The War at Home: The Untold History of Class War in the United States is a series that traverses the history of the labour movement and state repression in the United States. The series looks at history through the lens of the working class, from the Haymarket massacre in Chicago in 1886 to the Jim Crow spread in Louisiana, to the Triangle Shirtwaist tragedy of 1911, to the violent strikes and police raids of the Great Depression, and beyond. The series makes the connection between the purging of radicals from unions and the decline of union power in the 1920s, towards the 1960s and beyond.

Slavery is still existing in Mauritania, although it has officially been prohibited by law. The government of Mauritania has been trying to hide slavery from the outside world for years. Slavery has officially been abolished since 1981, almost a century after it happened worldwide. But activists are still fighting for the liberation of tens of thousands of black Mauritanians owned by someone else. Slavery still exists.

As one half of the satirical duo, The Rubber Bandits, Blindboy is renown for wearing a plastic bag on his head while dishing out sharp social commentary. In this series, using his unique mix of irreverent commentary, a band of undercover reporters, and playful humour, Blindboy sets out to investigate some of the most important issues of our time.

Hundreds of thousands of mobile phones, LCD screens, TVs, notebooks, tablets, and computers become useless or quickly “out-of-date” and end up in Ghana every year, where children and adolescents dismantle them for “recycling.” Welcome to Sodom profiles the life of those who work in the brutal conditions, handling the world’s electronic waste, and what they endure to barely make enough money to survive. Many years before the wasteland, Ghana was a beautiful savanna with greenery and animals, now it’s a hell of fire, toxins, acrid smoke, plastic, and pollution, at the behest of the global economy and the technoculture that drives it.

Servant or Slave follows the lives of five Aboriginal women who were stolen from their families and forced into indentured labour to be domestic “servants” for white people during the late 1890s and into 1900s in Australia. With the government exercising complete control over their wages and livelihood, many thousands of Aboriginal children were condemned to a treadmill of abuse, battery, rape, and slavery, only to discover that even today they’ve had to fight for recognition, respect and reparation for their treatment in the past. This film recounts their experiences, as a portrait of courage, strength and the fortitude to pursue justice for the crimes committed against them.

13th explores the intersection of race, justice, and mass incarceration in the United States, as titled after the Thirteenth Amendment to the United States Constitution, adopted in 1865, which purported to abolish slavery throughout the United States and end involuntary servitude except as a punishment for conviction of a crime. The film contends that slavery has been perpetuated since the end of the American Civil War through criminalising behaviour and enabling police to arrest poor enslaved people and force them to work for the state under convict leasing; suppression of African Americans by disenfranchisement, lynchings and Jim Crow; politicians declaring a war on drugs that weighs more heavily on minority communities and, by the late 20th century, mass incarceration of people of colour in the United States. 13th examines the prison-industrial complex and the emerging detention-industrial complex, discussing how much money is being made by corporations from mass incarcerations.

The True Cost is a global investigation into the clothes we wear, the people who make them, and the impact the industry is having on the world. The price of clothing has been decreasing for decades, while the human and environmental costs have grown catastrophically. The True Cost pulls back the curtain on the untold story and asks us to consider, who really pays the price for our clothing?

Plutocracy: Political Repression in the United States is a series of films that comprehensively examine early North American history through the lens of class, to enable a wider critique of the social order in contemporary United States. The series not only documents and exemplifies individual strikes and labour movements throughout the centuries, but also serves to connect the narratives and political lessons of an entire era from a working-class viewpoint, forming a solid base of analysis for class struggle.

Steve Jobs: The Man in the Machine is not just another celebratory biographical film about the life of a business man that many around the world grieved in 2011. It’s a full rounded critical examination into the fundamentals of a person revered as an iconoclast, a barbed-tongued tyrant, a business sociopath. The real Steve Jobs is revealed like this through candid interviews from those who had close relationships with him at different stages of his life, including the mother of his child, Lisa, that Jobs refused he had, but named a computer after instead. The film also takes us through the evocative essence of the brand of Apple Computers which has captured the population like zombies, and asks the question: What is the legacy of this industry, and the truth of this kind of person that the culture celebrates so much, completely ignoring the darkness?

