Films about environment
An eclectic group of activists take a stand to protect an old growth forest from logging at Warner Creek in the Willamette National Forest of Oregon. The activists block the logging road, repel State Police and intervene to stop timber sales. Over months a community builds around the blockade and similar actions spread across the region. Filmed by the activists themselves, PickAxe is the account of the direct actions from the perspective of the participants to save Warner Creek…
An Unjustifiable Risk investigates the many risks of plutonium usage in nuclear power generation and the use of fast-breeder reactors argued for the UK in the 1970s. The film turns to Hiroshima, Japan to illustrate the powerful destructive capacities of plutonium, feeding-back the personal experiences of those effected by nuclear weapons into the debate against nuclear power and its consequences…
Earth at Risk documents the first conference of the same name convened in 2011 by featured thinkers and activists who are willing to ask the hardest questions about the seriousness of the situation facing life on the planet today. Each speaker presents an impassioned critique of the dominant culture, together building an unassailable case that we need to deprive the rich of their ability to steal from the poor, and the powerful of their ability to destroy the planet. Each offers their ideas on what can be done to build a real resistance movement—one that can actually match the scale of the problem. To fight back and win. Literally, the whole world is at stake.
Burned: Are Trees the New Coal? investigates the latest method of providing so-called “green” electricity, as espoused by the renewable energy movement. It’s called biomass, which is a euphemism for clear-cutting and burning forests. It is claimed that this is first a sustainable method of electricity creation, but secondly, and more slanderous, is claimed to be carbon-neutral and environmentally friendly. So how did this become the purported saviour for the power-generation industry, and by extension, the modern environmental movement? Burned provides a visceral account of these questions, while documenting the accelerating destruction of forests to fuel this destructive culture.
Made from the same elements as stars, plants, food and human beings, dirt is very much alive and very much just as complex. One teaspoon of dirt contains a billion organisms working in balance to sustain a series of thriving communities that have become pretty much totally invisible to our daily lives. Dirt — The Movie tells the story of Earth’s most valuable and underappreciated source of fertility, from its miraculous beginning to its tragic degradation…
On April 26, 1986, the worst nuclear accident in history occurred when a reactor exploded at the Chernobyl nuclear power plant in Ukraine, releasing 90 times the radioactivity of the atomic bombs dropped on Hiroshima and Nagasaki. Sixteen years later, Chernobyl Heart travels to ground zero, following the devastating trail radiation leaves behind in hospitals, orphanages, mental asylums and evacuated villages. The film reveals those hardest hit by radiation, including thyroid cancer patients and children suffering from unfathomable congenital birth and heart defects, still decades later…
Burning The Future documents the devastating environmental and social impacts of coal mining specifically in West Virginia in the United States, where mountaintop removal mining has obliterated 1.4 million acres of mountains, polluted the groundwater, destroyed farm land and communities. The film follows a group of people directly affected by mining who venture to challenge the coal industry with the intent to protect mountains, save their families, and preserve life. However, their efforts are hampered by the systems that protect coal interests, the interests of business and industrial civilisation. This film shows the imperative need to fight back against powerful mining magnates, and how common legal channels of persuasion and reform simply do not exist. How do we stop these massive mining magnates from killing the world we live in?
In 2010, the United States announced the construction of the first new nuclear power plant in more than 30 years. But a year later in Japan, a 9.0 magnitude earthquake hit, preceding a cataclysmic meltdown at the Fukushima Daiichi Power Plant bringing the reality of nuclear power back into public consciousness across the globe. For some. Both political parties of the United States ignored this and continued a pro-nuclear agenda, while others, forgetting more of the past, didn’t realise the history of home. The Atomic States of America serves to break this forgetting by travelling from the gates of Three Mile Island, to the cooling ponds of Braidwood to document just some of what has happened and is happening with nuclear power in the United States today. By speaking with communities throughout the country, this film documents arrays of stories of polluted drinking water, government collusion with industry, cover-ups, cancer epidemics and other suppressed stories. Begun more than a year before the disaster in Japan, this film gains a unique before and after perspective, seeking to inspire an honest remembering about just what this culture has done and continues to do for power at the expense of the world.
