A Faraway Country is an examination of the Czech underground movement known as the Charter 77--an informal civic initiative in communist Czechoslovakia from 1976 to 1992, part of the Communist Soviet bloc. The film shows interviews with members of Charter 77, and others, describing first-hand the totalitarian communist regime, and their response to it.
In January 2012, two controversial pieces of legislation were making their way through the United States Congress. SOPA, the "Stop Online Piracy Act", and PIPA, the "Protect Intellectual Property Act", were meant to 'crack down' on the illegal sharing of digital media. The laws were drafted on request of the 'content industry' -- Hollywood studios and major record labels. But websites reacted against the government to speak out against SOPA, and the bill was effectively killed off after the largest online 'protest' in history. But it was only one win in a long battle between authorities and online users over Internet regulation. SOPA and PIPA were just the latest in a long line of 'anti-piracy' legislation that governments have been pressing since the 1990s. Can and should the internet be controlled? Who gets that power? How far will the United States government go to control the Internet?
On 8th August 1945, the United States dropped its second atomic bomb on Nagasaki, Japan, three days after the bombing of Hiroshima. The city was a veritable apocalyptic vision, devastated by this new type of weapon. Nagasaki -- The Horror Of Fat Man documents the memories of survivors, both Japanese civilians and Western Prisoners Of War, as they relate the morbid aftermath of the bombings, the United States occupation, and the segregation that still effects fallout victims to this day.
Inside Burma -- The Land Of Fear exposes the history and brutality of one of the world's most repressive regimes. Nearly the size of Texas, with a population of more than 40 million, Burma has rich natural resources. Yet Burma is also a secret country. Isolated for the past 40 years, since a brutal military dictatorship seized power in Rangoon, Burma has been relegated to one of the world's poorest countries, with the assault on its people all but forgotten by the rest of the world. Award winning film-makers John Pilger and David Munro go undercover to expose how the former British colony is ruled by a harsh, bloody and uncompromising military regime...
60 years after the United States dropped nuclear weapons on Hiroshima and Nagasaki in Japan, the events are still espoused with denial and myth in histories taught by the west. White Light, Black Rain breaks this acquiescence and accounts the bombings from the point of view of the people who were there, speaking with survivors of the attacks and four American military men that were intimately involved in dropping the bombs. The film intimately details the human costs of warfare and stands as a powerful warning that with enough present-day nuclear weapons worldwide to equal 400,000 Hiroshimas, we cannot afford to forget what really happened with these events.
Agent Orange was the codename for one of the herbicides and defoliants used by the United States military as part of its chemical warfare program--Operation Ranch Hand--which ran for ten years during the Vietnam War from 1961 to 1971. During this time, the military sprayed nearly 80,000,000 litres of toxic chemical and defoliants mixed with jet fuel in Vietnam, eastern Laos and parts of Cambodia. The supposed goal being to destroy forested and rural land, depriving guerrillas of cover and to induce forced-draft-urbanisation, destroying the ability of peasants to support themselves, forcing them to flee to the cities dominated by US forces, depriving the guerrillas of their rural support base and food supply...
From 1974, Hearts and Minds documents the events of the Vietnam War using news clips as well as directly captured footage showing actions and other happenings on the ground by the United States military during the war. The film also follows Vietnamese people themselves as to how the war affects them and why they fight back. Hearts And Minds reveals a racist and self-righteous militarism of the west, ironically in stark similarity to recent happenings in Iraq and elsewhere.
Using interviews and frontline footage, Vietnam -- The Quiet Mutiny reveals the internal sense of disillusionment and frustration born from the rift between bureaucracy and soldiers, that triggers the withdrawal of the United States military from Vietnam. As the US employs psychological warfare against the Vietnamese, reporter John Pilger finds himself unable to obtain meaningful information from the military—a press conference he attends is nicknamed "the 5 o'clock follies" for the evasive nature of the proceedings. And so it is with the grunts, the "wheels of the green machine," that Pilger finds a very human side to the US presence in Vietnam: soldiers who were once ready to serve their country, now doubtful of their purpose there. Plied with visits from Miss America and ignored by Vice President Spiro Agnew, they experience the war in a way many of their superiors do not.
For the people of Vietnam, war is not over. Three generations on from 1975, babies are still being born with serious birth defects and genetic abnormalities -- the legacy of the United States intensive use of chemical weapons. To this day, it is still unknown just how many have been affected. In 2005, on the eve of a historic lawsuit to determine the culpability of the United States, this film directly portrays the powerful effects of Agent Orange.
