In 1981, the New Zealand government invited the South African rugby team to tour New Zealand. This effectively split the country in half as the rugby tour was seen by some as endorsement of South Africa's apartheid regime. Patu! recounts the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against the South African rugby tour. Sports grounds and suburban streets became battlefields as the film recounts visceral images of massive protest actions met with police brutality. Patu! is a record of heroism, and for many young people taking to the streets, it was their 1968. Māori and Pākehā, children and grandparents, gang members and clergymen—all in a moment of rare consensus, stood together to affirm shared values.
The setting is in the current and ongoing troubling police culture of violence, profiling and racism. Even a former NYPD officer now breaks ranks to say that the force aggressively targets poor and minority communities in order to meet secret and illegal arrest quotas. The result is a level of systemic harassment and brutality that could be hard to demonstrate, if not for growing groups of Cop Watchers—everyday citizens wielding cameras, that routinely record and publish troves of evidence documenting all kinds of patterns of police brutality and misconduct. This film follows some of the people who are doing this work, and clearly the police don't like it. They push back hard. Cop Watchers hence face long prison sentences and trumped up charges for simply recording the police—something that is not itself a crime. In an age of intense corruption of public institutions, this film lays out abuses of power on a frightening scale, showing just how urgent serious action is required if a free society is said to continue to exist.
In the 1960s and 70s, the polarisation of the political situation in the United States was becoming acute with the Vietnam War abroad and civil rights at home being but the most obvious issues. For the youth political movement, the futile methods of peaceful protest led to the rise of an idealistic faction that undertook a more extreme approach to resistance. This faction, called the Weather Underground, attempted to team up with the Black Panthers to overthrow the US government—starting with street riots, escalating to bombing government targets. Thorough archival footage and interviews of the veterans of both sides, this film covers the movement, until changing times and disillusionment brought it to an end, alongside the FBI employing an illegal series of projects called COINTELPRO to hasten it...
When Hong Kongers took to the streets to protest a controversial extradition bill proposed by China in 2019, it exposed the tensions long brewing in the city. Over two days of conflict, Hong Kong Moments follows a pro-democracy protester, a tea-shop owner, a paramedic, a cab driver, a police officer, and two politicians with conflicting politics as the demonstrations shoehorn the political into the personal. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong's politics have become.
During the summer of 2013, a new area of occupied Sápmi (the northern parts of Fennoscandia in Europe) were under attack from the mining industry. If it were not for groups of brave resisters, the test blasting outside Jokkmokk in Lapland, Sweden, would have gone by without incident. The local Sámi people would have once again been exploited, and future generations poisoned without even a debate. But this time, something happened. The Gállok Rebellion tells the story of the resisters in Gállok, and shines a light on views which are not often televised. The film collates the efforts of many groups working together and serves as a call to action, to continue to protect the natural world which is under siege.
Above All Else is an intimate portrait of a group of activists and landowners in East Texas, United States, who undertook a series of direct actions and put their bodies in the way to stop construction of the Keystone pipeline in 2012. The film follows David Daniel, a quiet, affable carpenter, whose backyard became the epicenter of a tree-sit that physically blocked the path of the controversial pipeline. This was the birthplace of the Tar Sands Blockade, an activist group that would go on to oppose the pipeline's construction all along its route. David's stance against Keystone brought together an unlikely coalition of allies, from Texan farmers to student environmentalists to fire-cracker great-grandmothers like Eleanor Fairchild. Above All Else is the story of David and his allies, their struggles, and what happened when they stood in the way of the most powerful industry in the world.
Interspersed with shots of direct-action and interviews with participants, Big Rattle In Seattle documents the protests in Seattle against the World Trade Organisation conference in September 1999.
Marion Stokes was secretly recording television twenty-four hours a day for thirty years. It started in 1979 with the Iranian Hostage Crisis at the dawn of the twenty-four hour news cycle, and ended in 2012 while the Sandy Hook massacre played on television as Marion passed away. In between, Marion recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, advertising--all of which deeply show how television has shaped the world of today. Remarkably prescient, Marion knew this, and saved it as a form of activism, knowing that archiving everything that was said and shown on television was part of the fight for the truth and historical memory, keeping those in power accountable. At the time, the public didn’t know it, but TV networks themselves were not keeping archives of their material, with huge swathes of recorded history lost. If it wasn't for Marion, and the Internet Archive that will soon digitise her tapes for prosperity and free public access, these records would be lost forever. This film is about a radical Communist activist, who became a fabulously wealthy recluse archivist, and whose work was unorthodox, but also genius, even though she would pay a profound price for dedicating her life to such a visionary project.
Earth at Risk documents the first conference of the same name convened in 2011 by featured thinkers and activists who are willing to ask the hardest questions about the seriousness of the situation facing life on the planet today. Each speaker presents an impassioned critique of the dominant culture, together building an unassailable case that we need to deprive the rich of their ability to steal from the poor, and the powerful of their ability to destroy the planet. Each offers their ideas on what can be done to build a real resistance movement—one that can actually match the scale of the problem. To fight back and win. Literally, the whole world is at stake.
No Measure of Health profiles Kyle Magee, an anti-advertising activist from Melbourne, Australia, who for the past 10 years has been going out into public spaces and covering over for-profit advertising in various ways. The film is a snapshot of his latest approach, which is to black-out advertising panels in protest of the way the media system, which is funded by advertising, is dominated by for-profit interests that have taken over public spaces and discourse. Kyle's view is that real democracy requires a democratic media system, not one funded and controlled by the rich. As this film follows Kyle on a regular day of action, he reflects on fatherhood, democracy, what drives the protest, and his struggle with depression, as we learn that "it is no measure of health to be well adjusted to a profoundly sick society."