As the United States developed the world’s first nuclear weapons in secret, it was surprised at the speed in which the USSR was able to also develop such weapons, and that such developments would lead to an unprecedented arms race. The USSR was able to obtain all the nuclear discoveries made by scientists who worked on the top-secret Manhattan Project through a very unusual spy, Elizabeth Zaroubin. She managed to gain the trust of great researchers, such as Einstein, in a story comparable to some of the best spy novels ever written.
Hot Girls Wanted is an up-close and personal view into the lives of several 18 to 25 year-old girls who are lured into the world of amateur pornography on the Internet. The film sets out to illustrate just some of the many ways the industry really works as opposed to how it appears, as well as providing an insight into the modern recruitment process—the pundits on the inside call it ‘The Game.’ And there are many tricks. According to the teens themselves, many come to porn by the promise of rich extravagant lifestyles, as well as fame and visibility. And while the money can be good for some, at least for a little while, that’s only a small part of the picture. The myths are many and there is a brutal reality of life in the industry, causing high turnovers of girls—once they cotton-on to The Game…
Sugar Coated investigates a once secret public relations campaign, dating back to the 1970s, where the sugar industry deflected threats to its multi-billion dollar empire from scientific research emerging implicating processed sugar with adverse health effects. In order to continue sweetening the world’s food supply, thus securing continued profits, the sugar industry turned to the very same deceptions and tactics lifted from the tobacco industry. Using big sugar’s own internal documents on this strategy, Sugar Coated reveals the well-oiled tricks of the trade to confuse the public about what is really driving the global pandemic of obesity, diabetes, and heart disease. Will we be fooled again?
In the early 2000s, two brothers garnered tremendous wealth when they started a company selling so-called “non-lethal” taser weapons, which quickly saturated police agencies and reinforced a culture of trigger-happy police officers. But instead of “saving lives” as was the catch-cry of the taser, and the company, the weapons were instead commonly used for pain compliance, and lead to a spurious string of deaths. The company didn’t back down. They insisted, despite mounting evidence to the contrary, that their weapon was safe and not at fault—not even a contributing factor—in the killings. Killing Them Safely delves into this troublesome mindset and that of the company, as well as the social implications of such weapons in a problematic police culture.
The Mask You Live In unpacks how this culture’s narrow and harmful definition of masculinity effects boys, young men; girls and women; and society in general in myriad ways, as our children struggle to stay true to themselves when confronted by this culture. Pressured by their peer group, heavily influenced by a barrage of media messages, and even their very own parents and other adults in their lives, our protagonists confront messages encouraging them to disconnect from and suppress their emotions, devalue authentic friendships, objectify and degrade women, and resolve conflicts through violence, control and manipulation. These traits and stereotypes closely interconnect with problems of race, class, and circumstance, creating a maze of identity issues boys and young men must navigate to become “real” men as the culture expects and perpetuates. Experts in neuroscience, psychology, sociology, sports, education, and media also weigh in, offering empirical evidence of how these issues intersect, and what we can do about it.
In Requiem for the American Dream, renowned intellectual figure Noam Chomsky deliberates on the defining characteristics of our time—the colossal concentration of wealth and power in the hands of the few and fewer, with the rise of a rapacious individualism and complete collapse of class consciousness. Chomsky does this by discussing some of the key principles that have brought this culture to the pinnacle of historically unprecedented inequality by tracing a half century of policies designed to favour the most wealthy at the expense of the majority, while also looking back on his own life of activism and political participation. The film serves to provide insights into how we got here, and culminates as a reminder that these problems are not inevitable. Once we remember those who came before and those who will come after, we see that we can, and should, fight back.
1966, United States. A new revolutionary culture was emerging and it sought to overthrow the corrupt systems of power waging the invasion of Vietnam, amongst the struggle for equality and civil rights at home. Beginning with armed citizens’ patrols to keep police accountable and challenge police brutality in Oakland California, The Black Panther Party put itself at the vanguard for social change, expanding in 1969 to community social programs, including free breakfast for school kids and community health clinics. This lead the FBI to call the movement “the greatest threat to the internal security of the country,” and start an extensive government program called COINTELPRO to surveil, infiltrate, perjure, harass, discredit, destabilise and disintegrate the movement. This film chronicles the story arc of the Black Panthers successes and failures, through the voices of the people who were actually there: police, FBI informants, journalists, white supporters and detractors, and the Black Panthers themselves.
