Films about resistance
The Tall Man is the story of an Aboriginal man, Cameron Doomadgee (tribal name: Mulrunji) who in 2004 was arrested by Senior Sergeant Chris Hurley (the so-called ‘Tall Man’) in Palm Island, a tropical paradise in Australia’s Far North. 45 minutes after the arrest, Mulrunji was found dead in the Palm Island police station. His injuries were like those of someone who’d been in a fatal car crash. The police claimed he had “tripped on a step,” but the community knew this was bullshit. The Palm Islanders protested for truth and burnt down the police station. The subsequent trial of Hurley—who had been decorated for his work in Aboriginal communities—made headlines day after day, shadowed by Queensland police threatening to strike. The police officer was acquitted for the death by the Attorney General. The Tall Man follows these stories by delving into the courtroom, the notorious Queensland police force, and speaking with the Indigenous community of Palm Island, where this tale is sadly still indicative of many of the continuing atrocities of Aboriginal deaths in police custody.
A secret illegal project from the 1950s, 60s and 70s called COINTELPRO, represents the state’s strategy to prevent resistance movements and communities from achieving their ends of racial justice, social equality and human rights. The program was mandated by the United States’ FBI, formally inscribing a conspiracy to destroy social movements, as well as mount institutionalised attacks against allies of such movements and other key organisations. Some of the goals were to disrupt, divide, and destroy movements, as well as instilling paranoia, manipulation by surveillance, imprisonment, and even outright murder of key figures of movements and other people. Many of the government’s crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, COINTELPRO 101 opens the door to understanding this history, with the intended audience being the generations that did not experience the social justice movements of the 60s and 70s; where illegal surveillance, disruption, and outright murder committed by the government was rampant and rapacious. This film stands to provide an educational introduction to a period of intense repression, to draw many relevant and important lessons for the present and the future of social justice.
By charting the history of the anti-war movement against the political backdrop of the atomic age, Beating The Bomb examines the current state of ‘nuclear deterrence’ brought about by the nuclear age stemming from the end of World War II, when the United States nuked Hiroshima and Nagasaki. Specifically, the anti-nuclear movement and the founding of the Campaign for Nuclear Disarmament in 1958 amongst others, fight for and end to the British Nuclear Weapons program, which from its inception, was closely tied to The Manhattan Project and still is to this day…
In 2003, on the eve of the Iraq war, director Iara Lee embarks on a journey to better understand a world increasingly embroiled in conflict. Several years later, after travelling to five continents, Lee encounters growing numbers of people who have committed their lives to change. From Iran to Burma to Palestine and Lebanon, Cultures Of Resistance explores how art and creativity can mould with the greater culture of resistance, a part of the battle for peace and justice…
Sweet Crude is the story of how large oil corporations such as Shell and Chevron have absolutely decimated the Niger Delta, but the people are fighting back. The film shows the human and environmental consequences of 50 years of oil extraction against an insurgency of people who, in the three years after the filmmakers met them as college students, became the young of the Movement for the Emancipation of the Niger Delta (MEND). The movement is born after series of non-violent protests, and what the corporations and colonisers don’t understand is that these people will fight for their land and emancipation until the end. Sweet Crude is their story of survival and armed resistance against corrupt governments and rapacious corporate power, amongst a complicit and collusive mainstream media.
Between 1970 and 1972, a group of activists used weapons to symbolically attack property, sparked by demonstrations in London against the Vietnam War. Calling themselves the Angry Brigade, the group published a series of communiqués with the actions, explaining the choice of targets and the philosophy. Targets included the embassies of repressive regimes, police stations, army barracks, boutiques, factories, government departments and the homes of Cabinet ministers, the Attorney General and the Commissioner of the Metropolitan Police. The attacks on senior authority figures increased the desire for ‘results’ and consequently brought an avalanche of police raids. But from the start the police were faced with the difficulty of getting to grips with the section of society they found to be totally alien — were they facing an organisation, or an idea?
Law Professor James Duane from the Regent Law School in Virginia Beach, Virginia; and Police Officer George Bruch from the Virginia Beach Police Department, both explain why even innocent people should never talk to the police or agree to answer questions from the police. Citing a trove of examples and even though pertaining to US law, this talk is particularly applicable for political activists the world over as Security Culture 101.
