Films about war on terror
(T)error is the story of a 62-year-old Theodore Shelby, a former Black Panther now turned informant for the FBI going under the name Saeed “Shariff” Torres. The film documents his work on an undercover sting operation that targets a Muslim American Khalifah Ali Al-Akili on weapons charges, as well as Tarik Shah, a professional jazz musician, accused of providing support to al-Qaeda, even though no actual terrorist contact ever took place. The cases are used as examples of preemptive prosecutions, and illuminate aspects of the surveillance state in the post-9/11 world of the United States.
The latest in the string of controversies as part of the United States’ ongoing “war on terror”, is the military’s growing reliance on “Unmanned Aerial Vehicles” otherwise known as ‘drones’, evidenced by the international reaction to recent drone missile attacks along the border in Pakistan. The military is also deploying other technological advancements alongside, such as robots in the battlefield and drones that work in swarms. Is this just a big computer game? A new tech-driven arms race? It doesn’t end there though — drones are now creeping into use by police and the intelligence services as a surveillance tool, and even into commercial and civilian use…
How did two childhood friends from Midland, Texas end up arrested on terrorism charges at the 2008 Republican National Convention? Better This World follows the journey of David McKay and Bradley Crowder from activist beginners to accused domestic terrorists with a particular focus on the relationship they develop with an FBI informant named Brandon Darby in six months leading up to their arrests. Weaving through a story of entrapment, idealism, political struggle and ultimate betrayal, Better This World winds up at questions of the core machinery of the justice system and its impact on civil liberties and political dissent in the modern “post-9/11 world.”
The belief that good triumphs over evil resonates deeply through the religious and political discourses of dominant culture. It is also a common theme in the entertainment media where the struggle between good and evil is frequently resolved through violence. The negative impacts of media violence on children has long been a public concern, but it is even more troubling when military violence, both in the news and in entertainment, is often glorified as heroic and noble. Beyond Good & Evil: Children, Media & Violent Times is a look at how mass communication distorts and manipulates language and visual imagery. It shows viewers how the media’s overriding objective of satisfying an audience converts real issues surrounding race, war, and violence into nothing more than spectacle.
Bitter Lake explores how the realpolitik of the West has converged on a mirror image of itself throughout the Middle-East over the past decades, and how the story of this has become so obfuscating and simplified that we, the public, have been left in a bewildered and confused state. The narrative traverses the United States, Britain, Russia and Saudi Arabia—but the country at the centre of reflection is Afghanistan. Because Afghanistan is the place that has confronted political figureheads across the West with the truth of their delusions—that they cannot understand what is going on any longer inside the systems they have built which do not account for the real world. Bitter Lake sets out to reveal the forces that over the past thirty years, rose up and commandeered those political systems into subservience, to which, as we see now, the highly destructive stories told by those in power, are inexorably bound to. The stories are not only half-truths, but they have monumental consequences in the real world.
The discrepancies between the “War on Terror” and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, “the generosity of America and its allies.” Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military ‘skirmishes’ continue routinely. In “liberated” Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, “in many ways worse than the Taliban.”
Why have a real election when you can just buy the result? In Bush Family Fortunes, Greg Palast examines various aspects of the Presidency of George W. Bush, including the very controversial 2000 US Presidential ‘election’ and of course, the invasion of Iraq. What are the Bush family connections?
Control Room presents a rare window into the US invasion of Iraq from the perspective of Al Jazeera, the Arab world’s most popular news outlet. Widely criticized and condemned by military figureheads, government officials and the mainstream media in the west for reporting with a “pro-Iraqi bias”, airing civilian causalities, as well as showing footage of American POWs, Control Room reveals the situation in Iraq that the US government does not want you to see…
Counter-Intelligence is a 5 part series that explores in-depth, the vast, sprawling and secret National Security State that operates throughout the United States—and indeed the world. The series examines the foundations of the Military-Industrial-Intelligence Complex, charting through to the myriad consequences in today’s world where secret intelligence organisations continue to hijack governments, manipulate elections and commit heinous crimes against humanity—all under the cloak of “National Security”. In the wake of the continued revelations of the NSA PRISM program, this series is now more important than ever to provide a solid historical context to the workings of the rapacious and ever-expanding National Security State…
Crazy Rulers of the World is a series that investigates what happens when chiefs of the United States intelligence agencies and the army began believing in very strange things. With first-hand access to the leading characters in the story, filmmaker Jon Ronson examines the extraordinary and bizarre national secrets at the core of the war on terror.
