Imagine a home that heats itself, that provides its own water, electricity and spaces to grow food. One that needs no expensive technology, that recycles its own waste and that can be built anywhere, by anyone, out of garbage. Literally. Thirty years ago, architect Michael Reynolds imagined such a home and then set out to build. Today, there are strong communities of people living in these homes throughout the world, but all doesn’t come without the constant resistance and hindrance from government and big business which are rightly threatened…

Payback Time recounts the experiences of Ramin Bakhtiarvandi as an asylum Seeker in Australia’s Detention Centres from June 2000. After his release from a 4 year long detention, Ramin receives a $227,000 bill from the government. Payback Time raises serious questions about the conduct of the Australian Government to this day when dealing with asylum seekers, as well as revealing the harsh realities of a racist culture and complicit mainstream media.

Following up from The End Of Suburbia, this film examines the rich interplay on the subtle relationships between the energy crisis, neighbourhood gardens and the collapse of the ‘American dream’. Escape From Suburbia outlines potential solutions with interviews from individuals across the world who are brave enough to challenge their communities toward change…

9/11 — Birth Of Treason provides an analysis of the attacks of September 11 2001. Amongst interviews and exchanges, Steven Jones and Kevin Ryan of Scholars for 9/11 Truth and Justice speak about their research. Examined is the phenomenon of the freefall-speed collapse of the towers and building 7, and Steven Jones’ research into Thermite/Thermate explosives…

The average child in the United States spends 40+ hours per week consuming media—the equivalent of a full-time job. This means that by the time children born today turn 30, they will have spent an entire decade of their lives in front of a screen. Remote Control examines the implications of this unprecedented level of exposure by showing the media habits of two families and supplementing their personal insights with interviews from media experts and educators. Revealed is the centrality of media in our lives and far-reaching effects that we are only beginning to understand, as well as ways we might begin to help our children live a life instead of watching one.

What Would Jesus Buy is an examination of consumerism with a specific focus on Christmas in America. The film follows culture jamming outfit ‘Reverend Billy’ from the Church of Stop Shopping and the gospel choir which embark on a cross-country mission to “save Christmas from the Shopocalypse”. Also discussed on the way are related issues such as the role sweatshops play in America’s ‘Big-Box’ shopping culture. From the humble beginnings of preaching at his portable pulpit on New York City subways, to having a ‘congregation’ of thousands, Bill Talen (Rev. Billy) has inspired not just a ‘church’, but a national culture jamming movement…

The Big Sellout reveals the reality of privatisation and globalisation by examining the corporate takeover of basic public services throughout the world, such as water supply, electricity, public transportation, and public health care. In South America, Asia, Africa, but also in Europe and the United States, filmmaker Florian Opitz talks to the architects of the new economic world order, as well as to ordinary people who have to deal with the real direct effects. The result is a tapestry of narratives the world over that show where the dogma of privatisation cames from, who profits from it, what societies lose, and why resistance is so important.

Demand investigates the commercial sex trade, across four countries: The United States, Netherlands, Japan, and Jamaica. The film reveals a harrowing first-hand account of the impact of soaring consumer demand for vulnerable women and children, to be victimised in sex trafficking markets. By exploring the entrenched connections of pornography, to widespread sexual assault, to a pervasive globalised human trafficking market, Demand questions the conditions that keep the inertia of the commercial sex trade roaring across the globe…

Confessions of an Economic Hit Man is a presentation by John Perkins, based on the book by the same name published by him in 2004. Perkins describes the role: “Economic hit men are highly-paid professionals who cheat countries around the globe out of trillions of dollars. They funnel money from the World Bank, the US Agency for International Development (USAID), and other foreign “aid” organisations into the coffers of huge corporations and the pockets of a few wealthy families who control the planet’s natural resources. Their tools included fraudulent financial reports, rigged elections, pay-offs, extortion, sex, and murder. They play a game as old as empire, but one that has taken on new and terrifying dimensions during this time of globalisation.”

The Invisible War documents the rapid militarisation of police in recent years by looking at the deployment of so-called ‘non-lethal’ weapons and the real effects of their use. Shotguns loaded with bean bags, rubber bullets, wood, rubber, and foam cylinders; electrical tasers; pepper sprays, OC-gas, and other chemical weapons; microwaves, stink bombs, pulsed energy weapons and many more. What is interesting is that, according to an overwhelming amount of recorded cases, these weapons have turned out to have caused many deaths and/or serious injuries, and are more often used on peaceful non-compliant citizens, or protesters, as a means of obedience rather than protection—invoking serious questions about the future of police and society.

