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44:41Facing Beauty examines the explosive growth of the plastic surgery industry, by looking through China’s beauty obsession and the social media influencers that are driving its mindset. A mobile app has captured the population by promoting an “ideal ratio in human facial features,” where users’ faces are assessed and given a score. The app then draws up plans for surgeries to lower that score, referring users to endorsed clinics, driving both non-invasive and invasive surgeries and procedures. Now, demand for those procedures is so widespread among the country’s youth population, it’s estimated the industry will be worth US$200 billion by 2030. This growth in the industry has led to an expansion of ‘beauty’ institutions that employ staff without adequate medical qualifications or protections, and even though some procedures have been banned and the negative health impacts shown, demand continues to increase at fever pitch.
27:12This film comprehensively documents the use of chemical weapons—particularly the use of incendiary bombs—along with hordes of other horrific indiscriminate violence against civilians and children by the United States military in the city of Fallujah during the invasion of Iraq in November 2004. The cases portrayed involve the use of white phosphorus and other substances similar to napalm, such as Mark-77, which constitute clearly defined war crimes involving chemical weapons. Interviews with ex-military personnel involved in the Fallujah offensive back up the case for the use of such weapons by the United States, while reporters stationed in Iraq discuss the government’s attempts to suppress the news by covert means.
1:23:40Fascism Inc. examines a series of historical events to compile a view of the past, the present and the future of fascism and its relation to the economic interests of each era—including the current era. The film travels from Mussolini’s Italy, to Greece under the Nazi occupation; the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism. Following on from the foundations of earlier films such as Debtocracy and Catastroika which described the causes of the debt crisis, the impact of the austerity measures, the erosion of democracy and the sell-out of the country’s assets; Fascism Inc. aspires to continue to motivate anti-fascist resistance movements across Europe, and the world.
42:25Fashion Victims looks at the real cost of cheap clothes from the conditions of sweat shops in Bangladesh. On 24th April, 2013 more than a thousand people were killed when an eight storey building collapsed in the heart of Bangladesh’s capital, Dhaka. The collapse of Rana Plaza turned the world’s attention to the shocking conditions workers in the country’s clothing industry are forced to endure. In recent years, Australian companies have flooded into Bangladesh to take advantage of lax labour laws and the lowest wages in the world, paid to the predominantly young, female workers in the factories.
57:53As the biotechnology industry spends more than $50 million a year to convince us that ‘genetic technology’ is our only hope for feeding the world and saving the environment, toxic agricultural chemicals continue to poison the air, food and water and put farm workers in serious danger. So what’s the real problem? Using archive footage and interviews with farmers, scientists, government officials and activists, Fed Up With Genetic Engineering presents an overview of the current food production system, exploring the impacts of pesticides, the resistance of biotechnology companies to food labelling and the links between government officials and major biotechnology and chemical companies…
1:03:16Over the past three decades, obesity rates in the United States have more than doubled for children and tripled for adolescents, and a startling 70% of adults are now obese or overweight. The result has been a widening epidemic of obesity-related health problems. But while discussions about this crisis tend to focus solely on the need for individual responsibility and more exercise, Feeding Frenzy turns its focus squarely on the responsibility of the processed food industry and the outmoded government policies it benefits from. It lays bare how government subsidies designed to feed the hungry during the Great Depression have enabled the food industry to flood the market with a rising tide of cheap, addictive, high calorie food products, and offers an engrossing look at the tactics of the multi billion-dollar advertising industry that makes sure that everyone keeps consuming.
49:53Fight For Country tells the story of one of Australia’s largest ever land rights and environmental campaigns, to stop the building of a second uranium mine within the World Heritage listed Kakadu National Park in the Northern Territory, Australia. In 1998 the issue came to a head when Indigenous elders and activists called on people to come from around Australia and the world to blockade the construction of the mine and proposed ‘uranium deposits’, collectively called Jabiluka. The film follows activists and speaks with Aboriginal people about the impacts of the mine, following the community response and protest actions against the mines development, where over 500 people were arrested in the course of the eight-month blockade.
