The Chicago Sessions explores the ethical implications of the financial crisis during three sessions with a group of law and philosophy students. The grounds of the University of Chicago provide a compelling arena, since it is here that both economist Milton Friedman—staunch promoter of free market capitalism—and Barack Obama, lectured. Examples of crisis related issues discussed during the sessions are: mortgage lending practices, foreclosures, bail outs and CEO pay. The students will test their ideas both on eminent professors and on field experts. The discussion is fueled and illustrated by case stories that the students themselves provide. The cases show how the financial crisis really affects the people of Chicago and in one example shows the consequences of the foreclosures in a neighborhood not far from the university and Barack Obama’s home.
How do online giants such as Facebook and Google deal with problematic content posted to their platforms every minute? They outsource the act of “digital cleaning” to teams of people paid a pittance in countries such as the Philippines, to act as content moderators. It’s these hidden low-paid workers, in giant click farms, that spend long shifts removing posts and deleting accounts. So how do their decisions influence what the billions of people using social media all around the world see and think? What are the policies they are told to enforce? Are the cleaners part of the online world of clever hoaxes and fake news, or are they on the frontline of social media spectacle and furor?
In the 1970s, acid rain and other ecological concerns were at the fore and it was at this time that climate change first became a pressing political issue. But the concern wasn’t global warming — it was the threat of a new ice age. So how did the scientific community manage to get it so very wrong? Uncovered 30 years later, the secret government organisation known as “Jason”, produces the first official report on global warming in 1979. Fast forward to the mid 1980s and global warming had already become a serious political issue. However, it is not until the 1990s that the issue turns out to become one of the biggest scientific controversies of the age…
Coca Cola is one of the most visible brands in the world, but there’s one part of the operations the corporation doesn’t want you to see. Colombia is the trade-union-murder-capital of the world. Since 2002, more than 470 workers’ leaders have been brutally killed, usually by paramilitaries hired by private companies intent on crushing the unions. Amongst the top unscrupulous corporate brands is Coca Cola…
The Coconut Revolution documents the struggle of the indigenous peoples in the Bougainville Island. The movement is described as the world’s first successful eco-revolution, in that the successful uprising of the indigenous peoples of Bougainville Island against the Papua New Guinea army stopped the mining plans of the RTZ company to exploit their land for resources…
Arguing that advertising not only sells things, but also ideas about the world, The Codes of Gender examines the commercial culture’s inability to let go of reactionary gender representations. Presenter Sut Jhally’s starting point is the breakthrough work of the late sociologist Erving Goffman, whose 1959 book The Presentation of the Self in Everyday Life prefigured the growing field of performance studies. Jhally applies Goffman’s analysis of the body in print advertising to hundreds of print ads today, uncovering an astonishing pattern of regressive and destructive gender codes. By looking beyond advertising as a medium that simply sells products, and beyond analyses of gender that tend to focus on either biology or objectification, The Codes of Gender offers important insights into the social construction of masculinity and femininity, the relationship between gender and power, and the everyday performance of cultural norms.
The Coming War on China is a warning that nuclear war is not only imaginable, but a ‘contingency,’ says the Pentagon. The greatest build-up of NATO military forces since the Second World War is under way on the western borders of Russia, and some 400 American military bases encircle China with missiles, bombers, warships and nuclear weapons. But these happenings are of course not reported as United States antagonism. Instead, there is a familiar drumbeat of war, the kind of the old “yellow peril,” a restoration of the psychology of fear that embedded public consciousness for most of the 20th century. The aim of this film is to break the silence, and as the centenaries of the First World War presently remind us, horrific conflict can begin all too easily. By recounting the secret and forgotten history of the rapacious actions of great power against China throughout the decades, such as the destruction of the Marshall Islands and the Opium wars, The Coming War on China is also a report of an inspiring popular resistance to nuclear weapons, military bases and warmongering of the United States, of which little is known in the West.
