AI, or Artificial Intelligence, is spouted as the ability of machines to "think" [sic] at a speed and depth far beyond the capacity of any human. Proponents of these digital technologies claim their systems are used in ways that are beneficial for society. But as we see, the current use of AI isn't necessarily aligned with the goals of building a better society. There still remain escalating concerns about labour, the future of work, privacy, the surveillance society, and social control--all valid criticisms that go back many decades--while the rivalry for technological supremacy between the United States and China mirrors the dynamics of the cold war. In the Age of AI is an investigation that touches on these areas, providing a platform to ask fundamental questions about unrestrained technological escalation.
In January 2013, film-maker Laura Poitras received an encrypted e-mail from a stranger who called himself Citizen Four. In it, he offered her inside information about illegal wiretapping practices of the NSA and other intelligence agencies. Poitras had already been working for several years on a film about mass surveillance programs in the United States, and so in June 2013, she went to Hong Kong with her camera for the first meeting with the stranger, who identified himself as Edward Snowden. She was met there by investigative journalist Glenn Greenwald and The Guardian intelligence reporter Ewen MacAskill. Several other meetings followed. Citizenfour is based on the recordings from these meetings. What follows is the largest confirmations of mass surveillance using official documents themselves, the world has never seen...
A Good American chronicles the work of whistleblower William Binney, a former official of the National Security Agency who specialised in cryptography and signals intelligence analysis for over three decades. The film focuses on the lead up to the events of the 1990s where Binney was instrumental in the creation of a secret intelligence program called ThinThread, in which mass surveillance of global communications data was carried out and had sophisticated analysis applied to it in search for threats in real time. However, three weeks prior to the September 11th 2001 attacks, Michael Hayden, director of the NSA, ends the ThinThread program to instead run with another called Trailblazer which lacks privacy protections. Not long after this, Binney resigns. What the NSA does to Binney after this turn of events is the story of the transformation where Binney and his colleagues Kirk Wiebe, Ed Loomis, Thomas Drake, and Diane Roark blow the whistle on a corrupt and brutal agency.
Mark Kennedy was an undercover police officer who spent eight years as a infiltrator and informer on environmental movements and other protest groups throughout Europe. Confessions of an Undercover Cop accounts the actions of Kennedy from his perspective, which reveals an insight into the dark, twisted psychology of a police informant and the methods they use to destabilise movements and activists...
All Light, Everywhere is an arthouse film that traverses the biases of how we see things, told through the use of police body-worn cameras from the Axon corporation. As such surveillance technologies become a fixture in everyday life, the film interrogates the myth of an objective point of view, probing the biases inherent in both human perception, the lens, and the culture driving the surveillance machines--asking what it means to look and see, but also what is not viewed, and the power imbalance of whom watches whom. Through provocative vignettes, the film provides space to dismantle the perpetual insistence that if everything was recorded and processed by purportedly "neutral" sources, then both criminal activity and authoritarian malfeasance would be reduced.
In 1966, Australia made an agreement with the United States that allowed the establishment of a secret military base satellite tracking station, just south of Alice Springs in the Northern Territory. The facility is called Pine Gap and for more than forty years it has operated in a shroud of secrecy and been the target of much controversy. Home on The Range attempts to contextualise these issues by highlighting the history of the base and its origins, as well as the stories of controversy. Some of these include the Khemlani Affair and the sacking of the Whitlam government in 1975, the Christopher Boyce spy trial, the role of the Central Intelligence Agency and its former agent Victor Marchetti, as well as documenting the post-war culture of government secrecy, sprawling intelligence agencies and foreign affairs and policy. But Home on the Range does more than gesture toward such CIA interventions. It marshals a persuasive array of evidence linking the imminent expiry of leases on United States military and intelligence bases in Australia in 1975, to the CIA and Whitlam's sacking, posing direct questions about the nature of democracy in regions beholden to the United States.
Filmmaker Werner Boote travels across the globe to investigate the era of so-called Big Data, where huge amounts of detail about our lives are gleaned for use in decision making, automation, and consumerism, but ultimately, to generate huge profits for corporations that harvest and control our data. Everything's Under Control investigates these modern times through many lenses: People who have studied surveillance culture, to democracy activists in Hong Kong; from educators, advertisers, and traders, to privacy advocates, and security experts; from digital IDs, fingerprinting, iris scans and online profiling, to hacking, data leaks, and invigorating recent historical memory of atrocities based on data and personal information. We hear distorted perspectives on privacy from many voices, challenging the viewer to reflect on what it means to live through the largest social experiment with data ever before conducted on a global scale.
Film maker David Bond lives in one of the most intrusive surveillance states in the world -- Britain. When David receives a letter stating that both he and his daughter are amongst the 25 million residents whose details have been lost by the government in a massive data breach, David sets out to investigate some potential impacts of such data being lost in a society of mass surveillance. Erasing David documents the test where David hires two private detectives to track him down as he chooses to 'disappear' for 30 days to see if he can avoid being caught amongst the vast data trails generated by modern society...
In the Arab-American neighbourhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbours think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of Operation Vulgar Betrayal, FBI documents that prove her hometown was the subject of one of the largest counter-terrorism investigations ever conducted in the United States before September 2001. No arrests or links to terrorist activity were ever made from the operation. The Feeling of Being Watched follows the examination of why a community fell under blanket government surveillance, the government secrecy shrouding what happened, and why her community feels like they’re still being watched today.
A secret illegal project from the 1950s, 60s and 70s called COINTELPRO, represents the state's strategy to prevent resistance movements and communities from achieving their ends of racial justice, social equality and human rights. The program was mandated by the United States' FBI, formally inscribing a conspiracy to destroy social movements, as well as mount institutionalised attacks against allies of such movements and other key organisations. Some of the goals were to disrupt, divide, and destroy movements, as well as instilling paranoia, manipulation by surveillance, imprisonment, and even outright murder of key figures of movements and other people. Many of the government's crimes are still unknown. Through interviews with activists who experienced these abuses first-hand, COINTELPRO 101 opens the door to understanding this history, with the intended audience being the generations that did not experience the social justice movements of the 60s and 70s; where illegal surveillance, disruption, and outright murder committed by the government was rampant and rapacious. This film stands to provide an educational introduction to a period of intense repression, to draw many relevant and important lessons for the present and the future of social justice.
For the past 15 years, the misnomer "War on Terror" has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?