41:56Consumer capitalism dominates the economy, politics, and culture of our age, despite a growing trove of research showing that it is a failed system. In this illustrated presentation, media scholar Justin Lewis makes a compelling case that capitalism can no longer deliver on its myth of the dream and its promise to enhance the quality of life. He argues that changing direction will require changing our media system and our cultural environment, as capitalism has become economically and environmentally unsustainable. This presentation explores how the media and information industries make it difficult to envision other forms of life by limiting critical thinking and keeping us locked in a cycle of consumption, and shows us that change will only be possible if we take culture seriously and transform the very way we organise our media and communications systems.
1:20:09American Anarchist is the story of The Anarchist Cookbook, and the role it's played in the life of its author, William Powell. Written as a teenager--and first published at the apex of the counterculture of the 1970s to protest the United States' involvement in the Vietnam War--part manifesto, part bomb-making manual, The Anarchist Cookbook went on to sell over 2 million copies and has been associated with decades of anti-government attacks, abortion clinic bombings, school shootings, and domestic terrorism. Powell, now 65 and haunted by his creation, confronts his work and its consequences. We see how in 1976, 5 years after writing the book, he left the United States, leading an itinerant life and later becoming a teacher for emotionally disturbed children, the same sorts of kids that carried the Columbine High School massacre, the Colorado high school shooting and the 2012 Aurora shooting. American Anarchist is a cautionary tale of youthful rebellion, unforeseen consequences, and a universal story of an older person wrestling with their younger past.
To many in both business and government, the triumph of the self is the ultimate expression of democracy, where power is truly moved into the hands of the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and controversial story of the growth of the mass-consumer society. How is the all-consuming self created, by whom, and in whose interest?
44:50While advertising is clearly a visible component of the corporate system, perhaps even more important and pervasive is the often-invisible partner—the public relations industry. Toxic Sludge Is Good For You illuminates this hidden sphere of the corporatocracy, examining the way in which the management of public discourse has become central to how society has been usurped and is controlled by political and economic elites. The film tracks the development of the PR industry from its early efforts to win popular support for World War I, to the role of crisis management in controlling damage to the corporate image, while analysing the tools PR people use to manipulate public perceptions.
53:04Social media networks purport the ability to interact with culture—talking directly to artists, celebrities, movies, brands, and even one another—in ways never before possible. But is this real empowerment? Or do marketing companies still hold the upper hand, as before? Generation Like explores how the perennial quest for identity and connection is usurped in the pervasive game of cat-and-mouse by vast corporate power in the extensive machine for consumerism that is now the online environment. The audience becomes the marketer; buzz is subtly controlled and manipulated by and from real-time behavioural insights; and the content generated is sold back to the audience in the name of participation. But does the audience even think they're being used? Do they care? Or does the perceived chance to be the 'next big star' make it all worth it?
43:51Spin the Bottle critiques the role that popular culture plays in glamorising excessive drinking and high-risk behaviour, in contrast to the ways alcohol affects the lives of real young men and women in reality. This film decodes the power and influence of seductive media images to show how they shape personal identity when linked to the use of alcohol. Nowhere is this link more apparent than on America's college campuses. By exploring the party scene, Spin the Bottle also shows the difficulties young people have in navigating a cultural environment saturated with messages about gender and alcohol. Interviews with health professionals provide a clear picture of how drinking impacts student health and academic performance, but it is the students' own experiences and reflections that tell the real story behind alcohol's alluring public and cultural image.
The Secret Rulers of the World details journalist Jon Ronson's encounters with key conspiracy theory figures throughout the United States during the early 2000s. The 5 part series is an accompaniment to Ronson's book Them: Adventures with Extremists which profiles ideologues on the fringe of the political, religious, and sociological spectrum. The series is a rare look at figures who have since gone on to become renowned figures in conspiracy theory circles, before their bigger rises to fame after the September 11th attacks, expanding on their already well-espoused occult theories from throughout the 1990s. The series also provides background on some of the theories that have since entered pop culture and how they originated from connections to neo-nazis, right-wing militia groups, and fundamentalist Christians. Examples being the theory of the New World Order, and various other apocalyptic millenarian scenarios which are influencing escalating lone-wolf terrorism, and the rise to power of authoritarian ultra-nationalist demagogues. The series provides this insight, examining some of the key figures and how they come to believe their theories and perceive the world.