Dirty Wars follows investigative reporter Jeremy Scahill into the hidden world of the United States’ covert wars and assassination programmes—from Afghanistan to Yemen, Somalia, and beyond. What begins as a relatively commonplace report on the cover-up of a murderous US night raid in a remote corner of Afghanistan, quickly turns into a global investigation of the secretive and powerful Joint Special Operations Command (JSOC)—a top secret arm of the Military-Industrial-Intelligence Complex. As Scahill digs deeper into the activities of JSOC, he is compelled to report on the growing chilling underworld of covert operations carried out across the globe at the behest of the United States government: Targeted killings of American citizens; secret drone strikes; outsourcing American kill lists to warlords, private corporations and paramilitaries. The list goes on. Dirty Wars is a sobering investigation and personal journey into the most important human rights story of our time.
The hypocrisy of the United States government is scrutinized in Distorted Morality—a scathing thesis against war and the invasion of Iraq, presented by renowned scholar Noam Chomsky in 2002. Chomsky sets fair and logical parameters to test his ideas, before outlining the reasons why the United States post-9/11 “war on terror” is a logical absurdity. This, according to Chomsky’s carefully supported analysis, is because the US government has been, and continues to be, a major supporter of state-supported terrorism; favoring retaliatory or preemptive aggression over mediation in the world court, and avoiding accountability by excluding itself from the globally accepted definition of terrorism. Explored also are numerous historical examples to support.
Do Not Resist documents, from the perspective of the police, their view of the social unrest following the shooting and killing of Michael Brown by police in Ferguson, 2014, against a backdrop of the routine and escalating use of military tactics and high-powered weaponry by local police forces throughout the United States in the past two decades. Military equipment deployed throughout the Middle East returns home to be used against the citizenry. Local police recruitment and training is awash in military commandments backed by views of escalating ‘righteous’ violence and sadism. Meanwhile curfews are imposed, along with frivolous drug raids and incessant racial profiling. The voices of concerned citizens ignored. What is the cultural and technological trajectory here?
In the wake of the September 11th attacks, amongst the ravaging of war, the United States has been secretly deploying drones to carry out assassinations throughout the Middle East. The drones are increasingly piloted by the likes of young computer gamers groomed by screen culture and computer games of war, where in many cases, the Pentagon is directly involved in the creation of such games as recruitment tools, actively working to lure young people proficient with technology into the new era of the military-industrial-complex. Drone unravels this complex phenomenon while travelling to places such as Waziristan, where innocent civilians, including children and rescue workers are routinely secretly killed, where families and communities ravaged by the drone strikes search for understanding, accountability and adjustment to the daily horrors. The film also takes a look at the young people sitting behind the screens of the new war machines, half a world away, that actually pull the trigger, asking what kind of world is being built in the rise of seemingly endless and lucrative war driven by technological escalation.
This film comprehensively documents the use of chemical weapons—particularly the use of incendiary bombs—along with hordes of other horrific indiscriminate violence against civilians and children by the United States military in the city of Fallujah during the invasion of Iraq in November 2004. The cases portrayed involve the use of white phosphorus and other substances similar to napalm, such as Mark-77, which constitute clearly defined war crimes involving chemical weapons. Interviews with ex-military personnel involved in the Fallujah offensive back up the case for the use of such weapons by the United States, while reporters stationed in Iraq discuss the government’s attempts to suppress the news by covert means.
For Your Eyes Only? reports on the existence of a secret government program that intercepts millions of e-mails each day in the name of ‘terrorist surveillance’. News about the program came to light when a former AT&T employee, Mark Klein, blew the whistle on a large-scale installation of secret Internet monitoring equipment deep inside AT&T’s San Francisco office. The equipment was installed at the request of the United States government to spy on all e-mail traffic across the entire Internet. Though the government and AT&T refuse to address the issue directly, Klein backs up his charges with internal company documents and personal photos…
Ghosts of Abu Ghraib examines the sexual abuse, torture, rape, and murder of detainees at Abu Ghraib prison at the hands of US military police in the fall of 2003. The film shows how the abuse was systemic of the military-intelligence complex, flawing the “bad apples” theory that was sprouted through the media at the time. By making reference to Stanley Milgrim’s obedience experiments of the 1960s, the film asks: How can ordinary people take these actions? And what orders came from the chain of command?
In the wake of the attacks of September 11th 2001, the United States opened a prison camp in Guantánamo Bay, Cuba. The hundreds of prisoners detained there are not afforded prisoners of war status according to the Geneva Convention, they are labelled “unlawful combatants” and are held indefinitely and tortured with no right to a lawyer or a trial. Gitmo — The New Rules Of War cuts through the official political rhetoric surrounding Guantánamo to expose what really goes on at the United States central gulag in the ‘war on terror’.
