Films about toxins
Did you know that the legal system recognises a corporation as a person? What kind of ‘person’ is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
China’s factories provide low cost products such as computers and cars to the rest of the world, but the real cost is high with heavy air pollution, contaminated waterways, decimated land, terrible working conditions, widespread cancer and incidences of deaths. China’s Dirty Secrets travels across the country to follow workers at factories that assemble computers, then to e-waste dumps, and finally an industrial incinerator burning medical waste, all showing first-hand the extensive environmental impacts of so-called “economic growth.”
Tapped shows the hidden affects of the bottled water industry by documenting the impacts to the environment from plastic bottles, pollution from production, right down to the impact on the communities, land and people from which the water is taken…
Bees have been mysteriously disappearing, literally vanishing from their hives. Known as ‘Colony Collapse’, the phenomenon has brought the commercial food industry to crisis. Commercial honeybee operations pollinate monocrops that make up one out of every three bites of food in the western world. Vanishing Of The Bees follows beekeepers David Hackenberg and Dave Mendes as they strive to keep their bees healthy and fulfil pollination contracts across the United States; examining the alarming disappearance of honeybees and the greater meaning it holds about the relationship between industrial culture and ecology…
From styrofoam cups to artificial organs, plastic is perhaps the most ubiquitous and versatile material ever invented — no product in the past 100 years has had more a profound influence and presence than synthetics. But such ‘progress’ has a cost — no ecosystem or segment of human activity has escaped the strangling grasp of plastic. Addicted To Plastic investigates what we really know—and don’t know—about this material. Talking to manufacturers, recyclers, cleaners, scientists and others, Addicted To Plastic shows plastic’s toxic legacy and devastating ecological impact, provoking serious questions about health, food and the environment…
Plastic Planet is an up close and detailed examination of one of the most ubiquitous materials of our age, the plastic age. This controversial and fascinating material has found its way into every facet of our lives, literally. Plastic Planet takes us on a journey around the world, showing that plastics are a threat for human health and the ecosystems of the planet…
Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world’s largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries’ national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit…
In 1986, a catastrophic nuclear accident occurred at the Chernobyl Nuclear Power Plant in Ukraine. An explosion and fire released large quantities of radioactive contamination into the atmosphere, which spread over much of Western USSR and Europe. Life After Chernobyl uses this event to show how wild nature reacts and survives when the world is suddenly rid of the impacts of industrialisation. Travelling to the site of Chernobyl, animals return, forests regrow, buildings disintegrate into grass — perhaps saying in a rather horrific way that a nuclear accident is better for the natural world than industrial civilisation…
Stop the Flows is a media project in progress to document resistance movements around the world that are working towards stopping the flows of oil and gas, minerals and other natural ‘resource’ extraction from within their communities, territories and landbases; as well as stopping the flow of the tremendous amounts of wealth generated from these destructive activities. This series aims to support and capture the many forms of organising, direct-action, protest and resistance movements throughout the world working to end mining, the oil economy, nuclear power and more…
Barbie, H&M jeans, everyday corn—just some of the products recalled due to controls on the use of dangerous chemicals as a wave of legal cases over toxicity is calling manufacturing of certain products into question. The Toxins Return follows the trail from field worker, to customs, to the high street shopper—how much can we trust all these products?
Just along the fault lines of the Pacific Rim of Fire from Japan, lies Taiwan—another heavily industrialised, modern economy highly reliant on nuclear power. Ninety percent of the world’s earthquakes occur along the Rim of Fire, so no wonder there are worries about a fourth nuclear plant being built there. The government of Taiwan is promising to hold a referendum on its future, but if the reactor doesn’t go ahead the country’s nuclear strategy is in question, along with the $9 billion already spent on the plant. And the state-owned power company, Taipower, would face bankruptcy, leaving no one to manage Taiwan’s nuclear waste. The waste currently sits across the water on the tiny Orchid Island, quickly corroding and risking potential disaster for the native Tao inhabitants. As fears grow, can we learn from Fukushima before it’s too late?
