Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation...
Servant or Slave follows the lives of five Aboriginal women who were stolen from their families and forced into indentured labour to be domestic "servants" for white people during the late 1890s and into 1900s in Australia. With the government exercising complete control over their wages and livelihood, many thousands of Aboriginal children were condemned to a treadmill of abuse, battery, rape, and slavery, only to discover that even today they've had to fight for recognition, respect and reparation for their treatment in the past. This film recounts their experiences, as a portrait of courage, strength and the fortitude to pursue justice for the crimes committed against them.
Last Train Home
Every spring in China, 130 million migrant workers exit the cities and travel back to their home villages for the New Year's holiday. This exodus is the world's largest human migration, a spectacle that demonstrates the world of a rapacious acculturating industrialism against the life of a rural past. Last Train Home follows the lives of one family who have embarked on the journey of hard labour and home again for almost two decades. One story of many of the human cost of China's ascendence as an economic superpower.
Who Pays the Price -- The Human Cost of Electronics is a short film that seeks to humanise the largely hidden and anonymous global labour force that enables the ubiquitous technoculture, documenting the harsh conditions in which electronics are made and how this really impacts those people's lives, and the environment. Toxic chemicals, plastics, and sweat-shop working conditions all contribute to the global machine that disseminates digital technologies, hidden in plain sight. Through direct footage of factory workers, interviews with them and analysis of the conditions, Who Pays the Price asks the question of the viewer, and as a call to action to stop the exploitation and toxification of people and the natural world.
No Logo
In the age of the brand, logos are everywhere. But why do some of the world's best-known brands find themselves at the end of spray paint cans and the targets of anti-corporate campaigns? No Logo, based on the best-selling book by Canadian journalist and activist Naomi Klein, reveals the reasons behind the backlash against the increasing economic and cultural reach of multinational companies. Analysing how brands like Nike, The Gap, and Tommy Hilfiger became revered symbols worldwide, Klein argues that globalisation is a process whereby corporations discovered that profits lay not in making products (outsourced to low-wage workers in developing countries), but in creating branded identities people adopt in their lifestyles. Using hundreds of media examples, No Logo shows how the commercial takeover of public space, the restriction of 'choice', and replacement of real jobs with temporary work -- the dynamics of corporate globalisation -- impact everyone, everywhere...
As one half of the satirical duo, The Rubber Bandits, Blindboy is renown for wearing a plastic bag on his head while dishing out sharp social commentary. In this series, using his unique mix of irreverent commentary, a band of undercover reporters, and playful humour, Blindboy sets out to investigate some of the most important issues of our time.
On 1 May 1946, under occupation and wage slavery by the white man, 800 Aboriginal workers walked off sheep stations in the north-west of Western Australia, marking the beginning of a carefully organised strike that was to last for at least three years, and never officially ended. The strike was a demand for basic freedoms and for better wages considering the imposed conditions. A fight that sadly continues to this day, speaking to the truth of a country still occupied and brutally colonised, land that was never ceded.
Plutocracy
Plutocracy: Political Repression in the United States is a series of films that comprehensively examine early North American history through the lens of class, to enable a wider critique of the social order in contemporary United States. The series not only documents and exemplifies individual strikes and labour movements throughout the centuries, but also serves to connect the narratives and political lessons of an entire era from a working-class viewpoint, forming a solid base of analysis for class struggle.
The Take
The Take documents the story of workers in Buenos Aires, Argentina who reclaim control of a closed auto-plant where they once worked and turn it into a worker cooperative. The factory closed as a result of the economic policies of the government under the watchful eye of the IMF. While in bankruptcy protection, the company appeared to be selling off property and inventory to pay creditors -- a move which further reduced the chances of the facility returning to production. Though as the movement gains strength, having started with a garment factory several years earlier, the factory workers wade through courts and the legislative system, finally establishing their own control and winning the right to operate it themselves, as a cooperative...
A behind the scenes look into what happens when you buy from the world’s biggest online retailer: Amazon. Through testimonials of ex-employees and an undercover employee with a camera, the tough conditions for workers are revealed. The film exposes the immense pressure the workers go through, such as racing a computerised clock every step of their shift, and having to walk up to 11 miles a day inside the distribution centres. As more people around the world turn to online shopping with a click of a button, staff members working at Amazon are put under mental and physical stress to deliver out of sight, out of mind.
Spring of 1968 in Memphis Tennessee marked the peak of the Civil Rights movement in the United States. At the River I Stand sets out to reconstruct the eventful months leading up to this period by looking at what started as a strike by sanitation workers which quickly soared into a national conflagration. The film disentangles the complex historical forces that came together for the struggle as well the inevitability of tragedy at the death of many, including Martin Luther King. At the River I Stand brings into sharp relief issues that have only become more urgent in the intervening years: the connection between economic and civil rights; debates over strategies for change, and the questions of effectiveness of pacifist tactics for social change; the demand for full inclusion of African Americans in life; as well as the pressing fight for dignity for all working people...
Steve Jobs: The Man in the Machine is not just another celebratory biographical film about the life of a business man that many around the world grieved in 2011. It's a full rounded critical examination into the fundamentals of a person revered as an iconoclast, a barbed-tongued tyrant, a business sociopath. The real Steve Jobs is revealed like this through candid interviews from those who had close relationships with him at different stages of his life, including the mother of his child, Lisa, that Jobs refused he had, but named a computer after instead. The film also takes us through the evocative essence of the brand of Apple Computers which has captured the population like zombies, and asks the question: What is the legacy of this industry, and the truth of this kind of person that the culture celebrates so much, completely ignoring the darkness?
Coca Cola is one of the most visible brands in the world, but there's one part of the operations the corporation doesn't want you to see. Colombia is the trade-union-murder-capital of the world. Since 2002, more than 470 workers' leaders have been brutally killed, usually by paramilitaries hired by private companies intent on crushing the unions. Amongst the top unscrupulous corporate brands is Coca Cola...
The War at Home: The Untold History of Class War in the United States is a series that traverses the history of the labour movement and state repression in the United States. The series looks at history through the lens of the working class, from the Haymarket massacre in Chicago in 1886 to the Jim Crow spread in Louisiana, to the Triangle Shirtwaist tragedy of 1911, to the violent strikes and police raids of the Great Depression, and beyond. The series makes the connection between the purging of radicals from unions and the decline of union power in the 1920s, towards the 1960s and beyond.
In Mexico, 'maquiladoras' is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos...