By planting a variety of fake celebrity-related stories in the UK media and having tabloid newspapers accept them without corroboration or evidence, Starsuckers navigates through the shams and deceit involved in creating a pernicious celebrity culture, uncovering the real reasons behind the addiction to fame and the corporations and individuals who profit from it.
Child Sex Trade USA travels through the United States to reveal the workings of a pervasive child sex trade, discovering that it is just as easy to ‘buy a child’ in the US as it is in Asia. 300,000 American children have been forced in to the sex industry, as of 2009, in the United States alone. This film presents a much needed analysis of the shocking cultural values that surround child abuse, paedophilia, human trafficking and prostitution; asking big questions of how, why, and what to do about it…
More than three million Vietnamese people still suffer the gruelling effects of chemical weapons used by the United States during the Vietnam War. American militaries doused forests, lands and waterways of Vietnam with the deadly chemicals Agent Orange, White, Blue, Pink, Green and Purple. Agent Orange in particular, which contains dioxin—the most toxic chemical ever known—has disabled countless people and generations of their offspring. This film weaves personal stories together with the stories of American GIs to lead to a great unravelling of the first-hand devastating and lethal effects of Agent Orange and war, generations later.
Generation M looks at misogyny and sexism in mainstream media, exploring how negative definitions of femininity and hateful attitudes toward women get constructed and perpetuated throughout popular culture. The film tracks this across a broad and disturbing range of media phenomena: from the hyper-sexualization of commercial products aimed at girls, to the explosion of violence against women in video games aimed at boys; from the hysterical sexist rants of popular hip-hop artists and talk-radio shock-jocks, to the continually harsh, patronizing caricature of women found in virtually every area of media. Generation M posits the consequences of misogyny in all of its forms, showing that when we devalue more than half the population based on gender, we harm everyone—boys and men, women and girls alike.
The Medicated Child confronts psychiatrists, researchers and government regulators about the risks, benefits and many questions surrounding psychotropic drugs for children. The biggest current controversy surrounds the diagnosis of bipolar disorder. Formerly called manic depression, bipolar disorder was long believed to only ‘apply to adults’, but in the mid-1990s ‘bipolar disorder in children’ began to be diagnosed at much higher rates, sometimes in children as young as 4 years old…
By examining the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car, Consuming Kids presents the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology and neuroscience to transform children into one of the most powerful and profitable consumer ‘demographics’ in the world…
Robert Beckford visits Ghana to investigate the hidden costs of rice, chocolate and gold and why, 50 years after independence, a country so rich in ‘natural resources’ is one of the poorest in the world. He discovers child labourers farming cocoa instead of attending school and asks if the activities of multinationals, the World Bank and International Monetary Fund have actually made the country’s problems worse…
Jesus Camp follows several young children as they prepare to attend an event called ‘Kids on Fire,’ a Christian summer camp run by Becky Fischer. Through interviews with Fisher, the children, and others, Jesus Camp illustrates the unswerving belief of the faithful—a housewife and home-schooling mother tells her son that creationism has all the answers; footage from inside the camp shows young children weeping and wailing as they promise to stop their sinning; child after child is driven to tears. These scenes are contrasted with clips from another Christian radio host who is appalled by such happenings. Are these children being brainwashed?
After many experiments with cloning and genetically manipulation on other species, technology and genetic science is now turning to the frontier of the human. Every parent wants their child to be healthy, but does this extend to picking their genes for them? What about those who are unable to have children naturally for whatever reason, who turn to artificial insemination or genetic modification? Is this designing children? What are the repercussions in a world dominated by genetically modified people? Will we evolve into a new species and transcend our history to one of inclusion and harmony? Or, will we simply end up in a world that is further divided — by genetic apartheid?
Moving Beyond Myth focuses on the sexual dilemmas and difficult life choices young girls face as they come of age in contemporary American culture. Challenging long-held myths about girlhood, the film draws on the insights of girls themselves to explore and shed light on their actual lived experience as they navigate an increasingly hyper-sexualized society. The voices of a diverse range of girls are supplemented with accessible analysis from leading experts on sexuality and society.
Amidst the supposed growing prosperity of India, there remains a dark underbelly of poverty. Born Into Brothels chronicles this through the lens of Kolkata’s red light district where film-maker Zana Briski inspires a group of children of the prostitutes of the area to photograph the most reluctant subjects of it. As the kids excel in their new found art, will this help them have a chance for a better life away from the miserable poverty that threatens to crush their dreams?
