Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women's history in Australia over the past decades. The film chronicles the cycles of women's gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women's unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce--the low-paid, low-status jobs--and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.
Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation...
As one half of the satirical duo, The Rubber Bandits, Blindboy is renown for wearing a plastic bag on his head while dishing out sharp social commentary. In this series, using his unique mix of irreverent commentary, a band of undercover reporters, and playful humour, Blindboy sets out to investigate some of the most important issues of our time.
Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world's largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries' national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit...
Globalisation has gone to great lengths to coerce many countries around the world to open 'free trade zones' for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
Robert Beckford visits Ghana to investigate the hidden costs of rice, chocolate and gold and why, 50 years after independence, a country so rich in 'natural resources' is one of the poorest in the world. He discovers child labourers farming cocoa instead of attending school and asks if the activities of multinationals, the World Bank and International Monetary Fund have actually made the country’s problems worse...
13th explores the intersection of race, justice, and mass incarceration in the United States, as titled after the Thirteenth Amendment to the United States Constitution, adopted in 1865, which purported to abolish slavery throughout the United States and end involuntary servitude except as a punishment for conviction of a crime. The film contends that slavery has been perpetuated since the end of the American Civil War through criminalising behaviour and enabling police to arrest poor enslaved people and force them to work for the state under convict leasing; suppression of African Americans by disenfranchisement, lynchings and Jim Crow; politicians declaring a war on drugs that weighs more heavily on minority communities and, by the late 20th century, mass incarceration of people of colour in the United States. 13th examines the prison-industrial complex and the emerging detention-industrial complex, discussing how much money is being made by corporations from mass incarcerations.
In a visual exploration of institutionalised prostitution, Whores' Glory travels the globe to show how these people really live and work today, across three economically divergent countries. In Bangkok, Thailand, women punch a clock and wait for clients inside a brightly-lit glass box. In the red-light district of Faridpur, Bangladesh, a madam trafficker haggles over the price of a teenage girl. On the border town of Reynosa, Mexico, crack-addictions run high while women pray to 'Lady Death.' Whores' Glory is a unobscured look at the realities of sex-trafficking today and the industry that continues to spawns it and keep it alive.
The Virgin Trade investigates the growing phenomenon of Western sex tourism, with a focus on Thailand. The film travels through red light districts and the starry-eyed advertising propaganda that targets Western men to reveal the mechanics of the sex industry as it operates throughout Asia. What is revealed is a world entangled by money which leads to abuse, demand which perpetuates the culture, consumerism which drives demand, and poverty which drives the need. What happens when countries and cultures are ravished like this with Western sex tourism? Are parents selling their children into brothels to finance lavish Western lifestyles? Or do orphans fill the demand--smuggled into prostitution after disasters like the tsunami of 2004? The Virgin Trade dangles the questions of numbers while still affirming widespread exploitation and deceit. The interconnectedness, scale and depth of the problem, as well as what is still hidden or left unsaid, is left up to the viewer...
Santa's Workshop -- Inside China's Slave Labour Toy Factories shows the long working hours, low wages, and the dangerous work and conditions inside these toy factories. Workers who protest or try to organise unions risk imprisonment. Low labour costs and government protections for multinational corporations attract more and more companies to China. Figureheads blame the Chinese suppliers, but they say in the same sentence that increasing competition gives them no option. What and whom to believe?
Slavery is still existing in Mauritania, although it has officially been prohibited by law. The government of Mauritania has been trying to hide slavery from the outside world for years. Slavery has officially been abolished since 1981, almost a century after it happened worldwide. But activists are still fighting for the liberation of tens of thousands of black Mauritanians owned by someone else. Slavery still exists.