In March 1971, eight ordinary citizens broke into an FBI office in Pennsylvania, took hundreds of secret documents out, and mailed them to newspapers across the country to share them with the public. The group, calling themselves The Citizens' Commission to Investigate the FBI, undertook the actions at a time where suspicions about systemic abuse and manipulation of social and political movements by intelligence agencies were running high in the context of the Vietnam war and 1960s counter-culture. In doing so, these citizens uncovered the FBI's vast and illegal regimes, leading to insights about mass surveillance, intimidation, entrapment, and the use of provocateurs and informers for manipulation, and sabotage. Much of this would later go on to be known as part of a covert program called COINTELPRO that was run directly by J. Edgar Hoover to destroy social change movements—a history that is imperative to understand in the context of today, where state repression of social change movements continues.
When Dolly Parton sang “9 to 5,” she was doing more than just shining a light on the fate of working women in the United States. Parton was singing the true story of the 9to5 movement that started with a group of secretaries in the early 1970s that wanted change in their workplaces. Their goals were simple: equal pay, fair work, and an end to sexual harassment. As the movement went national, it encapsulated the unique intersection of the women’s movement and the labour movement, as the women worked hard to unionise and press for real change in their workplaces. Featuring interviews with 9to5’s founders, 9to5: The Story of a Movement documents the struggle that changed workplace culture in the United States, and echos today.
A Faraway Country is an examination of the Czech underground movement known as the Charter 77--an informal civic initiative in communist Czechoslovakia from 1976 to 1992, part of the Communist Soviet bloc. The film shows interviews with members of Charter 77, and others, describing first-hand the totalitarian communist regime, and their response to it.
Using government documents, archive footage and direct interviews with activists and former FBI/CIA officers, All Power to the People documents the history of race relations and the Civil Rights Movement in the United States during the 1960s and 70s. Covering the history of slavery, civil-rights activists, political assassinations and exploring the methods used to divide and destroy key figures of movements by government forces, the film then contrasts into Reagan-Era events, privacy threats from new technologies and the failure of the "War on Drugs", forming a comprehensive view of the goals, aspirations and ultimate demise of the Civil Rights Movement...
Arresting Power documents the history of conflict between the Portland police and members of the community throughout the past fifty years in the United States. The film portrays personal stories of victims of police misconduct, the families of people who were killed by police, and members of community activist groups working for reform and abolition. Using experimental filming techniques, meditative footage, and official police radio audio feeds, Arresting Power pieces together a space for understanding a lens on the impacts of police violence and community attitudes.
By charting the history of the anti-war movement against the political backdrop of the atomic age, Beating The Bomb examines the current state of 'nuclear deterrence' brought about by the nuclear age stemming from the end of World War II, when the United States nuked Hiroshima and Nagasaki. Specifically, the anti-nuclear movement and the founding of the Campaign for Nuclear Disarmament in 1958 amongst others, fight for and end to the British Nuclear Weapons program, which from its inception, was closely tied to The Manhattan Project and still is to this day...
Berkeley in the Sixties recaptures the exhilaration and turmoil of the unprecedented student protests that ended up shaping an entire generation in the United States. The Free Speech Movement caught national attention in 1964 when the University of California tried to suppress activists distributing literature and making speeches in an outdoor plaza on campus. The school governor ordered the arrest of students who had occupied the University's Sproul Hall, leading the largest mass arrest in United States' history. Police violence also helped politicise and escalate student uprisings, as awareness of the Vietnam War also kept the winds of dissent blowing, albeit as some movements attracted hedonistic individualism and broke away into fancifulness. On the other end was the Black Panther Party, which offered a militant alternative to the civil rights movement. This film recounts these events through 15 former student leaders, who grapple with the meaning of their actions, as their recollections weave with footage from thousands of historical clips and hundreds of interviews from the time. The film offers a reflective and insightful analysis of the successes and failures of the era--from the House Un-American Activities Committee hearings and civil rights sit-ins at the beginning of the decade, through the Free Speech Movement, anti-war protests, the growth of the counter-culture, the Black Panther Party, and the stirrings of the Women's Movement--confronting the viewer with the questions the 1960s raised and struggled with.