Once advertised as the birthplace of a bright new future for the American Dream, Salton City, California is now crumbling into an apocalyptic landscape of pollution and desolate land. As farmers burn their fields, and the honey bee population dwindles, scum floats down the most polluted river in North America, which carries raw sewage, pesticides and factory waste from Mexico into the once-beautiful Salton Sea. Toxic Imperial Valley travels through these landscapes, meeting the squatters and other occupiers left, in what looks like the end of the world…
Ever since three reactors went into meltdown at the Fukushima Daiichi Nuclear Power Plant in 2011; a broad, disparate, anti-nuclear movement is growing in Japan. Nowhere is that more apparent, perhaps, than in Fukushima prefecture, where a group of local women boldly protest the deafening silence of the Japanese government over the worst nuclear accident of this century. Largely ignored by their own media, these brave women brush aside cultural shyness and share their honest views on the state of the cleanup, the cover-ups, the untruths and the stagnant political climate in today’s Japan…
The Battle Of Chernobyl recounts the most significant and catastrophic nuclear explosion in history — an incident that was kept secret for twenty years by the Soviet Union and United States alike. More than 200 people died or were seriously injured by radiation exposure immediately after the explosion and many generations later, the impacts are still felt in cancers, birth defects and toxic ecology, with millions of people still suffering from radiation related health problems such as leukaemia and thyroid cancer…
On April 26, 1986, the worst nuclear accident in history occurred when a reactor exploded at the Chernobyl nuclear power plant in Ukraine, releasing 90 times the radioactivity of the atomic bombs dropped on Hiroshima and Nagasaki. Sixteen years later, Chernobyl Heart travels to ground zero, following the devastating trail radiation leaves behind in hospitals, orphanages, mental asylums and evacuated villages. The film reveals those hardest hit by radiation, including thyroid cancer patients and children suffering from unfathomable congenital birth and heart defects, still decades later…
Chemical flame retardants are everywhere—in our furniture, our homes, our bodies. But do they work as promised? And are they making us sick? The three chemical companies producing flame retardants would prefer that we not ask these questions, and they’ve spent millions of dollars on lobbyists, publicists and influencers to ensure that we don’t. Toxic Hot Seat wades through the mess to piece together an intricate story of manipulation that details how Big Tobacco skillfully convinced fire safety officials to back a standard that, in effect, requires all furniture to be filled with toxic chemicals…
Aluminium is everywhere—beer cans, tinned food, cooking pans, computers, pens, cosmetics; and many medications, including most vaccinations. Though what do we know about this material? The Age of Aluminium profiles people whose health has been seriously impacted by unwitting exposure to aluminium; along with research exploring how aluminium as a known neurotoxin relates to the growing epidemic of chronic illnesses and disabilities such as breast cancer, Alzheimer’s disease, allergies, and autism. Aluminium mining and manufacturing have also created cataclysmic environmental problems in several parts of the world, as we see the devastating effects of aluminium mining in South America, and environmental disasters in Hungary and the UK. What are we doing with this material? And what can we do now to avoid the continued impacts on our lives and the natural world?
The Idiot Cycle investigates six major chemical companies—Dow Chemical, BASF, Bayer, Dupont, Astrazeneca and Monsanto—that are not only responsible for producing decades of cancer causing chemicals and pollution all across the globe, but also profit extensively from controlling cancer treatments and the production of drugs for those treatments. The irony is palpable. Also examined is how these very same companies own the most patents on genetically modified foods that have also never been tested for long-term health impacts like cancer. When there’s dioxin in every mother’s breast-milk, rivers throughout the world that no longer support life, cataclysmic environmental damage from industry and manufacturing—when do we say enough is enough?
Following on from the series Planet Earth which looked at various forms of life across the globe, Planet Earth — The Future highlights the issues of conservation and the future of the environments and species featured in the Planet Earth series. Using interviews with the film-makers and eminent figures from the fields of science, conservation, politics, and theology, the series poses questions around the effectiveness of the environmental movement, and the future of the planet. A lot needs to change in order to ward off catastrophe…
Almost 50 million tonnes of electronic waste is generated worldwide, every year. A large volume of it is shipped off to Ghana, in West Africa, as “second-hand goods” where electronics are not seen for what they once where, but rather for what they’ve become. Without dialogue or narration, e-Wasteland presents a visual portrait of vast landscapes polluted by electronic waste, shining a light on the endless consumerism of the 1st world; and the real, pervasive, ecological impact of electronic waste worldwide.
Poisoned Waters investigates some of the root causes of what we see worldwide with ecological collapse, dead-zones and pollution effecting oceans, rivers and watersheds. With a focus on major waterways in the United States such as the Chesapeake Bay and Puget Sound, the film follows the culmination of decades of evidence that today’s systemic and growing environmental collapse comes not only from the toxic activities of industry, agriculture and massive suburban development; but also from the permeated satiety of chemicals in prolific consumer products such as face-creams, deodorants, prescription medicines and household cleaners. This is a startling reminder of the compounding threat facing our world and the need to act imperatively.
