Rebel Without A Pause follows renowned linguist and activist, Noam Chomsky through discussions and talks on various world events such as the invasion of Iraq, the September 11th attacks and the War on Terror. Chomsky also weaves in accounts of media manipulation, social control, and discusses the workings of the politics of fear. The film combines footage from large forums to small interactive discussions on these topics, as well as reflections from others…
Marion Stokes was secretly recording television twenty-four hours a day for thirty years. It started in 1979 with the Iranian Hostage Crisis at the dawn of the twenty-four hour news cycle, and ended in 2012 while the Sandy Hook massacre played on television as Marion passed away. In between, Marion recorded on 70,000 VHS tapes, capturing revolutions, lies, wars, triumphs, catastrophes, bloopers, talk shows, advertising—all of which deeply show how television has shaped the world of today. Remarkably prescient, Marion knew this, and saved it as a form of activism, knowing that archiving everything that was said and shown on television was part of the fight for the truth and historical memory, keeping those in power accountable. At the time, the public didn’t know it, but TV networks themselves were not keeping archives of their material, with huge swathes of recorded history lost. If it wasn’t for Marion, and the Internet Archive that will soon digitise her tapes for prosperity and free public access, these records would be lost forever. This film is about a radical Communist activist, who became a fabulously wealthy recluse archivist, and whose work was unorthodox, but also genius, even though she would pay a profound price for dedicating her life to such a visionary project.
As nations around the globe attempt to fight sex trafficking, many consider legalising prostitution. Two filmmakers travel across ten countries to explore the issue, attempting to answer the question: “How can we prevent sexual exploitation before it happens in the first place?” Though governments are getting better at prosecuting traffickers and providing aftercare to victims, it is time we begin to ask the question of what lies at the root.
With humour and refreshing candour, Red Moon provides a fascinating, often ironic, take on the absurd and frequently dangerous cultural stigmas and superstitions surrounding women’s menstruation. As educational as it is liberating, the film functions as both a myth-busting overview of the realities of menstruation, and a piercing cultural analysis of the ways in which struggles over meaning and power have played out through history on the terrain of women’s bodies.
Reel Bad Arabs: How Hollywood Vilifies a People analyses how the storytelling of the West has crafted and perpetuated a false stereotypical image of Arabs and Arab culture since the early days of American silent cinema, up to the present with the biggest Hollywood blockbusters. The film shows how the persistence of these stories over time has served to powerfully naturalise and perpetuate prejudice toward Arabs, Arab culture and the Middle East in general, and how this in turn also serves to reinforce the harmful narratives of dominant culture which dehumanise Arabs as a people and negate the visceral political acts carried out against them by the West for decades. By inspiring critical thinking about the social, political, and basic human consequences of leaving these caricatures unexamined, Reel Bad Arabs challenges viewers to recognise the urgent need for counter-narratives to do justice to the diversity and humanity of Arab people, to share the truth about the stories of their lives and their history.
The average child in the United States spends 40+ hours per week consuming media—the equivalent of a full-time job. This means that by the time children born today turn 30, they will have spent an entire decade of their lives in front of a screen. Remote Control examines the implications of this unprecedented level of exposure by showing the media habits of two families and supplementing their personal insights with interviews from media experts and educators. Revealed is the centrality of media in our lives and far-reaching effects that we are only beginning to understand, as well as ways we might begin to help our children live a life instead of watching one.
In Requiem for the American Dream, renowned intellectual figure Noam Chomsky deliberates on the defining characteristics of our time—the colossal concentration of wealth and power in the hands of the few and fewer, with the rise of a rapacious individualism and complete collapse of class consciousness. Chomsky does this by discussing some of the key principles that have brought this culture to the pinnacle of historically unprecedented inequality by tracing a half century of policies designed to favour the most wealthy at the expense of the majority, while also looking back on his own life of activism and political participation. The film serves to provide insights into how we got here, and culminates as a reminder that these problems are not inevitable. Once we remember those who came before and those who will come after, we see that we can, and should, fight back.
