Films about corporations
Over six desperate days in October 1929, the New York Stock Exchange crashed leading to the collapse of three thousand banks, taking people’s savings with them. In a matter of days, the United States economy was obliterated. The crash was followed by a devastating worldwide depression that lasted until the Second World War. Finances did not regain their pre-crash values until 1954. This film recounts the story of a financial disaster that we hoped could never happen again, revealing the familiar tune of cheap credit, consumerism, greed, corruption and cronyism in the current-day financial crisis…
30 Frames A Second is an immersive first-person account of the events that unfolded during the week the World Trade Organisation came to Seattle in the United States, November 1999. The film is assembled from the perspective of 15-year veteran network-news cameraman Rustin Thompson, who became disillusioned with mainstream media and hence covered the WTO as an independent journalist. As such, even with press credentials for the event, Thompson is swept into the retribution of the state and police power which hit at the protests with tear gas, pepper spray, and police abuse. For him and the protesters alike, it begs the question about the functioning of the so-called democracies we live in, where civil liberties and human rights are curtailed in favour of facilitating the vast corporatocracy and global economic empire—precisely one of the points that sparked protests in the first place…
A World Without Water investigates the future of the world’s water supply as it currently stands and travels to Bolivia to show just one example in many of the privatisation of the water supply and the turning over of water to corporations such as Coca Cola…
Above All Else is an intimate portrait of a group of activists and landowners in East Texas, United States, who undertook a series of direct actions and put their bodies in the way to stop construction of the Keystone pipeline in 2012. The film follows David Daniel, a quiet, affable carpenter, whose backyard became the epicenter of a tree-sit that physically blocked the path of the controversial pipeline. This was the birthplace of the Tar Sands Blockade, an activist group that would go on to oppose the pipeline’s construction all along its route. David’s stance against Keystone brought together an unlikely coalition of allies, from Texan farmers to student environmentalists to fire-cracker great-grandmothers like Eleanor Fairchild. Above All Else is the story of David and his allies, their struggles, and what happened when they stood in the way of the most powerful industry in the world.
Ten years on from his previous film, Advertising & the End of the World, renowned media scholar Sut Jhally follows up by exploring the since-escalating devastating personal and environmental fallouts of advertising and the near-totalising commercial culture. The film tracks the emergence of the advertising industry in the early 20th century to the full-scale commercialisation of the culture today, identifying the myth running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness and fulfilment. We see how this powerful narrative, backed by billions of dollars a year and propagated by clever manipulative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption. The result is a powerful film that unpacks fundamental issues surrounding commercialism, media culture, social well-being, environmental degradation, and the dichotomy between capitalism and democracy.
In a quarter of a century, the Amazon corporation has propelled Jeff Bezos from ‘online bookseller’ to technology behemoth. He is the richest man on the planet, and the company he founded is one of the most powerful in the world. This documentary investigates Amazon’s rise to corporate rein, revealing the problematic inside-operations that have the public tethered to its services. Former high-level insiders describe Amazon’s obsessive data-gathering operations, that enable the company to use what it knows about us to shape not only the future of retail, but the workplace and technology in synergy. On both sides of the world, politicians and regulators are tardily beginning to question Amazon’s power. But can the public rein in this corporate empire and break its addiction before even more damage is done to the structure of society and the environment?
Jeff Bezos is not only one of the richest men in the world, the vast corporate empire he has built is unprecedented in the history of capitalism. The corporate power to shape everything from the future of work to the future of commerce to the future of technology is unrivaled. The company’s reach into the everyday life of citizens, manipulating their experience and extracting extreme profits, is profound. It’s extraction of labour and giant streams of data is cataclysmic. It’s reach into culture, media, law enforcement, even a deal with the CIA, is indicative. But despite all of this, the company contradictorily claims it is “just a speck.” As regulators around the world tardily start to consider the global impact of Amazon and how to rein in its extreme corporate power, filmmakers Anya Bourg and James Jacoby reveal how Bezos’s plan to build one of the most influential economic and cultural forces in the world has already transpired, and how the job of reining in this pervasive corporate power will be testing in the extreme.
In post-industrial United States, the Chinese company Fuyao opens a car-glass factory in an abandoned General Motors plant, hiring thousands of blue-collar American and Chinese workers. Through an an observational format, American Factory presents the two distinct cultures, comparing and contrasting each other, as well as weaving subtle commentary revealed from the workers’ themselves about the nature of manufacturing work; their differing cultural and generational attitudes on labour rights and unionising; as well as observing upper management methods and corporate politics. The film is a collage of self-revealing messages about the cultures of high-tech China and post-industrial United States, shown through the lens of capitalism and the changing status of each country in the global economy.