The Planet is a stylised observational video commentary that brings together an overview of the many global changes set about by industrial civilisation. Viewed through the myriad connections between consumerism and the false notion of a perpetually expanding economy on a finite planet, the film peers across the globe to reveal systemic exploitation; species extinction driven by industrial agriculture, logging, mining, manufacturing, pollution, the age of oil and plastic, etc; climate change; carrying capacity and population growth; while also positing that we—as in you and me—can do something, anything, to stop the destruction.
In Mexico, ‘maquiladoras’ is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos…
This short film, put together by activists, documents the extreme proliferation of e-waste throughout Asia. The effects of the waste is catastrophic, as computers and electronics contain some of the most hazardous materials—cadmium, barium, plastics, mercury, lead, Brominated Flame Retardants and dioxins. Working at the nexus of human rights and environment, this film confronts the issues of environmental justice at a macro level, by provoking the need to stop this trade and address the issues. With over 80% of e-waste coming from the United States alone being exported throughout Asia, the problem is only to increase unless things change, especially in the age of planned obsolescence and consumer ‘upgrades.’
More than three million Vietnamese people still suffer the gruelling effects of chemical weapons used by the United States during the Vietnam War. American militaries doused forests, lands and waterways of Vietnam with the deadly chemicals Agent Orange, White, Blue, Pink, Green and Purple. Agent Orange in particular, which contains dioxin—the most toxic chemical ever known—has disabled countless people and generations of their offspring. This film weaves personal stories together with the stories of American GIs to lead to a great unravelling of the first-hand devastating and lethal effects of Agent Orange and war, generations later.
For years now, the global economy has been exporting most of its wastes and dirty industries to the so-called third world. With this era of proliferation of technology and planned obsolescence, it’s no surprise that e-waste has taken over in these places too. Though while corporations claim that used TVs and computers are being safely recycled in Australia, the reality on the ground throughout Africa shows a very different story. This film travels to Ghana to see that a staggering amount of the world’s e-waste is ending up being burnt in open dumps with severe consequences. The waste creates an escalating and accumulating environmental and health nightmare. But not only this, the arrival of the waste in the first place breaks a myriad of laws and conventions that are supposed to be in place. e-Waste Hell documents this stark reality…
e-Waste is a short film that investigates the grave effects that technological waste has on the environment in Ghana, and the impact it has on the lives of those who are forced to work with such hazardous materials in order to survive.
Bananas!* documents the legal battle of banana plantation workers in Nicaragua against the Dole Food Company over cases of sterility caused by the pesticide DBCP. The chemical, despite being banned, was knowingly sprayed on crops and workers. The result is the same old battle with corporate power as the film unpacks the issues of the case and the lives of the workers through the local lawyer Juan Dominguez. Dominguez bridges the gap between the rapacious North American company and the South American workers who were not told about or protected from the pesticide, to make a claim against one of the largest corporations in the world for justice for its workers.
A new gold rush is sweeping through the Amazon rainforest where scores of people are bustling in to hunt for the last nuggets and specks of gold. This insatiable rush is perpetuating the further destruction of one of the largest remaining tropical forests in the world; bringing with it weapons, mercury, crime and alcoholism, and turning once pristine creeks and rivers into dumping grounds for mining. In the forest also lies the story of the Wayanas, a Native American tribe from Guiana, who are being poisoned by the mercury releases from the mining. Their communities are enduring one of the world’s worst globalisation disasters, fighting back against all odds.
In the past 40 years, global consumption of fish has doubled. Having decimated natural fish populations globally, the industrial food system has turned to mass-scale farming practices in order to sustain the unsustainable, supplying huge supermarket chains and commercial food outlets with cheap processed fish products. What do we know about this and these processes? And what of the lives of the fish? What about their health and the health of the waters in which they’re taken? Fillet-Oh!-Fish is the result of yet another indictment of the industrial food system, agriculture and factory farming—all of which have egregious implications to the health and well-being of species, and the planet as a whole. We see myriad mixes of pesticides and other chemicals, leading to toxic rivers and streams, the pervasiveness of the industrial food system, with glimpses into working conditions and processing methods, as well as the perniciousness of globalisation, with the world-wide reach of this crazy system that has hijacked a fundamental life-giver: food.