Are we willfully trashing the planet in the pursuit of endless things? What’s the source of the frenetic consumer energy and desire? In a fast-paced tour of the ecological and psychological terrain of consumer culture, Shop ‘Til You Drop challenges the viewer to confront these questions head-on. Taking aim at the high-stress, high-octane pace of materialism, the film moves beneath the seductive surfaces of the commercial world to show how the other side of consumerism is depletion—the slow, steady erosion of not only the natural world, but basic human and community values. Shop ‘Til You Drop contextualises the turbulence of this moment, providing an unflinching critique of the limits of consumerism and the so-called “pursuit of happiness.”

Following the police shootings of Bernardo Palacios Carbajal and George Floyd in the United States, Shots Fired investigates the use of deadly force by police in Utah, with local journalism partner The Salt Lake Tribune. The filmmakers are given rare behind the scenes access to police training, and in the police’s bid to smooth public perceptions, access to discuss tactics and accountability, as well as racial disparities in the way force is used. The film pieces together data and videos from police ‘use of force’ cases, and asks the hard questions about police culture in the United States in general.

Sir! NO Sir! tells the story of how—from the very start of the war, such as with the Green Berets—there was resentment within the ranks over the difference between the war in Vietnam and (as persons state in the film) the “good wars” that their fathers had fought. In the beginning some simply left the military as individuals, though over time, it became apparent that so many were opposed to the war that they could speak of a movement — which over time eventually made the military almost inoperable…

Far from ending with the abolition of slavery, the trade in human beings is thriving more than ever before. Today, 27 million men, women and children are held, sold and trafficked as slaves throughout the world. From the sex slaves of Eastern Europe to China’s prison labour slaves; from Brazil’s hellish charcoal slave camps to entire families enslaved in Pakistan’s brick kilns, this series exposes the people behind modern slavery and the companies who profit from it.

We tend to think of slavery as one of the points in Colonial History’s dark past—an offence against humanity that was abolished in the 18th century. But slavery is rampant like never before. It’s just that today the slaves are well hidden in plain sight. The global economy has enabled the immense wealth of the West, giving rise to strengthening a sinister market in slaves throughout Africa, Asia, South America, Britain and the United States. This film sets out to discover where slavery is flourishing, why it’s touching all of our lives, and how we can challenge it.

Slim Hopes shows how the stories advertising tells us about food, femininity, and the female body directly contribute to anorexia, bulimia, and other life-threatening eating disorders. From ads that glamorise emotional eating with catch-phrases like “you can never have too much,” to ads that promote thinness and tell women to watch what they eat, Slim Hopes takes the advertising industry to task for sending young women in particular, a set of deeply contradictory and unhealthy messages about food and body image.

There are billions of people increasingly glued to ‘smartphones’ and consumed by the seemingly endless spectacle of ‘social media.’ But why? Reporter Hilary Andersson seeks to answer this question by tracking down insiders who reveal how social-media companies have deliberately developed habit-forming technology to get people addicted. Former Facebook manager, Sandy Parakilas, tells us the “goal is to addict you and then sell your time.” Likewise, Leah Pearlman, the co-creator of the renowned ‘Like’ button, warns of the dangers of social-media addiction. Through these voices, and many others, Andersson shows how behavioural science is profoundly used by tech companies to keep people endlessly checking their phones, to the end of huge profits.

Snowden’s Great Escape documents the story of Edward Snowden in Hong Kong in the days after he gave journalists a trove of secret documents about the global mass-surveillance network. The journalists had returned home and the revelations were slowly being published, but Edward Snowden himself was alone, with minimal money, and the largest hunt in history to frantically drag him back to the United States was closing in. This film shows how Snowden, without contacts or money, was able to shake the United States government to its core, evade the hunt, and go on to expose and confirm the reality of ongoing global surveillance by the world’s so-called democracies. The story serves as sobering inspiration for ordinary citizens to go against all odds and fight back against the pervasive dark world of surveillance and social manipulation, not only in the US or UK, but everywhere.