The Conservation Game follows the story of Tim Harrison, an Ohio cop who stumbles upon a bombshell discovery while undercover at an exotic animal auction. He starts to suspect that America’s top television celebrity conservationists may be secretly connected to the exotic pet trade. As his investigation leads deeper into the secret world of the big cat trade, Tim and his team take their fight to the halls of Congress, pressing lawmakers to pass federal legislation that would end the private breeding and exploitation of these endangered animals. But when opposition comes from an unexpected source, Tim is forced to face the demons of his own past, while wrestling with the consequences of exposing his childhood hero.
Did you know that the legal system recognises a corporation as a person? What kind of ‘person’ is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
The Cove analyses and questions Japan’s dolphin hunting culture, being a call to action to halt mass dolphin kills, to change commercial fishing practices and to inform and educate the public about the risks and ever increasing hazard of mercury poisoning from dolphin meat. Told from ocean conservationist Richard O’Barry’s point of view, The Cove documents a group of Taiji fishermen who engage in mass dolphin kills, which in large part, are motivated by the tremendous revenue generated for the town by selling some of the captured dolphins to aquariums and marine parks. The dolphins that are not sold into captivity are then slaughtered in the cove and the meat is sold in supermarkets…
The Crisis of Civilization draws on archive footage and essentially monologue by author Nafeez Mosaddeq Ahmed to detail how global problems like environmental collapse, financial crisis, peak energy, terrorism and food shortages are all symptoms of a single, failed global system…
Through exploring deep questions about the way mainstream media is organised and perpetuated in concert with technological development, media expert George Gerbner delivers a solid indictment of the way the so-called “information superhighway” is now being constructed. Following on from his solid work looking at the impacts of television on society, Gerbner turns to examining emerging technologies like V-chip and the way they interface with globalisation. This film urges the viewer to struggle for democratic principles in this emerging technoculture.
Kevin Warwick is a renowned researcher in the precarious field of cybernetics, the study of ‘artificial intelligence,’ human-control functions, robotics and so-called “cybernetic organisms.” His work, as self presented here, shows how implant and electrode technology can be used to control human brain functions, to create biological brains for robots, to enable so-called “human enhancement” and treatment for neurological illnesses. The end goal is transcending human “limitations” or transhumanism, according to Warwick, which inevitably stirs up many social, ethical and practical questions. What are the implications of this work, and this world view?
The Dark Side Of Chocolate follows a team of investigative reporters into Africa where human trafficking and child labour fuel the chocolate industry worldwide. The film travels to Mali where hidden footage reveals the trafficking of small children to the cocoa fields in the neighbouring Ivory Coast and elsewhere. What is happening behind the sweet imagery of the chocolate industry?
The Devil We Know investigates the toxicity of perfluorooctanoic acid—PFOA/PFA, also known as C8—the key ingredient found in non-stick cookware, stain resistant furniture and carpets, wrinkle free and water repellent clothing, cosmetics, lubricants, paint, pizza boxes, popcorn bags, and many other everyday products. The film centres on Parkersburg, West Virginia, in the United States, at the DuPont facility that manufactured Teflon, and dumped at least 1.7 million pounds of PFOA into rivers and streams between 1951 and 2003, knowing that it was a carcinogen. The film follows the personal stories of several people who worked at the facility that experienced cancers and birth defects, and also reveals the detection of PFOA in the blood of more than 98% of the general US population in the low and sub-parts per billion (ppb) range, with levels much higher in chemical plant employees and surrounding subpopulations.
The Digital Dump — Exposing The Electronics Waste Trade travels to Lagos, Nigeria with the Executive Director of a global environmental organisation called BAN based in Seattle. The film is recorded over the course of 10 hectic days, during the week that Hurricane Katrina hit, documenting the reality of an escalating global trade in toxic, obsolete, discarded computers and other e-waste collected in North America and Europe. The waste is sent to countries like Nigeria by waste brokers and so-called recyclers. In Lagos, while there is some ability to repair and refurbish old electronic equipment, local experts explain that of the estimated 500 40-foot containers shipped to Lagos each month, as much as 75% of the imports are simply junk and are not economically repairable or marketable. Consequently, this e-waste is being discarded and routinely burned, despite the legal status of it as being hazardous materials.
