclear refugees. The devastation experienced by the town--dead livestock, crops abandoned, homes destroyed--was infinitely worse than anything reported by the newspapers. A year later, many refugees are still unable to return to homes that will be contaminated for many hundreds of years. The irony of this disaster occurring in a nation that experienced two nuclear bombs is not lost on the victims who poignantly question their responsibility for striking a Faustian bargain with nuclear power. Nuclear Nation examines the tragedy of Fukushima, and also whether it could one day be replicated on a grand scale.
Nuclear Nation II is Atsushi Funahashi's sequel, documenting the consequences of the March 2011 nuclear disaster at the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Japan. In this follow-up, we learn that the former mayor--previously a fervent advocate of nuclear energy and now a passionate fighter for the victims of the catastrophe--has now been replaced by someone younger. The single-minded cattle breeder also makes another appearance, originally having resisted the government's orders to evacuate the disaster zone and kill his livestock. Today, a look at his animals lays bare the consequences of radioactive contamination: they all have ulcers and open wounds. It wasn't until late 2014 that the final people left the school building, but they're unlikely ever to be able to return to their homes. The epicentre of the catastrophe has been declared a toxic waste disposal site. The inhabitants of Futaba, to whom nuclear energy once brought affluence, are now paying the high price for it.
Canada's tar sands are the largest industrial project ever undertaken--spanning the size of England. Extracting the oil and bitumen from underneath unspoiled wilderness requires a massive industrialised effort with far-reaching impacts on the land, air, water, and climate. It's an extraordinary industrial spectacle, the true scope of which can only be understood from an aerial view. Shot primarily from a helicopter, Petropolis: Aerial Perspectives on the Alberta Tar Sands offers an unparalleled view of the world's largest ever industrial project...
Following on from the series Planet Earth which looked at various forms of life across the globe, Planet Earth -- The Future highlights the issues of conservation and the future of the environments and species featured in the Planet Earth series. Using interviews with the film-makers and eminent figures from the fields of science, conservation, politics, and theology, the series poses questions around the effectiveness of the environmental movement, and the future of the planet. A lot needs to change in order to ward off catastrophe...
The central thesis of Planet of the Humans is that various people and organisations in the United States claiming to promote 'green energy' are actually promoting biomass energy--largely a euphemism for cutting down and burning forests--a practice which is not carbon neutral nor renewable nor sustainable. The film reveals the destruction of environments first-hand, and also explores how wind power and solar power don't fare much better than fossil fuels in terms of impacts once all the inputs for construction and maintenance are considered and compared. In most cases, the additional demands for resources and construction simply invoke more environmental degradation and pollution. The film examines this push for more industry through key figures in the modern environmental movement that are funded by entities connected to fossil fuels, or have established profit motives, revealing how the environmental movement has been essentially co-opted into a de-facto lobbying arm of 'green' industries. The film also posits that regardless of energy systems, overpopulation is a central problem of industrial civilisation, and that this current way of life is unsustainable no matter how it is powered or 're-imagined' by technology.
Plasticized follows an ocean journey with the 5 Gyres Institute, a non-profit organisation that focuses on reducing plastics pollution through research. The expedition was the first scientific journey looking at plastic waste across the South Atlantic Ocean. The film takes a look at one of the institute's global missions: studying the effects, reality and scale of plastic pollution around the world. The boat skims the surface of the ocean by trawling, in order to examine the toxic effects of plastic pieces to tissues of marine life. Many tiny bits of plastic are found contaminating the waters, and they're sometimes not seen because the rough waters push them down. Every few kilometres, one teaspoon of plastic is collected. This may not seem like much, but this amount adds up substantially, considering that the ocean is vast and covers two-thirds of the planet.
Poisoned Waters investigates some of the root causes of what we see worldwide with ecological collapse, dead-zones and pollution effecting oceans, rivers and watersheds. With a focus on major waterways in the United States such as the Chesapeake Bay and Puget Sound, the film follows the culmination of decades of evidence that today's systemic and growing environmental collapse comes not only from the toxic activities of industry, agriculture and massive suburban development; but also from the permeated satiety of chemicals in prolific consumer products such as face-creams, deodorants, prescription medicines and household cleaners. This is a startling reminder of the compounding threat facing our world and the need to act imperatively.
Pretty Slick reveals the untold story of BP's coverup following the 2010 Deepwater Horizon oil explosion in the Gulf of Mexico. The explosion is known as one of the largest environmental catastrophes in the history of the United States, but what is not well-known is that BP, along with government approval, used toxic chemicals to sink the oil in the water rather than clean it up, using a controversial chemical dispersant called Corexit. Because of this, it is estimated that approximately 75% of the oil, or over 150 million gallons, is still unaccounted for. When filmmaker James Fox learned of this, he began a three year investigation to find out about the dispersant use and its coverup. Pretty Slick reveals how public safety and environmental health took a backseat to restoring the economy, and along the way exposes the collusion between big oil and the United States government in these happenings.