There are plenty of anarchists in the world. Many have committed robbery or smuggling for their cause. Fewer have discussed strategies with Che Guevara or saved the skin of Eldridge Cleaver, the leader of the Black Panthers. There is only one who has done all that, and also brought to its knees the most powerful bank in the world by forging travellers cheques, without missing a single day of work bricklaying. He is Lucio Urtubia from a tiny village in Navarra in North of Spain. Lucio, 75, now lives in Paris, still doing valued political work. Lucio has been protagonist and witness to many of the historic events of the second half of the 20th century. His family was persecuted by Franco’s regime; he was on the streets of Paris for the phenomenon of May of 1968; he actively supported Castro’s revolution; and helped thousands of exiled people by providing false documents to them. But without a doubt, his greatest triumph came in the second half of the 1970s where he swindled 25 million dollars from the First National Bank—or Citibank—to later invest the money in causes he believed in.
In September 2005, Afghanistan held its first parliamentary elections in 35 years. Among the candidates was Malalai Joya, a courageous 27-year-old woman who had ignited outrage among hard-liners when she spoke out against corrupt warlords and criminals at the “Grand Council of tribal elders” in 2003. Enemies of Happiness is a revelatory portrait of this extraordinary freedom fighter and the way she connected with the people of Afghanistan. The film also serves as a snapshot of life and politics in war-torn Afghanistan from this time. As Joya rightly points out several Taliban warlords and wants them prosecuted for their crimes against the Afghan people, she is exposed to several death threats, and has been under constant protection. Can she overcome entrenched views and death threats to help bring democracy to Afghanistan?
The United States heralded many grandiose promises of freedom and equal rights as they invaded Iraq. But still years on from the invasion, the reality of everyday life for women inside Iraq is of course a different story. To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet. Iraq — The Women’s Story provides a compelling account of a life inside Iraq that is never seen on news bulletins…
Testify: Eco-Defence And The Politics Of Violence examines the forces that drive revolutionary environmental activism, using examples of direct-actions from the Animal Liberation Front (ALF) and the Earth Liberation Front (ELF) to illustrate tactics…
In 1974, a young Patty Hearst became a media icon after she was kidnapped from her apartment by a group calling itself the Symbionese (taken from the word ‘symbiosis’) Liberation Army (SLA). At the time, Patty was an impressionable college student who happened to be the granddaughter of the infamous newspaper tycoon William Randolph Hearst. Hoping to spark a class war in America, for ransom, the SLA instructed the Hearsts to make a multi-million dollar donation of food to the poor. Two months later, Patty appeared to have joined forces with the SLA. As the spectacle unfolds, journalists camp outside the Hearst’s home and become consumed by the story, some even questioning the role of the media in the saga. Guerrilla serves to document some of what happened to Patty Hearst during this time, the effects of Stockholm Syndrome, how and why the SLA was formed, and what ultimately went awry.
Tūhoe — History Of Resistance documents the fight for justice of the Tūhoe people of Te Urewera, Aotearoa (New Zealand). Set on contested land in the Urewera ranges of the middle North Island, the film presents the ways of Māori—the indigenous peoples of the land.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova and the “War on Terror” in New York, Afghanistan, and Iraq, The Fourth World War documents the stories of women and men all around the world who resist being annihilated in this war. Centred around economics and systems such as NAFTA, GATT, the G20, APEC and others, this is a war which plays along with the spread of rapacious globalisation, a feat that has pervasive consequences in the real world…
In the 1960s and 70s, the polarisation of the political situation in the United States was becoming acute with the Vietnam War abroad and civil rights at home being but the most obvious issues. For the youth political movement, the futile methods of peaceful protest led to the rise of an idealistic faction that undertook a more extreme approach to resistance. This faction, called the Weather Underground, attempted to team up with the Black Panthers to overthrow the US government—starting with street riots, escalating to bombing government targets. Thorough archival footage and interviews of the veterans of both sides, this film covers the movement, until changing times and disillusionment brought it to an end, alongside the FBI employing an illegal series of projects called COINTELPRO to hasten it…
Self published by the press arm of the autonomous activist group called the Earth Liberation Front, Igniting The Revolution is an introductory guide to the activities of the ELF. The film goes through some examples of ELF actions and calls to resist against the forces destroying the natural world by using real direct-action tactics and economic sabotage…
An eclectic group of activists take a stand to protect an old growth forest from logging at Warner Creek in the Willamette National Forest of Oregon. The activists block the logging road, repel State Police and intervene to stop timber sales. Over months a community builds around the blockade and similar actions spread across the region. Filmed by the activists themselves, PickAxe is the account of the direct actions from the perspective of the participants to save Warner Creek…
The day the North American Free Trade Agreement (NAFTA) comes into effect, several thousand soldiers take over half the state of Chiapas, declaring a war against the global corporate power they say rules Mexico. They call themselves the Zapatista National Liberation Army. Zapatista shows this uprising, the story of a peasant rebellion, armed and up against the first world military. It is the story of a movement that transformed Mexican and international political culture.