Ammo for the Info Warrior is a two part series of collections of short films by the Guerrilla News Network (GNN), an independent news organisation with a mission to expose young people to important global news and information free from corporate filters. Each part consists of a selection of 5 to 10 minute videos covering a range of stories, from the violent diamond trade in Sierra Leone; to the PR industry’s manipulation of public opinion; to analysis of IBM and its role in the Holocaust; to CopWatch, a movement of people keeping police accountable; and short slam poetry clips about the business of hip-hop. Ammo for the Info Warrior experiments with format with the aim of being an innovative educational tool to tackle serious socio-political issues for a generation brought up on MTV. It can be a catalyst for discussion and debate, encouraging the viewer to develop skills in critical thinking and analysis.
Bananas!* documents the legal battle of banana plantation workers in Nicaragua against the Dole Food Company over cases of sterility caused by the pesticide DBCP. The chemical, despite being banned, was knowingly sprayed on crops and workers. The result is the same old battle with corporate power as the film unpacks the issues of the case and the lives of the workers through the local lawyer Juan Dominguez. Dominguez bridges the gap between the rapacious North American company and the South American workers who were not told about or protected from the pesticide, to make a claim against one of the largest corporations in the world for justice for its workers.
In recent years, nature conservation has become a booming business where huge sums of money change hands, and endangered species become exotic financial products. Banking Nature, delves into this hidden world of so-called environmental banking, where huge corporations such as Merrill Lynch and JP Morgan Chase buy up the land and habitat of endangered species, and then sell them in the form of shares. Companies that inevitably harm the environment are then obliged to buy credits to offset the damage that they have caused. In Uganda, we meet men who measure trees to determine how much carbon they store and then a banker from the German firm that sells the resulting carbon credits. In Brazil, the steel giant Vale destroys the rainforest, replaces it with a monocrop tree plantation, and reaps the benefits of environmental credits as if the rainforest was still standing. Banking Nature posits that we disallow the same corporate criminals responsible for the global financial crisis from turning what’s left of the natural world into their final corrupt commodities market.
Behind the Screens explores how Hollywood movies have largely become vehicles for the ulterior motives of advertising and marketing by the studios and media owners, rather than genuine storytelling or simple entertainment in their own right. By showing examples from popular movies such as Wayne’s World, Forrest Gump, The Lion King, Summer of Sam, and Toy Story, this documentary demonstrates how this trend toward hypercommercialism—through product placement, tie-ins, merchandising and cross-promotions—comes to define the modern movie. What are the problems with this, as well as the cultural and social impacts? Combined with analysis from film scholars, critics, political economists, and an Oscar-nominated screenwriter, Behind the Screens presents accessible arguments to these questions.
Every day, escalating technologies are being used to monitor all of us as populations with unprecedented scrutiny—from driving habits to workplace surveillance, as shoppers, as consumers, as citizens. We are all increasingly being observed and analysed. Internet searches are monitored and used as evidence in court, the police track our movements on the road, governments collect our DNA, fingerprints and iris scans, corporations assemble huge databases for profiling and selling data, while governments collude with such lucrative businesses—for example, Acxiom, Lexis Nexis and ChoicePoint—to gain access to vast volumes of information about people and the machinations of modern society. What will it take for us to stop this system before it boils over into a full-blown technocratic authoritarian regime?
As westerners revel in designer lattes and cappuccinos, impoverished Ethiopian coffee growers still suffer the bitter taste of injustice. Black Gold follows the multi-billion dollar coffee industry down to the ground with the story of one man’s fight for a fair-trade…
In the early hours of March 24th 1989, the Exxon Valdez oil supertanker runs aground in Alaska. The ship discharges several tens of millions of gallons of crude oil. The incident becomes the biggest environmental assault in North American history, and in a flash, the news shoots across the planet along with footage of thousands of dead seabirds, sea otters and other marine life covered in oil, devastated. Thick black tides rise and cover the beaches of the once-pristine reefs of Alaska. Black Wave recalls this event, a generation later, by speaking with renowned marine toxicologist Riki Ott and the fishermen of the little town of Cordova, Alaska. They tell us all about the environmental and social consequences of the black wave that changed their lives forever—the legacy of the Exxon Valdez that still lingers today.