54:27In the past 40 years, global consumption of fish has doubled. Having decimated natural fish populations globally, the industrial food system has turned to mass-scale farming practices in order to sustain the unsustainable, supplying huge supermarket chains and commercial food outlets with cheap processed fish products. What do we know about this and these processes? And what of the lives of the fish? What about their health and the health of the waters in which they’re taken? Fillet-Oh!-Fish is the result of yet another indictment of the industrial food system, agriculture and factory farming—all of which have egregious implications to the health and well-being of species, and the planet as a whole. We see myriad mixes of pesticides and other chemicals, leading to toxic rivers and streams, the pervasiveness of the industrial food system, with glimpses into working conditions and processing methods, as well as the perniciousness of globalisation, with the world-wide reach of this crazy system that has hijacked a fundamental life-giver: food.
28:46In 1983, the Australian Government approved the construction of Olympic Dam uranium mine at Roxby Downs in central South Australia, despite overwhelming opposition by the traditional indigenous land owners—the Kokotha and Arabunna people—and other Australian’s in the community. With an approval for expansion of the mine 14 years later, this film documents one of the many events organised in protest of the mine, as well as other actions to raise awareness of the many impacts of uranium mining in Australia.
52:43In 2018, an electrical fault ignited a fire that spread to become the worst wildfire in the history of California, United States. A year after the devastation, Fire in Paradise sets out to examine how the fire was so catastrophic due to a combination of converging factors such as dry season and high winds, as well as criminal negligence at the hands of the electrical company—Pacific Gas and Electric—that caused the ignition. With accounts from survivors, first responders, and footage taken during the disaster, the film tells the inside story of how the most destructive fire in California’s history engulfed more than an entire town.
1:23:16This film makes use of court documents, diplomatic cables and testimony by business figures themselves, as one case of many, in which corporations and indeed governments side with warlords, as good for business, in the endless pursuit of profit. The story revolves around the civil war of Liberia in the 1990s, with the seeds for exploitation and destruction having been planted a century before by the United States, when formally enslaved peoples in Liberia in-turn set up a society of racism, greed and exploitation, exacerbated by western economic powers. Years later, with the presence of Firestone corporation coming to Liberia to exploit vast plantations of rubber for control over the ‘market,’ the company unfolds as a considerable catalyst for systemic terror, being the forefront for pushing for profits at all costs amongst a brutal civil war; colluding with warlords and corrupt governments in pursuit of this ruthless end. Unfurling as a case study in these methods, this film documents the case that is not so unique but a story amongst many—particularly throughout the so-called third-world—where corporate might and globalisation have extreme consequences…
First Life follows David Attenborough on a journey to unconver some of the origins of life on Earth. He investigates the evidence from the earliest fossils, which suggest that complex animals first appeared in the oceans around 500 million years ago, an event known as the Cambrian Explosion. Trace fossils of multicellular organisms from an even earlier period, the Ediacaran biota, are also examined. Attenborough then travels to Canada, Morocco and Australia, using some of the latest fossil discoveries and their nearest equivalents amongst living species to reveal what life may have been like at that time.
51:27Based on interviews conducted with hundreds of young women, Flirting With Danger examines how the wider culture’s frequently contradictory messages about pleasure, danger, agency, and victimisation enter into women’s most intimate relationships. The result is a candid and nuanced look at how women are forced to grapple with deeply ambivalent cultural attitudes about sexuality and relationships. These interviews are essential viewing for tackling the problematic issues surrounding consent, coercion and sexual violence throughout the culture.
1:23:32Flow—For The Love Of Water builds a case against the growing privatisation of the world’s dwindling fresh water supply with a specific focus on human rights, pollution, the politic of corporate influence in the emergence of a domineering global water cartel. The film names and clearly documents many of the culprits, while asking the question—can anyone really ‘own’ water?