Resist — The Aftermath Of The RNC8 follows activists Rob Czernik, Garrett Fitzgerald and Luce Guillen-Givins; attorney Robert Kolstad, volunteers/arrestees from the community, and others impacted by the actions against the Republican National Convention in 2008. Taking a look back over the last year, the video shares some helpful advice for activists organising under state repression…
How does the military train the solider of tomorrow? Video games. The most popular games are those that replicate as close as possible the war events as seen on the news. Such games now far outpace the biggest Hollywood blockbuster movies, popular music, and best-selling books, combined. What does this complete immersion in high-tech war mean for our political culture? As well as those directly affected by state violence? What does it mean when the technological sophistication of modern militarism become forms of mass entertainment? Returning Fire profiles three artists and activists that decided these questions needed to be answered. We see how Anne-Marie Schleiner, Wafaa Bilal, and Joseph Delappe moved dissent from the streets to the screens, infiltrating war games in an attempt to break their hypnotic spell. The results ask all of us—gamers and non-gamers alike—to think critically about what it means when drones and remote warfare become computer games and visa versa. Can we reflect on our capacity to empathise with people directly affected by the trauma of real war?
Everybody who has survived adolescence knows what a scary, tumultuous, exciting time it is. But if we use memories of our experiences to guide our understanding of what today’s girls are living through, we make a serious mistake. Girls are living in a new world. Reviving Ophelia is a call from Dr. Mary Pipher, a psychologist who has worked with teenagers for more than a decade. She finds that in spite of the women’s movement, which has empowered adult women in some ways, teenage girls today are having a harder time than ever before because of higher levels of violence and sexism in the culture. The current crises of adolescence—frequent suicide attempts, dropping out of school and running away from home, teenage pregnancies in unprecedented numbers, and an epidemic of eating disorders—are caused not so much by “dysfunctional families” or incorrect messages from parents as by our media-saturated, image-obsessed culture.
If a key indicator of the health of a democracy is the state of its media, the United States is in deep trouble. In Rich Media, Poor Democracy, renowned media experts Robert McChesney and Mark Crispin Miller explore how the façade of a diverse mainstream media is in fact a system characterised by a handful of powerful corporations which leads to homogenisation and centralisation. Through numerous examples, we see how journalism has been compromised by business power and how conglomerates such as Disney, Sony, Viacom, News Corp, and AOL Time Warner produce a system of news that is high on sensationalism and low on information. This film suggests that unless citizen activism can reclaim the commons, this corporate system will be characterised by a rich media spectacle and an ever impoverished democracy.
This short film uses the story of Richard Nixon’s paranoia to explore how a similar outlook has been perpetuated on the larger social scale by the new media age. Skimming through the evolution of the mainstream media via television and newspapers, this short film comments on how politics has been paralysed by a media that has taken serious threats and sensationalised them, resulting in political cynicism and disengagement, which in-turn feeds a viscous cycle of nihilism and further sensationalist politics and media.
Film-maker Brett Gaylor explores the issues of copyright in the information age, mashing up the media landscape of the 20th century and shattering the wall between users and producers. The film’s central protagonist is Girl Talk—a mash-up musician topping the charts with his sample-based songs. But is Girl Talk a paragon of people power or the Pied Piper of piracy?
Just as mobile phones and wireless capability dramatically changed the way technology interacts with modern society, drones—or ‘Unmanned Aerial Vehicles’—are set to become the next major influence in technocratic life, directly impacting and seriously expanding the already extensive capabilities of surveillance. Rise Of The Machines takes a look at already developed drone technology and how governments, military and even civilians are rushing to adopt the gadgets which can be purchased off the shelf for just a few hundred dollars and controlled by already existing smart phones. So what will a world of drones look like? And what of the many, serious, unexplored implications on how society will function in a world of drones?
Cornered in the tiny building of the Ecuadorian embassy in the United Kingdom for half a decade, WikiLeaks founder Julian Assange and his team are undeterred, continuing to release troves of important documents, even as the personal legal jeopardy he faces threatens to undermine the very organisation he leads and fracture the movement it inspired. Filmmaker Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle. Filmed over six years, Risk is a complex and volatile character study of the forces that crescendo with a high-stakes election year in the United States and its controversial aftermath. In a world order where a single keystroke can alter history, Risk is a nuanced and curious portrait of power, betrayal, truth, and sacrifice. How much of your own life are you willing to risk?
RiverBlue shows the toxic effects of textile production and jeans manufacturing on some of the world’s largest rivers. Travelling from tanneries along rivers in India, to some of the largest jeans manufacturing factories in China, renowned river advocate Mark Angelo guides the viewer through the declining health of waterways around the world.
Robot Wars visits companies in the United States that are producing robots for the military to disarm bombs, fly unmanned aircraft (drones), withstand repeated attacks and even choose targets and fire without any human intervention. The rapid development of autonomous robots and the use of them right now is surging ahead at a crazy rate, all with little regard to ethical and psychological questions, concerns about technological privilege and other obvious impacts. With military robots currently being operated using video game controllers, is the line being blurred between fantasy and reality?
