Films about drugs
The Brain — A Secret History is a series about how various theories and experiments on the human mind over decades have led to profound insights into how the human brain works, but also have involved great cruelty and pose terrible ethical dilemmas. Historical experiments such as severe maternal deprivation, brainwashing and other experiments in mind control such as MKULTRA are covered, along with physical interventions such as the history of electric shock ‘treatment’, behaviour modification, experimental psychology, and the Milgram experiment.
When modern antidepressants like Prozac were launched in the late 1980s, they were quickly heralded as wonder drugs for treating anxiety and depression with few side effects. While many say they have benefited from taking the drugs, there is an increasing body of evidence that reveal physical and mental side effects of the drugs that are wide-ranging and are often downplayed. From headaches and brain fog, to loss of sexual function and suicidal thoughts. The Antidepressant Story speaks to patients grappling with side effects such as these and asks if this multi-billion dollar pharmaceutical industry is really helping.
Department of Defense documents obtained through the Freedom of Information Act expose horrific government funded experimentation upon citizens conducted without their knowledge or consent. Is the United States knowingly using a dangerous battlefield weapon banned by the United Nations because of its long-term effects on the local inhabitants and the environment? Beyond Treason explores the illegal worldwide sale and use of one of the deadliest weapons ever invented. Was “Gulf War Illness” actually known by the military before hand?
Human Resources — Social Engineering in the 20th Century is about the rise of mechanistic philosophy and the exploitation of human beings under modern hierarchical systems. The film captures how humans are regarded as a resource by corporations—something to be exploited for pecuniary gain—by following the history of psychological experiments in behaviour modification, conditioning and mind control; applying the outcomes to modern day establishment experiments such as institutionalised education, and social engineering by way of things like television…
Thalidomide: The Ninety-Eight We Forgot follows a four-year investigation on behalf of a group of children damaged at birth by the drug Thalidomide which was introduced in the late 1950s to treat morning sickness and to aid sleep. The drug caused birth deformities, such as phocomelia, with more than 10,000 children in 46 countries born with deformities. This film investigates why a group of people are excluded from compensation from the effects of Thalidomide by various legal proceedings—still relevant today in the context of how the legal system continues to protect corporations at the expense of life itself.
For 20 years the NSW Crime Commission went about its business with drugs quietly. When it scored a bust, it stood back and let politicians and the police bask in credit. But all that changed with the sensational arrest of the commission’s assistant director, Mark Standen, on charges of trafficking drugs. His spectacular downfall threw a spotlight onto the Crime Commission’s remarkable array of powers and how it abuses them. Secret hearings, witnesses compelled to answer questions, broad powers of search and surveillance, no independent review process…
Counter-Intelligence is a 5 part series that explores in-depth, the vast, sprawling and secret National Security State that operates throughout the United States—and indeed the world. The series examines the foundations of the Military-Industrial-Intelligence Complex, charting through to the myriad consequences in today’s world where secret intelligence organisations continue to hijack governments, manipulate elections and commit heinous crimes against humanity—all under the cloak of “National Security”. In the wake of the continued revelations of the NSA PRISM program, this series is now more important than ever to provide a solid historical context to the workings of the rapacious and ever-expanding National Security State…
There is an staunch connection between medical science, the pharmaceutical industry and the structures of modern society. Drug manufacturers today fund aggressive marketing campaigns designed to create public awareness of “previously unknown diseases,” or conditions known by less dramatic names in order to sell pharmaceutical drugs and other psychotropic interventions. Shyness is thus marketed as “Social Anxiety Disorder,” worry becomes “Generalised Anxiety,” and premenstrual tension as “Premenstrual Dysphoric Disorder” which must be treated by drugs made popular through advertising, such as Paxil, Zoloft and Prozac. These drugs have become household names, not to mention a 20 billion dollar a year racket. How? Why?
Big Bucks, Big Pharma looks at the varied insidious methods of the multi-billion dollar pharmaceutical industry to manipulate—and in some instances create—psychological conditions for profit. Focusing on the advertising for psychotropic drugs, the film demonstrates the ways in which pharmaceutical marketing glamorises and normalises the use of prescription medication, and how this works in tandem with promotion and delivery by doctors. These practices combine to shape how both patients and doctors understand and relate to mental and physical health, as well as treatment. Ultimately, Big Bucks, Big Pharma challenges the viewer to ask important questions about the consequences of a society relying on a for-profit industry for collective health and well-being.