Using the 1992 presidential election as his springboard, film-maker Brian Springer captures the behind-the-scenes manoeuvrings of politicians and newscasters in the early 1990s. Pat Robertson banters about “homos,” Al Gore learns how to avoid abortion questions, George Bush talks to Larry King about halcyon and other drugs—all presuming they’re off-air. Composed of 100% unauthorised satellite footage, Spin is a surreal expose of media-constructed reality, posing larger questions about the functioning of not only corporate media, but the political systems in which they support and how this in-turn plays to the media-constructed reality and so on.

Spin the Bottle critiques the role that popular culture plays in glamorising excessive drinking and high-risk behaviour, in contrast to the ways alcohol affects the lives of real young men and women in reality. This film decodes the power and influence of seductive media images to show how they shape personal identity when linked to the use of alcohol. Nowhere is this link more apparent than on America’s college campuses. By exploring the party scene, Spin the Bottle also shows the difficulties young people have in navigating a cultural environment saturated with messages about gender and alcohol. Interviews with health professionals provide a clear picture of how drinking impacts student health and academic performance, but it is the students’ own experiences and reflections that tell the real story behind alcohol’s alluring public and cultural image.

Filmmaker Denice Ann Evans draws heavily on the voices of students in this powerful exploration of hookup culture on college campuses. Supplementing the stories of students with analysis from health professionals and social commentary, the film’s main concern is whether hookup culture is offering young people a new and potentially liberating set of sexual rules, or whether it’s simply reinforcing traditional gender roles and blurring the line between consent and coercion. The result is a timely film that asks tough questions about the relationship between hookup culture, gender politics, and the alarming levels of sexual assault and binge drinking that continue to plague college campuses.

Exempt from environmental protection laws, the oil and gas industry has left idyllic landscapes and rural communities throughout the United States pockmarked with abandoned homes, polluted waterways and aquifers, as well as plenty of sick people. Split Estate zeroes in on Garfield County in Colorado, and the San Juan Basin where more demonstrations of water that can be set on fire are found, but industry isn’t just stopping there — fracking is spreading across the United States, with plans to even drill in the New York City watershed, as well as elsewhere around the globe. As the appetite for fossil fuels increases, Split Estate debunks claims by an industry that assures the public that it is a good neighbour, driving home the need to stop fracking, both here and abroad…

A group of conservation photographers travel to British Columbia, Canada, to capture the region in response to plans by several oil companies who want to build a pipeline for export from the Alberta tar sands, across British Columbia to the coast of the Great Bear Rainforest. The tar sands in northern Alberta are the largest, most destructive industrial projects in human history. The proposed pipeline not only threatens this area, but many others across Canada and indeed the world. Spoil follows several renowned photographers and videographers who show the Great Bear Rainforest’s landscapes, wildlife, and indigenous culture; calling to act before it’s too late…

Spy Merchants reveals how highly-invasive spyware, which can capture the electronic communications of a town, can be purchased in a ‘grey market’ where regulations are ignored or bypassed. Mass surveillance equipment can then be sold onto authoritarian governments, criminals, and terrorists alike. During a four-month undercover operation, an industry insider working for Al Jazeera filmed the negotiation of several illegal, multi-million dollar deals that breach international sanctions. The proposed deals include the supply of highly restricted surveillance equipment. The undercover operative also secured an extraordinary agreement to purchase powerful spyware with a company who said they didn’t care who was the end-user.

September 11 has indelibly altered the world in ways that people are now starting to earnestly question: not only perpetual orange alerts, barricades and body frisks at the airport, but greater government scrutiny of people’s records and electronic surveillance of their communications. The US National Security Agency (NSA) has engaged in wiretapping and the sifting of Internet communications of millions of people worldwide, including their own…

Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation…

Sri Lanka’s Killing Fields is an investigative two part series about the final weeks of the quarter-century-long civil war in Sri Lanka. The films are made and broadcast as UN Secretary-General Ban Ki-moon faces growing criticism for refusing to launch an investigation into ‘credible allegations’ that Sri Lankan forces committed war crimes during the the bloody conflict with the rebel group, the Tamil Tigers. With disturbing and distressing descriptions and film of executions, atrocities and the shelling of civilians; the programmes show and investigate devastating video evidence of war crimes—some of the most horrific footage of war ever captured.