54:54Renowned independent journalist John Pilger speaks about complicity and compliance, censorship and citizen journalism as well as issues such as the holocaust in Iraq and Kevin Rudd's shrewd political apology to the Indigenous peoples of Australia as Prime Minister. "These days, a one-dimensional political culture ensures that few writers write, or speak out, as they did in the last century. They are talented, yet safe. In the media, the more people watch, the less people know. Beneath the smokescreen of objectivity and impartiality, media establishments too often ventriloquise the official line, falling silent at the sight of unpleasant truths."
1:11:43Cover Up -- Behind The Iran-Contra Affair is a thorough investigation into information suppressed during the Iran-Contra hearings in 1987 where it was found that senior officials in the United States government secretly facilitated the sale of arms to Iran. The film reveals a shadow government of former CIA operatives, drug smugglers, top US military personnel and others, revealing evidence of the history of CIA involvement in drug running from the Vietnam heroin era to the Central American cocaine epidemic -- raising serious questions about the so-called "war on drugs" and other government movements since the 1980s...
12:29This short video explores how the online world has overwhelmingly become the popular outlet for public rage by briefly illustrating some of the many stories of everyday people which have suddenly become public enemy number one under the most misunderstood of circumstances and trivial narratives. With the web acting like a giant echo-chamber, amplifying false stories and feeding on the pent-up aggression of the audience watching the spectacle, The Outrage Machine shows how these systems froth the mob mentality into a hideous mess, as a good example of where the spectacle goes and how its intensity has to keep ratcheting up in order maintain the audience attention, in a culture of dwindling attention spans, distraction and triviality.
32:15At the turn of the millennium, a group of eleven girls aged 8 to 16 from a variety of socio-economic backgrounds were interviewed about their views on media culture and its impact on their lives. Their insightful and provocative responses reveal how the attitudes and expectations of young girls are influenced by a saturated media culture. Using excerpts culled from a typical week of television broadcasting alongside the interviews, What a Girl Wants aims to provoke debate about the effects of media culture and, ideally, act as a catalyst for change in media content.
6:30This short film uses the story of Richard Nixon's paranoia to explore how a similar outlook has been perpetuated on the larger social scale by the new media age. Skimming through the evolution of the mainstream media via television and newspapers, this short film comments on how politics has been paralysed by a media that has taken serious threats and sensationalised them, resulting in political cynicism and disengagement, which in-turn feeds a viscous cycle of nihilism and further sensationalist politics and media.
1:12:37Arguing that advertising not only sells things, but also ideas about the world, The Codes of Gender examines the commercial culture's inability to let go of reactionary gender representations. Presenter Sut Jhally's starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman's analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
57:22By the early 1990s, solid research and overwhelming evidence had prompted a growing awareness of the epidemic nature of date rape, especially on college campuses. But, starting in 1993, the media used the anecdotal comments of one young woman, Katie Roiphe, to undermine efforts to stop this continuing crime against women. How did this happen?
1:04:18With economic collapse besieging the United States, domestic violence statistics show a sharp increase in violence against women. States are closing shelters and cutting support programs, and the culture ignores domestic violence, except when celebrities are involved on TV. In the meantime, more spouses have been killed by their partners in the past several years than soldiers have been killed in Iraq. Power and Control addresses this life and death issue during a time of urgent crisis, a timely and comprehensive exploration of physical and emotional abuse in dominant culture, as refracted through the story of Kim Mosher, a mother of three who has recently left her abusive husband. As Kim and her fragile daughters take up residence in a domestic violence shelter, the film follows the harrowing struggles in a single-parenting survivor's quest to find work, housing and peace of mind. We also meet Kim's husband, Josh, himself a survivor of abuse. His attempts to explain his behaviour are troubling--shocking in the context of the story's final twist. The multi-level narrative also examines the root causes of domestic violence and the solutions that have evolved to stop it, celebrating the battered women's movement activists who demanded revolutionary change in the 1980s, and examining alternative approaches now being advocated.