After the 1973 Paris Agreement and military ceasefire, more than 70,000 soldiers and civilians had been killed in Vietnam. Vietnam -- Still America's War investigates how the Vietnamese populace still have to contend with mines and other legacies of the war, even after the ceasefire, and after the war...
John Pilger once again travels to Cambodia to report on the brutality and murderous political ambitions of the Pol Pot and Khmer Rouge totalitarian regime which brought genocide and despair to the people of Cambodia; while neighbouring countries, including Australia and the United Nations shamefully ignored the immense human suffering and unspeakable crimes that bloodied the country...
Heroes reports on the treatment of returning combat soldiers from Vietnam in the early 1980s. The film investigates the strange cultural absence of reverence or memory to soldiers returning home, and shows with first-hand accounts and interviews with returning soldiers, opines from the front line about America's unpopular war.
Cambodia -- Year Ten Update examines the reactions of the British government and the United Nations to the international outcry over the situation in Cambodia.
This film comprehensively documents the use of chemical weapons--particularly the use of incendiary bombs--along with hordes of other horrific indiscriminate violence against civilians and children by the United States military in the city of Fallujah during the invasion of Iraq in November 2004. The cases portrayed involve the use of white phosphorus and other substances similar to napalm, such as Mark-77, which constitute clearly defined war crimes involving chemical weapons. Interviews with ex-military personnel involved in the Fallujah offensive back up the case for the use of such weapons by the United States, while reporters stationed in Iraq discuss the government's attempts to suppress the news by covert means.
In 1975, John Pilger reported the end of the Vietnam War from the American Embassy in Saigon, where the last American troops fled from the roof-top helicopter pad. Twenty years later, he returns to Vietnam to revive the Vietnamese past and present from the plethora of fake Hollywood images which pity the invader, and overshadow one of the most epic struggles of the 20th century.
Cambodia -- Year One investigates the effect of aid to Cambodia and the extent of the country's so-called new found stability as in 1980. The film portrays Cambodia on a brink of famine and cultural annihilation, but in the process of recovery, also showing the continued support for the Khmer Rouge regime by China and the United Nations.
Less than three years after a popular uprising that led to President Hosni Mubarak's ousting, and just one year after Egypt's first elections, the elected government has been overthrown and the Egyptian military is running the state. And the Muslim Brotherhood—the secretive, long-outlawed Islamist group that came out of the shadows to win the presidency in June 2012—is once again being 'driven underground.' Were the Brothers ever really in charge? Or was the Egyptian deep state—the embedded remnants of Mubarak's police force, Supreme Court and, most of all, military—in control all along? In Egypt in Crisis, we go inside the Egyptian revolution, tracing how what began as a youth movement to topple a dictator evolved into an opportunity for the Muslim Brotherhood to seemingly find the political foothold it had sought for decades—and then why it all fell apart. With Egypt's hopes for democracy in tatters, and the military-led government violently cracking down, what will happen next?
The Invisible War documents the rapid militarisation of police in recent years by looking at the deployment of so-called 'non-lethal' weapons and the real effects of their use. Shotguns loaded with bean bags, rubber bullets, wood, rubber, and foam cylinders; electrical tasers; pepper sprays, OC-gas, and other chemical weapons; microwaves, stink bombs, pulsed energy weapons and many more. What is interesting is that, according to an overwhelming amount of recorded cases, these weapons have turned out to have caused many deaths and/or serious injuries, and are more often used on peaceful non-compliant citizens, or protesters, as a means of obedience rather than protection—invoking serious questions about the future of police and society.
In 2004, during the invasion of Iraq, the public learned of systemic sexual abuse, torture, rape and even murder going on inside Abu Ghraib prison in Baghdad. Photographs taken by the soldiers themselves were at the centre of the scandal, and seared public consciousness. Standard Operating Procedure sets out to examine the context of these photographs. Why were they taken? What was happening outside the frame? The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further...
Ghosts of Abu Ghraib examines the sexual abuse, torture, rape, and murder of detainees at Abu Ghraib prison at the hands of US military police in the fall of 2003. The film shows how the abuse was systemic of the military-intelligence complex, flawing the "bad apples" theory that was sprouted through the media at the time. By making reference to Stanley Milgrim's obedience experiments of the 1960s, the film asks: How can ordinary people take these actions? And what orders came from the chain of command?