How did two childhood friends from Midland, Texas end up arrested on terrorism charges at the 2008 Republican National Convention? Better This World follows the journey of David McKay and Bradley Crowder from activist beginners to accused domestic terrorists with a particular focus on the relationship they develop with an FBI informant named Brandon Darby in six months leading up to their arrests. Weaving through a story of entrapment, idealism, political struggle and ultimate betrayal, Better This World winds up at questions of the core machinery of the justice system and its impact on civil liberties and political dissent in the modern "post-9/11 world."
Bikpela Bagarap (Big Damage) is the story of logging in Papua New Guinea, following the reality of systemic exploitation by logging companies of indigenous communities, where locals are not even citizens in their own country. Customary landowners are coerced into signing release documents, or sign with the understanding that promises for clean water, health and education will be delivered. On the contrary, traditional hunting grounds are destroyed, waterways polluted, and livelihoods threatened.
During the 2019–2020 Hong Kong protests, after 6 months of ongoing actions, and with protesters facing escalating stakes from police shootings and other violent repression, students began to fortify a number of the city's major universities and occupy vital roads nearby. This lead to a peak moment in the protest movement--the siege of the Hong Kong Polytechnic University. Protesters gathered at the university to defend their roadblocks, while the police shot tear gas and used water cannons to shower the protesters with water containing blue colouring and chemical irritants. 1,458 canisters of tear gas were fired at protesters, as well as 1,391 rubber bullets, 325 bean bag rounds, and 256 sponge grenades. The city's hospitals were overwhelmed by the number of protesters needing urgent medical attention. Burn with Us documents a first-hand view of the conflict, and its results, in a fly-on-the-wall style.
Can't Get You Out of My Head: An Emotional History of the Modern World is a six-part series that explores how modern society has arrived to the strange place it is today. The series traverses themes of love, power, money, corruption, the ghosts of empire, the history of China, opium and opioids, the strange roots of modern conspiracy theories, and the history of Artificial Intelligence and surveillance. The series deals with the rise of individualism and populism throughout history, and the failures of a wide range of resistance movements throughout time and various countries, pointing to how revolution has been subsumed in various ways by spectacle and culture, because of the way power has been forgotten or given away.
For the past four years Submedia has been visiting a camp of the Unist'ot'en of the Wet'suet'en Nation in so-called British Columbia in Canada. The Unist'ot'en continue to fend off intrusions to their land by rapacious oil and gas companies. The threats are large and systemic and involve the very base of life itself. This two-part series of short films document the direct actions that are effective in keeping the threats of oil and gas out. Stopping the corporations physically is paramount, as they'll stop at nothing...
Through a secret program called the Counter Intelligence Program or 'COINTELPRO', the United States government set out to "disrupt dissident political organisations using infiltration, psychological warfare, harassment through the legal system and extralegal force and violence". Groups such as the Black Panther Party and others throughout the civil rights movement were targets of the program. COINTELPRO -- The FBI's War On Black America establishes a historical perspective on the measures initiated by the FBI which aimed to discredit black political figures and forces of the late 1960s and early 1970s. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government's role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King...
A secret illegal project from the 1950s, 60s and 70s called COINTELPRO, represents the state's strategy to prevent resistance movements and communities from achieving their ends of racial justice, social equality and human rights. The program was mandated by the United States' FBI, formally inscribing a conspiracy to destroy social movements, as well as mount institutionalised attacks against allies of such movements and other key organisations. Some of the goals were to disrupt, divide, and destroy movements, as well as instilling paranoia, manipulation by surveillance, imprisonment, and even outright murder of key figures of movements and other people. Many of the government's crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, COINTELPRO 101 opens the door to understanding this history, with the intended audience being the generations that did not experience the social justice movements of the 60s and 70s; where illegal surveillance, disruption, and outright murder committed by the government was rampant and rapacious. This film stands to provide an educational introduction to a period of intense repression, to draw many relevant and important lessons for the present and the future of social justice.
