Renowned independent journalist John Pilger speaks about complicity and compliance, censorship and citizen journalism as well as issues such as the holocaust in Iraq and Kevin Rudd's shrewd political apology to the Indigenous peoples of Australia as Prime Minister. "These days, a one-dimensional political culture ensures that few writers write, or speak out, as they did in the last century. They are talented, yet safe. In the media, the more people watch, the less people know. Beneath the smokescreen of objectivity and impartiality, media establishments too often ventriloquise the official line, falling silent at the sight of unpleasant truths."
Amy Goodman from Democracy Now! speaks about the mainstream media's coverage of US interventions around the world and demonstrates the link between corporate media and government, and how this plays a major part in selling war at home and abroad...
In 2004, during the invasion of Iraq, the public learned of systemic sexual abuse, torture, rape and even murder going on inside Abu Ghraib prison in Baghdad. Photographs taken by the soldiers themselves were at the centre of the scandal, and seared public consciousness. Standard Operating Procedure sets out to examine the context of these photographs. Why were they taken? What was happening outside the frame? The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further...
The Australian Federal Police--the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978--has enjoyed consistent showers of praise by politicians and the public ever since it's inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the "terrorism case" against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP...
Reaching into the Orwellian memory hole, War Made Easy exposes the some 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Using archival footage of official distortion and exaggeration from LBJ to George Bush, this film reveals how the American news media have uncritically disseminated the pro-war messages of successive governments -- paying special attention to the parallels between the Vietnam war and the war in Iraq...
For Your Eyes Only? reports on the existence of a secret government program that intercepts millions of e-mails each day in the name of 'terrorist surveillance'. News about the program came to light when a former AT&T employee, Mark Klein, blew the whistle on a large-scale installation of secret Internet monitoring equipment deep inside AT&T's San Francisco office. The equipment was installed at the request of the United States government to spy on all e-mail traffic across the entire Internet. Though the government and AT&T refuse to address the issue directly, Klein backs up his charges with internal company documents and personal photos...
This documentary looks at the erosion of civil liberties and increase in government surveillance since 1997 in the UK with the advent of "New Labour" and Tony Blair. Modern politicians, regardless of left or right, always seem to promise hope and change, but what is delivered is more of the same. To illustrate this, the film tracks 6 key areas that have been rapidly dismantled in so-called democracies over the last few decades: Freedom of speech; the right to assemble and protest; the presumption of innocence; the right to privacy; detention without charge, the prohibition on torture...
Taxi To The Dark Side examines America's policy on torture and interrogation in general, specifically the CIA's use of torture and their research into sensory deprivation. There is description of the opposition to the use of torture from its political and military opponents, as well as the defence of such methods; the attempts by Congress to uphold the standards of the Geneva Convention forbidding torture; and the popularisation of the use of torture techniques in American television shows...
September 11 has indelibly altered the world in ways that people are now starting to earnestly question: not only perpetual orange alerts, barricades and body frisks at the airport, but greater government scrutiny of people's records and electronic surveillance of their communications. The US National Security Agency (NSA) has engaged in wiretapping and the sifting of Internet communications of millions of people worldwide, including their own...
Ghosts of Abu Ghraib examines the sexual abuse, torture, rape, and murder of detainees at Abu Ghraib prison at the hands of US military police in the fall of 2003. The film shows how the abuse was systemic of the military-intelligence complex, flawing the "bad apples" theory that was sprouted through the media at the time. By making reference to Stanley Milgrim's obedience experiments of the 1960s, the film asks: How can ordinary people take these actions? And what orders came from the chain of command?
If one steps back and looks at what freedom actually means in the West today, it's a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for "individual freedom," yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force "freedom" on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.
We is a visual essay exploring the politics of empire, war, corporate globalisation, imperialism and history; using the words of Indian author and political activist Arundhati Roy, from her speech Come September given in Santa Fe, New Mexico one year after the September 11th attacks--not long after the invasion of Afghanistan. The result is a mix of archive footage illustrating specific historical events throughout South America, the Middle East and elsewhere, in context with the September 11th attacks; placed alongside the themes of empire, global economics and a short history of neo-collonialism...