In the wake of September 11, 2001, Sibel Edmonds is approached by the FBI. As an American of Iranian and Turkish origin, Edmonds’ linguistic skill-set makes her a valuable asset to the Language Services Unit, where she spends months translating high-security clearance documents. One day shortly after reporting the possible infiltration of her unit by Turkish spies to her supervisors and their supervisors, Edmonds’ world is turned upside-down. Instead of seeing her colleague become the target of an investigation, she is interrogated, then unceremoniously fired and warned not to pursue her claims any further as she would be watched and listened to. Kill The Messenger documents both Edmonds’ personal struggle to expose the criminality uncovered while at the FBI, and also the September 11 tied ‘secret’ itself—the network of nuclear black-market, narcotics and illegal arms trafficking activities.

Blood Coltan travels to eastern Congo, where a bloody war is happening over a precious metal called Coltan—a raw material used in electronic devices such as computers, televisions and mobile phones. The demand for Coltan is driven by the west, funding the war in Congo between rebel militias and children as young as ten who work the mines hunting for this precious material of the technocratic age…

For many years now the American foreign policy has been characterized by the strong tie between the United States and Israel. Does the United States in fact keep Israel on its feet? And how long will it continue to do so?

This short film chronicles a metamorphosis of mainstream media and political power throughout the last decades, by looking at the role of the television journalist. In the early 1950s, not long after the invention of television itself, TV journalists essentially served as prompters for government figureheads and official viewpoints. This function changed somewhat however, with the political scandals of the 1960s and 70s, exemplified by Watergate, where some journalists joined the mainstream shift in society of questioning political power, big business and bureaucracy. Out of this boomed a new era of investigative journalism. But this ended with the fall of the Berlin Wall as the old certainties of “good and bad” and “right and left” were blurred and no longer simple. But rather than working to make sense of the complexity, journalism turned from moral principles to a simple reporting of experience, devoid of context. TV journalists now plead with the audience to send in photos and videos as a kind of so-called “democratised” media, but what actually functions as a vast echo-chamber of uncertainty and unaccountability.

Most people who know that the mainstream media manipulates stories, manufactures illusions, and exploits fears can realise that the reason is more than just bias or sloppy reporting. Behind The Big News shows the ideological agenda that originates outside the media that defines today’s headlines, using examines of some of the biggest news stories in recent decades to illustrate how this agenda is rigorously promoted and protected.

Taxi To The Dark Side examines America’s policy on torture and interrogation in general, specifically the CIA’s use of torture and their research into sensory deprivation. There is description of the opposition to the use of torture from its political and military opponents, as well as the defence of such methods; the attempts by Congress to uphold the standards of the Geneva Convention forbidding torture; and the popularisation of the use of torture techniques in American television shows…

60 years after the United States dropped nuclear weapons on Hiroshima and Nagasaki in Japan, the events are still espoused with denial and myth in histories taught by the west. White Light, Black Rain breaks this acquiescence and accounts the bombings from the point of view of the people who were there, speaking with survivors of the attacks and four American military men that were intimately involved in dropping the bombs. The film intimately details the human costs of warfare and stands as a powerful warning that with enough present-day nuclear weapons worldwide to equal 400,000 Hiroshimas, we cannot afford to forget what really happened with these events.

September 11 has indelibly altered the world in ways that people are now starting to earnestly question: not only perpetual orange alerts, barricades and body frisks at the airport, but greater government scrutiny of people’s records and electronic surveillance of their communications. The US National Security Agency (NSA) has engaged in wiretapping and the sifting of Internet communications of millions of people worldwide, including their own…

Pornography is now more easily accessible than ever before—it’s a click away on the internet. And many men are finding their everyday relationships in impacted because of their porn addiction. This documentary examines the problem and explores growing evidence that there is a chemical basis in the brain for the condition, related to dopamine, uncovering the human costs of porn addiction along the way. The film follows some real life examples of people battling their addiction, as well as reviewing some cases where addiction has unravelled with tragic results. But as with any addiction, the good news is that it can be turned around…

The Planet is a stylised observational video commentary that brings together an overview of the many global changes set about by industrial civilisation. Viewed through the myriad connections between consumerism and the false notion of a perpetually expanding economy on a finite planet, the film peers across the globe to reveal systemic exploitation; species extinction driven by industrial agriculture, logging, mining, manufacturing, pollution, the age of oil and plastic, etc; climate change; carrying capacity and population growth; while also positing that we—as in you and me—can do something, anything, to stop the destruction.

