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1:49:13In post-industrial United States, the Chinese company Fuyao opens a car-glass factory in an abandoned General Motors plant, hiring thousands of blue-collar American and Chinese workers. Through an an observational format, American Factory presents the two distinct cultures, comparing and contrasting each other, as well as weaving subtle commentary revealed from the workers’ themselves about the nature of manufacturing work; their differing cultural and generational attitudes on labour rights and unionising; as well as observing upper management methods and corporate politics. The film is a collage of self-revealing messages about the cultures of high-tech China and post-industrial United States, shown through the lens of capitalism and the changing status of each country in the global economy.
1:47:27This Is Not a Movie is a profile of the career of Robert Fisk, an influential British war correspondent whose groundbreaking and often game-changing journalism during some of the most violent and divisive conflicts in the world, has been imperative to reporting the reality of war. The film captures Fisk in action, notebook in hand, as he travels into landscapes devastated by war, seeking out the facts on the ground, and firing reports back home to reach an audience of millions. Fisk talks passionately about his process of translating raw experience into incisive and passionate dispatches, while showing his determination to see things first-hand and the tenacity to say what others won’t. In his pursuits of the truth, Fisk has attracted criticism, but in spite of the system stacked against him, and the huge personal risks and dangers, he continues to cover stories as they unfold, talking directly to the people involved. This Is Not a Movie is a homage to Fisk’s legacy to speak truth to power, in an era of fake news, and where journalists are dubbed “the enemies of the people.”
As one half of the satirical duo, The Rubber Bandits, Blindboy is renown for wearing a plastic bag on his head while dishing out sharp social commentary. In this series, using his unique mix of irreverent commentary, a band of undercover reporters, and playful humour, Blindboy sets out to investigate some of the most important issues of our time.
1:19:30The Truth About Killer Robots considers several cases where humans have been killed from interactions with automatic machines. From the Volkswagen factory in Germany, to workers in Chinese sweatshops assembling smartphones, to a bomb-carrying police droid in the United States, the film exposes this culture’s fundamental fascination with machines, while illustrating the insatiable expansion of capitalism via automation and machine redundancy. Also explored are ‘self-driving’ cars; surveillance devices; humanless-stores, automated pizzas, robotic supermarkets and hotels; so-called ‘sex’ robots; and vast data gathering machines such as Facebook, which have subverted notions of real human interaction and intimacy. Told through the machine lens of engineers themselves, journalists and philosophers, the film attempts to go beyond the deaths of humans to reveal some of the ways that robots affect this culture in general. Not just by the displacement of labour, but fundamentally as humans of this culture adjust their lives to the rhythms of more and more machines, basic human faculties atrophy, and true connection to the real world and each other becomes more remote and strenuous, at precisely the same time where we need each other the most.
1:42:29In 2015, Sandra Bland, a politically-active 28-year-old black woman from Chicago was stopped by police for a minor traffic offence in a small Texas town. Three days later, she was found dead in a police cell. Though the state claimed it was a suicide, her death enraged the public amid allegations of racially-motivated police murder. This film begins in the days after Sandra’s death, tracking the ensuing two-year battle between Sandra’s aggrieved family and the State of Texas. Following the details about the case, Say Her Name is punctuated by Sandra’s own passionate and moving commentary in 30-second “Sandy Speaks” video blogs. We see an empowered, enlightened woman, whose sharp, humorous, charismatic remarks address subjects from educating kids about black history to police brutality to the importance of natural hair. Say Her Name takes viewers inside this story that galvanised activists across the United States and the world.
1:28:12How do online giants such as Facebook and Google deal with problematic content posted to their platforms every minute? They outsource the act of “digital cleaning” to teams of people paid a pittance in countries such as the Philippines, to act as content moderators. It’s these hidden low-paid workers, in giant click farms, that spend long shifts removing posts and deleting accounts. So how do their decisions influence what the billions of people using social media all around the world see and think? What are the policies they are told to enforce? Are the cleaners part of the online world of clever hoaxes and fake news, or are they on the frontline of social media spectacle and furor?
The Facebook Dilemma aims to open an in-depth investigation into the impact Facebook has had on privacy and democracy in the United States and throughout the world, by revealing how the decisions made by the company as it sought increased wealth and new users, transformed it into a vast surveillance machine, a media company, and a ‘hidden hand’ in elections and political discourse. Drawing on original interviews from those inside the company, this two part series catalogues some of the ignored warning signs, both inside and outside the company, of Facebook’s negative impact, growing from Zuckerberg’s dorm-room project and into a powerful global empire.
