Shortly before dawn on August 21, 1992, United States Marshals initiated actions to apprehend and arrest Randy Weaver, a former US Army engineer, when he failed to appear in court on firearms charges after being coaxed by undercover agents to sell them sawed-off shotguns after hanging out with nazis and white supremacists. Given three conflicting dates for his court appearance, and suspecting a conspiracy against him, Weaver refused to surrender, and members of his immediate family and family friend Kevin Harris resisted as well, isolating themselves in their mountaintop home in Ruby Ridge, Idaho. When federal agents surveilling the property got close to members of the family, they also initiated a gunfight that mesmerised the nation, leaving Weaver injured, his son killed, and Striker the family dog dead. In the subsequent siege led by the FBI, Weaver's wife Vicki was also killed, while holding her baby, by a shot in the head from a FBI sniper. Drawing upon eyewitness accounts, including interviews with Weaver's daughter, Sara, and federal agents involved in the confrontation, Ruby Ridge is an overview of a tragic catalysing event that helped fuel conspiracy theories and give rise to the modern American militia movement.
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today's invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.
Servant or Slave follows the lives of five Aboriginal women who were stolen from their families and forced into indentured labour to be domestic "servants" for white people during the late 1890s and into 1900s in Australia. With the government exercising complete control over their wages and livelihood, many thousands of Aboriginal children were condemned to a treadmill of abuse, battery, rape, and slavery, only to discover that even today they've had to fight for recognition, respect and reparation for their treatment in the past. This film recounts their experiences, as a portrait of courage, strength and the fortitude to pursue justice for the crimes committed against them.
In Australia between 1910 and 1970, one in three children were removed from Aboriginal families and placed in government institutions and foster homes. These children, in most cases, were never to see their family again. The film tells the story of three Aboriginal people who were removed. Bobby Randall, Cleonie Quayle, and Daisy Howard. Their stories are combined with interviews with well-known Australian historians Marcia Langton and Henry Reynolds, who describe the racist assumptions behind these policies. Removing children was a deliberate government policy and the aim was the eventual disappearance of Aboriginal people as a whole.
1966, United States. A new revolutionary culture was emerging and it sought to overthrow the corrupt systems of power waging the invasion of Vietnam, amongst the struggle for equality and civil rights at home. Beginning with armed citizens' patrols to keep police accountable and challenge police brutality in Oakland California, The Black Panther Party put itself at the vanguard for social change, expanding in 1969 to community social programs, including free breakfast for school kids and community health clinics. This lead the FBI to call the movement "the greatest threat to the internal security of the country," and start an extensive government program called COINTELPRO to surveil, infiltrate, perjure, harass, discredit, destabilise and disintegrate the movement. This film chronicles the story arc of the Black Panthers successes and failures, through the voices of the people who were actually there: police, FBI informants, journalists, white supporters and detractors, and the Black Panthers themselves.
Using collated footage discovered in the cellar of Swedish Television some 30 years later after recording, The Black Power Mixtape is a film that examines the evolution of the Black Power movement in the United States from 1967 to 1975. Commentaries and interviews carry the film, from leading contemporary African-American artists, activists, musicians and scholars which is divided into 9 sections based chronologically on each successive year between 1967 and 1975. The film focuses on several topics and subjects relevant to the Black Power Movement including Opposition to United States involvement in the Vietnam War, the Black Panther Party, COINTELPRO, and the War on Drugs.
The Secret Government, as its title suggests, is essentially an investigation into the processes, plans, operations and persons responsible for systemic abuses of power at senior levels of the United States government during the 1980s. The film covers multiple covert operations and secret projects, but takes a particular focus on the Iran–Contra affair of 1986, where Ronald Regan secretly facilitated the illegal sale of arms to Iran—which was the subject of an arms embargo at the time—to support a right-wing terrorist group called "The Contras," and also make obscene profits from the sale of such weapons. Transported to the political happenings of today, The Secret Government is a call to remember history, and see that mass profits from weapons dealing running covert/secret wars were a reality then, and now, as well as to reveal just how far institutionalised propaganda and obfuscation works to conceal these home truths, still generations later.
The War at Home: The Untold History of Class War in the United States is a series that traverses the history of the labour movement and state repression in the United States. The series looks at history through the lens of the working class, from the Haymarket massacre in Chicago in 1886 to the Jim Crow spread in Louisiana, to the Triangle Shirtwaist tragedy of 1911, to the violent strikes and police raids of the Great Depression, and beyond. The series makes the connection between the purging of radicals from unions and the decline of union power in the 1920s, towards the 1960s and beyond.
Truth in Numbers? Everything, According to Wikipedia explores the cultural implications and background of one of the most visited and referenced sites on the Internet. What is the role and impact of Wikipedia in the archiving of information and the preservation of culture? What will it leave behind? This film examines the unfolding legacy by weaving multiple perspectives about the impact of Wikipedia and provoking a deeper conversation on how knowledge is formed and what future generations will learn about history and the world...
Utopia is both an epic portrayal of the oldest continuous human culture on the planet--indigenous Australia--and an investigation into a suppressed colonial past and rapacious present. One of the world's best kept secrets is revealed against the great Australian 'mining boom,' showing how the country's racially divided past and current-day media collusion play their parts in a system that is apartheid in all but name. The film examines the exploitation of the Aboriginal population, both as a people and of the land they have lived on for centuries, and how so many institutions have profited while people continue to suffer. The injustice stretches across countless generations and stories. Utopia reveals this universal story of power and resistance, driven by old imperatives, in a media age of saturation which is profoundly silent and complicit; a call to continue resistance.
60 years after the United States dropped nuclear weapons on Hiroshima and Nagasaki in Japan, the events are still espoused with denial and myth in histories taught by the west. White Light, Black Rain breaks this acquiescence and accounts the bombings from the point of view of the people who were there, speaking with survivors of the attacks and four American military men that were intimately involved in dropping the bombs. The film intimately details the human costs of warfare and stands as a powerful warning that with enough present-day nuclear weapons worldwide to equal 400,000 Hiroshimas, we cannot afford to forget what really happened with these events.
White Like Me, based on the work of acclaimed anti-racist educator and author Tim Wise, explores race and racism in the United States through the lens of whiteness and white privilege. In a stunning reassessment of the American ideal of meritocracy and claims that we've entered a post-racial society, Wise offers a fascinating look back at the race-based white entitlement programs that built the American middle class, and argues that our failure as a society to come to terms with this legacy of white privilege continues to perpetuate racial inequality and race-driven political resentments today.
This film profiles Howard Zinn, historian, political scientist and author, who tells us the personal stories about more than thirty years of fighting for social change, from teaching through to recent protests against war. A former bombardier in World War II, Zinn emerged in the civil rights movement in the United States as a powerful voice for justice. Although a fierce critic, Zinn gives the viewer inspiration in that by learning from history and engaging politically, we can each do our part to make a difference in the world.