Britain’s National Health Service, the NHS, was the world’s first universal public health service, created out of the ideal that healthcare should be available to everyone, regardless of wealth. Designed to give millions of people “freedom from fear” following the Second World War, the NHS today is under threat of being sold-off and converted to a free-market model, inspired by the private health insurance system in the United States, which results in the deaths of an estimated 45,000 people every year. President Trump says the NHS is “on the table” in any future trade deal with America. Filmed in Britain and the United States, this timely documentary reveals what may be the last battle to preserve the most fundamental human right: health. Veteran filmmaker John Pilger takes us through a history of threats to Britain’s National Health Service, from its founding in 1948, through a push for privatisation during the 1980s, to challenges by the new politics of today and the drive for corporate take-over.
Through a series of portraits that reach across different class, ethnic and generational experiences, The Double Burden speaks to the diversity of pains and pleasures of working motherhood. What is it like to grow up in a family where mothers have always worked outside the home? Through the lives of three families—one Mexican-American, one Polish-American, and one African-American—each with three generations of women who worked outside the home while also raising families, this film aims to instil tremendous respect for the accomplishments of women and for women of different races, social classes and life-styles through the generations, against social odds, pressures and expectations.
The Dust Bowl is a four part series that chronicles the worst human-induced environmental disaster in history. A frenzied wheat boom, followed by a decade-long drought during the 1930s, destroyed much of the American and Canadian prairies through wind erosion. Blizzards killed agricultural crops and animals, threatened many other lives and forced thousands of people to pack up and move somewhere else. The series shows vivid interviews with twenty-six survivors from the dust storms, combined with dramatic photographs and footage from the era, recounting the stories of incredible human suffering at the hands of industrial agriculture—a linear system that destroys top-soil and exploits the land for quick surplus. The series also reveals a morality tale about how this culture exploits the land that sustains us—a lesson we ignore at our peril.
While corporations and governments continue to disseminate globalisation and the rapacious drive for consolidation of corporate power, people around the world are pushing back to reinstate local communities. Groups are coming together to rebuild human scale, local and ecological economies based on a new paradigm of localisation and sustainability. The Economics Of Happiness documents these shifts and shows how these communities have reclaimed their autonomy…
Television has colonised human storytelling—not only has creating and passing on culture been usurped by television and corporate media, today dominant culture is television and corporate media. The Electronic Storyteller outlines these changes and shows the cumulative impacts that television and mass media has on the way we think about ourselves and how we construct views of the world around us. With a focus on the stories of gender, class, and race, The Electronic Storyteller delivers an analytical framework to understand the pervasive forces behind what is at stake in the new world of saturated media and controlled imagery…
The Elephant in the Living Room examines the culture of raising the world’s most dangerous animals as household pets throughout the United States. Set against the backdrop of a heated national debate, the film chronicles the extraordinary story of two men at the heart of the issue: Tim Harrison, an Ohio police officer whose friend was killed by an exotic pet; and Terry Brumfield, a man who struggles to raise two African lions as his own family. In the first of many unexpected twists, the lives of these two men collide when Terry’s male lion escapes its pen and is found attacking cars on a nearby highway.
The Empathy Gap investigates how dominant culture bombards young men with sexist and misogynistic messages and argues that these messages not only devalue women but also undercut men’s innate capacity for caring and empathy. The film looks closely at the ways these messages short-circuit men’s ability to empathize with women, respect them as equals, and take feminism seriously, drawing parallels between sexism and racism, spelling out how each is rooted in cultural norms that discourage empathy, and shows how men who break with these norms live happier and healthier lives.
Located in Western Africa, Sierra Leone is a nation caught in a struggle between extreme poverty and extreme wealth. While diamond mining provides the bulk of the country’s income, most of its people struggle to survive by raising their own crops. In 1991, a rebel group called the Revolutionary United Front formed to take on government and corporate interests in a bid for a more just economy and an end to hunger. At first, the RUF was popular with Sierra Leoneans, many of whom resented the elite seen as corrupt and looked forward to the promises of free education, health care and equitable sharing of diamond revenues. However, as civil broke out, the RUF was brutal and developed a reputation internationally for its terrible cruelty towards civilians, and its widespread use of child soldiers. What ensued was bloody mayhem. Around 70,000 people lost their lives in the nearly 15 years of fighting, while millions lost their homes and many thousands were maimed. The Empire In Africa tells the story behind the brutality, and shines a light on the terrible bloodshed, with the view that future horrors may then end.