50:02John Pilger and David Munro look behind political rhetoric to discover the hidden world of international arms dealing…
1:33:34What does the corporate-controlled food industry look like? Film-maker Robert Kenner lifts the veil on today’s food industry, exposing the underbelly that has been hidden from view of the consumer with the cooperation of government regulatory agencies such as the USDA and FDA. The food supply is now controlled by a handful of corporations that put profit ahead of consumer health, the livelihood of the farmer, the safety of workers and of course, the environment. We have bigger-breasted chickens, the perfect pork chop, herbicide-resistant soybean seeds, even tomatoes that won’t go bad. But we also have new strains of E. coli—the harmful bacteria that causes illness for an estimated 73,000 Americans annually; are riddled with widespread obesity, particularly among children; and an epidemic level of diabetes among adults. And the whole mess is exacerbated by opportunistic politics—the tools of Big Agriculture running the very regulatory agencies that are supposed to protect the public—and consumers who have become accustomed to eating whatever they want whenever they want, in quantities they don’t need…
1:32:29Is the human population going to outstrip the Earth’s food supply? The effects of modern agriculture not only lead to a short term food surplus which quickly slipped as population boomed, but agriculture itself causes huge environmental problems such as soil erosion, salinity and chemical pollution—all further illustrating an impossible system in perpetuity. Food or Famine looks at projects in North America, Chile, Indonesia, Africa and India which are participating in a worldwide movement to return to local food growing methods based on the land and healthy ecological principles. The film also examines the worldwide imbalance between food consumption and production, stoking the need to confront the mounting challenges ahead…
1:57:53Fool Me Twice documents the Australian government’s lies about the East Timor massacres, the cover-up of the Bali bombings (including the 1993 World Trade Centre attack) and subsequent anti-terror legislation forced through parliament by the Howard government. Laws that are still in effect today…
1:44:45Made over five years, with contributions from hundreds of women and over 200 Australian films, For Love or Money is a pictorial account of women’s history in Australia over the past decades. The film chronicles the cycles of women’s gains and losses as they are moved in and out of the workforce according to demands of the age, revealing how women’s unpaid and voluntary work over the years has kept and continues to keep an entire system running smoothly, both in peacetime and in war. In this culture, women do the work that is never paid or still not even recognised as real work. This film shows how this system determines the kinds of jobs women do in the paid workforce—the low-paid, low-status jobs—and how women have fought and organised for equality and wage justice for over a century. For Love or Money remains relevant today as women continue the unfinished campaigns for equal pay, maternity leave and childcare, and still carry the major responsibility for caring and nurturing in the culture of individualism.
24:40Six years after the housing bubble burst in the United States in 2008, the worst is yet to come. After a recent landmark settlement, major banks have lifted the freeze on foreclosures, with evictions again in full swing. Public housing budgets have been slashed, while the thin line between home ownership and homelessness grows ever more wide. People are angry about the impunity of the banks and some have found innovative ways of fighting back in an age of austerity. For Sale travels to Chicago and California to see how people at the forefront of the crisis are confronting the collapse of the American dream.
23:13For Your Eyes Only? reports on the existence of a secret government program that intercepts millions of e-mails each day in the name of ‘terrorist surveillance’. News about the program came to light when a former AT&T employee, Mark Klein, blew the whistle on a large-scale installation of secret Internet monitoring equipment deep inside AT&T’s San Francisco office. The equipment was installed at the request of the United States government to spy on all e-mail traffic across the entire Internet. Though the government and AT&T refuse to address the issue directly, Klein backs up his charges with internal company documents and personal photos…
11:22Would any sane person think dumpster diving would have stopped Hitler, or that composting would have ended slavery or brought about the eight-hour workday; or that chopping wood and carrying water would have gotten people out of Tsarist prisons; or that dancing around a fire would have helped put in place the Voting Rights Act of 1957 or the Civil Rights Act of 1964? Then why now, with all the world at stake, do so many people retreat into these entirely personal “solutions”? Why are these “solutions” not sufficient? But most importantly, what can be done instead to actually stop the murder of the planet?
15:27Fracking Hell — The Untold Story looks at the risks of natural gas development in the Marcellus Shale throughout the United States. From toxic chemicals in drinking water to interstate dumping of radioactive waste that cataclysmically contaminates water supplies, to fracking plans in major population centres including New York City — are the health consequences worth the supposed economic gains?
23:33Fracking In America takes a look at the continuing instances of water contamination and environmental damage occurring throughout the United States as a result of hydraulic fracturing—an industrial process used to fracture rock in the search to exploit natural gas deposits. As the frantic effort to extract gas accelerates, the impact of fracking expands also, with increasing pressures on fresh water supplies, continuing threats to health and wider ecosystems…
1:35:34Frackman introduces us to Dayne Pratzky, who is looking to build a simple home on his block of land in central Queensland, Australia. But one day the gas company comes and demands access to his land for gas mining. Dayne doesn’t want that, but is told he has no right to refuse access to his land, and so begins his transformation into a reluctant activist on a journey that takes him around the world. Through his efforts, we see other people drawn into the battle of fending off rapacious coal-seam gas miners. Frackman presents this story, crossing ideological divides, bringing together an alliance of farmers, conservationists, political conservatives, and a cast of colourful Aussie bush characters, determined in different ways to stop fracking from destroying the land.