This film makes use of court documents, diplomatic cables and testimony by business figures themselves, as one case of many, in which corporations and indeed governments side with warlords, as good for business, in the endless pursuit of profit. The story revolves around the civil war of Liberia in the 1990s, with the seeds for exploitation and destruction having been planted a century before by the United States, when formally enslaved peoples in Liberia in-turn set up a society of racism, greed and exploitation, exacerbated by western economic powers. Years later, with the presence of Firestone corporation coming to Liberia to exploit vast plantations of rubber for control over the ‘market,’ the company unfolds as a considerable catalyst for systemic terror, being the forefront for pushing for profits at all costs amongst a brutal civil war; colluding with warlords and corrupt governments in pursuit of this ruthless end. Unfurling as a case study in these methods, this film documents the case that is not so unique but a story amongst many—particularly throughout the so-called third-world—where corporate might and globalisation have extreme consequences…

Who Pays the Price — The Human Cost of Electronics is a short film that seeks to humanise the largely hidden and anonymous global labour force that enables the ubiquitous technoculture, documenting the harsh conditions in which electronics are made and how this really impacts those people’s lives, and the environment. Toxic chemicals, plastics, and sweat-shop working conditions all contribute to the global machine that disseminates digital technologies, hidden in plain sight. Through direct footage of factory workers, interviews with them and analysis of the conditions, Who Pays the Price asks the question of the viewer, and as a call to action to stop the exploitation and toxification of people and the natural world.

In November 2012, yet another incident at a textiles factory in Bangladesh killed at least 112 people. Walmart’s brand shorts were among the clothing found in the charred remains. Walmart blamed its supplier, saying the order had been sub-contracted without its permission. With this example among the many, Made in Bangladesh illustrates the complex organisation of corporate obfuscation—the industries that continue to drive sweat shops, slave labour and child labour under a very clever hall of mirrors…

Fashion Victims looks at the real cost of cheap clothes from the conditions of sweat shops in Bangladesh. On 24th April, 2013 more than a thousand people were killed when an eight storey building collapsed in the heart of Bangladesh’s capital, Dhaka. The collapse of Rana Plaza turned the world’s attention to the shocking conditions workers in the country’s clothing industry are forced to endure. In recent years, Australian companies have flooded into Bangladesh to take advantage of lax labour laws and the lowest wages in the world, paid to the predominantly young, female workers in the factories.

Using undercover filming, Sex and Survival in Madagascar exposes the booming child sex trade of the 21st Century. In the hub of Madagascar, one of the world’s poorest countries, prostitution is rampant and seen as an unavoidable means of survival. The film shows the complicity and complacency of authorities that do not act to stop this terror, and so the acts of resistance against sex slavery are carried out by the children themselves.

Far from ending with the abolition of slavery, the trade in human beings is thriving more than ever before. Today, 27 million men, women and children are held, sold and trafficked as slaves throughout the world. From the sex slaves of Eastern Europe to China’s prison labour slaves; from Brazil’s hellish charcoal slave camps to entire families enslaved in Pakistan’s brick kilns, this series exposes the people behind modern slavery and the companies who profit from it.

China’s factories provide low cost products such as computers and cars to the rest of the world, but the real cost is high with heavy air pollution, contaminated waterways, decimated land, terrible working conditions, widespread cancer and incidences of deaths. China’s Dirty Secrets travels across the country to follow workers at factories that assemble computers, then to e-waste dumps, and finally an industrial incinerator burning medical waste, all showing first-hand the extensive environmental impacts of so-called “economic growth.”

Trafficked is a set of two films that follow a former-police officer’s quest to find the man who enslaved a young Thai girl in a Sydney brothel. The series explores the trafficking of women and children for prostitution as a global problem. The United Nations estimates that more than one million children are forced into sexual slavery each year. Some of them are trafficked into Australia.