The End of Poverty? traces the growth of global poverty back to colonisation in the 15th century to reveal why it’s not an accident or simple bad luck that there is a growing underclass around the world. Featuring interviews with a number of economists, sociologists, and historians, the film details how poverty is the clear consequence of free-market economic policy which has allowed powerful nations to exploit poorer ones for their assets, turning the money back to the hands of the concentrated few. This also follows on to how wealthy nations—especially the United States—thereby exert massive debts, seize a much disproportionate exploit of the natural world, and how this deep imbalance has dire consequences on the environment and on people…
The suburbs are an unsustainable way of living. Developed in the post-war era of cheap oil and the car, the lifestyle was spruiked as the ‘escape’ from the industrial city to a more pastoral and rural way of life. However, they quickly evolved into a place that had neither of these qualities. Now, part of the problem of getting out of the suburban mentality is that a generation has grown up believing it to be a ‘normal way of life’ and even a life of entitlement, something which they will not give up without a fight…
Advances in technology, global demand and the very essence of the commercial fishing industry itself means that whole species of wild fish are under threat. The species of fish that we eat today are predicted to be in a state of collapse by 2050 — some are already extinct. Overfishing, or even more simply, the commercial fishing industry in general is to blame for this, along with celebrity chefs and ‘exotic’ restaurants; and mass consumer demand in today’s world of globalisation. The End Of The Line documents the concerns and the processes behind commercial fishing and it’s impact on the environment, the climate and the future existence of many species — including our own…
The Facebook Dilemma aims to open an in-depth investigation into the impact Facebook has had on privacy and democracy in the United States and throughout the world, by revealing how the decisions made by the company as it sought increased wealth and new users, transformed it into a vast surveillance machine, a media company, and a ‘hidden hand’ in elections and political discourse. Drawing on original interviews from those inside the company, this two part series catalogues some of the ignored warning signs, both inside and outside the company, of Facebook’s negative impact, growing from Zuckerberg’s dorm-room project and into a powerful global empire.
In the Arab-American neighbourhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbours think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of Operation Vulgar Betrayal, FBI documents that prove her hometown was the subject of one of the largest counter-terrorism investigations ever conducted in the United States before September 2001. No arrests or links to terrorist activity were ever made from the operation. The Feeling of Being Watched follows the examination of why a community fell under blanket government surveillance, the government secrecy shrouding what happened, and why her community feels like they’re still being watched today.
By examining the people and practices of the media and entertainment industries, The Fourth Estate illuminates not only specific incidences of corruption by press groups, but how the wider model of mainstream journalism itself as a for-profit entity has a huge amount to answer for in terms of democracy and the state of politics throughout the world. Filmed over two years throughout the UK on no budget, the filmmakers profile journalists, organisers and critics of industrial media practices, stemming from the Leveson Inquiry in 2011 which was set up to examine the culture, practices and ethics of the British press following the News International phone hacking scandals of the Murdoch media empire. While the phone hacking scandal illuminated the depth and breadth of the culture of British journalism, the media’s focus at the time quickly diverted from a brief period of self-examination, back to business as usual. This film instead continues the analysis by looking at the larger implications of a for-profit media model and its connections to ideology, entertainment, and hence the resulting political framework that’s in crisis.
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova and the “War on Terror” in New York, Afghanistan, and Iraq, The Fourth World War documents the stories of women and men all around the world who resist being annihilated in this war. Centred around economics and systems such as NAFTA, GATT, the G20, APEC and others, this is a war which plays along with the spread of rapacious globalisation, a feat that has pervasive consequences in the real world…
People from industrial civilisation are fast to defend it, saying that they depend on this way of life for survival. It’s an addiction. But what if civilisation is the very thing that is killing us and everyone else around? How could we survive then? The Fuck-It Point is about this pervasive disabling mindset of civilisation, its true cost, why and how we need to stop it from killing the planet, and why most people from civilisation don’t want to do this. Will you do what is necessary to stop this culture from killing the planet?