The Australian Federal Police—the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978—has enjoyed consistent showers of praise by politicians and the public ever since it’s inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the “terrorism case” against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP…
Hijacking Catastrophe examines the evidence that neoconservatives used the September 11, 2001 attacks to usher in a new doctrine of expanding American power through military force under the guise of a “war on terror” and that the doctrine — known as the Project for the New American Century — had been laid out prior to 9/11 by its authors, which include Dick Cheney, Paul Wolfowitz, Donald Rumsfeld, Jeb Bush and Dan Quayle…
Welcome to the wartime contracting bazaar in Afghanistan. It is a virtual carnival of characters with shady connections—former CIA officials and ex-military officers joining hands with former Taliban and mujahedeen to collect US government funds in the name of the war effort. US military’s contractors pay suspected insurgents to protect American supply routes. It is an accepted fact of the military logistics in Afghanistan that the US government funds the very forces American troops are fighting—a deadly irony…
For the past 15 years, the misnomer “War on Terror” has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?
In Imperial Grand Strategy renowned linguist and philosopher Noam Chomsky focuses on the issue of the invasion of Iraq, and cuts through the ideological fog that surrounds the invasion and occupation, laying waste to the US government’s justifications for them. In the process, Chomsky uncovers the real motivations behind US military aggression: a global imperial plan put in place long before Iraq and that will extend far into the future, unless we do something about it.
The Guantanamo detention camp, “Gitmo”, covers forty five square miles of Cuba inside an area under a “permanent lease” to the United States. Since 2002, the base has become synonymous with its detainment of “suspected terrorists”. Although Barack Obama has given orders for the detention camp to be closed, the facilities remain open to this day. David Miller’s quiet, powerful film is the result of three days the film-maker spent touring the camps in May 2008 as part of a small group of media representatives allowed there. Although the event was presented as a chance to ‘see inside’ the working of Guantanamo, it was in fact a carefully staged PR exercise designed to yield predictable, stale and controlled media images…
Amy Goodman from Democracy Now! speaks about the mainstream media’s coverage of US interventions around the world and demonstrates the link between corporate media and government, and how this plays a major part in selling war at home and abroad…
The United States heralded many grandiose promises of freedom and equal rights as they invaded Iraq. But still years on from the invasion, the reality of everyday life for women inside Iraq is of course a different story. To make this film, two Iraqi women risk their lives to spend three months travelling all over the country with a camera to record the lives and experiences of women they meet. Iraq — The Women’s Story provides a compelling account of a life inside Iraq that is never seen on news bulletins…
Produced while the invasion was in full swing, Iraq for Sale investigates some the many private contractors and consultants that were brought into to Iraq as part of the United States military machine. Four major contractors are profiled: Blackwater, K.B.R.-Halliburton, CACI and Titan, along with investigations of human rights violations, systemic misconduct, corruption, and profiteering. The film posits what damage is done to the ‘average citizen’ when corporations decide to wage war. For those in opposition to war and corporate power, the connection between the invasion of Iraq and the private corporations who profit from the fighting is plain to see. For those who still may not be so easily convinced, the film not only explores the questionable motivations of the corporate decision-makers whose wartime profiteering has affected the lives of countless soldiers and their families, not mention the lives of millions of civilians, but also the increasingly negative international reputation of the United States as a result.
Initially, the Americans claimed that they were not recording casualty figures. George Bush stated that America would do its “utmost to avoid civilian casualties”. But now, details of the US Military themselves recording over 109,000 deaths have been released by Wikileaks — over 66,000 civilian deaths; 176,000 civilians and others wounded. Iraq’s Secret War Files reveals the true scale of civilian casualties, and examines evidence that after the “scandal” of Abu Ghraib, American soldiers continued to torture prisoners; and that US forces did not intervene in the torture and murder of detainees by Iraqi security services…
Lifting The Veil explores the historical role of political parties in the United States as the graveyard of social movements, the massive influence of corporate financing in elections, the absurd disparities of wealth, the continuity and escalation of neoconservative policies with the Obama administration, the insufficiency of mere voting as a path to reform, and differing conceptions of democracy itself. Lifting The Veil exposes the vast hypocrisy of the United States government, with a sense of urgency to bring about real systemic social and political change…
My Country, My Country documents the United States’ invasion of Iraq from an insider’s perspective, as told by Iraqi citizens themselves, and by the efforts of a devoted father and Sunni Muslim political candidate. Filmmaker Laura Poitras also spends time on the ground following the United States military ‘Civil Affairs’ team during the 2005 elections in Iraq. As the US government attempts to “bring democracy” to the country, Baghdad native Dr. Riyadh is faced with making the difficult decision of supporting the popular boycott of the elections, or fighting for a democracy that seems ever more unlikely with each passing day. With intimate footage of Dr. Riyadh’s interactions with the public and candid interviews featuring the opinions of every-day citizens, My Country, My Country provides a rare look inside the struggle in Iraq in the context of an ongoing brutal occupation.