The Devil We Know investigates the toxicity of perfluorooctanoic acid—PFOA/PFA, also known as C8—the key ingredient found in non-stick cookware, stain resistant furniture and carpets, wrinkle free and water repellent clothing, cosmetics, lubricants, paint, pizza boxes, popcorn bags, and many other everyday products. The film centres on Parkersburg, West Virginia, in the United States, at the DuPont facility that manufactured Teflon, and dumped at least 1.7 million pounds of PFOA into rivers and streams between 1951 and 2003, knowing that it was a carcinogen. The film follows the personal stories of several people who worked at the facility that experienced cancers and birth defects, and also reveals the detection of PFOA in the blood of more than 98% of the general US population in the low and sub-parts per billion (ppb) range, with levels much higher in chemical plant employees and surrounding subpopulations.
What A Way To Go: Life At The End Of Empire covers the current situation facing humanity globally. It discusses issues such as peak oil, climate change, population overshoot and species extinction, as well as how this situation has developed…
The Last Mountain follows the fight for the last great mountain in North America’s Appalachian heartland where mining giants that want to deforest and explode it to extract the coal inside are faced with a community fighting to preserve the mountain. The film considers the health consequences and environmental impacts of mining, burning coal for electricity, also looking at the wider context and history of environmental laws in the United States.
During the summer of 2013, a new area of occupied Sápmi (the northern parts of Fennoscandia in Europe) were under attack from the mining industry. If it were not for groups of brave resisters, the test blasting outside Jokkmokk in Lapland, Sweden, would have gone by without incident. The local Sámi people would have once again been exploited, and future generations poisoned without even a debate. But this time, something happened. The Gállok Rebellion tells the story of the resisters in Gállok, and shines a light on views which are not often televised. The film collates the efforts of many groups working together and serves as a call to action, to continue to protect the natural world which is under siege.
Ten years on from his previous film, Advertising & the End of the World, renowned media scholar Sut Jhally follows up by exploring the since-escalating devastating personal and environmental fallouts of advertising and the near-totalising commercial culture. The film tracks the emergence of the advertising industry in the early 20th century to the full-scale commercialisation of the culture today, identifying the myth running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness and fulfilment. We see how this powerful narrative, backed by billions of dollars a year and propagated by clever manipulative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption. The result is a powerful film that unpacks fundamental issues surrounding commercialism, media culture, social well-being, environmental degradation, and the dichotomy between capitalism and democracy.
Monsanto corporation seems to be stopping at nothing: Controlling corn, wheat, soy beans, canola, mustard, okra, bringe oil, rice, cauliflower… Once they have established the norm, they aim to claim all these seeds as their intellectual property, royalties will be collected and enforced by patent law. If Monsanto controls seed, they control food and they know it. It’s strategic. It can be more devastating than bombs, it can be more powerful than guns. This is their way to control the populations of the world, and as The World According to Monsanto reveals, it’s governments in the cross-hairs also.
From styrofoam cups to artificial organs, plastic is perhaps the most ubiquitous and versatile material ever invented — no product in the past 100 years has had more a profound influence and presence than synthetics. But such ‘progress’ has a cost — no ecosystem or segment of human activity has escaped the strangling grasp of plastic. Addicted To Plastic investigates what we really know—and don’t know—about this material. Talking to manufacturers, recyclers, cleaners, scientists and others, Addicted To Plastic shows plastic’s toxic legacy and devastating ecological impact, provoking serious questions about health, food and the environment…
John Pilger travels to Reno, Navada in the United States, to investigate the threats facing Pyramid Lake—a reservation of the Paiute people. With water diversion beginning in 1905 by Derby Dam and the lake’s very existence threatened, the Paiute sue the conservation department of government—the DOI—to curtail further damage. By the mid 1970s, the lake had lost 80 feet of depth, with extensive impacts to fish and other life of the lake. Further water diversion in the 1970s was driven by a racially-exclusive sportsman’s and leisure reserve used for white hunting and recreation near the town of Fallon…
Is the human population going to outstrip the Earth’s food supply? The effects of modern agriculture not only lead to a short term food surplus which quickly slipped as population boomed, but agriculture itself causes huge environmental problems such as soil erosion, salinity and chemical pollution—all further illustrating an impossible system in perpetuity. Food or Famine looks at projects in North America, Chile, Indonesia, Africa and India which are participating in a worldwide movement to return to local food growing methods based on the land and healthy ecological principles. The film also examines the worldwide imbalance between food consumption and production, stoking the need to confront the mounting challenges ahead…
Trashed sets out to discover the extent and effects of garbage on the natural world. The film travels to beautiful destinations now tainted by pollution, through conversations with scientists, politicians, and people whose health and livelihoods have been fundamentally effected by waste. We see unfettered garbage dumping in Lebanon effecting its own coastline, but also the entire Mediterranean sea; toxic waste mounds set near a school and a future hospital in England; garbage incinerators in Iceland and Japan; the effects of plastic, microplastics, chemical sludge, flame retardants, pesticides, herbicides, dioxins, and other chemicals from waste and their synergistic impacts the world over. Trashed is a call for urgent action to resolve the issue of existing waste, to drastically reduce consumption and output to significantly less harmful levels, while demonstrating how this is already being reached for in many communities around the world.