Rocking The Foundations recounts the history of the Green Bans introduced by the New South Wales Builders Labourers Federation in the 1970s which were a series of trade union strikes imposed on developers who wanted to demolish heritage buildings and sites of environmental significance in NSW. The workers saved bushland, trees, and numerous historical buildings which, to this day, remain a powerful symbol of how successful environmental campaigns and effective and honest trade unions can be run…
Shortly before dawn on August 21, 1992, United States Marshals initiated actions to apprehend and arrest Randy Weaver, a former US Army engineer, when he failed to appear in court on firearms charges after being coaxed by undercover agents to sell them sawed-off shotguns after hanging out with nazis and white supremacists. Given three conflicting dates for his court appearance, and suspecting a conspiracy against him, Weaver refused to surrender, and members of his immediate family and family friend Kevin Harris resisted as well, isolating themselves in their mountaintop home in Ruby Ridge, Idaho. When federal agents surveilling the property got close to members of the family, they also initiated a gunfight that mesmerised the nation, leaving Weaver injured, his son killed, and Striker the family dog dead. In the subsequent siege led by the FBI, Weaver’s wife Vicki was also killed, while holding her baby, by a shot in the head from a FBI sniper. Drawing upon eyewitness accounts, including interviews with Weaver’s daughter, Sara, and federal agents involved in the confrontation, Ruby Ridge is an overview of a tragic catalysing event that helped fuel conspiracy theories and give rise to the modern American militia movement.
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today’s invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.
S11 documents protest actions in Melbourne, Australia, 2000 against the World Economic Forum meeting. Specific accounts of police brutality and ferocious attacks on people protesting national and international issues are captured, in direct contradiction with mainstream media coverage, portraying activists as violent protesters.
Salmon Confidential follows renowned biologist Alexandra Morton as she finds that wild salmon are testing positive for dangerous European salmon viruses associated with industrial salmon farming worldwide, and then, how a chain of events is set off by the Canadian government to suppress the findings. Scientists are gagged, research suppressed, evidence not allowed. With the industrial fish farms having moved into Morton’s neighbourhood in the late 1980s, since then, there has been a serious decline in wild salmon in the region. So, tracking her findings, the film follows Morton and her team as they move from courtrooms, to Canada’s most remote rivers, Vancouver grocery stores and sushi restaurants, providing insights into the workings of government agencies tasked with managing the ‘safety of fish and food supply,’ that always seem to put industry and the needs of corporations over the natural world, time and time again. Salmon Confidential becomes a call to action to help save the wild salmon from these atrocities, before they’re completely wiped out forever.
Santa’s Workshop — Inside China’s Slave Labour Toy Factories shows the long working hours, low wages, and the dangerous work and conditions inside these toy factories. Workers who protest or try to organise unions risk imprisonment. Low labour costs and government protections for multinational corporations attract more and more companies to China. Figureheads blame the Chinese suppliers, but they say in the same sentence that increasing competition gives them no option. What and whom to believe?
In 2015, Sandra Bland, a politically-active 28-year-old black woman from Chicago was stopped by police for a minor traffic offence in a small Texas town. Three days later, she was found dead in a police cell. Though the state claimed it was a suicide, her death enraged the public amid allegations of racially-motivated police murder. This film begins in the days after Sandra’s death, tracking the ensuing two-year battle between Sandra’s aggrieved family and the State of Texas. Following the details about the case, Say Her Name is punctuated by Sandra’s own passionate and moving commentary in 30-second “Sandy Speaks” video blogs. We see an empowered, enlightened woman, whose sharp, humorous, charismatic remarks address subjects from educating kids about black history to police brutality to the importance of natural hair. Say Her Name takes viewers inside this story that galvanised activists across the United States and the world.
Physician and mother of two Dr. Delaney Ruston became interested in how much screen time is too much when her preteen started begging for a smartphone. Ruston saw other parents equally confused on how to balance technology with a young developing mind, so she decided to delve into the science behind screen time to understand how it affects young people’s minds and development. Through personal stories and input from leading researchers, the result is Screenagers, a film that sheds light on the impact screen time is having on kids; exploring how learning, playing, and socialising online effects teens’ developing attention span, fragile self-esteem, and moral instincts. Screenagers examines the real risks of failing in school, social isolation, and digital addiction. It also explores solutions to handle screen time and provides parents with tools to help young people develop self-control and find balance in their digital lives, rather than rapid-fire thumbs and a six-second attention span.
