Ten years on from his previous film, Advertising & the End of the World, renowned media scholar Sut Jhally follows up by exploring the since-escalating devastating personal and environmental fallouts of advertising and the near-totalising commercial culture. The film tracks the emergence of the advertising industry in the early 20th century to the full-scale commercialisation of the culture today, identifying the myth running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness and fulfilment. We see how this powerful narrative, backed by billions of dollars a year and propagated by clever manipulative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption. The result is a powerful film that unpacks fundamental issues surrounding commercialism, media culture, social well-being, environmental degradation, and the dichotomy between capitalism and democracy.
After Truth is about the growing proliferation of modern disinformation, where almost anybody with a computer and social media access can have a powerful platform without oversight, influencing the information experiences of billions of people. The melting pot is catalysed by Facebook, Twitter, Reddit, 4chan, and other websites that spread disinformation to huge audiences with a profit incentive, competing to capture everyone's attention. After Truth asks the question about where all this is heading, by exemplifying events such as Jade Helm, Seth Rich, and Pizzagate, but also profiling some major and minor personalities involved in spreading disinformation, conspiracy theories, fear, and uncertainty. With an empire in collapse, and physical reality being increasingly replaced by popular postmodern theories of "there is only subjective truth," this film not only presents the challenge of returning to what is real, but the task of stopping disinformation from continuing to divide, confuse, distract, and destroy.
Transhumanists claim a beautiful and apparently now-not-so-distant utopian future made possible by artificial intelligence, life extension and cybernetic technologies. But upon examining the convergence of these technologies and the history behind them, Age Of Transitions details how this movement of "transcending human limits" was born out of pseudo-science eugenics, and what the implications are for a world divided by the have's and have-not's.
Agent Orange was the codename for one of the herbicides and defoliants used by the United States military as part of its chemical warfare program--Operation Ranch Hand--which ran for ten years during the Vietnam War from 1961 to 1971. During this time, the military sprayed nearly 80,000,000 litres of toxic chemical and defoliants mixed with jet fuel in Vietnam, eastern Laos and parts of Cambodia. The supposed goal being to destroy forested and rural land, depriving guerrillas of cover and to induce forced-draft-urbanisation, destroying the ability of peasants to support themselves, forcing them to flee to the cities dominated by US forces, depriving the guerrillas of their rural support base and food supply...
More than three million Vietnamese people still suffer the gruelling effects of chemical weapons used by the United States during the Vietnam War. American militaries doused forests, lands and waterways of Vietnam with the deadly chemicals Agent Orange, White, Blue, Pink, Green and Purple. Agent Orange in particular, which contains dioxin—the most toxic chemical ever known—has disabled countless people and generations of their offspring. This film weaves personal stories together with the stories of American GIs to lead to a great unravelling of the first-hand devastating and lethal effects of Agent Orange and war, generations later.
This culture runs on algorithms on a scale never before realised. Whether you get a job or a mortgage or insurance or healthcare, how you get from A to B, how huge fortunes are made or whom is driven into poverty, decisions on whom is sent to or released from prison, whom is voted for in manipulated elections--the reach of algorithms has captured so much of the major decisions of our lives, all in complete obscurity, inscrutable. So what are the implications of this? What sort of 'decisions' do machines make, to which we've come to regard as infallible and impartial, accurate and precise? Algorithms Rule Us All speaks to data scientists and programmers themselves to answer the question of what they think is unfolding with the so-called Big-Data society and how we're continuing to hand over our lives and societies to the whim of machines that are driven by rapacious profit-driven companies, for the goal of commodification of everything. What are the implications for human autonomy, society, democracy?
All Governments Lie: Truth, Deception, and the Legacy of I.F. Stone looks at an array of award-winning filmmakers who subscribed to I. F. Stone's newsletter in their teens, revealing a new wave of independent, investigative, adversarial journalists following in Stone's footsteps. Reflecting on his work during the era of McCarthyism, a chorus of independent journalists also reflect on today where giant media conglomerates are reluctant to investigate or criticise government policies--particularly on defence, security and intelligence issues. With government deception rampant, and intrusion of state surveillance into our private lives never before more egregious, independent journalists tell their story of being inspired by the iconoclastic Stone, whose fearless, independent reporting from 1953 to 1971 filled a tiny 4-page newsletter. Stone is little known today, but All Governments Lie reveals the profound influence he had on contemporary independent journalism.