Around 8.4 million children around the world are enslaved today. Child Slavery travels across three continents, focusing on five children and their stories…

Robert Beckford visits Ghana to investigate the hidden costs of rice, chocolate and gold and why, 50 years after independence, a country so rich in ‘natural resources’ is one of the poorest in the world. He discovers child labourers farming cocoa instead of attending school and asks if the activities of multinationals, the World Bank and International Monetary Fund have actually made the country’s problems worse…

Good Copy Bad Copy is a documentary about the current state of copyright and culture in the context of Internet, peer-to-peer file sharing and other technological advances. Featuring interviews with many people with various perspectives on copyright, including copyright lawyers, producers and artists, Good Copy Bad Copy documents that “creativity itself is on the line” and that a balance needs to be struck, or that there is a conflict, between protecting the right of those who own intellectual property and the rights of future generations to create…

What stories do contemporary music videos tell about girls, women, boys, men, sexuality and gender? What are the cultural values portrayed? And from whose perspective? Dreamworlds encourages viewers to consider how these narratives shape individual and cultural attitudes about sexuality. Illustrated with hundreds of examples, the film accounts both the continuing influence of music videos and how popular culture generally filters the identities of young men and women through a narrow and dangerous set of myths about sexuality and gender; asking viewers to re-look at the images that have been normalised and meanings taken for granted throughout popular culture…

Filmed in Thailand and the Philippines in July 2007, Squeezed tells the story of how free trade agreements and globalisation are changing the lives of millions of people living in the Asia-Pacific region with APEC. Featuring interviews with farmers, workers and slum-dwellers, the film travels across the landscapes of Asia, from the lush rice paddies of Thailand to squatter settlements perched on a rubbish dump in urban Manila. Documenting these contrasts and contradictions, Squeezed accounts the impact of globalisation…

What if you live in the most destructive culture ever to exist? What if that culture refuses to change? What do you do about it? Derrick Jensen, the author of Endgame responds to these imperative questions and details how industrial civilisation and the persistent and widespread violence it requires is ultimately unsustainable—and what to do about it. Jensen weaves together history, philosophy, environmentalism, economics, literature and psychology to produce a powerful argument that demands attention…

The Intelligence Revolution is an extolling and largely non-critical account by advocate Michio Kaku who unflinchingly explains how artificial intelligence will “revolutionise homes, workplaces and lifestyles,” and how virtual worlds will apparently become “so realistic” that they will “rival” the real physical world. Robots with “human-level intelligence” may finally become a reality according to Kaku, and in the ultimate stage of scientific mastery, the era of control imperative and domination, this culture will seek to merge human minds with so-called machine intelligence. Also, for the first time, we see how a severely depressed person can be turned into a happy person at the push of a button—all thanks to the convergence of neuroscience and microtechnology. What’s wrong with such developments? And the larger culture such that technologies like this are being developed in the first place? How do such prospects impact the real physical world and the real physical lives of all of us?

Atomic Footprints uses archival footage and new material from the outback of Australia to examine the nuclear fuel chain, and the current push to expand uranium mines throughout Australia. This film speaks with local indigenous communities about the impact of already-existing uranium mining and refinement, and shows in clear examples some of the reasons why we should continue to oppose it around the world.

In 1929, in the face of collapsing demand for coal and a deepening economic crisis, mine owners in the Hunter Valley of New South Wales, Australia; announced, with the support of government, that they would cut miners’ wages and strip them of their workers rights. When the workers refused to agree to these terms the mine owners locked the gates. 10,000 miners, pit boys and their families now found themselves without a job. What began as an dispute about industrial labour ended up overpowering a government, crippling an industry and besieging a community. This event challenged the rights of every Australian worker, and redefined the political and industrial landscape of a country that witnessed an event forever remembered as ‘The Great Australian Lockout.’