In a visual exploration of institutionalised prostitution, Whores’ Glory travels the globe to show how these people really live and work today, across three economically divergent countries. In Bangkok, Thailand, women punch a clock and wait for clients inside a brightly-lit glass box. In the red-light district of Faridpur, Bangladesh, a madam trafficker haggles over the price of a teenage girl. On the border town of Reynosa, Mexico, crack-addictions run high while women pray to ‘Lady Death.’ Whores’ Glory is a unobscured look at the realities of sex-trafficking today and the industry that continues to spawns it and keep it alive.

Filmed over three years in the war-zone of northern Uganda, Children of War follows a group of former child soldiers as they escape the battlefield, enter a rehabilitation centre, and undergo a process of trauma recovery and emotional healing. Having been abducted from their homes and schools, and forced to become fighters by the Lord’s Resistance Army—a militia led by self-proclaimed prophet and warlord Joseph Kony—the children struggle to confront and break through years of captivity, extreme religious indoctrination, and participation in war crimes with the help of a team of trauma counsellors. As fearless allies guide the children into new lives, Children of War illuminates a powerful and cathartic story of forgiveness and hope in the aftermath of horrific war.

The Dark Side Of Chocolate follows a team of investigative reporters into Africa where human trafficking and child labour fuel the chocolate industry worldwide. The film travels to Mali where hidden footage reveals the trafficking of small children to the cocoa fields in the neighbouring Ivory Coast and elsewhere. What is happening behind the sweet imagery of the chocolate industry?

Child Sex Trade USA travels through the United States to reveal the workings of a pervasive child sex trade, discovering that it is just as easy to ‘buy a child’ in the US as it is in Asia. 300,000 American children have been forced in to the sex industry, as of 2009, in the United States alone. This film presents a much needed analysis of the shocking cultural values that surround child abuse, paedophilia, human trafficking and prostitution; asking big questions of how, why, and what to do about it…

Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world’s largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries’ national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit…

The End of Poverty? traces the growth of global poverty back to colonisation in the 15th century to reveal why it’s not an accident or simple bad luck that there is a growing underclass around the world. Featuring interviews with a number of economists, sociologists, and historians, the film details how poverty is the clear consequence of free-market economic policy which has allowed powerful nations to exploit poorer ones for their assets, turning the money back to the hands of the concentrated few. This also follows on to how wealthy nations—especially the United States—thereby exert massive debts, seize a much disproportionate exploit of the natural world, and how this deep imbalance has dire consequences on the environment and on people…

Around 8.4 million children around the world are enslaved today. Child Slavery travels across three continents, focusing on five children and their stories…

Robert Beckford visits Ghana to investigate the hidden costs of rice, chocolate and gold and why, 50 years after independence, a country so rich in ‘natural resources’ is one of the poorest in the world. He discovers child labourers farming cocoa instead of attending school and asks if the activities of multinationals, the World Bank and International Monetary Fund have actually made the country’s problems worse…

Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation…

What Would Jesus Buy is an examination of consumerism with a specific focus on Christmas in America. The film follows culture jamming outfit ‘Reverend Billy’ from the Church of Stop Shopping and the gospel choir which embark on a cross-country mission to “save Christmas from the Shopocalypse”. Also discussed on the way are related issues such as the role sweatshops play in America’s ‘Big-Box’ shopping culture. From the humble beginnings of preaching at his portable pulpit on New York City subways, to having a ‘congregation’ of thousands, Bill Talen (Rev. Billy) has inspired not just a ‘church’, but a national culture jamming movement…

Demand investigates the commercial sex trade, across four countries: The United States, Netherlands, Japan, and Jamaica. The film reveals a harrowing first-hand account of the impact of soaring consumer demand for vulnerable women and children, to be victimised in sex trafficking markets. By exploring the entrenched connections of pornography, to widespread sexual assault, to a pervasive globalised human trafficking market, Demand questions the conditions that keep the inertia of the commercial sex trade roaring across the globe…