The Future Of Biometrics takes a look at current day technologies that interface with the human body for surveillance, identification, tracking and analysis. Using fingerprints, retina scans, gate analysis and other more intrinsic physical or behavioural traits, biometric technologies provoke a range of pertinent questions around social control, privacy and mass surveillance, especially that these technologies are in use, today…
The Future of Food brings together the many complex issues surrounding the troubling changes that have occurred in the industrial food system during the past decades—genetically modified food, seed patenting, pesticides; and the corporate takeover of the entire food chain, from soil to seed to fork. The issues raised in The Future of Food are more pressing than ever, as the collusion between governments and large multi-national corporations is more visibly on display than ever before—the use and abuse of the legal system, politicking, and privatisation drive this rapacious strangle hold on much of the world’s food. The film focuses on unlabelled, patented, genetically engineered foods that have been sold in supermarkets in the United States, unbeknownst to the public, for the past decade. In addition, there is a focus on Canada and Mexico. Also described is the concern about ‘terminator’ GMO seeds that pose a huge threat to diversity and local food systems. Genetically modified food is as controversial today as ever, and The Future of Food presents a vital educational tool for activists and educators worldwide.
Neuroscientist Professor Susan Greenfield says today’s developing brain is being worryingly reshaped by excessive visual stimulation — the effect of a culture driven by screens. Biotechnology, nanotechnology, even the internet are all impacting on our brains and could be heralding future generations with different abilities, agendas and even ways of thinking. Her prediction is that we might be standing on the brink of a cataclysmic mind-makeover never before seen…
During the summer of 2013, a new area of occupied Sápmi (the northern parts of Fennoscandia in Europe) were under attack from the mining industry. If it were not for groups of brave resisters, the test blasting outside Jokkmokk in Lapland, Sweden, would have gone by without incident. The local Sámi people would have once again been exploited, and future generations poisoned without even a debate. But this time, something happened. The Gállok Rebellion tells the story of the resisters in Gállok, and shines a light on views which are not often televised. The film collates the efforts of many groups working together and serves as a call to action, to continue to protect the natural world which is under siege.
The Garden tells the story of South Central Farm — a 14 acre community garden and urban farm located in Los Angeles, California, which was in operation between 1994 and 2006. The entire lot is evicted and demolished against overwhelming local support for the farm and also despite the community raising an incredible amount of money to purchase the land from the owner. The owner refuses to sell and the land is demolished and still sits vacant, unused…
With access to undercover filming, The Gas Rush reports on a group of farmers and local townspeople in Queensland, Australia who want to halt the rapacious rush for coal seam gas. With scenes similar to that in Gasland — corporate deceptions, contaminated water supplies, toxic fracking chemicals, leaky wells and people setting their water on fire — The Gas Rush illustrates the fact that the drive to extract gas is not only happening in the United States…
Is genetic engineering really dangerous? The manufacturers claim that genetically modified food “produces higher yields, fights world hunger, and reduces the need for pesticides.” But at what cost? Following the Trail questions whether any solid testing has been done to determine the safety and risks of genetically engineered foods and examines evidence to test the veracity of the claims made by genetic engineering corporations that the foods produce ‘higher yields, fight world hunger’ etc…
Millions of people around the world are finding work by-the-job online. The “gig economy” is worth more than $5 trillion worldwide, and seemingly growing. But who are these workers? Seduced by the promise of independence, and control over their working hours and income, people around the world that are lured into the gig economy now face the harsh reality of it algorithmically-driven market place: dangerous working conditions, instability, and the precariousness of their work that can stop overnight in the case of deactivation or a bad review. Through committed characters, The Gig is Up shows that the so-called ‘freedom’ that is espoused by this technological economy is only an illusion.