For the past four years Submedia has been visiting a camp of the Unist’ot’en of the Wet’suet’en Nation in so-called British Columbia in Canada. The Unist’ot’en continue to fend off intrusions to their land by rapacious oil and gas companies. The threats are large and systemic and involve the very base of life itself. This two-part series of short films document the direct actions that are effective in keeping the threats of oil and gas out. Stopping the corporations physically is paramount, as they’ll stop at nothing…

Above All Else is an intimate portrait of a group of activists and landowners in East Texas, United States, who undertook a series of direct actions and put their bodies in the way to stop construction of the Keystone pipeline in 2012. The film follows David Daniel, a quiet, affable carpenter, whose backyard became the epicenter of a tree-sit that physically blocked the path of the controversial pipeline. This was the birthplace of the Tar Sands Blockade, an activist group that would go on to oppose the pipeline’s construction all along its route. David’s stance against Keystone brought together an unlikely coalition of allies, from Texan farmers to student environmentalists to fire-cracker great-grandmothers like Eleanor Fairchild. Above All Else is the story of David and his allies, their struggles, and what happened when they stood in the way of the most powerful industry in the world.

The small town of Fort Chipewyan in northern Alberta, Canada, is facing up for the fight against The Alberta oil sands, which is arguably now the world’s largest construction project. Its expansion will have an estimated $1.7 trillion impact on the Canadian economy over the coming decades. An area of boreal forest the size of Greece will be affected by industrial activity. Once again the issue is water, but this time it is not just the flow of the river, but the chemicals the current may be carrying downstream from the strip mines and bitumen upgraders. In recent years, Fort Chipewyan has experienced an unusually high rate of cancer. Local fishermen are finding growing numbers of deformed fish in their nets. Residents and the community doctor, worry there could be a connection to the oil sands…

A group of conservation photographers travel to British Columbia, Canada, to capture the region in response to plans by several oil companies who want to build a pipeline for export from the Alberta tar sands, across British Columbia to the coast of the Great Bear Rainforest. The tar sands in northern Alberta are the largest, most destructive industrial projects in human history. The proposed pipeline not only threatens this area, but many others across Canada and indeed the world. Spoil follows several renowned photographers and videographers who show the Great Bear Rainforest’s landscapes, wildlife, and indigenous culture; calling to act before it’s too late…

By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly ‘pacifist’ social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on ‘Endgame,’ the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?

Canada is now the biggest supplier of oil to the United States, thanks to the Alberta tar sands—a controversial billion-dollar project to extract crude oil from bitumen sands, using a very toxic process that has generated international cause for concern. Four barrels of glacier-fed spring water are used to process each barrel of oil, along with vast amounts of electricity. The waste water is dumped, filled with carcinogens and other chemicals, into leaky tailings ponds so huge that the piles can be seen from space. Downstream, people and communities are already paying the price with contaminated water supplies and clusters of rare cancers. Evidence mounts for industry and government cover-ups. In a time when wars are fought over dwindling oil and a crisis looms over access to fresh water, which will we allow to turn out to be more precious to us?

Canada’s tar sands are the largest industrial project ever undertaken—spanning the size of England. Extracting the oil and bitumen from underneath unspoiled wilderness requires a massive industrialised effort with far-reaching impacts on the land, air, water, and climate. It’s an extraordinary industrial spectacle, the true scope of which can only be understood from an aerial view. Shot primarily from a helicopter, Petropolis: Aerial Perspectives on the Alberta Tar Sands offers an unparalleled view of the world’s largest ever industrial project…

Dirty Oil looks into the strip-mined regions of Alberta, Canada, where the vast and toxic Tar Sands currently supply the United States with the majority of its oil. Through the eyes of corporate officials, politicians, scientists, doctors, environmentalists and communities directly impacted by the largest industrial project on the planet today, Dirty Oil travels to both sides of Canada to document the irreversible toll the tar sands take, further fuelled by the western world’s addiction to oil…