The Virgin Trade investigates the growing phenomenon of Western sex tourism, with a focus on Thailand. The film travels through red light districts and the starry-eyed advertising propaganda that targets Western men to reveal the mechanics of the sex industry as it operates throughout Asia. What is revealed is a world entangled by money which leads to abuse, demand which perpetuates the culture, consumerism which drives demand, and poverty which drives the need. What happens when countries and cultures are ravished like this with Western sex tourism? Are parents selling their children into brothels to finance lavish Western lifestyles? Or do orphans fill the demand—smuggled into prostitution after disasters like the tsunami of 2004? The Virgin Trade dangles the questions of numbers while still affirming widespread exploitation and deceit. The interconnectedness, scale and depth of the problem, as well as what is still hidden or left unsaid, is left up to the viewer…

Sex Slaves documents an extraordinary journey deep into the world of sex trafficking from the perspective of Viorel—a young man trying to find his wife Katia who was four months’ pregnant when she left home looking for a job. Along the way, the production team takes a rare, hidden-camera look at various traffickers, pimps and middlemen who buy and sell hundreds of thousands of women each year. Lured by traffickers who prey on their dreams of employment abroad, many of the women are then kidnapped and “exported” to Europe, the Middle East, the United States and elsewhere. During this process, they are sold to pimps, locked in brothels, drugged, terrorised and raped repeatedly. In Eastern Europe, sex trafficking has become the fastest growing form of organised crime, with Moldova and Ukraine widely seen as major suppliers of women into the global sex trade…

Santa’s Workshop — Inside China’s Slave Labour Toy Factories shows the long working hours, low wages, and the dangerous work and conditions inside these toy factories. Workers who protest or try to organise unions risk imprisonment. Low labour costs and government protections for multinational corporations attract more and more companies to China. Figureheads blame the Chinese suppliers, but they say in the same sentence that increasing competition gives them no option. What and whom to believe?

Amidst the supposed growing prosperity of India, there remains a dark underbelly of poverty. Born Into Brothels chronicles this through the lens of Kolkata’s red light district where film-maker Zana Briski inspires a group of children of the prostitutes of the area to photograph the most reluctant subjects of it. As the kids excel in their new found art, will this help them have a chance for a better life away from the miserable poverty that threatens to crush their dreams?

Did you know that the legal system recognises a corporation as a person? What kind of ‘person’ is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?

The myths of globalisation have been incorporated into much of our everyday language. “Thinking globally” and “the global economy” are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In some respects you are already living in it. The clothes in your local store were probably stitched together in the factories of Asia. Much of the food in your local supermarket will have been grown in Africa…

We tend to think of slavery as one of the points in Colonial History’s dark past—an offence against humanity that was abolished in the 18th century. But slavery is rampant like never before. It’s just that today the slaves are well hidden in plain sight. The global economy has enabled the immense wealth of the West, giving rise to strengthening a sinister market in slaves throughout Africa, Asia, South America, Britain and the United States. This film sets out to discover where slavery is flourishing, why it’s touching all of our lives, and how we can challenge it.

Globalisation has gone to great lengths to coerce many countries around the world to open ‘free trade zones’ for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.

Inside Burma — The Land Of Fear exposes the history and brutality of one of the world’s most repressive regimes. Nearly the size of Texas, with a population of more than 40 million, Burma has rich natural resources. Yet Burma is also a secret country. Isolated for the past 40 years, since a brutal military dictatorship seized power in Rangoon, Burma has been relegated to one of the world’s poorest countries, with the assault on its people all but forgotten by the rest of the world. Award winning film-makers John Pilger and David Munro go undercover to expose how the former British colony is ruled by a harsh, bloody and uncompromising military regime…

In 1979, the people of Nicaragua successfully put an end to decades of the corrupt Somoza dictatorship whose family had been in power for more than 40 years, put there by the United States marines. Four years later, this film travels to Nicaragua to question: How can a country survive when its jungle borders hold 4000 hostile troops?

Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women’s history in Australia over the past decades. The film chronicles the cycles of women’s gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women’s unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce—the low-paid, low-status jobs—and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.