In 2004, during the invasion of Iraq, the public learned of systemic sexual abuse, torture, rape and even murder going on inside Abu Ghraib prison in Baghdad. Photographs taken by the soldiers themselves were at the centre of the scandal, and seared public consciousness. Standard Operating Procedure sets out to examine the context of these photographs. Why were they taken? What was happening outside the frame? The Abu Ghraib photographs serve as both an expose and a coverup. An expose, because the photographs offer us a glimpse of the horror of Abu Ghraib; and a coverup because they convinced journalists and readers they had seen everything, that there was no need to look further…

Just along the fault lines of the Pacific Rim of Fire from Japan, lies Taiwan—another heavily industrialised, modern economy highly reliant on nuclear power. Ninety percent of the world’s earthquakes occur along the Rim of Fire, so no wonder there are worries about a fourth nuclear plant being built there. The government of Taiwan is promising to hold a referendum on its future, but if the reactor doesn’t go ahead the country’s nuclear strategy is in question, along with the $9 billion already spent on the plant. And the state-owned power company, Taipower, would face bankruptcy, leaving no one to manage Taiwan’s nuclear waste. The waste currently sits across the water on the tiny Orchid Island, quickly corroding and risking potential disaster for the native Tao inhabitants. As fears grow, can we learn from Fukushima before it’s too late?

We live in a world of screens. The average adult spends the majority of their waking hours in front of some sort of screen or device. We’re enthralled, we’re addicted to these machines. How did we get here? Who benefits? What are the cumulative impacts on people, society and the environment? What may come next if this culture is left unchecked, to its end trajectory, and is that what we want? Stare Into The Lights My Pretties investigates these questions with an urge to return to the real physical world, to form a critical view of technological escalation driven rapacious and pervasive corporate interest. Covering themes of addiction, privacy, surveillance, information manipulation, behaviour modification and social control, the film lays the foundations as to why we may feel like we’re sleeprunning into some dystopian nightmare with the machines at the helm. Because we are, if we don’t seriously avert our eyes to stop this culture from destroying what is left of the real world.

By planting a variety of fake celebrity-related stories in the UK media and having tabloid newspapers accept them without corroboration or evidence, Starsuckers navigates through the shams and deceit involved in creating a pernicious celebrity culture, uncovering the real reasons behind the addiction to fame and the corporations and individuals who profit from it.

Over three programmes David Attenborough travels from Kenya to California to investigate the contesting claims about the current state of our planet. In the first programme he examines the extinction crisis, measuring the disappearance of some species against the mass of life that still remains undiscovered. Then the crisis is explored further by looking at the root causes, where finally, the last programme asks: What are the possible courses of action open to us to sustain the future of life?

Presenting accounts from prominent players such as The Pirate Bay, Piratbyrn, and the Pirate Party in the Swedish piracy culture, Steal This Film documents the movement against intellectual property. In particular, the film provides critical analysis of the alleged regulatory capture attempt performed by the Hollywood film lobby to leverage economic sanctions by the United States government on Sweden through the WTO…

In the 1960s and 70s, British governments conspiring with American officials, secretly tricked into leaving and then expelled, the entire population of the Chagos islands in the Indian Ocean as to make way for a major American military base. Indeed from Diego Garcia, American military planes have since bombed Afghanistan and Iraq. Stealing A Nation documents the story of the islanders who were dumped in the slums of Mauritius and in the words of the British officials who left a ‘paper trail’ of what the International Criminal Court now describes as ‘a crime against humanity’…

Stealing America: Vote by Vote examines a bundle of documented cases of election manipulation and irregularities throughout the United States, some that stretch back as far as 1996. The film focuses on voter disfranchisement, the use of electronic voting machines, and voting anomalies such as uncounted ballots, inaccurate final vote tallies, and vote-switching. Through a combination of first-person accounts (including Democratic Sen. Bob Hagan of Ohio, who also witnessed vote-switching firsthand), extensive research and revealing clips from multiple TV news sources, this film investigates the many ‘glitches’ in voting procedures that result in literally millions of votes being potentially lost, miscounted or even deleted.

