Centred around the concept of open computer networks that contradictorily end up running closed corporate-controlled communication portals like Facebook and Twitter, Free The Network follows two young men who camp out at Zuccotti Park building wireless access points to connect their devices as part of the 'Occupy movement.' Through interviews along the way, Free The Network examines the current state of the Internet in the midst of the protest, and shows how the myth of the 'democratisation of technology,' along with the widespread emergence of clicktivism, is a flawed framework for driving social and political change...
In June 2010, leaders from the twenty largest economies met in Toronto, Canada with representatives of corporate interests to discuss the policies that shape globalisation. With exclusion zones, overlapping layers of security fencing and an estimated 25,000 police and military personnel, the city was transformed into an armed grid. Over 1.3 billion dollars were spent on security measures -- more than all previous G8 or G20 meetings combined. Tales From The G20 shows some sides of the Summit, from unmarked vans with snatch squads of plainclothes police to the pre-emptive arrest of people now facing years in prison for organising demonstrations or simply being on the street...
From the front-lines of conflicts in Mexico, Argentina, South Africa, Palestine, Korea, and the North; from Seattle to Genova and the "War on Terror" in New York, Afghanistan, and Iraq, The Fourth World War documents the stories of women and men all around the world who resist being annihilated in this war. Centred around economics and systems such as NAFTA, GATT, the G20, APEC and others, this is a war which plays along with the spread of rapacious globalisation, a feat that has pervasive consequences in the real world...
As an emergency short film following up Gasland, film maker Josh Fox returns to the urgent crisis of drilling and fracking throughout the United States and the world. Induced hydraulic fracturing or 'hydrofracking', commonly just known as 'fracking', is a technique used to release petroleum, natural gas, shale gas, tight gas, coal seam gas, and other substances for extraction. The Sky Is Pink returns to the issues of water contamination and the cataclysmic environmental impacts caused by fracking to show again first hand evidence of widespread ecological damage and the threat of more to come unless we stop it...
Catastroïka follows the global trend of privatisations in the past two decades, extrapolating the forthcoming results of the current sell-off in Greece, which has been demanded in order to face the country's enormous debts. Turning to the examples of London, Paris, Berlin, Moscow and Rome, Catastroïka predicts what will happen, if the model imposed in these areas is imported in a country under international financial tutelage...
Using government documents, archive footage and direct interviews with activists and former FBI/CIA officers, All Power to the People documents the history of race relations and the Civil Rights Movement in the United States during the 1960s and 70s. Covering the history of slavery, civil-rights activists, political assassinations and exploring the methods used to divide and destroy key figures of movements by government forces, the film then contrasts into Reagan-Era events, privacy threats from new technologies and the failure of the "War on Drugs", forming a comprehensive view of the goals, aspirations and ultimate demise of the Civil Rights Movement...
The Net explores the back-story of Ted Kaczynski (the infamous 'Unabomber') as a prism to the often unexamined side of the history of the Internet. The film combines travelogue and investigative journalism to trace contrasting counter-cultural responses to the so-called 'cybernetic' revolution of the 1970s. For some whom resist the pervasive systems of digital technology, the Unabomber can come to symbolise an ultimate figure of refusal. But for those that embrace the technologies, as did and do the champions of so-called 'media art', such as Marshall McLuhan, Nam June Paik and Stewart Brand, the promises of worldwide networking and instantaneous communication outweigh any and all of the concerns. The Net links these multiple nodes of cultural and political history, analogous to the Internet itself. Circling through themes of utopianism, anarchism, terrorism, the CIA, LSD, MKULTRA, Timothy Leary, Ken Kesey and the Merry Pranksters, The Net exposes the conspiracies and upheavals, secrets and cover-ups as part of the forgotten subversive history of the Internet.
Blood Coltan travels to eastern Congo, where a bloody war is happening over a precious metal called Coltan—a raw material used in electronic devices such as computers, televisions and mobile phones. The demand for Coltan is driven by the west, funding the war in Congo between rebel militias and children as young as ten who work the mines hunting for this precious material of the technocratic age...
Mark Kennedy was an undercover police officer who spent eight years as a infiltrator and informer on environmental movements and other protest groups throughout Europe. Confessions of an Undercover Cop accounts the actions of Kennedy from his perspective, which reveals an insight into the dark, twisted psychology of a police informant and the methods they use to destabilise movements and activists...
People from industrial civilisation are fast to defend it, saying that they depend on this way of life for survival. It's an addiction. But what if civilisation is the very thing that is killing us and everyone else around? How could we survive then? The Fuck-It Point is about this pervasive disabling mindset of civilisation, its true cost, why and how we need to stop it from killing the planet, and why most people from civilisation don't want to do this. Will you do what is necessary to stop this culture from killing the planet?
War is hell, but for Hollywood it has been a god-send, providing the perfect dramatic setting against which courageous heroes win the hearts and minds of the movie going public. The Pentagon recognises the power of these celluloid dreams and encourages Hollywood to create heroic myths; to rewrite history to suit its own strategy and as a recruiting tool to provide a steady flow of willing young patriots for its wars...
The Daily Mirror used to be a peoples' paper that respected its readers and earned trust and affection. But that changed out of all recognition when the British public were told that the new information technology, heralded by The Sun's move to Wapping, would bring a greater variety of newspapers and a more diverse media. Instead, what happened was rapid moves toward contracted press controlled by ever fewer proprietors. John Pilger describes the downfall of his old paper and the all-pervasive influence of Rupert Murdoch...