Maïdan is an observational film that documents the civil uprising and revolution that toppled the government of president Victor Yanukovich of Ukraine in 2014, and has since developed into an international crisis between Russia and the West. In long unedited strides, the film portrays the protests progressing over time from peaceful rallies, half a million people strong, to bloody street battles between protesters and riot police in Kiev’s Maidan Nezalezhnosti (Independence Square).
The Miami model was the name given to a set of tactics employed by police during protests in Miami, Florida relating to the Free Trade Area of the Americas (FTAA) trade agreement meetings in November 2003. State Attorney Kathy Fernandez Rundle responded to allegations of police brutality by saying, “The police were very professional, very controlled… I think we have a model here for the rest of the world to emulate in the future when these sort of events take place.” This film documents these tactics from the perspective of the protesters, to show what really happened to them and to document their work opposing the FTAA, countering the mainstream media narratives of the event and the tropes espoused by those in power.
In the aftermath of the events of September 11th, 2001; MIT linguist and political philosopher Noam Chomsky found himself called upon to provide much-needed analysis and historical perspective regarding this moment in American history. In the months following, Chomsky gave dozens of talks on four continents, conducted scores of media interviews, and published a book called ’9-11.’ In this film and in his book, Chomsky places the events of September 11 in the context of American foreign intervention throughout the postwar decades—in Vietnam, Central America, the Middle East, and elsewhere. Beginning with the fundamental principle that any exercise of violence against civilian populations is terrorism—regardless of whether the perpetrator is a well-organized band of Muslim extremists or the most powerful nation-state in the world—Chomsky challenges the United States to apply the moral standards it demands of others to its own actions.
Eat a takeaway meal, buy a pair of shoes, or read a newspaper and you’re soon faced with a bewildering amount of rubbish. Over the past 30 years worldwide garbage output has exploded, doubling in the United States alone. So how did there come to be this much waste, and where does it all go? By excavating the history of rubbish handling from the 1800s — an era of garbage-grazing urban hogs and dump-dwelling rag pickers — to the present, with mass consumer culture, modern industrial production and the disposable American lifestyle, The Hidden Life Of Garbage documents the politics of recycling, greenwashing and the export of trash to the third world as part exposé, part social commentary…
The Life of Mammals is a ten part series that follows the evolution and habits of various mammal species around the world. Each episode looks at one or several closely related mammal groups and discusses the different facets of their day-to-day existence and evolutionary origins.
The film is a video essay by Professor Albert Bartlett essentially serving as an introduction to the concept of steady growth and doubling time, by taking us through the impacts and consequences of exponential growth on a finite planet. By making good observations of this impossible growth as applied to fossil-fuel consumption, population and the endless growth of which the global economy requires, this presentation gives us the basic tools to fundamentally understand that we’ve got a real problem on our hands.
As the biotechnology industry spends more than $50 million a year to convince us that ‘genetic technology’ is our only hope for feeding the world and saving the environment, toxic agricultural chemicals continue to poison the air, food and water and put farm workers in serious danger. So what’s the real problem? Using archive footage and interviews with farmers, scientists, government officials and activists, Fed Up With Genetic Engineering presents an overview of the current food production system, exploring the impacts of pesticides, the resistance of biotechnology companies to food labelling and the links between government officials and major biotechnology and chemical companies…
Between 1964 and 1973 the United States conducted a secret war in Laos — dropping over 2 million tons of bombs, making it the most heavily bombed country in history. Millions of ‘cluster bombs’ did not explode when dropped, leaving the country massively contaminated with “bombies” which are as dangerous now from when they fell over 30 years ago. Bombies documents unexploded cluster bombs through the personal experiences of a group of Laotians and foreigners who go about dismantling the bombs. These weapons are still a standard part of the United States military arsenal and were recently dropped in Kosovo, Afghanistan and Iraq…
It has been 30 years since Title IX legislation granted women equal playing time, but the male-dominated world of sports journalism has yet to catch up with the law. Coverage of women’s sport lags far behind men’s, and focuses on female athletes femininity and sexuality over their achievements on the court and field. While female athleticism challenges the narrative of gender roles, women athletes continue to be depicted in traditional roles that reaffirm their femininity as wives and mothers or sex objects. By comparison, male athletes are framed according to heroic masculine ideals that honour courage, strength, and endurance. Playing Unfair is the first video to critically examine the post-Title IX media landscape in terms of the representation of female athletes, using numerous media examples to catalyse debate among women and men, athletes and non-athletes, about the meaning of images in a world transformed by the presence of women in sport.