Steve Jobs: The Man in the Machine is not just another celebratory biographical film about the life of a business man that many around the world grieved in 2011. It’s a full rounded critical examination into the fundamentals of a person revered as an iconoclast, a barbed-tongued tyrant, a business sociopath. The real Steve Jobs is revealed like this through candid interviews from those who had close relationships with him at different stages of his life, including the mother of his child, Lisa, that Jobs refused he had, but named a computer after instead. The film also takes us through the evocative essence of the brand of Apple Computers which has captured the population like zombies, and asks the question: What is the legacy of this industry, and the truth of this kind of person that the culture celebrates so much, completely ignoring the darkness?

In Australia between 1910 and 1970, one in three children were removed from Aboriginal families and placed in government institutions and foster homes. These children, in most cases, were never to see their family again. The film tells the story of three Aboriginal people who were removed. Bobby Randall, Cleonie Quayle, and Daisy Howard. Their stories are combined with interviews with well-known Australian historians Marcia Langton and Henry Reynolds, who describe the racist assumptions behind these policies. Removing children was a deliberate government policy and the aim was the eventual disappearance of Aboriginal people as a whole.

Stop the Flows is a media project in progress to document resistance movements around the world that are working towards stopping the flows of oil and gas, minerals and other natural ‘resource’ extraction from within their communities, territories and landbases; as well as stopping the flow of the tremendous amounts of wealth generated from these destructive activities. This series aims to support and capture the many forms of organising, direct-action, protest and resistance movements throughout the world working to end mining, the oil economy, nuclear power and more…

Street Of Joy looks at how product marketing methods and advertising techniques are applied to politics by specifically following the campaigns around the election of Jimmy Carter in the United States during 1976. In these times, the techniques of today are seen in their early years, especially the use of carefully crafted images for use on television…

In the spring of 2012, a massive student strike in opposition to a tuition hike, rocked the streets of the Montréal for over six months. Protests and mass direct-action on the street became part of daily and nightly reality. Several times during the tumultuous spring, the numbers in the streets would reach over one hundred thousand. Police routinely clubbed students and their allies, and arrested them by the hundreds. Some were even banned from entering the city. But every time the cops struck, the student movement got bigger and angrier. This is a story about how the arrogance of a government underestimated a dedicated group of students, who through long-term organising, laid the foundation for some of the largest mass demonstrations in Canada’s history.

For 20 years the NSW Crime Commission went about its business with drugs quietly. When it scored a bust, it stood back and let politicians and the police bask in credit. But all that changed with the sensational arrest of the commission’s assistant director, Mark Standen, on charges of trafficking drugs. His spectacular downfall threw a spotlight onto the Crime Commission’s remarkable array of powers and how it abuses them. Secret hearings, witnesses compelled to answer questions, broad powers of search and surveillance, no independent review process…

Stupidity sets out to determine whether our culture is hooked on deliberate ignorance as a strategy for success. From Adam Sandler to George W. Bush, from the IQ test to TV programming, to the origins of the word “moron,” this film examines the celebration of dumbing-down in contemporary culture. Featuring opinions and comments from TV personalities to scholars, researchers, and the general public, Stupidity reveals that despite this culture’s extensive access to information and education, it continues to choose and celebrate stupidity and ignorance.

Subconscious War is a video essay exploring the influences of media and the culture of violence on reality, and the cultivation of collective values in society. The film contrasts the writings of Aldous Huxley and Neil Postman’s grim assessments; relating the concepts of works such as ‘Brave New World’ and ‘Amusing Ourselves to Death’ to the current cultural influences that foster today—corporate media and indeed media saturation, video games, television, and a pervasive technoculture, for example. What is being created? And what sort of people are being cultivated by this culture? Who benefits?