Through a secret program called the Counter Intelligence Program or 'COINTELPRO', the United States government set out to "disrupt dissident political organisations using infiltration, psychological warfare, harassment through the legal system and extralegal force and violence". Groups such as the Black Panther Party and others throughout the civil rights movement were targets of the program. COINTELPRO -- The FBI's War On Black America establishes a historical perspective on the measures initiated by the FBI which aimed to discredit black political figures and forces of the late 1960s and early 1970s. Combining declassified documents, interviews, rare footage and exhaustive research, it investigates the government's role in the assassinations of Malcolm X, Fred Hampton, and Martin Luther King...
For close to a century, a great tale played out in the tiny town of Caledonia, Illinois. The Real Dirt On Farmer John tells this story of John Peterson, his farm and his family -- a story that parallels the history of American farming. But Farmer John is no laconic, Grant Wood-type with a scowl and a pitchfork. With the help of friends, John transformed his farm into an organic commune flooded with art and music, all in the centre of conformist Midwestern America...
Amy Goodman from Democracy Now! speaks about the mainstream media's coverage of US interventions around the world and demonstrates the link between corporate media and government, and how this plays a major part in selling war at home and abroad...
Santa's Workshop -- Inside China's Slave Labour Toy Factories shows the long working hours, low wages, and the dangerous work and conditions inside these toy factories. Workers who protest or try to organise unions risk imprisonment. Low labour costs and government protections for multinational corporations attract more and more companies to China. Figureheads blame the Chinese suppliers, but they say in the same sentence that increasing competition gives them no option. What and whom to believe?
Coca Or Death delves into Bolivia -- a country torn apart by the demands of the western world for coca. This film investigates why bloody battles have broken out between farmers and armed troops on the streets of La Paz, and what the impact of privatisation is having through the country. Coca has become a symbol of national resistance in Bolivia...
More than 40 years after his death, the body of former CIA scientist Frank Olson has been exhumed. Olson's son Eric is convinced his father was murdered by agents of the government because he wanted to leave the CIA. Frank Olson was an expert for anthrax and other biological weapons and had top security clearance. Forensic pathologists at George Washington University performed an autopsy and concluded that Olson probably was the victim of a violent crime. Codename Artichoke documents these strange aspects of the CIA's quest for mind control drugs, with programs like MKULTRA, MKDELTA, Artichoke, Operation Midnight Climax and others...
Enemy Image overviews the history of the portrayal of war in television news from the perspective of the United States. The film starts with the coverage of Vietnam where reports happened with little supervision, control or interference. Following this, The Pentagon takes action to control access by journalists to battle areas in subsequent invasions--such as the Invasion of Grenada, where journalists were excluded completely--to the first Gulf War, where 'news packages' were provided directly from the military; to the embedded churnalism of the invasion of Iraq. Shown is the progressive tightening of control by the US military on the contact journalists have with soldiers and civilians in the war zone, in order that "never again will television raise the moral and political questions that face a people during war."
Plastic Planet is an up close and detailed examination of one of the most ubiquitous materials of our age, the plastic age. This controversial and fascinating material has found its way into every facet of our lives, literally. Plastic Planet takes us on a journey around the world, showing that plastics are a threat for human health and the ecosystems of the planet...
Self published by the press arm of the autonomous activist group called the Earth Liberation Front, Igniting The Revolution is an introductory guide to the activities of the ELF. The film goes through some examples of ELF actions and calls to resist against the forces destroying the natural world by using real direct-action tactics and economic sabotage...
In October 2003, an extraordinary uprising challenged the United States empire and kicked out President Gonzalo Sánchez de Lozada -- a representative of the United States administration and transnational corporate interests. The people are calling for new forms of representation and organisation that question the portrayed notions of democracy and traditional political parties. In February 2003, a mutiny by the police against the imposition of income taxation on the poor to fulfil IMF demands, provoked the withdrawal of tax measures; throughout 2002, peasants revolted against the US-imposed 'coca war' -- the coca-eradication plan -- that would've destroyed the only possible source of survival for thousands of people. In 2001, the people of Cochabamba fought successfully against the a most outrageous form of privatisation -- of the water supply -- forcing the government to cancel the agreement with Bethell, a US-based company...
One year after BP's Deepwater Horizon rig exploded spewed a massive 170 million gallons of oil into the Gulf of Mexico, BP claims victory -- that most of the oil is gone. Investigative journalist Greg Palast sets off to test this claim in person and digs into the history of BP and similar incidents. Revealed is the corporations collusion with government, its strong political influence worldwide, along with the massive ecological impact of the BP explosion, set to last for decades...
Unwritten Future documents the events during the Republican National Convention in 2008 where excessive use of force and questionable tactics by police are on full show. Even peaceful radio host Amy Goodman is arrested. The film is dispersed with interviews with activists, asking them what they are fighting for, contrasted with police response and the aftermath.
Tūhoe -- History Of Resistance documents the fight for justice of the Tūhoe people of Te Urewera, Aotearoa (New Zealand). Set on contested land in the Urewera ranges of the middle North Island, the film presents the ways of Māori--the indigenous peoples of the land.
Around 8.4 million children around the world are enslaved today. Child Slavery travels across three continents, focusing on five children and their stories...
As high-technology permeates further into the industrialised world, manufacturers will go to any lengths to get the raw materials to make their gadgets. Coltan from the Congo is one such rare ingredient. Few in the west know where their gadgets come from and that in the middle of Africa much human suffering is created in the pursuit of "technological advancement"...
Ground Noise And Static is a video report on the protests that occurred in connection with the Democrat and Republican National Conventions in 2008. Corporate media would cover the platitudes and posturing of the politicians, but this film is interested in something else -- a story hidden in plain sight, told from the perspective of activists...