What if you live in the most destructive culture ever to exist? What if that culture refuses to change? What do you do about it? Derrick Jensen, the author of Endgame responds to these imperative questions and details how industrial civilisation and the persistent and widespread violence it requires is ultimately unsustainable—and what to do about it. Jensen weaves together history, philosophy, environmentalism, economics, literature and psychology to produce a powerful argument that demands attention…
For close to a century, a great tale played out in the tiny town of Caledonia, Illinois. The Real Dirt On Farmer John tells this story of John Peterson, his farm and his family — a story that parallels the history of American farming. But Farmer John is no laconic, Grant Wood-type with a scowl and a pitchfork. With the help of friends, John transformed his farm into an organic commune flooded with art and music, all in the centre of conformist Midwestern America…
David Attenborough explores just how far climate change is altering our planet—from drought-stricken rainforest to declining polar bears, from flooded homes to bleached coral. Are We Changing Planet Earth? explores the evidence that it is industrial civilisation and the activities of humans which are radically changing the climate…
Who Pays the Price — The Human Cost of Electronics is a short film that seeks to humanise the largely hidden and anonymous global labour force that enables the ubiquitous technoculture, documenting the harsh conditions in which electronics are made and how this really impacts those people’s lives, and the environment. Toxic chemicals, plastics, and sweat-shop working conditions all contribute to the global machine that disseminates digital technologies, hidden in plain sight. Through direct footage of factory workers, interviews with them and analysis of the conditions, Who Pays the Price asks the question of the viewer, and as a call to action to stop the exploitation and toxification of people and the natural world.
A group of friends become curious about the sustainability of their eating regiments. They instigate a challenge, and send filmmaker Yasi Gerami off on a quest to investigate the sustainability of their eating ideologies. The friends come from different backgrounds and live in Toronto, Canada, but the inquiry takes the story of their food around the globe. As Gerami digs deeper, she realises the inconvenient truths not only about the environmental catastrophes caused by our dependence on mainstream food production methods, but also by the cataclysmic social justice impact of our eating habits in the global south. The film unfolds some popular myths on topics such as plant-based diets, healthy and nutritional foods, ethical eating, food politics, industrial agriculture, and how to attain a sustainable food culture. Sustenance helps the viewer discover these themes, prompting the viewer to question where our food really comes from, and how it genuinely affects the health of other people, other species, and ultimately the entire planet.
The Future of Food brings together the many complex issues surrounding the troubling changes that have occurred in the industrial food system during the past decades—genetically modified food, seed patenting, pesticides; and the corporate takeover of the entire food chain, from soil to seed to fork. The issues raised in The Future of Food are more pressing than ever, as the collusion between governments and large multi-national corporations is more visibly on display than ever before—the use and abuse of the legal system, politicking, and privatisation drive this rapacious strangle hold on much of the world’s food. The film focuses on unlabelled, patented, genetically engineered foods that have been sold in supermarkets in the United States, unbeknownst to the public, for the past decade. In addition, there is a focus on Canada and Mexico. Also described is the concern about ‘terminator’ GMO seeds that pose a huge threat to diversity and local food systems. Genetically modified food is as controversial today as ever, and The Future of Food presents a vital educational tool for activists and educators worldwide.
Barbie, H&M jeans, everyday corn—just some of the products recalled due to controls on the use of dangerous chemicals as a wave of legal cases over toxicity is calling manufacturing of certain products into question. The Toxins Return follows the trail from field worker, to customs, to the high street shopper—how much can we trust all these products?