Sugar Coated investigates a once secret public relations campaign, dating back to the 1970s, where the sugar industry deflected threats to its multi-billion dollar empire from scientific research emerging implicating processed sugar with adverse health effects. In order to continue sweetening the world’s food supply, thus securing continued profits, the sugar industry turned to the very same deceptions and tactics lifted from the tobacco industry. Using big sugar’s own internal documents on this strategy, Sugar Coated reveals the well-oiled tricks of the trade to confuse the public about what is really driving the global pandemic of obesity, diabetes, and heart disease. Will we be fooled again?

Several lawsuits have been brought against McDonald’s corporation in that they are knowingly selling food that is unhealthy. Some of the court decisions have stated that consumers would have a claim if they could prove that eating the food every day for every meal is dangerous. So with that, Super Size Me follows film-maker Morgan Spurlock conducting the experiment — he eats only McDonald’s for thirty days, three meals a day, and if asked to super size a meal, he has to say yes. By the end of the thirty days, he will have eaten every single menu item at least once. The film documents the drastic effect on Spurlock’s health, while exploring the fast food industry’s corporate influence, advertising and how it encourages poor nutrition for its own profit…

Featuring George Bush’s famous “go-shopping-speech” calling for a war against terrorism that deters the nation from the fear of consumption; Castro responding with hymns to the anti-consumerist, advertising-free island of Cuba; Bill Gates and Steve Ballmer preaching that the computer will give us peace on earth, and “bring people together rather than isolate them”; while Adbuster Kalle Lasn warns that advertising pollutes us mentally, that over-consumption is unsustainable, that we are running out of oil and this will cause a global economic collapse…

The dominant culture measures itself by the speed of “progress.” But what if this so-called progress is actually driving the physical world towards full-force collapse? Surviving Progress shows how past civilisations were destroyed by progress traps—alluring technologies and belief systems that serve immediate needs, but ransom the future. As the total destruction of the environment accelerates and those in power cling to their power ever more tightly in denial, can this globally-entwined civilisation escape a final, catastrophic progress trap?

New surveillance technologies are penetrating every aspect of our lives and we don’t even know it. All across the world, millions of cameras are watching us. The police are able to record almost every journey and operate on ever expanding powers of search and arrest; governments collect our DNA, fingerprints and iris scans while colluding with corporations to profile us and analyse our behaviour. All of these measures, it is said by the state, is to protect our freedom…

A group of friends become curious about the sustainability of their eating regiments. They instigate a challenge, and send filmmaker Yasi Gerami off on a quest to investigate the sustainability of their eating ideologies. The friends come from different backgrounds and live in Toronto, Canada, but the inquiry takes the story of their food around the globe. As Gerami digs deeper, she realises the inconvenient truths not only about the environmental catastrophes caused by our dependence on mainstream food production methods, but also by the cataclysmic social justice impact of our eating habits in the global south. The film unfolds some popular myths on topics such as plant-based diets, healthy and nutritional foods, ethical eating, food politics, industrial agriculture, and how to attain a sustainable food culture. Sustenance helps the viewer discover these themes, prompting the viewer to question where our food really comes from, and how it genuinely affects the health of other people, other species, and ultimately the entire planet.

Sweet Crude is the story of how large oil corporations such as Shell and Chevron have absolutely decimated the Niger Delta, but the people are fighting back. The film shows the human and environmental consequences of 50 years of oil extraction against an insurgency of people who, in the three years after the filmmakers met them as college students, became the young of the Movement for the Emancipation of the Niger Delta (MEND). The movement is born after series of non-violent protests, and what the corporations and colonisers don’t understand is that these people will fight for their land and emancipation until the end. Sweet Crude is their story of survival and armed resistance against corrupt governments and rapacious corporate power, amongst a complicit and collusive mainstream media.