Filmed over 3 years, Complicit is an undercover investigation into the lives and conditions of workers that assemble iPhones, tablets, and other electronics in factories such as Foxconn in Shenzhen and Guangzhou, China. The film reveals the global economy's factory floors, showing the conditions under which China's youth have migrated by the millions in search of the espoused "better life" working for big corporations. But the reality is working long hours with toxic chemicals that cause many cumulative detrimental health conditions, including cancers. As such, a focal point of the story is Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law in order to prepare a legal challenge against his former employers. As the struggle to defend the lives of millions of Chinese people from becoming terminally ill from work necessitates confrontation with some of the world’s largest corporations, including Apple and Samsung, Complicit turns to become a powerful portrait of courage and resistance against screens and rapacious corporate power in a toxic culture.
Concerning Violence narrates the events of African nationalist and independence movements in the 1960s and 1970s which challenged colonial and white minority rule. The film is an archive-driven video essay based on author Frantz Fanon's 'The Wretched of the Earth,' covering the most daring moments in the struggle for liberation in the so-called 'Third World,' as well as an exploration into the mechanisms of decolonisation. Fanon's text, which was banned soon after publication more than 50 years ago, remains a major relevant tool for understanding and illuminating the neo-colonialism still happening today, as well as the reactions against it.
Copwatch depicts WeCopWatch, an organisation dedicated to video recording the police in the United States. For example, Cop Watch members capture original video of the deaths of Eric Garner in Staten Island and Freddie Gray in Baltimore. Its members legally record and document police arrests as part of a movement for police accountability and transparency, but often find themselves to be the victims of chaos and police brutality as a result of the culture of extreme police misconduct and violence. The stories are told through Ramsey Orta, Kevin Moore, who filmed the police abuse of Freddie Gray, and David Whitt who lived in the apartment complex where Michael Brown was killed, as well as Jacob Crawford, who co-founded Copwatch groups inspired by the Berkeley Copwatch group. The film shows how Cop Watchers are dedicated to bringing awareness to their community, by exposing police brutality and harassment.
In 2003, on the eve of the Iraq war, director Iara Lee embarks on a journey to better understand a world increasingly embroiled in conflict. Several years later, after travelling to five continents, Lee encounters growing numbers of people who have committed their lives to change. From Iran to Burma to Palestine and Lebanon, Cultures Of Resistance explores how art and creativity can mould with the greater culture of resistance, a part of the battle for peace and justice...
Travelling across North America, DamNation investigates the growing change in national attitude from strange pride in big dams as domineering engineering projects, to the growing truthful awareness that dams have always been the great killers of rivers, wildlife, the salmon, the forests, coastlines, watersheds. Life is bound to water and health of rivers, and now, dam removal in many forms—including Monkey Wrenching—is reclaiming that life and spreading. Where dams come down, rivers come back, allowing the salmon to return after decades of being concreted out. By making firsthand unexpected discoveries moving through rivers and the landscapes altered by dams, DamNation presents a much-needed metamorphosis in values, from conquest of the natural world to knowing ourselves as part of nature; to respect, and be humbled. With over two million dams in North America alone—75,000 of them over six feet tall—there's much work to be done. Let's get to it.
Damocracy travels from the deepest corners of the vast Amazon rainforest in Brazil to the mountains and plains of fertile upper Mesopotamia in south east Turkey, to expose the myth that large-scale dams, as clean energy, are a solution to climate change. The film records the priceless cultural and natural heritage the world will lose in the Amazon and Mesopotamia if two planned large-scale dams are built--the Belo Monte dam in Brazil, and the Ilisu dam in Turkey. Damocracy documents the story of resistance by the thousands of people who will be displaced if the two projects go ahead, and issues a call to the world to support this fight to save the last rivers from industrial civilisation...
