The War You Don't See traces the history of 'embedded' and independent reporting from the carnage of World War One to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan and disaster in Iraq. As weapons and propaganda become even more sophisticated, the nature of war is developing into an 'electronic battlefield' in which journalists play a key role, and civilians are the victims. But who is the real enemy?
By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly 'pacifist' social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on 'Endgame,' the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
Based on the immersive theatre production and experimental work by Adam Curtis, It Felt Like A Kiss is a visual exploration of the story of an enchanted world that was built by the rise of the United States as supreme power after the Second World War, and how those living in that dream world responded to this. Using extensive archive footage from throughout the 1960s, this experimental film sets out to explore the themes and consequences of how power really works in the world since the beginning of the post-world-war era, and how the perspective of the way society is organised since that time is a political product of the ideas of that time.
As the mainstream media attempts to create a simple narrative from hugely complex events, much is obviously lost in the translation—most often purposefully. This short film attempts to contrast the character of this narrative in the 1990s, where events were almost universally portrayed as 'the little guy versus the big guy' to the post Rwanda narrative of 'scattered terrible things happening everywhere, Oh Dear.' It is not that we can't actually do anything about these events, it is only that mainstream media presents these events within a framework that makes it seem that way and that in itself is a very powerful way to control society.
Control Room presents a rare window into the US invasion of Iraq from the perspective of Al Jazeera, the Arab world's most popular news outlet. Widely criticized and condemned by military figureheads, government officials and the mainstream media in the west for reporting with a "pro-Iraqi bias", airing civilian causalities, as well as showing footage of American POWs, Control Room reveals the situation in Iraq that the US government does not want you to see...
Inside Job provides a comprehensive analysis of the global financial crisis of 2008, which at a cost over $20 trillion, caused millions of people to lose their jobs and homes in the worst recession since the Great Depression, and nearly resulted in a global financial collapse. Through interviews with key financial insiders, politicians, journalists, and academics, Inside Job traces the rise of a rogue industry which has corrupted government and academia...
Lethal Force takes a detailed look at four incidents, in different parts of Australia, where people suffering mental illness or psychological distress died after being shot or tasered by police. Specifically detailed is how in certain cases, the victims had even sought help at hospital and after having left of their own free will, were shot dead by police...
What A Way To Go: Life At The End Of Empire covers the current situation facing humanity globally. It discusses issues such as peak oil, climate change, population overshoot and species extinction, as well as how this situation has developed...
The Medicated Child confronts psychiatrists, researchers and government regulators about the risks, benefits and many questions surrounding psychotropic drugs for children. The biggest current controversy surrounds the diagnosis of bipolar disorder. Formerly called manic depression, bipolar disorder was long believed to only 'apply to adults', but in the mid-1990s 'bipolar disorder in children' began to be diagnosed at much higher rates, sometimes in children as young as 4 years old...
For the people of Vietnam, war is not over. Three generations on from 1975, babies are still being born with serious birth defects and genetic abnormalities -- the legacy of the United States intensive use of chemical weapons. To this day, it is still unknown just how many have been affected. In 2005, on the eve of a historic lawsuit to determine the culpability of the United States, this film directly portrays the powerful effects of Agent Orange.
The Take documents the story of workers in Buenos Aires, Argentina who reclaim control of a closed auto-plant where they once worked and turn it into a worker cooperative. The factory closed as a result of the economic policies of the government under the watchful eye of the IMF. While in bankruptcy protection, the company appeared to be selling off property and inventory to pay creditors -- a move which further reduced the chances of the facility returning to production. Though as the movement gains strength, having started with a garment factory several years earlier, the factory workers wade through courts and the legislative system, finally establishing their own control and winning the right to operate it themselves, as a cooperative...
Barbie, H&M jeans, everyday corn--just some of the products recalled due to controls on the use of dangerous chemicals as a wave of legal cases over toxicity is calling manufacturing of certain products into question. The Toxins Return follows the trail from field worker, to customs, to the high street shopper--how much can we trust all these products?