All Light, Everywhere is an arthouse film that traverses the biases of how we see things, told through the use of police body-worn cameras from the Axon corporation. As such surveillance technologies become a fixture in everyday life, the film interrogates the myth of an objective point of view, probing the biases inherent in both human perception, the lens, and the culture driving the surveillance machines--asking what it means to look and see, but also what is not viewed, and the power imbalance of whom watches whom. Through provocative vignettes, the film provides space to dismantle the perpetual insistence that if everything was recorded and processed by purportedly "neutral" sources, then both criminal activity and authoritarian malfeasance would be reduced.
Using government documents, archive footage and direct interviews with activists and former FBI/CIA officers, All Power to the People documents the history of race relations and the Civil Rights Movement in the United States during the 1960s and 70s. Covering the history of slavery, civil-rights activists, political assassinations and exploring the methods used to divide and destroy key figures of movements by government forces, the film then contrasts into Reagan-Era events, privacy threats from new technologies and the failure of the "War on Drugs", forming a comprehensive view of the goals, aspirations and ultimate demise of the Civil Rights Movement...
All Watched Over By Machines Of Loving Grace is a series of films about how this culture itself has been colonised by the machines it has has built. The series explores and connects together some of the myriad ways in which the emergence of cybernetics—a mechanistic perspective of the natural world that particularly emerged in the 1970s along with emerging computer technologies—intersects with various historical events and visa-versa. The series variously details the interplay between the mechanistic perspective and the catastrophic consequences it has in the real world.
In the United States, during the first year of Donald Trump's presidency, the rise of a white supremacist movement has returned, as political energy is injected into neo-confederate, neo-fascist, neo-Nazi, Klansmen, and various right-wing militia groups. More broadly, civil rights organisations such as Antifa (Anti-Fascist) and social justice groups are fighting back. Alt-Right: Age of Rage follows the development the Alt-Right, by following social justice activist Daryle Lamont Jenkins, and renowned Alt-Right leader Richard Spencer. Each movement is juxtaposed, as tensions boil over to the horrific events in Charlottesville where a young woman is killed, and 30 others injured by a self-identified neo-Nazi. Through these narratives and events, the film surveys the workings of Free Speech, deplatforming by the Left, the role of the Internet, and the consequences of fractured politics playing out in the real physical world.
In a quarter of a century, the Amazon corporation has propelled Jeff Bezos from 'online bookseller' to technology behemoth. He is the richest man on the planet, and the company he founded is one of the most powerful in the world. This documentary investigates Amazon's rise to corporate rein, revealing the problematic inside-operations that have the public tethered to its services. Former high-level insiders describe Amazon's obsessive data-gathering operations, that enable the company to use what it knows about us to shape not only the future of retail, but the workplace and technology in synergy. On both sides of the world, politicians and regulators are tardily beginning to question Amazon's power. But can the public rein in this corporate empire and break its addiction before even more damage is done to the structure of society and the environment?
Jeff Bezos is not only one of the richest men in the world, the vast corporate empire he has built is unprecedented in the history of capitalism. The corporate power to shape everything from the future of work to the future of commerce to the future of technology is unrivaled. The company's reach into the everyday life of citizens, manipulating their experience and extracting extreme profits, is profound. It's extraction of labour and giant streams of data is cataclysmic. It's reach into culture, media, law enforcement, even a deal with the CIA, is indicative. But despite all of this, the company contradictorily claims it is "just a speck." As regulators around the world tardily start to consider the global impact of Amazon and how to rein in its extreme corporate power, filmmakers Anya Bourg and James Jacoby reveal how Bezos's plan to build one of the most influential economic and cultural forces in the world has already transpired, and how the job of reining in this pervasive corporate power will be testing in the extreme.