This film provides some insights into the plight of Omar Ahmed Khadr, a Canadian citizen, who was fifteen years old when he was taken by United States forces in Afghanistan in 2002 to be interrogated, tortured, and sent to Guantánamo Bay. Based on seven hours of CCTV footage recently conceded and declassified by Canadian courts, You Don't Like The Truth offers a dark, yet officially-sanctioned view into the sadistic world of today's intelligence agencies and the secret operations in the War-of-Terror.
The insane and horrific history of the development of nuclear weapons is examined first-hand in Trinity and Beyond. The film makes use of extensive archive footage from declassified military sources, where the sources themselves speak about the development of nuclear weapons, revealing the calamitous results of use. From the United States's Trinity test of 1945, to the bombing of Hiroshima and Nagasaki; to the rapid increase in testing and proliferation by states across the globe, culminating to the first Chinese atomic bomb test in 1964, Trinity and Beyond is a stark reminder of this culture's insanity and death urge, and how—unless it is stopped—the expanding threat it continues to pose draws in, literally, the prospect of life on this planet for generations to come.
More than three million Vietnamese people still suffer the gruelling effects of chemical weapons used by the United States during the Vietnam War. American militaries doused forests, lands and waterways of Vietnam with the deadly chemicals Agent Orange, White, Blue, Pink, Green and Purple. Agent Orange in particular, which contains dioxin—the most toxic chemical ever known—has disabled countless people and generations of their offspring. This film weaves personal stories together with the stories of American GIs to lead to a great unravelling of the first-hand devastating and lethal effects of Agent Orange and war, generations later.
The Road to Guantánamo is a docu-drama about the incarceration of three British citizens--otherwise known as the Tipton Three--who were captured in Afghanistan in 2001 and detained for more than two years by the United States in Guantánamo Bay Naval Base, Cuba. The three were held in mostly solitary confinement and without legal representation for that time, after being released in 2004 without charge. Based on interviews, The Road to Guantánamo reenacts their experience in the camp, depicting the use of torture techniques such as stress positions, and attempts by the United States Army and CIA interrogators to extract forced confessions of involvement with al-Qaeda and the Taliban.
When the government of Indonesia was overthrown by the military in 1965, the gangsters Anwar Congo and Adi Zulkadry were promoted from selling black market movie theatre tickets to leading the most powerful death squad in North Sumatra. In The Act of Killing Anwar and his cohorts recount and gruesomely re-enact their experiences and some of their killings for the cameras, making horrific scenes depicting their memories and feelings about the killings. But as they begin to dramatise Anwar's own nightmares, the scenes begin to take over as artforms, leading to confrontations of memories of historical reality. Can the horrific imagination succumb to moral catastrophe in this case? And if sociopaths are not reachable people anymore, the question becomes what we must do to stop them.
My Country, My Country documents the United States' invasion of Iraq from an insider's perspective, as told by Iraqi citizens themselves, and by the efforts of a devoted father and Sunni Muslim political candidate. Filmmaker Laura Poitras also spends time on the ground following the United States military 'Civil Affairs' team during the 2005 elections in Iraq. As the US government attempts to "bring democracy" to the country, Baghdad native Dr. Riyadh is faced with making the difficult decision of supporting the popular boycott of the elections, or fighting for a democracy that seems ever more unlikely with each passing day. With intimate footage of Dr. Riyadh's interactions with the public and candid interviews featuring the opinions of every-day citizens, My Country, My Country provides a rare look inside the struggle in Iraq in the context of an ongoing brutal occupation.
Produced while the invasion was in full swing, Iraq for Sale investigates some the many private contractors and consultants that were brought into to Iraq as part of the United States military machine. Four major contractors are profiled: Blackwater, K.B.R.-Halliburton, CACI and Titan, along with investigations of human rights violations, systemic misconduct, corruption, and profiteering. The film posits what damage is done to the 'average citizen' when corporations decide to wage war. For those in opposition to war and corporate power, the connection between the invasion of Iraq and the private corporations who profit from the fighting is plain to see. For those who still may not be so easily convinced, the film not only explores the questionable motivations of the corporate decision-makers whose wartime profiteering has affected the lives of countless soldiers and their families, not mention the lives of millions of civilians, but also the increasingly negative international reputation of the United States as a result.