The untold history of The Project for the New American Century is no more. This film exposes how every major war in US history was based on a complete fraud with video of insiders themselves admitting it. This documentary shows how the first film theatres in the US were used over a hundred years ago to broadcast propaganda to rile the American people into the Spanish-American War; the white papers of the oil company Unocal which called for the creation of a pipeline through Afghanistan and how their exact needs were fulfilled through the US invasion of Afghanistan; how Halliburton under their "cost plus" exclusive contract with the US Government went on a mad dash spending spree akin to something out of the movie Brewster's Millions...
My Country, My Country documents the United States' invasion of Iraq from an insider's perspective, as told by Iraqi citizens themselves, and by the efforts of a devoted father and Sunni Muslim political candidate. Filmmaker Laura Poitras also spends time on the ground following the United States military 'Civil Affairs' team during the 2005 elections in Iraq. As the US government attempts to "bring democracy" to the country, Baghdad native Dr. Riyadh is faced with making the difficult decision of supporting the popular boycott of the elections, or fighting for a democracy that seems ever more unlikely with each passing day. With intimate footage of Dr. Riyadh's interactions with the public and candid interviews featuring the opinions of every-day citizens, My Country, My Country provides a rare look inside the struggle in Iraq in the context of an ongoing brutal occupation.
Produced while the invasion was in full swing, Iraq for Sale investigates some the many private contractors and consultants that were brought into to Iraq as part of the United States military machine. Four major contractors are profiled: Blackwater, K.B.R.-Halliburton, CACI and Titan, along with investigations of human rights violations, systemic misconduct, corruption, and profiteering. The film posits what damage is done to the 'average citizen' when corporations decide to wage war. For those in opposition to war and corporate power, the connection between the invasion of Iraq and the private corporations who profit from the fighting is plain to see. For those who still may not be so easily convinced, the film not only explores the questionable motivations of the corporate decision-makers whose wartime profiteering has affected the lives of countless soldiers and their families, not mention the lives of millions of civilians, but also the increasingly negative international reputation of the United States as a result.
The Road to Guantánamo is a docu-drama about the incarceration of three British citizens--otherwise known as the Tipton Three--who were captured in Afghanistan in 2001 and detained for more than two years by the United States in Guantánamo Bay Naval Base, Cuba. The three were held in mostly solitary confinement and without legal representation for that time, after being released in 2004 without charge. Based on interviews, The Road to Guantánamo reenacts their experience in the camp, depicting the use of torture techniques such as stress positions, and attempts by the United States Army and CIA interrogators to extract forced confessions of involvement with al-Qaeda and the Taliban.
In Imperial Grand Strategy renowned linguist and philosopher Noam Chomsky focuses on the issue of the invasion of Iraq, and cuts through the ideological fog that surrounds the invasion and occupation, laying waste to the US government's justifications for them. In the process, Chomsky uncovers the real motivations behind US military aggression: a global imperial plan put in place long before Iraq and that will extend far into the future, unless we do something about it.
The United States heralded many grandiose promises of freedom and equal rights as they invaded Iraq. But still years on from the invasion, the reality of everyday life for women inside Iraq is of course a different story. To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet. Iraq -- The Women's Story provides a compelling account of a life inside Iraq that is never seen on news bulletins...
Reel Bad Arabs: How Hollywood Vilifies a People analyses how the storytelling of the West has crafted and perpetuated a false stereotypical image of Arabs and Arab culture since the early days of American silent cinema, up to the present with the biggest Hollywood blockbusters. The film shows how the persistence of these stories over time has served to powerfully naturalise and perpetuate prejudice toward Arabs, Arab culture and the Middle East in general, and how this in turn also serves to reinforce the harmful narratives of dominant culture which dehumanise Arabs as a people and negate the visceral political acts carried out against them by the West for decades. By inspiring critical thinking about the social, political, and basic human consequences of leaving these caricatures unexamined, Reel Bad Arabs challenges viewers to recognise the urgent need for counter-narratives to do justice to the diversity and humanity of Arab people, to share the truth about the stories of their lives and their history.