Kanehsatake: 270 Years of Resistance documents the ‘Oka Crisis’ of 1990 in which the government of Oka, Canada, pushed for plans to develop a private golf course and new luxury housing on sacred indigenous land. The film captures the events as they unfold, from the beginnings as frivolous government ‘negotiations’ to the resulting siege by the Canadian Army and local police…
Berkeley in the Sixties recaptures the exhilaration and turmoil of the unprecedented student protests that ended up shaping an entire generation in the United States. The Free Speech Movement caught national attention in 1964 when the University of California tried to suppress activists distributing literature and making speeches in an outdoor plaza on campus. The school governor ordered the arrest of students who had occupied the University’s Sproul Hall, leading the largest mass arrest in United States’ history. Police violence also helped politicise and escalate student uprisings, as awareness of the Vietnam War also kept the winds of dissent blowing, albeit as some movements attracted hedonistic individualism and broke away into fancifulness. On the other end was the Black Panther Party, which offered a militant alternative to the civil rights movement. This film recounts these events through 15 former student leaders, who grapple with the meaning of their actions, as their recollections weave with footage from thousands of historical clips and hundreds of interviews from the time. The film offers a reflective and insightful analysis of the successes and failures of the era—from the House Un-American Activities Committee hearings and civil rights sit-ins at the beginning of the decade, through the Free Speech Movement, anti-war protests, the growth of the counter-culture, the Black Panther Party, and the stirrings of the Women’s Movement—confronting the viewer with the questions the 1960s raised and struggled with.
Through a secret program called the Counter Intelligence Program or ‘COINTELPRO’, the United States government set out to “disrupt dissident political organisations using infiltration, psychological warfare, harassment through the legal system and extralegal force and violence”. Groups such as the Black Panther Party and others throughout the civil rights movement were targets of the program. COINTELPRO — The FBI’s War On Black America establishes a historical perspective on the measures initiated by the FBI which aimed to discredit black political figures and forces of the late 1960s and early 1970s. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government’s role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King…
A Faraway Country is an examination of the Czech underground movement known as the Charter 77—an informal civic initiative in communist Czechoslovakia from 1976 to 1992, part of the Communist Soviet bloc. The film shows interviews with members of Charter 77, and others, describing first-hand the totalitarian communist regime, and their response to it.
Underground is a film about the Weather Underground Organisation—a group founded as a militant faction of the civil rights and anti-war movement of the 1960s and 1970s. The film combines interviews with members of the group after they went underground who explain how they became radicalised amongst the political happenings in the United States at the time, as well as the revolutionary struggles in Cuba, Russia and China, and the history of struggles over Native American rights and labour issues. Also detailed is the group’s analysis of American society, addressing those who have inspired them, and further explaining the reasons behind their militancy, while also introducing the issue of tactics. We see the use of property destruction as a way to bring about change and destabilise the current political order. Underground takes an intimate look at the inner workings of the Weather Underground and their strong internal collective identity, providing a record of how a bunch of middle-class Americans became self-styled militant revolutionaries, raising questions not only about the merits of their struggle, but also about past and future radical actions.
The Murder of Fred Hampton is a film which began with the intention of documenting Fred Hampton and the Illinois Black Panther Party during 1971, but during the film’s production, Hampton was murdered by the Chicago Police Department and FBI. The film project then quickly split into two parts: the portrait and biography of Fred Hampton, and an investigative report into his murder. The result chronicles important historical context. Hampton was a radical activist and deputy chairman of the national Black Panther Party, during the civil rights and black power movements in the United States. Hampton was killed as part of COINTELPRO—the illegal “counter-intelligence program” run by the FBI, aimed at destroying domestic political organisations through surveillance, infiltration, disruption, threats, violence and assassinations.