1:26:58In the Arab-American neighbourhood outside of Chicago where director Assia Boundaoui grew up, most of her neighbours think they have been under surveillance for over a decade. While investigating their experiences, Assia uncovers hundreds of pages of Operation Vulgar Betrayal, FBI documents that prove her hometown was the subject of one of the largest counter-terrorism investigations ever conducted in the United States before September 2001. No arrests or links to terrorist activity were ever made from the operation. The Feeling of Being Watched follows the examination of why a community fell under blanket government surveillance, the government secrecy shrouding what happened, and why her community feels like they’re still being watched today.
1:03:59Tracing the Internet’s history as a publicly-funded government project in the 1960s, to its full-scale commercialisation today, Digital Disconnect shows how the Internet’s so-called “democratising potential” has been radically compromised by the logic of capitalism, and the unaccountable power of a handful of telecom and tech monopolies. Based on the acclaimed book by media scholar Robert McChesney, the film examines the ongoing attack on the concept of net neutrality by telecom monopolies such as Comcast and Verizon, explores how internet giants like Facebook and Google have amassed huge profits by surreptitiously collecting our personal data and selling it to advertisers, and shows how these monopolies have routinely colluded with the national security state to advance covert mass surveillance programs. We also see how the rise of social media as a leading information source is working to isolate people into ideological information bubbles and elevate propaganda at the expense of real journalism. But while most debates about the Internet focus on issues like the personal impact of Internet-addiction or the rampant data-mining practices of companies like Facebook, Digital Disconnect digs deeper to show how capitalism itself turns the Internet against democracy. The result is an indispensable resource for helping viewers make sense of a technological revolution that has radically transformed virtually aspect of human communication.
1:16:59If a crime is committed in order to prevent a greater crime, is it excusable? Is it, in fact, necessary? The Reluctant Radical follows Ken Ward as he confronts his fears and acts on these questions to stop climate change. After twenty years leading some of the most renowned mainstream environmental organisations, Ken witnesses first-hand how ineffective and unthreatening they are. As their efforts fail, and environmental collapse increases in scope and speed, Ken comes to see how direct action civil disobedience is the most effective political tool to deal with catastrophic circumstances. Ken breaks the law, to fulfil his obligation to future generations, to stop the oil economy. By following Ken for a year and a half through a series of direct actions, this film culminates with his participation in the coordinated action that shut down all the tar-sands oil pipelines in the United States on October 11, 2016. The film reveals the personal costs but also the true fulfilment that comes from following one’s moral calling, even if that means breaking the law and its consequences. Ken has no regrets.
41:53Fuelled by popular personalities on Instagram, YouTube and Snapchat, cosmetic surgery is pushing further into the mainstream. Huge numbers of people, predominantly young women, are choosing to alter their appearance forever as though it’s as simple as buying a new set of clothes. Social-media “influencers” get free procedures in exchange for promoting certain doctors or agencies or products to their audiences. Going on the numbers alone, audiences seem to respond to this blatantly cacophonous advertising, following their social media stars closely, and taking out huge personal loans to get surgery and “keep up with the Kardashians.” Doctors offering the surgery are even becoming media stars themselves, and it’s redefining the meaning of doctor/patient relations. Underpinning this entire industry, is a business model of targeting women who can barely afford procedures by selling the dream of a “new you.” Social-media laps it up, and the cycle repeats. But as this investigation shows, when things go wrong, the physical and financial costs are devastating. Real doctors who are left to pick up the pieces, are warning that the booming industry is creating a dangerous legacy, and not just to the concept of beauty.
2:08:21We live in a world of screens. The average adult spends the majority of their waking hours in front of some sort of screen or device. We’re enthralled, we’re addicted to these machines. How did we get here? Who benefits? What are the cumulative impacts on people, society and the environment? What may come next if this culture is left unchecked, to its end trajectory, and is that what we want? Stare Into The Lights My Pretties investigates these questions with an urge to return to the real physical world, to form a critical view of technological escalation driven rapacious and pervasive corporate interest. Covering themes of addiction, privacy, surveillance, information manipulation, behaviour modification and social control, the film lays the foundations as to why we may feel like we’re sleeprunning into some dystopian nightmare with the machines at the helm. Because we are, if we don’t seriously avert our eyes to stop this culture from destroying what is left of the real world.
1:31:50In 2015, peaceful protests and destructive riots erupted when Freddie Gray, a 25-year-old African American, died in police custody in Baltimore, United States. While the city waited to see the fate of the six police officers involved in the incident, who were all ultimately not punished, Baltimore Rising shows activists, police officers, community leaders, and gang affiliates, who struggled to hold the city together, as the homicide rate hit record levels. The death of Gray by police catalysed the longstanding fault lines in a distraught community, damaged by corruption and inequality. Baltimore Rising chronicles the determined efforts of people on all sides who are working to make their community better, sometimes coming together in unexpected ways.