Is American foreign policy dominated by the idea of military supremacy? Why We Fight examines America's policies regarding making war, most recently the Iraq invasion and what is termed "the Bush doctrine" that includes pre-emptive strikes. This policy has been in the works for many years on reflection of the past wars of the 20th century alone. In this film, a variety of people are asked "Why We Fight?" with a variety of answers, followed by a look at today's U.S. military industrial complex via interviews with individuals involved with it...
This film comprehensively documents the use of chemical weapons--particularly the use of incendiary bombs--along with hordes of other horrific indiscriminate violence against civilians and children by the United States military in the city of Fallujah during the invasion of Iraq in November 2004. The cases portrayed involve the use of white phosphorus and other substances similar to napalm, such as Mark-77, which constitute clearly defined war crimes involving chemical weapons. Interviews with ex-military personnel involved in the Fallujah offensive back up the case for the use of such weapons by the United States, while reporters stationed in Iraq discuss the government's attempts to suppress the news by covert means.
In the wake of the attacks of September 11th 2001, the United States opened a prison camp in Guantánamo Bay, Cuba. The hundreds of prisoners detained there are not afforded prisoners of war status according to the Geneva Convention, they are labelled "unlawful combatants" and are held indefinitely and tortured with no right to a lawyer or a trial. Gitmo -- The New Rules Of War cuts through the official political rhetoric surrounding Guantánamo to expose what really goes on at the United States central gulag in the 'war on terror'.
In March 2003 thousands of Australian troops and others were sent to fight a 'war' as part of a pre-emptive strike on the sovereign nation of Iraq, a country from whom there was no threat. Two years on, in the wake of hundreds of thousands of Iraqi casualties, the Australian military reports its first casualty in the conflict while the American death toll stands at nearly two thousand. This being the a result of an invasion which has all but destroyed a foreign nation and seen millions made homeless, families destroyed, hundreds of thousands of deaths, leaving a legacy of destruction and religious division instilled in its wake. How did the Australian government come to play a part in this terror?
Is the threat of radical Islamism as a massive, sinister organised force of destruction—specifically in the form of al-Qaeda—a myth perpetrated by politicians across the globe, but particularly the American neo-conservatives, in order to unite and justify empire? This series of films charts the rise of both groups and movements, drawing comparisons between them and their origins, to provide much-needed and missing context to the War of Terror.
Why have a real election when you can just buy the result? In Bush Family Fortunes, Greg Palast examines various aspects of the Presidency of George W. Bush, including the very controversial 2000 US Presidential 'election' and of course, the invasion of Iraq. What are the Bush family connections?
Hijacking Catastrophe examines the evidence that neoconservatives used the September 11, 2001 attacks to usher in a new doctrine of expanding American power through military force under the guise of a "war on terror" and that the doctrine -- known as the Project for the New American Century -- had been laid out prior to 9/11 by its authors, which include Dick Cheney, Paul Wolfowitz, Donald Rumsfeld, Jeb Bush and Dan Quayle...
In December 2001, David Hicks, an Australian citizen, was captured in Afghanistan and handed over to the United States military, where he was moved to Guantanamo Bay for "interrogation." He has been held there ever since, not charged with any crime. Despite this, the United States labelled him an "unlawful combatant," a legal fiction concocted by the United States in order for them to torture Hicks and many other people like him, in the name of fighting the so-called "War on Terror." Many people, including Hicks, were kept in detention without charge for many years, denied a fair trial, and denied access to the United States' legal system. So how did a 26 year old former-stockman from Adelaide end up in the United States' torture chamber? Terry Hicks, David's father, sets out to answer this question, as he traces his son's journey from Adelaide to Japan to Kosovo, through Pakistan and Afghanistan, where he is captured in Taliban country.
Control Room presents a rare window into the US invasion of Iraq from the perspective of Al Jazeera, the Arab world's most popular news outlet. Widely criticized and condemned by military figureheads, government officials and the mainstream media in the west for reporting with a "pro-Iraqi bias", airing civilian causalities, as well as showing footage of American POWs, Control Room reveals the situation in Iraq that the US government does not want you to see...