In 1986, a catastrophic nuclear accident occurred at the Chernobyl Nuclear Power Plant in Ukraine. An explosion and fire released large quantities of radioactive contamination into the atmosphere, which spread over much of Western USSR and Europe. Life After Chernobyl uses this event to show how wild nature reacts and survives when the world is suddenly rid of the impacts of industrialisation. Travelling to the site of Chernobyl, animals return, forests regrow, buildings disintegrate into grass — perhaps saying in a rather horrific way that a nuclear accident is better for the natural world than industrial civilisation…
Following on from the series Planet Earth which looked at various forms of life across the globe, Planet Earth — The Future highlights the issues of conservation and the future of the environments and species featured in the Planet Earth series. Using interviews with the film-makers and eminent figures from the fields of science, conservation, politics, and theology, the series poses questions around the effectiveness of the environmental movement, and the future of the planet. A lot needs to change in order to ward off catastrophe…
If a crime is committed in order to prevent a greater crime, is it excusable? Is it, in fact, necessary? The Reluctant Radical follows Ken Ward as he confronts his fears and acts on these questions to stop climate change. After twenty years leading some of the most renowned mainstream environmental organisations, Ken witnesses first-hand how ineffective and unthreatening they are. As their efforts fail, and environmental collapse increases in scope and speed, Ken comes to see how direct action civil disobedience is the most effective political tool to deal with catastrophic circumstances. Ken breaks the law, to fulfil his obligation to future generations, to stop the oil economy. By following Ken for a year and a half through a series of direct actions, this film culminates with his participation in the coordinated action that shut down all the tar-sands oil pipelines in the United States on October 11, 2016. The film reveals the personal costs but also the true fulfilment that comes from following one’s moral calling, even if that means breaking the law and its consequences. Ken has no regrets.
The film is a video essay by Professor Albert Bartlett essentially serving as an introduction to the concept of steady growth and doubling time, by taking us through the impacts and consequences of exponential growth on a finite planet. By making good observations of this impossible growth as applied to fossil-fuel consumption, population and the endless growth of which the global economy requires, this presentation gives us the basic tools to fundamentally understand that we’ve got a real problem on our hands.
The Great Barrier Reef is one of the great natural wonders of the world. But now the area faces threats not only by changes to the climate, but by direct assaults from industry going to any lengths to extract Coal Seam Gas. This report travels to Queensland to show how at least six major port developments — either being planned or currently underway — are directly putting The Great Barrier Reef in jeopardy…
With the United Nations laying out a deadline for 2013 on claims to the Arctic seabed to be exploited for oil, minerals and gas; countries such as Canada, the United States, Russia, Norway and Greenland are all attempting to stake a claim. As the beginning battle for territory intensifies, the rapid disappearance of the Polar ice caps opens up potential shipping routes, which further fuels the blood lust by those in power to exploit the region. The Battle For The Arctic heads to the Far North to see first-hand who and what is threatened, and exactly what is at stake with these final grabs for energy, territory, and power.
This short film, put together by activists, documents the extreme proliferation of e-waste throughout Asia. The effects of the waste is catastrophic, as computers and electronics contain some of the most hazardous materials—cadmium, barium, plastics, mercury, lead, Brominated Flame Retardants and dioxins. Working at the nexus of human rights and environment, this film confronts the issues of environmental justice at a macro level, by provoking the need to stop this trade and address the issues. With over 80% of e-waste coming from the United States alone being exported throughout Asia, the problem is only to increase unless things change, especially in the age of planned obsolescence and consumer ‘upgrades.’
On April 20th 2010, a massive oil rig exploded in the Gulf of Mexico. It was called the Deepwater Horizon rig, operated by the BP corporation. The resulting fire claimed the lives of eleven workers, while the exploding oil well spewed over 4.2 million barrels of oil into the sea over 82 straight days, killing the ocean and millions of animals. The disaster is considered the worst environmental catastrophe in the history of the United States. Ecocide profiles the disaster through the residents of Grand Isle, the last inhabited barrier island off the coast of Louisiana, United States, who thought they were living in paradise until the BP oil explosion hit their shores. Through the lived experiences of this island community, we see the devastating repercussions of the explosion, several years later, that continue to this day.