Filmmaker Darryl Roberts goes on a five year journey to examine this culture's burgeoning obsession with physical beauty and perfection, showing how increasingly unattainable images contribute to the rise in low self-esteem, body dismorphia, and eating disorders for young women and girls who also happen to be the beauty industry's largest consumers. In almost 40,000 media messages a year, young people are being told that unless you look like supermodels and rock stars, you're not good enough for anyone. In 2004 alone, people across the United States spent $12.4 billion on cosmetic surgery. America the Beautiful explores why these people are spending so much money to cover up their discontent that is mainly driven by advertising. What are the true costs of this culture's obsession with youth, plastic notions of beauty, and impossibly slender physiques? Who actually benefits from this high-priced journey towards a fake ideal, and does it justify an entire nation's psychosis?
American Anarchist is the story of The Anarchist Cookbook, and the role it's played in the life of its author, William Powell. Written as a teenager--and first published at the apex of the counterculture of the 1970s to protest the United States' involvement in the Vietnam War--part manifesto, part bomb-making manual, The Anarchist Cookbook went on to sell over 2 million copies and has been associated with decades of anti-government attacks, abortion clinic bombings, school shootings, and domestic terrorism. Powell, now 65 and haunted by his creation, confronts his work and its consequences. We see how in 1976, 5 years after writing the book, he left the United States, leading an itinerant life and later becoming a teacher for emotionally disturbed children, the same sorts of kids that carried the Columbine High School massacre, the Colorado high school shooting and the 2012 Aurora shooting. American Anarchist is a cautionary tale of youthful rebellion, unforeseen consequences, and a universal story of an older person wrestling with their younger past.
American Call-Girl is an undercover investigation into the escort industry in Las Vegas, where prostitution is illegal on paper but alive and well in practice, with the industry making use of clever ways for the John to "read between the lines" while everyone else turns a blind eye. With the Internet the backbone of the 21st century sex industry, thousands of escort websites are carefully worded, but if you look closely, many appear to clearly sell sex in a fiercely competitive 'market.' American Call-Girl goes behind the scenes to meet escorts and see what life is really like for them. What is exposed along the way, is the rampant and abusive underworld where supposedly independent girls are actually made beholden to pimps by way of violence, extortion and trafficking. Others fight for the freedom to simply work, being on top of their own marketing and advertising. The escort industry thrives in cities throughout the United States, but Las Vegas is a ground zero, a thriving black market.
In 1970, 1,500 hippies and their spiritual guru Stephen Gaskin founded a commune in rural Tennessee, United States. Members gave over their life savings, grew their own food, delivered their babies at home and built a self-sufficient society. Raised in this alternative community by a Jewish mother from Beverly Hills and a Puerto Rican father from the Bronx, filmmakers and sisters Rena and Nadine return for the first time since leaving in 1985. As well as facing their past after years of hiding their upbringing, they chart the rise and fall of America's largest utopian socialist experiment and their own family tree. The nascent idealism of a community destroyed, in part by its own idealism, is reflected in the personal story of a family split apart by differences. American Commune finds inspiration in failure, humour, and most surprisingly, that community values are alive and well in the next generation.
In post-industrial United States, the Chinese company Fuyao opens a car-glass factory in an abandoned General Motors plant, hiring thousands of blue-collar American and Chinese workers. Through an an observational format, American Factory presents the two distinct cultures, comparing and contrasting each other, as well as weaving subtle commentary revealed from the workers' themselves about the nature of manufacturing work; their differing cultural and generational attitudes on labour rights and unionising; as well as observing upper management methods and corporate politics. The film is a collage of self-revealing messages about the cultures of high-tech China and post-industrial United States, shown through the lens of capitalism and the changing status of each country in the global economy.