The Quantum Revolution spouts claims of turning many ideas of science fiction into science fact—from materials with mind-boggling properties like invisibility through to so-called "limitless quantum energy" and room temperature superconductors, to a space elevator for tourism. Are such developments worthwhile, sustainable, equitable or even necessary? Scientists forecast that in the latter half of the century everybody will have a personal matter fabricator that "re-arranges molecules to produce everything from almost anything." Yet how will those in power ultimately use the domination of matter and life on Earth? How is science already doing this and to what ends? What are the unasked questions about science itself and the desire to control the very fabric of the universe? What insanity are we up against?
On September 11, 2001 and for approximately nineteen years prior, William Rodriguez was employed as a maintenance worker at the World Trade Center. On the day of the attacks, Rodriguez initially rescued fifteen persons from the World Trade Center, and as the only person at the site with the master key to the North Tower stairwells, he led fire-fighters up the towers unlocking doors, aiding in the successful evacuation of unknown hundreds of those who survived. This is the account of his version of events...
By risking torture and life in jail, courageous young citizens of Burma live the essence of journalism as they document the uprisings against the military regime in 2007. Armed with small handycams, the Burma VJs stop at nothing to make their reports from the streets of Rangoon. Their video footage is smuggled out of the country and broadcast back in via satellite and offered up for use in the international media. The whole world witnesses single event clips made by the VJs, but for the very first time, the individual images have been put together here to tell a much bigger story...
All Watched Over By Machines Of Loving Grace is a series of films about how this culture itself has been colonised by the machines it has has built. The series explores and connects together some of the myriad ways in which the emergence of cybernetics—a mechanistic perspective of the natural world that particularly emerged in the 1970s along with emerging computer technologies—intersects with various historical events and visa-versa. The series variously details the interplay between the mechanistic perspective and the catastrophic consequences it has in the real world.
Manufacturing Consent -- Noam Chomsky and the Media explores the political life and ideas of Noam Chomsky, the renowned American linguist and political activist. Drawing on specific examples such as the corporate media coverage of the Indonesian occupation of East Timor and the atrocities of the Khmer Rouge regime of Cambodia, Manufacturing Consent shows how the collusion of government and media running the powerful propaganda machines that manipulate the opinions of the masses, is manufacturing consent.
Apartheid based on race is 'outlawed now', but the system always went far deeper than that. The cruelty and injustice were underwritten by an economic apartheid, which regarded people as no more than cheap expendable labour. It was backed by great business corporations in South Africa, Britain, the rest of Europe, and the United States and it was this apartheid based on money and profit that allowed a small minority to control most of the land, most of the industrial wealth, and most of the economic power. Today, the same system is called--without a trace of irony--the free market.
In the name of "protecting children," the Australian Government's so-called "emergency intervention" into Aboriginal communities in the remote Northern Territory, has taken away all existing Aboriginal land rights, suspended racial discrimination laws and placed over 70 communities under compulsory government control with subsequent measures of course having very little to do with "protecting children." Instead, the outcome has been the disempowerment of traditional land owners, the further theft of Aboriginal land, the theft of resources, with the intent being to forcibly assimilate Aboriginal culture.
Eat a takeaway meal, buy a pair of shoes, or read a newspaper and you're soon faced with a bewildering amount of rubbish. Over the past 30 years worldwide garbage output has exploded, doubling in the United States alone. So how did there come to be this much waste, and where does it all go? By excavating the history of rubbish handling from the 1800s -- an era of garbage-grazing urban hogs and dump-dwelling rag pickers -- to the present, with mass consumer culture, modern industrial production and the disposable American lifestyle, The Hidden Life Of Garbage documents the politics of recycling, greenwashing and the export of trash to the third world as part exposé, part social commentary...
The Cove analyses and questions Japan's dolphin hunting culture, being a call to action to halt mass dolphin kills, to change commercial fishing practices and to inform and educate the public about the risks and ever increasing hazard of mercury poisoning from dolphin meat. Told from ocean conservationist Richard O'Barry's point of view, The Cove documents a group of Taiji fishermen who engage in mass dolphin kills, which in large part, are motivated by the tremendous revenue generated for the town by selling some of the captured dolphins to aquariums and marine parks. The dolphins that are not sold into captivity are then slaughtered in the cove and the meat is sold in supermarkets...
