MLK/FBI documents the extent of the FBI's surveillance and harassment of Martin Luther King based on newly declassified files and documents obtained through the Freedom of Information Act and unsealed by the National Archives. Using these, as well as restored historical video footage, the film explores the United States government's history of targeting Black activists through surveillance programs specifically aimed the Civil Rights Movement. The film covers the attempts by J. Edgar Hoover and the FBI to personally discredit King by collecting recordings and images of his private sexual life with women other than his wife. This was used to denigrate his status within the civil rights movement in the United States. Not all FBI documents have been declassified, but the whole record will be made available public in 2027.
Money is a new form of slavery and is only distinguishable from the old slavery simply by the fact that it is impersonal--that there is no human relation between master and slave. Debt in government, corporate and household has reached astronomical proportions. Where does all this money come from? How could there be that much money to lend? The answer is that there isn’t...
Nearly 100 years after its creation, the power of the United States Federal Reserve has never been greater. Governments and financial systems around the world pay close attention to the Fed Chairman's every word, philosophies and ideologies. Yet the average person knows very little about the most powerful and least understood financial institution. Money For Nothing takes viewers inside the Fed and reveals the impact of Fed policies past, present, and future.
Patent applications for the "Monsanto Pig" were published in February 2005 at the World Intellectual Property Organisation (WIPO) in Geneva. A researcher monitoring patent applications uncovered the fact that Monsanto is seeking patents not only on methods of breeding, but on actual breeding herds of pigs as well as the offspring that result. And as the seeds of the world are slowly being taken over by Monsanto, the company is aiming to extend its control to animals by patenting and thus privatising gene sequences--all of which are found and occur naturally and are not invented...
With a lens of torturous mechanistic science, as well as the commercial perspective from farmers and commodity bee-keepers alike, More Than Honey is a film about the insanity of industrial agriculture and the consequential collapse of honeybee populations throughout the world. By looking through some of the industrial operations in California, Switzerland, China and Australia, More Than Honey is a visual exploration of colony collapse, drawing attention to the many symbiotic relationships that go unrecognised and uncared for by industrial operations and commercial food practices. If bees are so important to the health of so many other species of animals and plants and foods, how can we stand by and allow them to be killed?
Mr Nixon's Secret Legacy covers the absurdity of the supposed logic behind "Mutual Assured Destruction" or MAD--a doctrine of military strategy and the national security policy of the United States during the cold war. During this time, MAD is supposedly disassembled, but replaced with a strategy called "Counterforce." This film investigates the propositions of "Counterforce," questioning the rhetoric of executing a "flexible, acceptable nuclear war."
This short film uses the history and figure of the Murdoch media empire as a vast invasive machine, to draw parallels to new media machines such as Google that are not only more invasive, but more pervasive than anything the Murdoch media empire has managed. Why are we not more concerned about this?
Over half a century, Rupert Murdoch's rapacious business audacity has built one of the world's most powerful and ubiquitous media empires. But with revelations of bribery, blackmail, collusion with police and government, wiretapping and other invasions on privacy, the empire seems to be showing cracks. The scandal has prompted criminal investigations on both sides of the Atlantic and also broken open the insular world of the Murdoch family, its news executives, and the vast political elite who court their favour. Murdoch's Scandal tells the story of the battle over the future of News Corporation and the challenging of the extensive media empire...
My Country, My Country documents the United States' invasion of Iraq from an insider's perspective, as told by Iraqi citizens themselves, and by the efforts of a devoted father and Sunni Muslim political candidate. Filmmaker Laura Poitras also spends time on the ground following the United States military 'Civil Affairs' team during the 2005 elections in Iraq. As the US government attempts to "bring democracy" to the country, Baghdad native Dr. Riyadh is faced with making the difficult decision of supporting the popular boycott of the elections, or fighting for a democracy that seems ever more unlikely with each passing day. With intimate footage of Dr. Riyadh's interactions with the public and candid interviews featuring the opinions of every-day citizens, My Country, My Country provides a rare look inside the struggle in Iraq in the context of an ongoing brutal occupation.
My Public Space is a short film following a local artist in New York City, documenting the effort to reformat the visual pollution of advertising into public artwork spaces...