To many in both business and government, the triumph of the self is the ultimate expression of democracy, where power is truly moved into the hands of the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and controversial story of the growth of the mass-consumer society. How is the all-consuming self created, by whom, and in whose interest?
In the 1960s and 70s, the polarisation of the political situation in the United States was becoming acute with the Vietnam War abroad and civil rights at home being but the most obvious issues. For the youth political movement, the futile methods of peaceful protest led to the rise of an idealistic faction that undertook a more extreme approach to resistance. This faction, called the Weather Underground, attempted to team up with the Black Panthers to overthrow the US government—starting with street riots, escalating to bombing government targets. Thorough archival footage and interviews of the veterans of both sides, this film covers the movement, until changing times and disillusionment brought it to an end, alongside the FBI employing an illegal series of projects called COINTELPRO to hasten it…
Felicity, a 25-year-old single mother living in England, is desperate to make money to improve her daughter’s opportunities. She is invited by a porn agent to travel to Los Angeles, the centre of the porn industry, to make a career as a pornstar. Hardcore follows Felicity over three weeks, as she ends up immersed in the deeply disturbing and degrading world of pornography production. Her agent introduces her to Max Hardcore, a notorious abuser, known for humiliating and abusing women for films. Aware of his reputation for choking women—and that he often asks women to dress as underage girls—Felicity does not want to meet him, let alone work with him, yet she is pressured by her agent until she agrees. When Max Hardcore chokes her, and she breaks down in tears, he attempts to manipulate her into continuing, and is almost persuaded until the documentary crew steps in for fear of being complicit in rape. The documentary is extremely difficult viewing, but depicts a true face of the porn industry, and the toxic culture it is embedded in.
Mainstream media regularly uses public opinion polls in the reporting of news and political analytics. But how do media outlets report polls and to what end? In this interview, author and academic Justin Lewis demonstrates the way in which polling data is used by the media to not just reflect what populations supposedly think, but instead to construct public opinion itself.
Fight For Country tells the story of one of Australia’s largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed ‘uranium deposits’, collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.
Unprecedented looks at voting irregularities in the controversial presidential election in the United States from the year 2000. With a focus on the swing state of Florida, the recount, the ensuing supreme court decision in December, and future elections; the film also shows how fundamentally, many people—the majority being African-American—have outright been refused the ability to vote by a clever mix of legalese, electronic voting machines, political maneuvering and simple racism. A 1868 law prevented felons from voting—originally crafted to keep blacks from the polls in the wake of the Civil War—was resurrected in 2000, used to create a computerised list of people supposedly illegible to vote. The list had weird parameters and included as many as 57,000 to 91,000 non-felons; overwhelmingly targeting people of colour. On election day, these people were turned away at the polls. The role of electronic voting machines is also examined, as they are totally unaccountable and do not allow audits. The argument is made because of copyright over the software and trademarks. The machines also do not give paper receipts, so there is no physical evidence in case of the need for a recount. How does the United States—the so-called and self-proclaimed world-famous democracy—fair as one in light of this?