Blind Spot investigates the convergence of causes behind the current crisis of global industrial civilisation. By establishing the links between fossil fuels and the falsehood of perpetual exponential economic growth, Blind Spot explains the draw down of the natural environment, and how this globalised culture is systematically killing the world in its path. The energy depletion scenario known as Peak Oil—which came to pass around 2006—requires this culture to change drastically, with dire consequences either way. By whatever measure of greed, wishful thinking, neglect or ignorance, this current way of life cannot continue and the clock is ticking fast for change.
The Coconut Revolution documents the struggle of the indigenous peoples in the Bougainville Island. The movement is described as the world's first successful eco-revolution, in that the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army stopped the mining plans of the RTZ company to exploit their land for resources...
Across the globe, this culture is polluting, diverting, pumping and wasting fresh water at a crazy rate, as population grows and technology escalates. The rampant expansion of agriculture, housing and industry increase the demands for fresh water well beyond the limited supply, resulting in the desertification of the Earth. Corporate giants force developing countries to privatise their water supply for profit, Wall Street investors target desalination and mass bulk-water export schemes, while governments use water for economic and political gain. Military control of water emerges and a new geo-political map and power structure forms, setting the stage for global conflict over fresh water. Blue Gold follows numerous worldwide examples of people fighting for their basic right to water, from court cases to United Nations conventions, to revised constitutions, to local protests at grade schools, to complete revolutions. A line is crossed when water is a commodity. Will you fight to stop it and protect it?
By examining the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car, Consuming Kids presents the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology and neuroscience to transform children into one of the most powerful and profitable consumer 'demographics' in the world...
By comparing the confluence of ideas about modifying behaviour using shock therapy and other forms of sensory deprivation (which culminated in the top-secret CIA project called MKULTRA during the 1950s) alongside the metaphor of similar shock treatment modifying national economics using the teachings of Milton Friedman and the Chicago School of economics, The Shock Doctrine presents the workings of global capitalism in this framework of how the United States, along with other western countries, has exploited natural and human-engineered disasters across the globe to push through reforms and set-up other mechanisms that suit those in power and 'shock' other countries into a certain wanted behaviour. Chronologically, some historical examples are the using of Pinochet's Chile, Argentina and its junta, Yeltsin's Russia, and the invasion of Iraq. A trumped-up villain always provides distraction or rationalisation for the intervention of the United States—for example, the threat of Marxism, the Falklands, nuclear weapons, or terrorists—and further, is used by those in power as more justification for the great shift of money and power from the many into the hands of the few(er).
By charting the history of the anti-war movement against the political backdrop of the atomic age, Beating The Bomb examines the current state of 'nuclear deterrence' brought about by the nuclear age stemming from the end of World War II, when the United States nuked Hiroshima and Nagasaki. Specifically, the anti-nuclear movement and the founding of the Campaign for Nuclear Disarmament in 1958 amongst others, fight for and end to the British Nuclear Weapons program, which from its inception, was closely tied to The Manhattan Project and still is to this day...
Every day, the world over, large amounts of high-level radioactive waste is placed in interim storages which are vulnerable to natural disasters, human-caused disasters, and societal changes. In Finland, the world's first 'permanent' repository is being hewn out of solid rock--a huge system of underground tunnels that must last hundreds of thousands of years. Once the waste has been dumped and the ground is full of this waste, the land is to be sealed off with concrete and "never be opened again." Or so the builders of this dump can hope. But can they ensure that? How is it possible to warn future generations of the deadly waste that's left behind by this culture? How do we prevent future generations from thinking they have found the 'pyramids' of our time, mystical burial grounds, or hidden treasures? Into Eternity is a film about the insanity of nuclear power and the consequences that have impacts for hundreds of thousands of years.