My Sex Robot
Meet Roxxxy, the world's first "sex" robot, and the strange men who've been yearning for "her" as an obedient android "sex partner." Roxxxy's inventor, Doug, is working on finely tuning the robot to be the perfect android sexual "companion" and has a queue of men eagerly awaiting a one night stand with it to test the technology of their fantasies. But how did this come about? My Sex Robot follows the lives of three men in attempt to find out. Delosian remembers from the age of 13 watching Bionic Woman and Six Million Dollar Man and it blew his mind. What he saw triggered his view of an ideal woman. Kaiso speaks of a similar experience sexualising mannequins from department stores. But for Edward, robot sex as already arrived. He has found it by converting his real-life girlfriend into a robot simulation. All these men speak about the power, control, predictability, and obedience that sex robots bring, as opposed to relationships with real human beings. As a result, My Sex Robot presents a startling reality of emerging technologies with already-existing myriad sociological and psychological implications.
On 8th August 1945, the United States dropped its second atomic bomb on Nagasaki, Japan, three days after the bombing of Hiroshima. The city was a veritable apocalyptic vision, devastated by this new type of weapon. Nagasaki -- The Horror Of Fat Man documents the memories of survivors, both Japanese civilians and Western Prisoners Of War, as they relate the morbid aftermath of the bombings, the United States occupation, and the segregation that still effects fallout victims to this day.
Nanotechnology has the potential to create many new materials and devices with a vast range of applications -- such as in medicine, electronics or energy production for example. On the other hand, nanotechnology raises many of the same issues as with any introduction of new technology, including concerns about toxicity and the impact on the environment. The difference in this case being that nanomaterials are in use in products and industry right now and these concerns are seemingly going unaddressed...
National Bird: Drone Wars is the story of the United States' secret program for drone strikes, conducted all around the world, told through three military whistle-blowers plagued by guilt over participating in the killing of faceless people in foreign countries. They decide to speak out publicly, despite the possible consequences. Their stories take dramatic turns, leading one of the protagonists to Afghanistan where she learns about a horrendous incident, but her journey also provides for peace and redemption. National Bird provides an insight into the United States' secret drone program through the eyes of participants, veterans, and survivors, connecting their stories to images.
In 1990, alarming evidence of NATO-sponsored terrorist attacks came to light. NATO’s secret "stay behind" armies that were set up across Western Europe after the Second World War were supposedly intended to help put together a resistance if the Soviet Union invaded. However, they went on to commit terrorist attacks against their own populations, so as to influence domestic politics. The forces still exist post-Cold War. This film is the shocking story of Operation Gladio--a tale of espionage, conspiracy and political violence carried out by the United States.
Nature's Great Events is a series of films that look at how seasonal changes cause shifting weather patterns and ocean currents, which in turn create the conditions for some of the planet's most spectacular wildlife events. Each episode focuses on the challenges and opportunities these changes present to a few key species. We see the impact of the melting of the arctic ice in the summer, the annual return of the salmon, the impact of the migration of wildebeest on a pride of lions, the annual winter sardine run along the coast of Africa, and the great feast in the ocean when the plankton blooms; amongst others...
Nerds 2.0.1: A Brief History of the Internet is a documentary series written and hosted by Mark Stephens under the pseudonym Robert X. Cringely as a sequel to Triumph of the Nerds. The series follows on by documenting the development of ARPANET, the Internet, the World Wide Web and the resulting dot-com bubble of the mid and late 1990s...
In 1979, the people of Nicaragua successfully put an end to decades of the corrupt Somoza dictatorship whose family had been in power for more than 40 years, put there by the United States marines. Four years later, this film travels to Nicaragua to question: How can a country survive when its jungle borders hold 4000 hostile troops?
No Logo
In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves at the end of spray paint cans and the targets of anti-corporate campaigns? No Logo, based on the best-selling book by Canadian journalist and activist Naomi Klein, reveals the reasons behind the backlash against the increasing economic and cultural reach of multinational companies. Analysing how brands like Nike, The Gap, and Tommy Hilfiger became revered symbols worldwide, Klein argues that globalisation is a process whereby corporations discovered that profits lay not in making products (outsourced to low-wage workers in developing countries), but in creating branded identities people adopt in their lifestyles. Using hundreds of media examples, No Logo shows how the commercial takeover of public space, the restriction of 'choice', and replacement of real jobs with temporary work -- the dynamics of corporate globalisation -- impact everyone, everywhere...
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle's view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that "it is no measure of health to be well adjusted to a profoundly sick society."