Since 1945, by deed and by example, the US has overthrown 50 governments, including democracies, crushed some 30 liberation movements and supported tyrannies from Egypt to Guatemala. Bombing and war is as American as apple pie. Obama, having stacked his government with warmongers, Wall Street cronies and polluters from the Bush and Clinton eras, the 45th president is merely upholding tradition…
On October 15th 2007, a series of intense police raids occurred around the small village of Ruatoki in New Zealand. Operation 8, as it was called, was the result of 18 months of invasive surveillance of Maori sovereignty and peace activists accused of attending ‘terrorist training camps’ in the Urewera ranges—the homeland of the indigenous Tūhoe people. This film examines why and how the raids took place. Did the “War on Terror” become a global witch-hunt of political dissenters reaching even to the South Pacific?
How does one sell a war? This was a question that weighed heavy on the minds of those in the United States government long before the invasion even started. Operation Saddam: America’s Propaganda Battle takes a look at the marketing of war -– a cocktail of distortion, lies and forgeries -– as shown by former secret service agent Ray McGovern, American investigative journalist Seymour Hersh and best-selling author John MacArthur, presenting the individual stages of the propaganda battle, by which American, British and other governments sought to justify the second invasion of Iraq…
Outsourcing Torture documents the account of Mamdouh Habib, an Australian Muslim arrested in Afghanistan during a “general round up” where he was sent to Egypt to be tortured. Three years after his arrest, Mahdouh Habib is still imprisoned in Guantanamo, still not having been charged with any crime…
After Iraq invaded Kuwait in 1990, the United Nations (backed strongly by the US and UK) imposed harsh sanctions on Iraq that lasted for 10 years (1991-2001); the harsh restrictions on imports of everything, including access to key medicines, resulted in over a million deaths, more than half a million of which were women and children. That’s more deaths than the two atomic bombs dropped on Japan and the events of September 11 combined. The purpose was regime change, but it never came. The overwhelming majority of those killed were the poor, elderly, women and children. Empirically, sanctions overwhelmingly punish the poor, the destitute. While the sanctions were in place, the richest people in control of the resources (Saddam Hussein et al.) still had everything they wanted: food, cars, mansions, free access to medicines, etc…
In the aftermath of the events of September 11th, 2001; MIT linguist and political philosopher Noam Chomsky found himself called upon to provide much-needed analysis and historical perspective regarding this moment in American history. In the months following, Chomsky gave dozens of talks on four continents, conducted scores of media interviews, and published a book called ’9-11.’ In this film and in his book, Chomsky places the events of September 11 in the context of American foreign intervention throughout the postwar decades—in Vietnam, Central America, the Middle East, and elsewhere. Beginning with the fundamental principle that any exercise of violence against civilian populations is terrorism—regardless of whether the perpetrator is a well-organized band of Muslim extremists or the most powerful nation-state in the world—Chomsky challenges the United States to apply the moral standards it demands of others to its own actions.
Renowned independent journalist John Pilger speaks about complicity and compliance, censorship and citizen journalism as well as issues such as the holocaust in Iraq and Kevin Rudd’s shrewd political apology to the Indigenous peoples of Australia as Prime Minister. “These days, a one-dimensional political culture ensures that few writers write, or speak out, as they did in the last century. They are talented, yet safe. In the media, the more people watch, the less people know. Beneath the smokescreen of objectivity and impartiality, media establishments too often ventriloquise the official line, falling silent at the sight of unpleasant truths.”
The legacy of the Bush administration and the so-called “War on Terror” includes a new logic that stretches well beyond the realm of overzealous security agencies, airport security and international relations, and into suppressing public protest; expanded surveillance aimed at entire populations, but especially activists; and mobilising fear for social control. Special police techniques have even been developed and applied in order to specifically suppress dissent and manage protests, especially in the wake of the rising anti-globalisation movements towards the turn of the millennium. Preempting Dissent provides a quick overview of how some of this logic developed, as well as a glimpse of how political protest in the West has been shaped and controlled in the “post-9/11″ years, up to and including the so-called Occupy movement. By provoking a reflection of the implications of the logic of the “War on Terror” and how its applied to stifle political protest, Preempting Dissent aims to lay some of the groundwork to develop more effective resistance tactics.
Psywar explores the history and evolution of propaganda along with the rise of ‘public relations’ with an emphasis on the relationship between war, propaganda and privilege…
Rebel Without A Pause follows renowned linguist and activist, Noam Chomsky through discussions and talks on various world events such as the invasion of Iraq, the September 11th attacks and the War on Terror. Chomsky also weaves in accounts of media manipulation, social control, and discusses the workings of the politics of fear. The film combines footage from large forums to small interactive discussions on these topics, as well as reflections from others…