The Panama Deception documents the invasion of Panama in December 1989—codenamed Operation 'Just Cause.' The film gives context to the events which led to the invasion, and explores the real impact on the ground and devastating aftermath—all contrary to the views portrayed by mainstream media and rhetoric espoused at the time by government officials in the Bush administration. News footage and media critics reveal the extent of media control and self censorship of the invasion, relevant to any news coverage today, particularly during times of war.
As the United States developed the world's first nuclear weapons in secret, it was surprised at the speed in which the USSR was able to also develop such weapons, and that such developments would lead to an unprecedented arms race. The USSR was able to obtain all the nuclear discoveries made by scientists who worked on the top-secret Manhattan Project through a very unusual spy, Elizabeth Zaroubin. She managed to gain the trust of great researchers, such as Einstein, in a story comparable to some of the best spy novels ever written.
Taxi To The Dark Side examines America's policy on torture and interrogation in general, specifically the CIA's use of torture and their research into sensory deprivation. There is description of the opposition to the use of torture from its political and military opponents, as well as the defence of such methods; the attempts by Congress to uphold the standards of the Geneva Convention forbidding torture; and the popularisation of the use of torture techniques in American television shows...
Department of Defense documents obtained through the Freedom of Information Act expose horrific government funded experimentation upon citizens conducted without their knowledge or consent. Is the United States knowingly using a dangerous battlefield weapon banned by the United Nations because of its long-term effects on the local inhabitants and the environment? Beyond Treason explores the illegal worldwide sale and use of one of the deadliest weapons ever invented. Was "Gulf War Illness" actually known by the military before hand?
Less than three years after a popular uprising that led to President Hosni Mubarak's ousting, and just one year after Egypt's first elections, the elected government has been overthrown and the Egyptian military is running the state. And the Muslim Brotherhood—the secretive, long-outlawed Islamist group that came out of the shadows to win the presidency in June 2012—is once again being 'driven underground.' Were the Brothers ever really in charge? Or was the Egyptian deep state—the embedded remnants of Mubarak's police force, Supreme Court and, most of all, military—in control all along? In Egypt in Crisis, we go inside the Egyptian revolution, tracing how what began as a youth movement to topple a dictator evolved into an opportunity for the Muslim Brotherhood to seemingly find the political foothold it had sought for decades—and then why it all fell apart. With Egypt's hopes for democracy in tatters, and the military-led government violently cracking down, what will happen next?
What if you live in the most destructive culture ever to exist? What if that culture refuses to change? What do you do about it? Derrick Jensen, the author of Endgame responds to these imperative questions and details how industrial civilisation and the persistent and widespread violence it requires is ultimately unsustainable—and what to do about it. Jensen weaves together history, philosophy, environmentalism, economics, literature and psychology to produce a powerful argument that demands attention...
From 1974, Hearts and Minds documents the events of the Vietnam War using news clips as well as directly captured footage showing actions and other happenings on the ground by the United States military during the war. The film also follows Vietnamese people themselves as to how the war affects them and why they fight back. Hearts And Minds reveals a racist and self-righteous militarism of the west, ironically in stark similarity to recent happenings in Iraq and elsewhere.
The United States proudly self-identifies as the major purveyor of peace and democracy across the world. But does this perception of self match up to the actual policies and history of military actions throughout recent decades? Are the United States' seemingly constant wars of aggression befitting to achieving peace? These are some of the central dichotomies addressed in this short film In Whose Interest? We see internal documentation of the US involvement in countries like Vietnam or Guatemala which indicate that the main factors motivating American foreign policy are clearly economic concerns. In Guatemala, the United States overthrows a democratically elected government to install a military-backed dictatorship that is suitable to the American United Fruit corporation. A similar pattern emerges in Vietnam, El Salvador and East Timor. Perhaps most oppressive yet is US policy in the Middle East, where the US provides Israel with more than $3 billion per year in military assistance—more aid than they give to the entire continent of Africa. We see how American policy is determined by the corporate sector, tightly linked to the state, which makes decisions in their own self-interest—in stark opposition to the rhetoric of democracy...
Control Room presents a rare window into the US invasion of Iraq from the perspective of Al Jazeera, the Arab world's most popular news outlet. Widely criticized and condemned by military figureheads, government officials and the mainstream media in the west for reporting with a "pro-Iraqi bias", airing civilian causalities, as well as showing footage of American POWs, Control Room reveals the situation in Iraq that the US government does not want you to see...