Across the globe, this culture is polluting, diverting, pumping and wasting fresh water at a crazy rate, as population grows and technology escalates. The rampant expansion of agriculture, housing and industry increase the demands for fresh water well beyond the limited supply, resulting in the desertification of the Earth. Corporate giants force developing countries to privatise their water supply for profit, Wall Street investors target desalination and mass bulk-water export schemes, while governments use water for economic and political gain. Military control of water emerges and a new geo-political map and power structure forms, setting the stage for global conflict over fresh water. Blue Gold follows numerous worldwide examples of people fighting for their basic right to water, from court cases to United Nations conventions, to revised constitutions, to local protests at grade schools, to complete revolutions. A line is crossed when water is a commodity. Will you fight to stop it and protect it?
In October 2003, an extraordinary uprising challenged the United States empire and kicked out President Gonzalo Sánchez de Lozada — a representative of the United States administration and transnational corporate interests. The people are calling for new forms of representation and organisation that question the portrayed notions of democracy and traditional political parties. In February 2003, a mutiny by the police against the imposition of income taxation on the poor to fulfil IMF demands, provoked the withdrawal of tax measures; throughout 2002, peasants revolted against the US-imposed ‘coca war’ — the coca-eradication plan — that would’ve destroyed the only possible source of survival for thousands of people. In 2001, the people of Cochabamba fought successfully against the a most outrageous form of privatisation — of the water supply — forcing the government to cancel the agreement with Bethell, a US-based company…
While the world’s population continues to grow at an alarming rate, water is becoming increasingly hoarded and scarce. Bottled Life documents the trend of the privatisation of water by focusing on the Nestlé corporation that is hoarding water supplies for profit and control across the globe. Nestlé currently owns more than seventy of the world’s largest bottled water brands, with annual sales of water alone totalling some $10 billion. But the company does not want to discuss this business. Management refuses interviews. Information is not provided. What entails is a revealing look at the schemes and strategies of a powerful corporation, in a time of water crisis and extreme inequality.
One year after BP’s Deepwater Horizon rig exploded spewed a massive 170 million gallons of oil into the Gulf of Mexico, BP claims victory — that most of the oil is gone. Investigative journalist Greg Palast sets off to test this claim in person and digs into the history of BP and similar incidents. Revealed is the corporations collusion with government, its strong political influence worldwide, along with the massive ecological impact of the BP explosion, set to last for decades…
In September 2008 when the American economy was on the verge of melting down, the then-Secretary of the Treasury Henry Paulson, his former protégé John Thain (CEO of Merrill Lynch), and Ken Lewis (CEO, President, and Chairman of the Bank of America) secretly cut a deal to merge Bank of America and Merrill Lynch — in the midst of stock collapse; a rocky merger; the worst fourth-quarter losses in at least 17 years; a stockholder revolt and an urgent need to raise more capital despite a $45 billion “bail-out” from the federal government…
The Daily Mirror used to be a peoples’ paper that respected its readers and earned trust and affection. But that changed out of all recognition when the British public were told that the new information technology, heralded by The Sun’s move to Wapping, would bring a greater variety of newspapers and a more diverse media. Instead, what happened was rapid moves toward contracted press controlled by ever fewer proprietors. John Pilger describes the downfall of his old paper and the all-pervasive influence of Rupert Murdoch…
Why have a real election when you can just buy the result? In Bush Family Fortunes, Greg Palast examines various aspects of the Presidency of George W. Bush, including the very controversial 2000 US Presidential ‘election’ and of course, the invasion of Iraq. What are the Bush family connections?
Can’t Get You Out of My Head: An Emotional History of the Modern World is a six-part series that explores how modern society has arrived to the strange place it is today. The series traverses themes of love, power, money, corruption, the ghosts of empire, the history of China, opium and opioids, the strange roots of modern conspiracy theories, and the history of Artificial Intelligence and surveillance. The series deals with the rise of individualism and populism throughout history, and the failures of a wide range of resistance movements throughout time and various countries, pointing to how revolution has been subsumed in various ways by spectacle and culture, because of the way power has been forgotten or given away.