Young filmmaker Julia Barnes embarks on a journey around the world to investigate the causes and solutions to some of the most pressing threats facing the oceans, such as the decimation of the world’s fish populations and ocean acidification. Through interviews with scientists, researchers, and activists, the film reveals the interconnections of all life on earth, positing that the current mass extinction in the oceans will have devastating impacts on terrestrial life too, including humans. Sea of Life becomes a call to action, with the view that once more people know what’s happening in the ocean, they’ll want to fight for its protection. Barnes then documents some of the largest environmental rallies, including the People’s Climate March in New York and protests at COP21 in Paris, but concludes that these actions will not be enough to save our future. Sea of Life calls for a revolution in the way we approach activism.
The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Indigenous people were, and continue to be, treated…
From its origins as the Office of Strategic Services in the 1950s until present as the CIA, president Harry Truman’s creation has been the object of mystery, thrills and fear to people all over the world with even the White House fearing the agency. With resources to assassinate political leaders, overthrow governments and start wars, Secrets Of The CIA documents these operations of the CIA from the perspective of ex-agents as they speak about their experiences working for the CIA, tell of what they were required to do in places like South America, Europe and in the United States, and how they enjoyed the work…
Miraculous and vital, Seed—The Untold Story follows passionate seed keepers that are tirelessly working to protect a 12,000 year-old food legacy. For only in the last century, 94% of seed varieties have disappeared, as biotech and chemical companies rapaciously took over control over the majority of the world’s food seeds. Farmers, scientists, lawyers, and indigenous seed keepers fight literally a battle for life to defend the future of food. In a harrowing and heartening story, these heroes rekindle a lost connection to a treasured source of life, and revive a culture connected to food, and the Earth.
Not only with climate change and the inherent destructiveness of agriculture compounding the current ecological crisis and the need to systemically change things, Seeds of Permaculture follows a group of westerners that travel to Thailand to experience, explore, learn and teach about permaculture systems as a means to try and step out of their way of life and reconnect with cultures past-and-present about traditional knowledge pertaining to food and the land. With education and inspiration as the main thread, the film follows the westerners as they learn about composting, solar heating, food forests, composting toilets, natural building, and earthen ovens. The goal is to empower and excite you, the viewer, about the possibilities of listening and reconnecting with the land where you live.
There is an staunch connection between medical science, the pharmaceutical industry and the structures of modern society. Drug manufacturers today fund aggressive marketing campaigns designed to create public awareness of “previously unknown diseases,” or conditions known by less dramatic names in order to sell pharmaceutical drugs and other psychotropic interventions. Shyness is thus marketed as “Social Anxiety Disorder,” worry becomes “Generalised Anxiety,” and premenstrual tension as “Premenstrual Dysphoric Disorder” which must be treated by drugs made popular through advertising, such as Paxil, Zoloft and Prozac. These drugs have become household names, not to mention a 20 billion dollar a year racket. How? Why?
Servant or Slave follows the lives of five Aboriginal women who were stolen from their families and forced into indentured labour to be domestic “servants” for white people during the late 1890s and into 1900s in Australia. With the government exercising complete control over their wages and livelihood, many thousands of Aboriginal children were condemned to a treadmill of abuse, battery, rape, and slavery, only to discover that even today they’ve had to fight for recognition, respect and reparation for their treatment in the past. This film recounts their experiences, as a portrait of courage, strength and the fortitude to pursue justice for the crimes committed against them.
Using undercover filming, Sex and Survival in Madagascar exposes the booming child sex trade of the 21st Century. In the hub of Madagascar, one of the world’s poorest countries, prostitution is rampant and seen as an unavoidable means of survival. The film shows the complicity and complacency of authorities that do not act to stop this terror, and so the acts of resistance against sex slavery are carried out by the children themselves.