1:33:08Freakonomics is a segmented adaptation of the book by the same name, by Steven Levitt and Stephen Dubner about incentives-based thinking. The film presents segments to examine the theories of human behaviour and data mining presented in the book through case studies. Subjects include: the influence a person’s name has on their personal and social development; corruption in an honor-bound sport such as sumo wrestling; what alleged factors lead to a statistical reduction in crime rates in the United States during the 1990s; and a school experiment to see if cash payments could incentivise students to get good grades. Through these examples and others, the film exposes the problems with data-driven economic incentive models, and the society obsessed with quantitative measuring and data, rather than a focus on quality of outcomes or even what the outcomes are.
1:41:41Free Angela and All Political Prisoners chronicles the life of college professor and civil rights activist Angela Davis, whose affiliation with the Communist Party and the Black Panthers in the 1970s landed her on the FBI’s Ten Most Wanted list. This film documents her early years as a student, through to her highly publicised arrest, trial, and subsequent acquittal after 22 months of prison, following a botched kidnapping attempt of Marin County judge Harold Haley in California. The film explores every remarkable detail of Davis’ life, as told through her own stories and a series of intimate interviews.
30:54Centred around the concept of open computer networks that contradictorily end up running closed corporate-controlled communication portals like Facebook and Twitter, Free The Network follows two young men who camp out at Zuccotti Park building wireless access points to connect their devices as part of the ‘Occupy movement.’ Through interviews along the way, Free The Network examines the current state of the Internet in the midst of the protest, and shows how the myth of the ‘democratisation of technology,’ along with the widespread emergence of clicktivism, is a flawed framework for driving social and political change…
51:58Globalisation has gone to great lengths to coerce many countries around the world to open ‘free trade zones’ for Western markets, where businesses receive special tax benefits and other rewards for operating factories and exploiting cheap labour. The argument, as is always cited, is for growth of the global economy. Free Trade Slaves sets out to examine these ideas by looking at the realities of such practice. Told from the perspective of the workers in Sri Lanka, El Salvador, Mexico and Morocco; the film exposes systemic human rights abuses, harrowing environmental destruction, birth defects and other long lasting health problems and social issues. The filmmakers suggest that workers around the world need to assert the right to unionise and organise together to demand and retain decent conditions, and that consumers should do their part by boycotting companies that continue to abuse people and the environment.
43:46Australian journalist, author and film maker John Pilger speaks about global media consolidation, war by journalism, the US military and its quest for domination/hegemony in the post 9-11 era and the false history that is presented in the guise of ‘objective’ journalism…
52:23In 1998, university professor Kembrew McLeod successfully trademarked the phrase “freedom of expression” as an experiment of startling comment on the way that intellectual property law restricts creativity and expression of ideas. This film explores the battles being waged in courts, classrooms, museums, film studios, and the Internet over control of cultural commons. Based on McLeod’s book of the same title, Freedom of Expression charts the many successful attempts to push back this assault by overzealous copyright holders.
1:52:05Freedom Riders follows the story of hundreds of civil rights activists who rode interstate buses into the segregated southern United States during the 1960s to challenge local laws enforcing segregation in seating. The Freedom Rides, and the violent reactions they provoked, bolstered the credibility of the American Civil Rights Movement. They called national attention to the disregard for the federal law and the local violence used to enforce segregation in the southern United States. This is the story of the numerous waves of people who challenged the mores of a racially segregated society by performing a disarmingly simple act.