57:26Using the 1992 presidential election as his springboard, film-maker Brian Springer captures the behind-the-scenes manoeuvrings of politicians and newscasters in the early 1990s. Pat Robertson banters about "homos," Al Gore learns how to avoid abortion questions, George Bush talks to Larry King about halcyon and other drugs—all presuming they're off-air. Composed of 100% unauthorised satellite footage, Spin is a surreal expose of media-constructed reality, posing larger questions about the functioning of not only corporate media, but the political systems in which they support and how this in-turn plays to the media-constructed reality and so on.
43:44When Julian Assange arrived in Sweden in August 2010 he was greeted like a hero. But within weeks there was a warrant out for his arrest and he was being investigated on allegations of rape and sexual misconduct. Today, Assange is cornered in the Ecuadorean Embassy in London, arguing he won't receive justice if he's taken to Sweden and that authorities in the United States are building a case for his extradition. In Sex Lies And Julian Assange, Andrew Fowler retraces what happened in those crucial weeks while Julian Assange was in Sweden. What was the nature of his relationship with the two women? And what happened with the police and prosecutors?
52:52From the courtroom to the lounge room--helped extensively by television and the infamous series "CSI"--forensic science brims with flash and glamour, where cutting-edge technology always reveals the "truth," and is routinely called on to solve the most difficult criminal cases with ease and "objectivity." But how reliable is the science behind forensics and its methods as they interface with the legal system? The Real CSI investigates these questions and finds serious flaws in some of the best-known tools of forensics, with systemic inconsistencies in how evidence is presented in the courtroom, along with how the culture of entertainment of this sort can seriously skew a jury's perceptions. From the sensational murder trial of Casey Anthony, to the FBI's botched investigation of the Madrid bombing, to capital cases in rural Mississippi of the United States; The Real CSI documents how a field with few standards and unproven science can seriously undermine the concept of justice, and what this means for a future of continued technological escalation...
1:04:33Filmmaker Denice Ann Evans draws heavily on the voices of students in this powerful exploration of hookup culture on college campuses. Supplementing the stories of students with analysis from health professionals and social commentary, the film's main concern is whether hookup culture is offering young people a new and potentially liberating set of sexual rules, or whether it's simply reinforcing traditional gender roles and blurring the line between consent and coercion. The result is a timely film that asks tough questions about the relationship between hookup culture, gender politics, and the alarming levels of sexual assault and binge drinking that continue to plague college campuses.
53:20United States of Conspiracy investigates the alliance of far-right radio show host and conspiracy theorist Alex Jones, Donald Trump, and long-time Trump associate Roger Stone, and their roles in deepening the battle over truth and lies in an age of disinformation. Drawing on interviews with Stone, former staffers from Jones' InfoWars website, people who have been directly affected by their conspiracy theories, and experts in how misinformation spreads, we see how once-fringe conspiracy theories have come to be wielded as a pervasive tool at the highest levels of mainstream politics.
3:50This short film chronicles a metamorphosis of mainstream media and political power throughout the last decades, by looking at the role of the television journalist. In the early 1950s, not long after the invention of television itself, TV journalists essentially served as prompters for government figureheads and official viewpoints. This function changed somewhat however, with the political scandals of the 1960s and 70s, exemplified by Watergate, where some journalists joined the mainstream shift in society of questioning political power, big business and bureaucracy. Out of this boomed a new era of investigative journalism. But this ended with the fall of the Berlin Wall as the old certainties of "good and bad" and "right and left" were blurred and no longer simple. But rather than working to make sense of the complexity, journalism turned from moral principles to a simple reporting of experience, devoid of context. TV journalists now plead with the audience to send in photos and videos as a kind of so-called "democratised" media, but what actually functions as a vast echo-chamber of uncertainty and unaccountability.