Decades of over-fishing by the global tuna industry have now pushed the final frontiers to the waters of Papua New Guinea. In the 1950s, commercial fishing was extracting 400,000 tons of tuna from the ocean. This number is now close to 4 million tons. And it comes at a high cost: a human one, now affecting the last places on Earth to receive the full impact of globalisation. Set in “the land of the unexpected,” in the north-eastern part of Papua New Guinea, Canning Paradise follows the struggle of Indigenous tribes to protect their way of life, guarded by traditions dating back since the beginning of time. While many have lost hope, others are fighting for survival from the corrupt government and the omnicidal dominant culture.
The oil industry giant Chevron began operating in Ecuador’s Amazon rainforest in 1964, and by the time the corporation fled the area in 1992, their toxic footprint had brought about 1,700 times more damage than the infamous Exxon Valdez oil spill in the United States in 1989. Chevron vs. The Amazon visits the scene of this epic and enduring crime, to uncover the acts that have killed the riches of the world’s tropical paradise. The Amazon is home to hundreds of thousands of unique species of plants, animals, insects, landscapes, as well as an equally diverse human population—all under severe and continued stress and threat. Chevron dumped 17 billion gallons of crude oil and 19 billions gallons of contaminated waste water into the Amazon. Prior to fleeing, they attempted to hide this by covering the areas with dirt or setting the toxic dumps on fire. This film shows the totality of these crimes, and how the land and its people have suffered from devastating impacts over the ensuing decades, as the first step to holding corporate criminals to account, for justice and the survival of the Amazon and its peoples.
Shot clandestinely at a blue jeans factory in southern China where a young girl and her friends work around the clock for pennies a day, China Blue reveals what international retail companies don’t want us to see: how the clothes are actually made…
China’s factories provide low cost products such as computers and cars to the rest of the world, but the real cost is high with heavy air pollution, contaminated waterways, decimated land, terrible working conditions, widespread cancer and incidences of deaths. China’s Dirty Secrets travels across the country to follow workers at factories that assemble computers, then to e-waste dumps, and finally an industrial incinerator burning medical waste, all showing first-hand the extensive environmental impacts of so-called “economic growth.”
For the past four years Submedia has been visiting a camp of the Unist’ot’en of the Wet’suet’en Nation in so-called British Columbia in Canada. The Unist’ot’en continue to fend off intrusions to their land by rapacious oil and gas companies. The threats are large and systemic and involve the very base of life itself. This two-part series of short films document the direct actions that are effective in keeping the threats of oil and gas out. Stopping the corporations physically is paramount, as they’ll stop at nothing…
Clothes to Die For documents the worst industrial disaster of the 21st century—the collapse of the Rana Plaza building in Bangladesh, in which more than 1,100 people died and 2,400 were injured. The eight-storey building housed factories that were making clothes for many western companies—Prada, Gucci, Primark, Walmart, H&M, Gap, and others. Through a series of compelling interviews and footage from the scene, this film gives a voice to those directly affected, and highlights the greed and high-level corruption that led to the tragedy. It also provides an insight into how the incredible growth in the garment industry has transformed Bangladesh, in particular the lives of women. Clothes to Die For raises fundamental questions about the global fashion industry and the responsibilities of all those involved.
Filmed over 3 years, Complicit is an undercover investigation into the lives and conditions of workers that assemble iPhones, tablets, and other electronics in factories such as Foxconn in Shenzhen and Guangzhou, China. The film reveals the global economy’s factory floors, showing the conditions under which China’s youth have migrated by the millions in search of the espoused “better life” working for big corporations. But the reality is working long hours with toxic chemicals that cause many cumulative detrimental health conditions, including cancers. As such, a focal point of the story is Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law in order to prepare a legal challenge against his former employers. As the struggle to defend the lives of millions of Chinese people from becoming terminally ill from work necessitates confrontation with some of the world’s largest corporations, including Apple and Samsung, Complicit turns to become a powerful portrait of courage and resistance against screens and rapacious corporate power in a toxic culture.
Confessions of an Economic Hit Man is a presentation by John Perkins, based on the book by the same name published by him in 2004. Perkins describes the role: “Economic hit men are highly-paid professionals who cheat countries around the globe out of trillions of dollars. They funnel money from the World Bank, the US Agency for International Development (USAID), and other foreign “aid” organisations into the coffers of huge corporations and the pockets of a few wealthy families who control the planet’s natural resources. Their tools included fraudulent financial reports, rigged elections, pay-offs, extortion, sex, and murder. They play a game as old as empire, but one that has taken on new and terrifying dimensions during this time of globalisation.”