When the South African government promises to "eradicate the slums" and begins to evict shack dwellers far outside the city, three friends who live in Durban's vast shantytowns refuse to be moved. Dear Mandela follows their journey from the shacks to the highest court in the land as they invoke Nelson Mandela's example and become leaders in a growing social movement. The film offers a valuable perspective on the role that young people can play in political change, and is a modern portrait of South Africa. Dear Mandela is the centerpiece of a global community engagement project that educates slum residents about their housing rights and inspires young people to become leaders.
Law Professor James Duane from the Regent Law School in Virginia Beach, Virginia; and Police Officer George Bruch from the Virginia Beach Police Department, both explain why even innocent people should never talk to the police or agree to answer questions from the police. Citing a trove of examples and even though pertaining to US law, this talk is particularly applicable for political activists the world over as Security Culture 101.
Earth at Risk documents the first conference of the same name convened in 2011 by featured thinkers and activists who are willing to ask the hardest questions about the seriousness of the situation facing life on the planet today. Each speaker presents an impassioned critique of the dominant culture, together building an unassailable case that we need to deprive the rich of their ability to steal from the poor, and the powerful of their ability to destroy the planet. Each offers their ideas on what can be done to build a real resistance movement—one that can actually match the scale of the problem. To fight back and win. Literally, the whole world is at stake.
Migratory Songbird populations are drastically collapsing. Many species have already been driven extinct. But yet, as an endangered species, the birds are still targeted by poachers. Millions of birds are unlawfully slaughtered each year for large sums on the black market. Emptying the Skies explores the wonder of these marvelously tiny globe-flying birds, along with the story of the Committee Against Bird Slaughter, an action group of citizens who have dedicated their lives to directly stop and confront the poachers. They disrupt and destroy trapping, freeing as many birds as possible, changing the world one bird at a time.
By examining the modern culture of industrial civilisation and the persistent widespread violence and environmental exploitation it requires, END:CIV details the resulting epidemic of poisoned landscapes and shell-shocked nations, while further delving into the history of resistance and the prospect of fighting back against such abuse. Detailed is an overview of the environmental movement analogous with the historical whitewashings of the supposedly 'pacifist' social struggles in India with Gandhi and Martin Luther King in the United States; the rise of greenwashing and the fallacy that all can be repaired by personal consumer choices. Based in part on 'Endgame,' the best-selling book by Derrick Jensen, END:CIV asks: If your homeland was invaded by aliens who cut down the trees, poisoned the water, the air, contaminated the food supply and occupied the land by force, would you fight back?
In September 2005, Afghanistan held its first parliamentary elections in 35 years. Among the candidates was Malalai Joya, a courageous 27-year-old woman who had ignited outrage among hard-liners when she spoke out against corrupt warlords and criminals at the "Grand Council of tribal elders" in 2003. Enemies of Happiness is a revelatory portrait of this extraordinary freedom fighter and the way she connected with the people of Afghanistan. The film also serves as a snapshot of life and politics in war-torn Afghanistan from this time. As Joya rightly points out several Taliban warlords and wants them prosecuted for their crimes against the Afghan people, she is exposed to several death threats, and has been under constant protection. Can she overcome entrenched views and death threats to help bring democracy to Afghanistan?
Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people--young and old, male and female, northern and southern--who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality--a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.
Fascism Inc. examines a series of historical events to compile a view of the past, the present and the future of fascism and its relation to the economic interests of each era—including the current era. The film travels from Mussolini's Italy, to Greece under the Nazi occupation; the civil war and the dictatorship; and from Hitler's Germany to the modern European and Greek fascism. Following on from the foundations of earlier films such as Debtocracy and Catastroika which described the causes of the debt crisis, the impact of the austerity measures, the erosion of democracy and the sell-out of the country’s assets; Fascism Inc. aspires to continue to motivate anti-fascist resistance movements across Europe, and the world.