1:31:10The Panama Deception documents the invasion of Panama in December 1989—codenamed Operation 'Just Cause.' The film gives context to the events which led to the invasion, and explores the real impact on the ground and devastating aftermath—all contrary to the views portrayed by mainstream media and rhetoric espoused at the time by government officials in the Bush administration. News footage and media critics reveal the extent of media control and self censorship of the invasion, relevant to any news coverage today, particularly during times of war.
1:31:46The Mask You Live In unpacks how this culture's narrow and harmful definition of masculinity effects boys, young men; girls and women; and society in general in myriad ways, as our children struggle to stay true to themselves when confronted by this culture. Pressured by their peer group, heavily influenced by a barrage of media messages, and even their very own parents and other adults in their lives, our protagonists confront messages encouraging them to disconnect from and suppress their emotions, devalue authentic friendships, objectify and degrade women, and resolve conflicts through violence, control and manipulation. These traits and stereotypes closely interconnect with problems of race, class, and circumstance, creating a maze of identity issues boys and young men must navigate to become "real" men as the culture expects and perpetuates. Experts in neuroscience, psychology, sociology, sports, education, and media also weigh in, offering empirical evidence of how these issues intersect, and what we can do about it.
44:57YouTube, owned by Google, has become one of the most powerful online media platforms in the world, fast to be replacing the viewership of television with over 30 billion hours watched per month in 2017. Young people flock to the platform in the hopes of fame and fortune, which comes for a select few, but not all, hence the allure to 'make it.' YouTube celebrities are now mainstream celebrities. The result is troves competing to live their lives as monetised open-wounds for the corporate platform, constantly pleading for subscribers, attention and engagement, all at the hands of Google, its secret algorithms, and the screen culture of spectacle, pornography, and targeted advertising. On both sides of the screen, the treadmill is all about keeping the ad dollars constantly rolling. YouTube, YouTubers and You offers a glimpse into this new media and advertising world, pondering how this culture may continue to undermine our future media and informational landscape. What sort of people and world is this culture creating and perpetuating?
1:40:32By planting a variety of fake celebrity-related stories in the UK media and having tabloid newspapers accept them without corroboration or evidence, Starsuckers navigates through the shams and deceit involved in creating a pernicious celebrity culture, uncovering the real reasons behind the addiction to fame and the corporations and individuals who profit from it.
35:26Sexy Inc. analyses the hyper-sexualisation of today's media environment and its noxious effects on young people. Psychologists, teachers and school nurses criticise the unhealthy culture surrounding our children, where marketing and advertising are targeting younger and younger audiences and bombarding them with sexual images...
At the time of making this film, the year 2000, computer games represented a $6 billion a year industry, and one out of every ten households in the United States owned a Sony Playstation—numbers that have no-doubt since skyrocketed. Back then, children played an average of ten hours per week—a stat also since to have increased today—and yet, despite capturing the attention of millions of these kids, video games remain one of the least scrutinized cultural industries. Game Over seeks to address this fastest growing segment of the media, through engaging questions of gender, race and violence. Game Over offers a much needed dialogue about the complex and controversial topic of video game violence, and is designed to encourage viewers to think critically about the games they play.
1:14:45Chasing Ice follows acclaimed nature photographer James Balog and his team on a bold assignment for National Geographic: to capture images of the arctic that reveal the extent of the Earth’s changing climate. The result is the Extreme Ice Survey. Spanning years of work and technical challenges, EIS shows the breathtaking icescapes of Alaska, Iceland and Greenland, providing undeniable evidence of a changing planet. Hauntingly beautiful images compress years into seconds, and capture ancient mountains of ice in motion as they disappear at a breathtaking rate. Chasing Ice also tells Balog's personal story of transformation, from climate change skeptic to activist, putting his own body on the line to tell the world what is happening through his and his team's imagery.