In July 2005, the Australian government announced its plan to open a radioactive waste-dump facility in one of three Department of Defence sites in the Northern Territory of Australia. With widespread community resistance by the indigenous people of the territory, No Where Here in the Middle documents the ongoing story of resistance to the dump and the fight to be free of toxins, poison, and a brutal occupation.
Not Anymore: A Story of Revolution is a short film about the Syrian struggle for freedom as experienced by a 32 year old rebel commander, Mowya; and a 24 year old female journalist, Nour; in Aleppo, Syria. The film shows why Syrians are fighting for their freedom, told through the emotional words of two powerful characters whose lives have been torn apart by war.
We've been told again and again that sports and politics don't mix, that games are just games and athletes should just "shut up and play." But Not Just a Game argues that far from providing merely escapist entertainment, American sports have long been at the centre of some of the major political debates and struggles of our time. By tracing the good, the bad, and the ugly of American sports culture, Not Just a Game shows how American sports have glamorised militarism, racism, sexism, and homophobia; but also traces a largely forgotten history of rebel athletes who stood up to power and fought for social justice beyond the field of play.
Nothing to Hide questions the growing surveillance state and its acceptance by the general public through the thought-terminating cliché, "If you've got nothing to hide, you've got nothing to fear" argument. What is shown is that this logic is incredibly complacent and dangerous, even just from a historical perspective, considering authoritarian regimes, past and present. Nothing to Hide sets out to turn this acquiescence around, by weaving together expert commentary through real-life examples. A person agrees to be tracked as part of a small experiment, to show a small insight into the sorts of data trails that are revealed throughout our every-day lives. What is extrapolated from there is the incredible power and insight into our lives that these technologies provide. Insights which corporations and governments alike use for social control and profiling. What kind of society is being perpetuated for ourselves and future generations?
On 11th March 2011, a huge tsunami, triggered by an 8.9 magnitude earthquake, hits Japan. It cripples the Fukushima Daiichi nuclear power plant, releasing radiation, and turning the residents of Futaba into nuclear refugees. The devastation experienced by the town--dead livestock, crops abandoned, homes destroyed--was infinitely worse than anything reported by the newspapers. A year later, many refugees are still unable to return to homes that will be contaminated for many hundreds of years. The irony of this disaster occurring in a nation that experienced two nuclear bombs is not lost on the victims who poignantly question their responsibility for striking a Faustian bargain with nuclear power. Nuclear Nation examines the tragedy of Fukushima, and also whether it could one day be replicated on a grand scale.
Nuclear Nation II is Atsushi Funahashi's sequel, documenting the consequences of the March 2011 nuclear disaster at the Fukushima Daiichi Nuclear Power Plant in Ōkuma, Japan. In this follow-up, we learn that the former mayor--previously a fervent advocate of nuclear energy and now a passionate fighter for the victims of the catastrophe--has now been replaced by someone younger. The single-minded cattle breeder also makes another appearance, originally having resisted the government's orders to evacuate the disaster zone and kill his livestock. Today, a look at his animals lays bare the consequences of radioactive contamination: they all have ulcers and open wounds. It wasn't until late 2014 that the final people left the school building, but they're unlikely ever to be able to return to their homes. The epicentre of the catastrophe has been declared a toxic waste disposal site. The inhabitants of Futaba, to whom nuclear energy once brought affluence, are now paying the high price for it.
The setting is in the current and ongoing troubling police culture of violence, profiling and racism. Even a former NYPD officer now breaks ranks to say that the force aggressively targets poor and minority communities in order to meet secret and illegal arrest quotas. The result is a level of systemic harassment and brutality that could be hard to demonstrate, if not for growing groups of Cop Watchers—everyday citizens wielding cameras, that routinely record and publish troves of evidence documenting all kinds of patterns of police brutality and misconduct. This film follows some of the people who are doing this work, and clearly the police don't like it. They push back hard. Cop Watchers hence face long prison sentences and trumped up charges for simply recording the police—something that is not itself a crime. In an age of intense corruption of public institutions, this film lays out abuses of power on a frightening scale, showing just how urgent serious action is required if a free society is said to continue to exist.
Since 1945, by deed and by example, the US has overthrown 50 governments, including democracies, crushed some 30 liberation movements and supported tyrannies from Egypt to Guatemala. Bombing and war is as American as apple pie. Obama, having stacked his government with warmongers, Wall Street cronies and polluters from the Bush and Clinton eras, the 45th president is merely upholding tradition...