For several years, PBS Frontline has collaborated with ProPublica to investigate the rise of extremism in the United States. In the aftermath of the January 6th riot at the Capitol building, Frontline, ProPublica and Berkeley Journalism's Investigative Reporting Program teamed up to examine how far-right extremist groups had evolved in the wake of the deadly 2017 Charlottesville rally. American Insurrection is a report that draws on this extensive background to examine the latest developments and pose questions about where these extremist movements may be headed.
American Porn is an investigation on the forces behind the explosion of pornography available throughout the United States. Through interviews with the pornographers themselves, actors, lawyers, federal and state prosecutors, activists, and a Wall Street analyst covering the industry, American Porn examines the business ties between respected corporations and porn companies, the rise of extreme hardcore porn, and a political battle of the times.
American Radical is a film about the life of academic Norman Finkelstein, a son of Holocaust survivors and ardent critic of Israel. Called a lunatic and self-hating Jew by some, and an inspirational figure by others, American Radical also serves to explore the issues at the centre of Palestine and Israel as Finkelstein travels around the world negotiating a voice of realism among impassioned critics and Israeli supporters. Uncompromising, even in the face of a denial of tenure at DePaul University, Finkelstein is revealed as a rare academic figure who puts the pursuit of justice above the security of his career, to expose the brutal reality of the occupation of Palestine.
Ammo for the Info Warrior is a two part series of collections of short films by the Guerrilla News Network (GNN), an independent news organisation with a mission to expose young people to important global news and information free from corporate filters. Each part consists of a selection of 5 to 10 minute videos covering a range of stories, from the violent diamond trade in Sierra Leone; to the PR industry's manipulation of public opinion; to analysis of IBM and its role in the Holocaust; to CopWatch, a movement of people keeping police accountable; and short slam poetry clips about the business of hip-hop. Ammo for the Info Warrior experiments with format with the aim of being an innovative educational tool to tackle serious socio-political issues for a generation brought up on MTV. It can be a catalyst for discussion and debate, encouraging the viewer to develop skills in critical thinking and analysis.
An Act of Conscience documents the story of two couples Randy Kehler and Betsy Corner who refused to pay income tax throughout the 1980s in an act of defiance against military spending and war. The film captures the support community that formed in response to the seizure of their home by the IRS, and the conflict with the young couple with a newborn who bought the home at a government auction. Was this an effective protest?
By taking the example of documenting the conditions in zoos and circus shows, An Apology to Elephants is a film about the institutional cruelty to animals and their environments. In the circus, elephants are whipped, beaten and struck with hooks—a pain-compliance technique called bull-hooking—to perform tricks and behave according to the requirements of captivity. The film also looks at the prevalence of the ivory trade, stating that the current elephant killing rate would lead to extinction of the species in ten years. The film is a call to more than an apology, it's a call to stop these sadistic institutions and repair the damage done to animals and the environment by this culture.
John Pilger travels to Bangladesh to report on the horrors of the famine in the country, its causes and tragedies, circa 1975. With people passing away on the street on a daily basis from starvation and US foreign policy continually ignored, An Unfashionable Tragedy documents the plight that continues to this day, showing that food is a powerful weapon, more powerful than oil...
An Unjustifiable Risk investigates the many risks of plutonium usage in nuclear power generation and the use of fast-breeder reactors argued for the UK in the 1970s. The film turns to Hiroshima, Japan to illustrate the powerful destructive capacities of plutonium, feeding-back the personal experiences of those effected by nuclear weapons into the debate against nuclear power and its consequences...
Apartheid based on race is 'outlawed now', but the system always went far deeper than that. The cruelty and injustice were underwritten by an economic apartheid, which regarded people as no more than cheap expendable labour. It was backed by great business corporations in South Africa, Britain, the rest of Europe, and the United States and it was this apartheid based on money and profit that allowed a small minority to control most of the land, most of the industrial wealth, and most of the economic power. Today, the same system is called--without a trace of irony--the free market.
David Attenborough explores just how far climate change is altering our planet--from drought-stricken rainforest to declining polar bears, from flooded homes to bleached coral. Are We Changing Planet Earth? explores the evidence that it is industrial civilisation and the activities of humans which are radically changing the climate...