More than 40 years after his death, the body of former CIA scientist Frank Olson has been exhumed. Olson’s son Eric is convinced his father was murdered by agents of the government because he wanted to leave the CIA. Frank Olson was an expert for anthrax and other biological weapons and had top security clearance. Forensic pathologists at George Washington University performed an autopsy and concluded that Olson probably was the victim of a violent crime. Codename Artichoke documents these strange aspects of the CIA’s quest for mind control drugs, with programs like MKULTRA, MKDELTA, Artichoke, Operation Midnight Climax and others…
Did you know that the legal system recognises a corporation as a person? What kind of ‘person’ is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
The belief that good triumphs over evil resonates deeply through the religious and political discourses of dominant culture. It is also a common theme in the entertainment media where the struggle between good and evil is frequently resolved through violence. The negative impacts of media violence on children has long been a public concern, but it is even more troubling when military violence, both in the news and in entertainment, is often glorified as heroic and noble. Beyond Good & Evil: Children, Media & Violent Times is a look at how mass communication distorts and manipulates language and visual imagery. It shows viewers how the media’s overriding objective of satisfying an audience converts real issues surrounding race, war, and violence into nothing more than spectacle.
To its backers, Woomera detention centre played a so-called “humane yet crucial role in housing the growing numbers of ‘boat people’ landing on Australia’s shores.” To its critics, this prison, as a heavily guarded cluster of buildings ringed by red desert and razor wire, represented the “dead-heart of asylum-seeker policy” and Australia’s lacklustre regard for human rights. Woomera opened for business less than four years ago. Built for 400 people, it soon housed more than 1,400. It became notorious for riots, protests and breakouts by desperate detainees. There were reports that mental illness and self-harm were rife and as the reports mounted, TV cameras captured the protests at the perimeter fence. Certain press warned of detainees’ declining health and morale. Yet when Woomera was quietly placed in mothballs last month, its full story remained to be told…
The human genome is being privatised. Another corporate takeover. The genetic sequences that make up you and me are being patented and one Australian company, a hot item on the stock market, is aggressively enforcing a suite of patents that affect an extraordinary 95 percent of every living creature’s DNA. The company claims most laboratories around the world are infringing its patents — nature itself included — and the company is now trying to charge licence fees for this…
This short film, put together by activists, documents the extreme proliferation of e-waste throughout Asia. The effects of the waste is catastrophic, as computers and electronics contain some of the most hazardous materials—cadmium, barium, plastics, mercury, lead, Brominated Flame Retardants and dioxins. Working at the nexus of human rights and environment, this film confronts the issues of environmental justice at a macro level, by provoking the need to stop this trade and address the issues. With over 80% of e-waste coming from the United States alone being exported throughout Asia, the problem is only to increase unless things change, especially in the age of planned obsolescence and consumer ‘upgrades.’
The Trials of Henry Kissinger examines the evidence of war crimes by Henry Kissinger during his time as the United States “National Security Advisor” and later Secretary of State for President Nixon and President Ford. Acting in the role of the prosecution, journalist Christopher Hitchens presents solid evidence of Kissinger’s complicity in a series of war crimes involving Indonesia, Bangladesh, Chile, Cyprus, East Timor and many other countries…
Ammo for the Info Warrior is a two part series of collections of short films by the Guerrilla News Network (GNN), an independent news organisation with a mission to expose young people to important global news and information free from corporate filters. Each part consists of a selection of 5 to 10 minute videos covering a range of stories, from the violent diamond trade in Sierra Leone; to the PR industry’s manipulation of public opinion; to analysis of IBM and its role in the Holocaust; to CopWatch, a movement of people keeping police accountable; and short slam poetry clips about the business of hip-hop. Ammo for the Info Warrior experiments with format with the aim of being an innovative educational tool to tackle serious socio-political issues for a generation brought up on MTV. It can be a catalyst for discussion and debate, encouraging the viewer to develop skills in critical thinking and analysis.
While advertising is clearly a visible component of the corporate system, perhaps even more important and pervasive is the often-invisible partner—the public relations industry. Toxic Sludge Is Good For You illuminates this hidden sphere of the corporatocracy, examining the way in which the management of public discourse has become central to how society has been usurped and is controlled by political and economic elites. The film tracks the development of the PR industry from its early efforts to win popular support for World War I, to the role of crisis management in controlling damage to the corporate image, while analysing the tools PR people use to manipulate public perceptions.