52:0290% of the consumer products are manufactured overseas, delivered by ship. Likewise with individual supplies, assembly parts, and even transportation oil itself. The shipping industry is the core of the globalised economy. Yet this industry remains largely obscure and unquestioned. As modern ships are too large to fit in traditional city harbours, they’ve moved out of the public eye, behind extensive barriers and security check points. Freightened: The Real Price of Shipping aims to open up this hidden world. What pulls the strings in this multi-billion dollar global business? To what extent does it control policy makers? How does it affect the environment above and below the water-line? And what’s life like for modern seafarers? Through journeys over many oceans, Freightened is an investigation the hidden machinations of globalised shipping, revealing its ubiquitousness but fragility, consequences and future.
24:55On 11th March 2011, a 9.0 magnitude earthquake unleashed a devastating tsunami destroying whole Japanese towns and villages. It also hit the Fukushima Daiichi nuclear power plant, damaging four reactors and leaking radiation. As the toxic fallout affects the health, safety and livelihood of millions, Japan faces its biggest-ever backlash towards nuclear power. Anti-nuclear activism in Japan has been on the rise along with calls for changes in energy policies generally. And from being the world’s third-highest user of nuclear energy, the country now has only five of its 54 reactors working, but lengthened the time-span of its oldest reactors by 20 years. What’s going on?
At the time of making this film, the year 2000, computer games represented a $6 billion a year industry, and one out of every ten households in the United States owned a Sony Playstation—numbers that have no-doubt since skyrocketed. Back then, children played an average of ten hours per week—a stat also since to have increased today—and yet, despite capturing the attention of millions of these kids, video games remain one of the least scrutinized cultural industries. Game Over seeks to address this fastest growing segment of the media, through engaging questions of gender, race and violence. Game Over offers a much needed dialogue about the complex and controversial topic of video game violence, and is designed to encourage viewers to think critically about the games they play.
1:27:40Imagine a home that heats itself, that provides its own water, electricity and spaces to grow food. One that needs no expensive technology, that recycles its own waste and that can be built anywhere, by anyone, out of garbage. Literally. Thirty years ago, architect Michael Reynolds imagined such a home and then set out to build. Today, there are strong communities of people living in these homes throughout the world, but all doesn’t come without the constant resistance and hindrance from government and big business which are rightly threatened…
1:42:41America’s largest domestic natural gas drilling boom is in full swing and the Halliburton corporation claims it has refined a technique called ‘hydraulic fracturing’ that extracts natural gas in a “safe and environmentally friendly way”. But upon examination, film-maker Josh Fox uncovers a trail of secrets, lies and first-hand evidence of intense water contamination and devastating environmental destruction…
2:05:02Gasland Part II follows on three years later, to continue documenting how the stakes have been raised on all sides in one of the most devastating environmental issues rapidly spreading the globe. This sequel further enriches the argument that the gas industry’s portrayal of natural gas as a clean and safe alternative to oil is a lie, where in fact fracked wells inevitably leak over time, and vent exuberantly more potent greenhouse gasses such as methane in cumulative effect, not to mention the continued string of cases of severe water contamination across the United States and even cases as far away as Australia. Gasland Part II follows deeper into these happenings, revealing yet more of an entrenched corporate collusion in the pursuit of exploiting dwindling ‘natural resources’…
53:04Social media networks purport the ability to interact with culture—talking directly to artists, celebrities, movies, brands, and even one another—in ways never before possible. But is this real empowerment? Or do marketing companies still hold the upper hand, as before? Generation Like explores how the perennial quest for identity and connection is usurped in the pervasive game of cat-and-mouse by vast corporate power in the extensive machine for consumerism that is now the online environment. The audience becomes the marketer; buzz is subtly controlled and manipulated by and from real-time behavioural insights; and the content generated is sold back to the audience in the name of participation. But does the audience even think they’re being used? Do they care? Or does the perceived chance to be the ‘next big star’ make it all worth it?
59:40Generation M looks at misogyny and sexism in mainstream media, exploring how negative definitions of femininity and hateful attitudes toward women get constructed and perpetuated throughout popular culture. The film tracks this across a broad and disturbing range of media phenomena: from the hyper-sexualization of commercial products aimed at girls, to the explosion of violence against women in video games aimed at boys; from the hysterical sexist rants of popular hip-hop artists and talk-radio shock-jocks, to the continually harsh, patronizing caricature of women found in virtually every area of media. Generation M posits the consequences of misogyny in all of its forms, showing that when we devalue more than half the population based on gender, we harm everyone—boys and men, women and girls alike.