Cambodia -- Year One investigates the effect of aid to Cambodia and the extent of the country's so-called new found stability as in 1980. The film portrays Cambodia on a brink of famine and cultural annihilation, but in the process of recovery, also showing the continued support for the Khmer Rouge regime by China and the United Nations.
In December 2001, David Hicks, an Australian citizen, was captured in Afghanistan and handed over to the United States military, where he was moved to Guantanamo Bay for "interrogation." He has been held there ever since, not charged with any crime. Despite this, the United States labelled him an "unlawful combatant," a legal fiction concocted by the United States in order for them to torture Hicks and many other people like him, in the name of fighting the so-called "War on Terror." Many people, including Hicks, were kept in detention without charge for many years, denied a fair trial, and denied access to the United States' legal system. So how did a 26 year old former-stockman from Adelaide end up in the United States' torture chamber? Terry Hicks, David's father, sets out to answer this question, as he traces his son's journey from Adelaide to Japan to Kosovo, through Pakistan and Afghanistan, where he is captured in Taliban country.
As the U.S. stands at the brink of invasion into Iraq, many are now warning about the potential consequences: the danger of getting 'bogged down' in Baghdad, the prospect of long-time allies leaving America's side, the possibility of chaos in the Middle East, the threat of 'renewed terrorism'. The Bush administration insiders who helped define the doctrine of pre-emption and who have argued most forcefully for invasion, are determined to set a course that will "remake America's role in the world"...
From its origins as the Office of Strategic Services in the 1950s until present as the CIA, president Harry Truman's creation has been the object of mystery, thrills and fear to people all over the world with even the White House fearing the agency. With resources to assassinate political leaders, overthrow governments and start wars, Secrets Of The CIA documents these operations of the CIA from the perspective of ex-agents as they speak about their experiences working for the CIA, tell of what they were required to do in places like South America, Europe and in the United States, and how they enjoyed the work...
The Invisible War documents the rapid militarisation of police in recent years by looking at the deployment of so-called 'non-lethal' weapons and the real effects of their use. Shotguns loaded with bean bags, rubber bullets, wood, rubber, and foam cylinders; electrical tasers; pepper sprays, OC-gas, and other chemical weapons; microwaves, stink bombs, pulsed energy weapons and many more. What is interesting is that, according to an overwhelming amount of recorded cases, these weapons have turned out to have caused many deaths and/or serious injuries, and are more often used on peaceful non-compliant citizens, or protesters, as a means of obedience rather than protection—invoking serious questions about the future of police and society.
On December 7, 1975 with the complicity of many Western governments including the US, the UK, and Australia, Indonesia secretly invaded the small nation of East Timor. In the intervening 18 years, an estimated 200,000 East Timorese or one third of the population, had been slaughtered by the Indonesian military -- using US and British planes to bombard the island, while Western defence ministers proclaimed ignorance. As John Pilger tapes an Australian diplomat admitting that East Timor was considered "expendable", no one watching the massacre can excuse the geopolitical machinations that led to this genocide...
The Power Principle is a series of films examining the history of the United States and the building of its empire with particular emphasis on the last seventy years of United States foreign policy. The methods that make empire possible are also examined—the politics of fear, the rise of public relations, the 'Mafia Principle' and the reoccurring use of fabled enemies, contrasting the Soviet Union and the Cold War alongside the parallels of today with the "War On Terror". Not only does The Power Principle tie together historical events to revive a common thread, the series may also encourage viewers to reconsider their understanding of historical events and the portrayal of them, showing how those in power play a role in manipulating the collective memory through generations.
HyperNormalisation wades through the culmination of forces that have driven this culture into mass uncertainty, confusion, spectacle and simulation. Where events keep happening that seem crazy, inexplicable and out of control—from Donald Trump to Brexit, to the War in Syria, mass immigration, extreme disparity in wealth, and increasing bomb attacks in the West—this film shows a basis to not only why these chaotic events are happening, but also why we, as well as those in power, may not understand them. We have retreated into a simplified, and often completely fake version of the world. And because it is reflected all around us, ubiquitous, we accept it as normal. This epic narrative of how we got here spans over 40 years, with an extraordinary cast of characters—the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, early performance artists in New York, President Putin, Japanese gangsters, suicide bombers, Colonel Gaddafi and the Internet. HyperNormalisation weaves these historical narratives back together to show how today's fake and hollow world was created and is sustained. This shows that a new kind of resistance must be imagined and actioned, as well as an unprecedented reawakening in a time where it matters like never before.