The belief that good triumphs over evil resonates deeply through the religious and political discourses of dominant culture. It is also a common theme in the entertainment media where the struggle between good and evil is frequently resolved through violence. The negative impacts of media violence on children has long been a public concern, but it is even more troubling when military violence, both in the news and in entertainment, is often glorified as heroic and noble. Beyond Good & Evil: Children, Media & Violent Times is a look at how mass communication distorts and manipulates language and visual imagery. It shows viewers how the media’s overriding objective of satisfying an audience converts real issues surrounding race, war, and violence into nothing more than spectacle.
The Disney Company’s massive success in the 20th century is based on creating an image of innocence, magic and fun for kids. Its animated films in particular are almost universally lauded as wholesome family entertainment, enjoying massive popularity among children and endorsement from parents and teachers around the world. This film takes a close look at Disney, to analyse the world these films create for kids and the stories they tell and propagate; contextualised by the cultural pedagogy of Disney’s conglomerate mass-media control and vast corporate power. Including interviews with social commentators, media scholars, child psychologists, kindergarten teachers, multicultural educators, college students and children, Mickey Mouse Monopoly provokes audiences to confront assumptions about an institution that is virtually synonymous with childhood pleasure.
Ever since February 1997, when genetic scientists first unveiled ‘Dolly’ the cloned sheep, has genetic engineering pushed towards the desire to clone and genetically modify human beings. Since then, cloned cattle, pigs, goats and mice have been produced amongst other things, fuelling the belief that humans can be next. But what are the problems with this manipulation? Cloning The First Human follows the latest research, which not only shows complications from an ethical position, but much more dangerous ones too…
At the turn of the millennium, a group of eleven girls aged 8 to 16 from a variety of socio-economic backgrounds were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses reveal how the attitudes and expectations of young girls are influenced by a saturated media culture. Using excerpts culled from a typical week of television broadcasting alongside the interviews, What a Girl Wants aims to provoke debate about the effects of media culture and, ideally, act as a catalyst for change in media content.
The myths of globalisation have been incorporated into much of our everyday language. “Thinking globally” and “the global economy” are part of a jargon that assumes we are all part of one big global village, where national borders and national identities no longer matter. But what is globalisation? And where is this global village? In some respects you are already living in it. The clothes in your local store were probably stitched together in the factories of Asia. Much of the food in your local supermarket will have been grown in Africa…
At the time of making this film, the year 2000, computer games represented a $6 billion a year industry, and one out of every ten households in the United States owned a Sony Playstation—numbers that have no-doubt since skyrocketed. Back then, children played an average of ten hours per week—a stat also since to have increased today—and yet, despite capturing the attention of millions of these kids, video games remain one of the least scrutinized cultural industries. Game Over seeks to address this fastest growing segment of the media, through engaging questions of gender, race and violence. Game Over offers a much needed dialogue about the complex and controversial topic of video game violence, and is designed to encourage viewers to think critically about the games they play.
This film examines the forces of culture influencing young people’s decisions about sex: media, family, religion, alcohol, and so on. By examining the cultural environment in this way, this film becomes a tool for facilitating informed discussions about the myriad influences facing young people. Filmmaker Dan Habib features the stories of eight young people, ages 16-24, and weaves them with observations about the messages young people get from popular culture.
Slim Hopes shows how the stories advertising tells us about food, femininity, and the female body directly contribute to anorexia, bulimia, and other life-threatening eating disorders. From ads that glamorise emotional eating with catch-phrases like “you can never have too much,” to ads that promote thinness and tell women to watch what they eat, Slim Hopes takes the advertising industry to task for sending young women in particular, a set of deeply contradictory and unhealthy messages about food and body image.
By addressing the question of violence and the media from a number of different angles, The Killing Screens presents a comprehensive view on how to think about the effects of the media environment in new and complex ways. In contrast to the relatively simplistic behaviourist model, that “media violence causes real-world violence,” renowned media scholar and researcher George Gerbner shows us how to think about the psychological, political, social, and developmental impacts of growing up and living within a cultural environment of pervasive violent imagery and narratives. What are some of the impacts of this culture and what can be done about it?
The filmmaker questions her sister, herself and others about the dreams and hopes they had growing up as girls in contrast to the reality they now face as women. Interviewees include a former Miss California contestant, a judge, a banker, an electrician, a secretary, and adolescent girls. They talk about childhood, athletics, careers, motherhood, body image, sexual assault and self-esteem. Made nearly 30 years ago, this film documents a growing awareness of issues affecting women. But have things changed today?
Thalidomide: The Ninety-Eight We Forgot follows a four-year investigation on behalf of a group of children damaged at birth by the drug Thalidomide which was introduced in the late 1950s to treat morning sickness and to aid sleep. The drug caused birth deformities, such as phocomelia, with more than 10,000 children in 46 countries born with deformities. This film investigates why a group of people are excluded from compensation from the effects of Thalidomide by various legal proceedings—still relevant today in the context of how the legal system continues to protect corporations at the expense of life itself.