We is a visual essay exploring the politics of empire, war, corporate globalisation, imperialism and history; using the words of Indian author and political activist Arundhati Roy, from her speech Come September given in Santa Fe, New Mexico one year after the September 11th attacks—not long after the invasion of Afghanistan. The result is a mix of archive footage illustrating specific historical events throughout South America, the Middle East and elsewhere, in context with the September 11th attacks; placed alongside the themes of empire, global economics and a short history of neo-collonialism…

New surveillance technologies are penetrating every aspect of our lives and we don’t even know it. All across the world, millions of cameras are watching us. The police are able to record almost every journey and operate on ever expanding powers of search and arrest; governments collect our DNA, fingerprints and iris scans while colluding with corporations to profile us and analyse our behaviour. All of these measures, it is said by the state, is to protect our freedom…

With the fall of the Soviet Union in 1990, Cuba’s economy collapsed. Imports of oil were cut by more than half and food by 80 percent. The Power Of Community tells of the hardships and struggles as well as the response during the collapse, explaining how the country transitioned from a highly mechanised, industrial agricultural system to one using organic methods of farming and local, urban gardens…

The untold history of The Project for the New American Century is no more. This film exposes how every major war in US history was based on a complete fraud with video of insiders themselves admitting it. This documentary shows how the first film theatres in the US were used over a hundred years ago to broadcast propaganda to rile the American people into the Spanish-American War; the white papers of the oil company Unocal which called for the creation of a pipeline through Afghanistan and how their exact needs were fulfilled through the US invasion of Afghanistan; how Halliburton under their “cost plus” exclusive contract with the US Government went on a mad dash spending spree akin to something out of the movie Brewster’s Millions…

Occupation 101: Voice of the Silenced Majority details life in the West Bank and Gaza Strip under Israeli military occupation. Examining events from the rise of Zionism to the Second Intifada and Israel’s unilateral disengagement plan, as well as the role of the United States in the occuption, this film gives voice to many American and Israeli scholars, religious leaders, humanitarian workers, and NGO representatives—more than half of whom are Jewish—who are critical of the injustices and human rights abuses stemming from Israeli policy in the West Bank, East Jerusalem, and Gaza.

The Battle Of Chernobyl recounts the most significant and catastrophic nuclear explosion in history — an incident that was kept secret for twenty years by the Soviet Union and United States alike. More than 200 people died or were seriously injured by radiation exposure immediately after the explosion and many generations later, the impacts are still felt in cancers, birth defects and toxic ecology, with millions of people still suffering from radiation related health problems such as leukaemia and thyroid cancer…

Is genetic engineering really dangerous? The manufacturers claim that genetically modified food “produces higher yields, fights world hunger, and reduces the need for pesticides.” But at what cost? Following the Trail questions whether any solid testing has been done to determine the safety and risks of genetically engineered foods and examines evidence to test the veracity of the claims made by genetic engineering corporations that the foods produce ‘higher yields, fight world hunger’ etc…

On September 11, 2001 and for approximately nineteen years prior, William Rodriguez was employed as a maintenance worker at the World Trade Center. On the day of the attacks, Rodriguez initially rescued fifteen persons from the World Trade Center, and as the only person at the site with the master key to the North Tower stairwells, he led fire-fighters up the towers unlocking doors, aiding in the successful evacuation of unknown hundreds of those who survived. This is the account of his version of events…

The American Blackout chronicles the 2002 defeat, and 2004 re-election, of Congresswoman Cynthia McKinney to the U.S. House of Representatives, focussing on issues surrounding voter disenfranchisement and the use of electronic voting machines in both the 2000 and 2004 presidential elections…

Big Bucks, Big Pharma looks at the varied insidious methods of the multi-billion dollar pharmaceutical industry to manipulate—and in some instances create—psychological conditions for profit. Focusing on the advertising for psychotropic drugs, the film demonstrates the ways in which pharmaceutical marketing glamorises and normalises the use of prescription medication, and how this works in tandem with promotion and delivery by doctors. These practices combine to shape how both patients and doctors understand and relate to mental and physical health, as well as treatment. Ultimately, Big Bucks, Big Pharma challenges the viewer to ask important questions about the consequences of a society relying on a for-profit industry for collective health and well-being.

My Country, My Country documents the United States’ invasion of Iraq from an insider’s perspective, as told by Iraqi citizens themselves, and by the efforts of a devoted father and Sunni Muslim political candidate. Filmmaker Laura Poitras also spends time on the ground following the United States military ‘Civil Affairs’ team during the 2005 elections in Iraq. As the US government attempts to “bring democracy” to the country, Baghdad native Dr. Riyadh is faced with making the difficult decision of supporting the popular boycott of the elections, or fighting for a democracy that seems ever more unlikely with each passing day. With intimate footage of Dr. Riyadh’s interactions with the public and candid interviews featuring the opinions of every-day citizens, My Country, My Country provides a rare look inside the struggle in Iraq in the context of an ongoing brutal occupation.