By examining the practices of a relentless multi-billion dollar marketing machine that now sells kids and their parents everything from junk food and violent video games to bogus educational products and the family car, Consuming Kids presents the explosive growth of child marketing in the wake of deregulation, showing how youth marketers have used the latest advances in psychology, anthropology and neuroscience to transform children into one of the most powerful and profitable consumer ‘demographics’ in the world…
Controlling Interest is one of the first documentary films to provide a critical analysis on the growth of multinational corporations, and their impacts on people and the environment. Upon its release, Controlling Interest quickly became a standard audio-visual text for those concerned about the growing impact of multinational corporations, examining how the ever-increasing concentration of money and power affects employment in the United States, shapes patterns of development across the world, and influences foreign policy. This is the film that helped kick-off the anti-globalisation movement. Remarkably candid interviews with business executives provide a rare glimpse of the reasoning behind corporate global strategy, and the never-ending search for resources, ever-cheaper labour, and the commodification of life. The film documents the impact of corporate decisions on people around the world, including how “freedom” has come increasingly to mean the freedom of global corporations to operate without restriction. Some of the case studies include Massachusetts’ declining machine tool industry, Brazil’s “economic miracle,” and Chile before and after the 1973 coup.
Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world’s largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries’ national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit…
Why did appointed officials of the Australian Reserve Bank and its employees break sanctions in Iraq and cosy up to Saddam Hussein through a frontman during the late 1990s, early 2000s and beyond? Why did a former Deputy Governor and other directors hand-picked by the Reserve Bank to safeguard its subsidiary companies from corruption, end up—over a decade—overseeing some of the most corrupt business practices possible? How did they allow millions of dollars to be wired to third parties in foreign countries—including a known arms dealer—in order to win banknote contracts knowingly using bribery and supporting corruption?
As one of the largest and most controversial legal cases on the planet, Crude takes a look inside the $27 billion “Amazon Chernobyl” case, viewing the real-life high stakes legal drama set against a backdrop of the environmental movement, globalisation, hackneyed celebrity ‘activism’, human rights, multinational corporate power and rapidly-disappearing indigenous cultures…
Cypherpunks is a movement originating from the 1980s aiming to improve Internet privacy and security through proactive use of cryptography. With WikiLeaks being a recent offshoot of the many projects derived from the Cypherpunk movement, WikiLeaks editor Julian Assange talks with three activists from the Cyberpunk world to cover the topics of mass surveillance and social control being tied directly into technology as modern society progressively intertwines with technological progress…
Two film students set out to explore the psychological and manipulative powers of consumerism by creating an extensive and pervasive advertising campaign for a fake hypermarket. The ads appear on radio, television, billboards; there is a promotional song, an internet site, ads in newspapers, magazines, and flyers with photos of fake Czech Dream products are distributed. Will people believe it and show up for the grand opening?
Travelling across North America, DamNation investigates the growing change in national attitude from strange pride in big dams as domineering engineering projects, to the growing truthful awareness that dams have always been the great killers of rivers, wildlife, the salmon, the forests, coastlines, watersheds. Life is bound to water and health of rivers, and now, dam removal in many forms—including Monkey Wrenching—is reclaiming that life and spreading. Where dams come down, rivers come back, allowing the salmon to return after decades of being concreted out. By making firsthand unexpected discoveries moving through rivers and the landscapes altered by dams, DamNation presents a much-needed metamorphosis in values, from conquest of the natural world to knowing ourselves as part of nature; to respect, and be humbled. With over two million dams in North America alone—75,000 of them over six feet tall—there’s much work to be done. Let’s get to it.
Dark Money tracks the influence of corporate money in contemporary politics in the United States. Using Montana as a case study, the film engages with the complex history that Montana state politics has with corporate influence. Starting with the Anaconda Copper Mining Company, Dark Money shows how the influence of mining corporations caused state legislators to relax mining regulations, which resulted in an environmental catastrophe in Butte, with problems that persist today. John S. Adams of the Montana Free Press plays a central role in the film as an investigative journalist who has been tracking state politics and following the money for several years. Adams has reported on everything from the role of the American Tradition Partnership (formerly known as Western Tradition Partnership) funds in the shaping of state election laws, to the illegal political activities of a “right to work” PAC in Montana. The film follows Adams’s work as a reporter, but it also includes interviews from other prominent figures in Montana state politics and those involved in the movement to examine and limit the influence of dark money in politics.