Sex Slaves documents an extraordinary journey deep into the world of sex trafficking from the perspective of Viorel—a young man trying to find his wife Katia who was four months’ pregnant when she left home looking for a job. Along the way, the production team takes a rare, hidden-camera look at various traffickers, pimps and middlemen who buy and sell hundreds of thousands of women each year. Lured by traffickers who prey on their dreams of employment abroad, many of the women are then kidnapped and “exported” to Europe, the Middle East, the United States and elsewhere. During this process, they are sold to pimps, locked in brothels, drugged, terrorised and raped repeatedly. In Eastern Europe, sex trafficking has become the fastest growing form of organised crime, with Moldova and Ukraine widely seen as major suppliers of women into the global sex trade…
When Julian Assange arrived in Sweden in August 2010 he was greeted like a hero. But within weeks there was a warrant out for his arrest and he was being investigated on allegations of rape and sexual misconduct. Today, Assange is cornered in the Ecuadorean Embassy in London, arguing he won’t receive justice if he’s taken to Sweden and that authorities in the United States are building a case for his extradition. In Sex Lies And Julian Assange, Andrew Fowler retraces what happened in those crucial weeks while Julian Assange was in Sweden. What was the nature of his relationship with the two women? And what happened with the police and prosecutors?
During a ten-hour period in January 1995, Annabel Chong had sex with 251 men in front of cameras. The event was a world record and the resulting video sold more than 40,000 copies, starting a trend of record-breaking gang-bang pornography. Chong states that she intended for this act to “challenge the notion of women as passive sex objects,” and added, “I wanted to take on the role of the stud. The more [partners], the better.” Sex: The Annabel Chong Story revisits the story of that day and connects it to Chong’s life as a student and as the daughter of a middle-class Chinese couple in Singapore. She talks about her decisions, and the film also follows her to an AIDS test after the world-record-setting recording where she also self-harmed and was never paid the $10,000 she was promised. The film closes on route home to Singapore, where Chong visits her parents who do not know about her dealings with the porn world, while friends and professors do. Should she tell her mother?
From tiny tots strutting bikini-clad bodies in beauty pageants to companies marketing itty-bitty thongs and padded bras directly to 9-year olds; images of ever-younger sexualised girls pervasively saturate the media landscape. Add to that: ever-younger boys with 24-7 access to hard-core internet porn and the situation permeates every aspect of their lives—from skate parks to the school bus. By the time they’re eighteen, 80 percent of boys are watching porn online. Then add to that smart phones and social networking websites, and kids can not only consume X-rated images, but can now also produce them. Sexting has become a Grade 7 right of passage. Sext Up Kids exposes how growing up in a hyper-sexualized culture hurts everyone. Teens and pre-teens show and tell what they are doing and why they are doing it. Psychologists and social researchers reveal startling new evidence, tracking how the pressure to be sexy is changing teen and sexual behaviour in alarming ways. Parents and educators struggle to help kids navigate puberty in a world where the line between pop culture and porn culture is increasingly blurred. For every parent who thinks, “that’s not my son or daughter,” Sext Up Kids is your wake up call.
An ex-pornstar, a 12 year old girl, and a 22 year old who yearns for the ‘normal’ genitals as seen in porn movies, are just some of whom are chronicled in Sexy Baby to draw together how the current relentless culture of pornography, social media and popular culture are deeply and profoundly affecting the lives women and girls. Based on intimate and candid conversations with kids in middle school classrooms, suburban shopping malls, nightclubs, college dorms, and high school house parties, the film chronicles trends among small town and big city kids—the pervasive culture affects everyone, everywhere. Most youngsters know someone who has emailed or texted a naked photo of themselves. Many kids have accidentally or intentionally had their first introduction to sex be via hardcore pornography online. Facebook has created an arena where kids compete to be “liked” and constantly worry about what image to portray. Much of what was once private is now made public. The list goes on. Sexy Baby is a powerful indictment of the Internet age and the hyper-sexualised culture affecting women and girls everywhere, as well as an insight into the struggle of parents navigating this new culture, wanting what is best for their kids and the generations to come.
Sexy Inc. analyses the hyper-sexualisation of today’s media environment and its noxious effects on young people. Psychologists, teachers and school nurses criticise the unhealthy culture surrounding our children, where marketing and advertising are targeting younger and younger audiences and bombarding them with sexual images…
Ninety percent of American media is controlled by five big, for-profit-conglomerates, creating a media monopoly of informational and social control never before possible. The overwhelming collective power of these firms raises troubling questions about democracy. Using a handful of in-depth cases out of a vast array of examples, speaking with renowned journalists, activists, and others, Shadows of Liberty reveals the hidden machinations of the news media, drawing into focus the vast mechanisms of censorship, cover-ups, and corporate control that have been built up over many decades. Journalists are prevented from pursuing controversial news stories, people are censored for speaking out against abuses of government power, and individual lives are shattered as the arena for public expression has been turned into a vessel for advertising, warmongering and distraction. Will the Internet remain ‘free’, or succumb to the same control by the same handful of powerful, monopolistic corporations—as we see?