In the early 1940s, hundreds of thousands of people unknowingly became test subjects in toxins experiments and biological weapons tests conducted by the United States government. LSD tested on civilians, nerve gas sprayed into suburbs, hospital patients injected with plutonium, children exposed to biological and chemical agents just to see what would happen…the list goes on. And in most if not all cases, tests were carried out without the knowledge or consent of those involved. In 1996, evidence of these secret operations hit the news, uncovering a history of secret operations and covert projects that cast a large shadow over the operations of US military and intelligence agencies, to this day. Experiments with biological weapons and the testing of chemical warfare were only part of the story…
Growing Up Trans explores how queer theory, now in the mainstream, has come to children—some younger than six years old. For just a generation ago, it was considered only adults who wished to perform opposite gender stereotypes, physically changing their bodies or appearance with drugs, hormones and invasive surgery; but today, many young children are seeking serious and new medical or chemical interventions, at younger and younger ages, in a culture of rampant individualism and post-modernism. Told from the perspective of parents, doctors, but perhaps most revealing of all, the kids themselves, Growing Up Trans reveals a sharp narrative that speaks to the choices and struggles of a new generation of young people, while also illustrating the dynamics of the larger post-modern culture and how its profoundly influenced their lives, bodies, and indeed the existential self.
If one steps back and looks at what freedom actually means in the West today, it’s a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for “individual freedom,” yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force “freedom” on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.
For the past 40 years, the war on drugs has resulted in more than 45 million arrests, one trillion dollars in government spending, and the arrival of the United States as the world’s largest jailer with almost 2.3 million individuals incarcerated. Yet for all that, drugs are cheaper, purer, and more available than ever. Filmed across the country, The House I Live In provides the experience firsthand of those on the front lines—from the dealer to the grieving mother, the narcotics officer to the senator, the inmate to the federal judge—and offers a penetrating look at the profound human rights implications of the so-called war on drugs.
The Living Dead: Three Films About the Power of the Past is a series of films that investigate the way that history and memory (both national and individual) have been manipulated and distorted by politicians and others for various means of control…
Spin the Bottle critiques the role that popular culture plays in glamorising excessive drinking and high-risk behaviour, in contrast to the ways alcohol affects the lives of real young men and women in reality. This film decodes the power and influence of seductive media images to show how they shape personal identity when linked to the use of alcohol. Nowhere is this link more apparent than on America’s college campuses. By exploring the party scene, Spin the Bottle also shows the difficulties young people have in navigating a cultural environment saturated with messages about gender and alcohol. Interviews with health professionals provide a clear picture of how drinking impacts student health and academic performance, but it is the students’ own experiences and reflections that tell the real story behind alcohol’s alluring public and cultural image.
During a town hall meeting in central Los Angeles 1996, then CIA Director John Deutch made an appearance on a panel of government representatives to refute documented allegations that the CIA had sold drugs in Los Angeles in order to finance covert operations in Central America. Questions are put forward by many people, including author and investigative journalist Michael Ruppert who explains of documented evidence of direct CIA involvement in drug trafficking, making mention of covert operations…
Can’t Get You Out of My Head: An Emotional History of the Modern World is a six-part series that explores how modern society has arrived to the strange place it is today. The series traverses themes of love, power, money, corruption, the ghosts of empire, the history of China, opium and opioids, the strange roots of modern conspiracy theories, and the history of Artificial Intelligence and surveillance. The series deals with the rise of individualism and populism throughout history, and the failures of a wide range of resistance movements throughout time and various countries, pointing to how revolution has been subsumed in various ways by spectacle and culture, because of the way power has been forgotten or given away.
The Medicated Child confronts psychiatrists, researchers and government regulators about the risks, benefits and many questions surrounding psychotropic drugs for children. The biggest current controversy surrounds the diagnosis of bipolar disorder. Formerly called manic depression, bipolar disorder was long believed to only ‘apply to adults’, but in the mid-1990s ‘bipolar disorder in children’ began to be diagnosed at much higher rates, sometimes in children as young as 4 years old…
Misogyny is rampant in this culture, and corporations capitalise on making women hate their bodies. Indeed all aspects of womanhood are commodified, hypersexualised, and squeezed into gender stereotypes. Being female comes at a cost. So it’s no wonder that young people growing up can feel horrible about themselves and their bodies, and further feel confused about what it means to be a woman in today’s world. Into this perfect storm steps queer theory, an ideology born in the 1990s, that tells people that all the confusing feelings they may experience about the world they live in can be fixed not by changing the world, but by changing themselves. The past decade has seen a steep rise in the number of young girls seeking to alter their bodies by undergoing life threatening, irreversible procedures. Dysphoric is a series that explores this concept of gender transition, told through the voices of clinicians, psychiatrists, sociologists, feminists, academics, detransitioners, and concerned citizens and parents. The series also discusses the permanent medical side-effects of hormones and surgeries, the propaganda of corporations that glorify thousands of stereotypical gender presentations coalesced as fashion, the surge in pronoun policing, censorship and the curtailment of speech, language hijacking that calls women “menstruators,” and the many other hurdles women face while trying to question this modern-day misogyny.