The discrepancies between the "War on Terror" and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, "the generosity of America and its allies." Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military 'skirmishes' continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, "in many ways worse than the Taliban."
For the people of Vietnam, war is not over. Three generations on from 1975, babies are still being born with serious birth defects and genetic abnormalities -- the legacy of the United States intensive use of chemical weapons. To this day, it is still unknown just how many have been affected. In 2005, on the eve of a historic lawsuit to determine the culpability of the United States, this film directly portrays the powerful effects of Agent Orange.
John Pilger once again travels to Cambodia to report on the brutality and murderous political ambitions of the Pol Pot and Khmer Rouge totalitarian regime which brought genocide and despair to the people of Cambodia; while neighbouring countries, including Australia and the United Nations shamefully ignored the immense human suffering and unspeakable crimes that bloodied the country...
National Bird: Drone Wars is the story of the United States' secret program for drone strikes, conducted all around the world, told through three military whistle-blowers plagued by guilt over participating in the killing of faceless people in foreign countries. They decide to speak out publicly, despite the possible consequences. Their stories take dramatic turns, leading one of the protagonists to Afghanistan where she learns about a horrendous incident, but her journey also provides for peace and redemption. National Bird provides an insight into the United States' secret drone program through the eyes of participants, veterans, and survivors, connecting their stories to images.
How does one sell a war? This was a question that weighed heavy on the minds of those in the United States government long before the invasion even started. Operation Saddam: America’s Propaganda Battle takes a look at the marketing of war -– a cocktail of distortion, lies and forgeries -– as shown by former secret service agent Ray McGovern, American investigative journalist Seymour Hersh and best-selling author John MacArthur, presenting the individual stages of the propaganda battle, by which American, British and other governments sought to justify the second invasion of Iraq...
The United States heralded many grandiose promises of freedom and equal rights as they invaded Iraq. But still years on from the invasion, the reality of everyday life for women inside Iraq is of course a different story. To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet. Iraq -- The Women's Story provides a compelling account of a life inside Iraq that is never seen on news bulletins...
This film provides some insights into the plight of Omar Ahmed Khadr, a Canadian citizen, who was fifteen years old when he was taken by United States forces in Afghanistan in 2002 to be interrogated, tortured, and sent to Guantánamo Bay. Based on seven hours of CCTV footage recently conceded and declassified by Canadian courts, You Don't Like The Truth offers a dark, yet officially-sanctioned view into the sadistic world of today's intelligence agencies and the secret operations in the War-of-Terror.
Set in Latin America and the US, War on Democracy explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. John Pilger examines the role of Washington in America's manipulation of Latin America during the last 50 years leading up to the struggle by ordinary people to free themselves from poverty and racism...
Just as mobile phones and wireless capability dramatically changed the way technology interacts with modern society, drones--or 'Unmanned Aerial Vehicles'--are set to become the next major influence in technocratic life, directly impacting and seriously expanding the already extensive capabilities of surveillance. Rise Of The Machines takes a look at already developed drone technology and how governments, military and even civilians are rushing to adopt the gadgets which can be purchased off the shelf for just a few hundred dollars and controlled by already existing smart phones. So what will a world of drones look like? And what of the many, serious, unexplored implications on how society will function in a world of drones?
The belief that good triumphs over evil resonates deeply through the religious and political discourses of dominant culture. It is also a common theme in the entertainment media where the struggle between good and evil is frequently resolved through violence. The negative impacts of media violence on children has long been a public concern, but it is even more troubling when military violence, both in the news and in entertainment, is often glorified as heroic and noble. Beyond Good & Evil: Children, Media & Violent Times is a look at how mass communication distorts and manipulates language and visual imagery. It shows viewers how the media's overriding objective of satisfying an audience converts real issues surrounding race, war, and violence into nothing more than spectacle.
Is the threat of radical Islamism as a massive, sinister organised force of destruction—specifically in the form of al-Qaeda—a myth perpetrated by politicians across the globe, but particularly the American neo-conservatives, in order to unite and justify empire? This series of films charts the rise of both groups and movements, drawing comparisons between them and their origins, to provide much-needed and missing context to the War of Terror.