John Pilger returns to the Occupied Territories of the West Bank and Gaza where, in 1974, he filmed a documentary with the same title — Palestine Is Still The Issue — a film about the same issues, a nation of people, the Palestinians, forced off their land and subjected to military occupation by Israel. Pilger hears extraordinary stories from Palestinians, though most of his interviews are with Israelis whose voices are seldom heard, including the remarkable witness of a man who lost his daughter in a suicide bombing. But for Palestinians, the overriding, routine terror, day after day, has been the ruthless control of almost every aspect of their lives, as if they live in an open prison. This film is about the Palestinians and a group of courageous Israelis united in the fight to be free…
American Porn is an investigation on the forces behind the explosion of pornography available throughout the United States. Through interviews with the pornographers themselves, actors, lawyers, federal and state prosecutors, activists, and a Wall Street analyst covering the industry, American Porn examines the business ties between respected corporations and porn companies, the rise of extreme hardcore porn, and a political battle of the times.
Between 1999 and 2000, nearly 8,000 women reported a rape to the police. Out of those women, 90 per cent identified their attacker, and DNA evidence helped place the accused at the scene of the crime. But the admission of a prior relationship with the perpetrator counted against the victim. In any case, the conviction rate for rape is unbelievably low—only nine convictions for every 100 cases reported. Film-maker Rachel Coughlan follows the heart-wrenching stories of five women to win their fight for justice, showing in the process the systematic failures of the legal system in why such cases—the ones that do even make it to court—often don’t result in conviction.
The Disney Company’s massive success in the 20th century is based on creating an image of innocence, magic and fun for kids. Its animated films in particular are almost universally lauded as wholesome family entertainment, enjoying massive popularity among children and endorsement from parents and teachers around the world. This film takes a close look at Disney, to analyse the world these films create for kids and the stories they tell and propagate; contextualised by the cultural pedagogy of Disney’s conglomerate mass-media control and vast corporate power. Including interviews with social commentators, media scholars, child psychologists, kindergarten teachers, multicultural educators, college students and children, Mickey Mouse Monopoly provokes audiences to confront assumptions about an institution that is virtually synonymous with childhood pleasure.
They spend their days sifting through reams of market research data. They conduct endless surveys and focus groups. They comb the streets, the schools and the malls, hot on the trail of the “next big thing” that will snare the attention of their prey — a market segment worth an estimated $150 billion a year. They are the merchants of cool: creators and sellers of ‘popular culture’ who have made teenagers the hottest consumer demographic…
Ever since February 1997, when genetic scientists first unveiled ‘Dolly’ the cloned sheep, has genetic engineering pushed towards the desire to clone and genetically modify human beings. Since then, cloned cattle, pigs, goats and mice have been produced amongst other things, fuelling the belief that humans can be next. But what are the problems with this manipulation? Cloning The First Human follows the latest research, which not only shows complications from an ethical position, but much more dangerous ones too…
S11 documents protest actions in Melbourne, Australia, 2000 against the World Economic Forum meeting. Specific accounts of police brutality and ferocious attacks on people protesting national and international issues are captured, in direct contradiction with mainstream media coverage, portraying activists as violent protesters.
The Gleaners and I explores gleaning — the act of collecting food from farmers’ leftover crops after they have been commercially harvested. Travelling along the French countryside, the film-maker follows a series of gleaners as they hunt for food, knicknacks, and personal connection; capturing the many aspects of gleaning and the many people who glean to survive — finding not only field gleaners, but also urban gleaners and those connected to the gleaners, including a wealthy restaurant owner, an urban gleaner with a master’s degree who teaches French to immigrants, and artists who incorporate recycled materials into their works…
In 1983, the Australian Government approved the construction of Olympic Dam uranium mine at Roxby Downs in central South Australia, despite overwhelming opposition by the traditional indigenous land owners—the Kokotha and Arabunna people—and other Australian’s in the community. With an approval for expansion of the mine 14 years later, this film documents one of the many events organised in protest of the mine, as well as other actions to raise awareness of the many impacts of uranium mining in Australia.