1:53:21Stuxnet is a malicious computer virus, first identified in 2010, that targets industrial computer systems and was responsible for causing substantial damage to Iran’s nuclear program, as well as spreading across the world. The virus is believed by many experts to be a jointly built American-Israeli cyberweapon, although no organisation or state has officially admitted responsibility. Zero Days covers the phenomenon surrounding the Stuxnet computer virus and the development of the malware software known as “Olympic Games.” It also examines the follow-up cyber-plan entitled ‘Nitro Zeus,’ showing how the United States has opened the Pandora’s Box of cyberwarfare.
41:30Facebook is an enormously powerful corporation, harnessing both the self-disclosed and gleaned personal data of over 2 billion people. Its user-base is larger than the population of any country. The company is all pervasive online, tracking and profiling users and non-users alike. Cracking the Code looks at the insides of this giant machine and how Facebook turns your thoughts and behaviours into profits—whether you like it or not. And it’s not just a one-way transaction either. Cracking the Code also explains how Facebook uses vast troves of web data to manipulate the way you think and feel, as well as act—all in the sole interests of Facebook, masquerading as “community.” What are the social implications of this—when one company basically controls the insights and experiences of the entire online world, with extremely personalised and targeted social and behavioural engineering on a scale never before seen?
1:14:24Burned: Are Trees the New Coal? investigates the latest method of providing so-called “green” electricity, as espoused by the renewable energy movement. It’s called biomass, which is a euphemism for clear-cutting and burning forests. It is claimed that this is first a sustainable method of electricity creation, but secondly, and more slanderous, is claimed to be carbon-neutral and environmentally friendly. So how did this become the purported saviour for the power-generation industry, and by extension, the modern environmental movement? Burned provides a visceral account of these questions, while documenting the accelerating destruction of forests to fuel this destructive culture.
1:15:45Half of all marine life has been lost in the last 40 years. By 2050 there will be more plastic in the sea than fish. The way the ocean is different to how we thought 100 years ago. We can no longer think of it as a place of resources, a dumping ground, immune to change or decline. Blue takes us on a journey into the ocean realm, witnessing the critical moment of our time when the marine world is on the precipice. Passionate advocates for ocean preservation take us into their world where the story of the changing ocean unfolds. We meet those who are defending habitats, campaigning against exploitative commercial fishing, combating marine pollution, and fighting for the protection of keystone species. Blue comes at a time where decisions made today will pave the legacy for what we leave behind for generations to come.
1:00:58Ten years on from his previous film, Advertising & the End of the World, renowned media scholar Sut Jhally follows up by exploring the since-escalating devastating personal and environmental fallouts of advertising and the near-totalising commercial culture. The film tracks the emergence of the advertising industry in the early 20th century to the full-scale commercialisation of the culture today, identifying the myth running throughout all of advertising: the idea that corporate brands and consumer goods are the keys to human happiness and fulfilment. We see how this powerful narrative, backed by billions of dollars a year and propagated by clever manipulative minds, has blinded us to the catastrophic costs of ever-accelerating rates of consumption. The result is a powerful film that unpacks fundamental issues surrounding commercialism, media culture, social well-being, environmental degradation, and the dichotomy between capitalism and democracy.
1:25:49Nothing to Hide questions the growing surveillance state and its acceptance by the general public through the thought-terminating cliché, “If you’ve got nothing to hide, you’ve got nothing to fear” argument. What is shown is that this logic is incredibly complacent and dangerous, even just from a historical perspective, considering authoritarian regimes, past and present. Nothing to Hide sets out to turn this acquiescence around, by weaving together expert commentary through real-life examples. A person agrees to be tracked as part of a small experiment, to show a small insight into the sorts of data trails that are revealed throughout our every-day lives. What is extrapolated from there is the incredible power and insight into our lives that these technologies provide. Insights which corporations and governments alike use for social control and profiling. What kind of society is being perpetuated for ourselves and future generations?
1:52:35The Coming War on China is a warning that nuclear war is not only imaginable, but a ‘contingency,’ says the Pentagon. The greatest build-up of NATO military forces since the Second World War is under way on the western borders of Russia, and some 400 American military bases encircle China with missiles, bombers, warships and nuclear weapons. But these happenings are of course not reported as United States antagonism. Instead, there is a familiar drumbeat of war, the kind of the old “yellow peril,” a restoration of the psychology of fear that embedded public consciousness for most of the 20th century. The aim of this film is to break the silence, and as the centenaries of the First World War presently remind us, horrific conflict can begin all too easily. By recounting the secret and forgotten history of the rapacious actions of great power against China throughout the decades, such as the destruction of the Marshall Islands and the Opium wars, The Coming War on China is also a report of an inspiring popular resistance to nuclear weapons, military bases and warmongering of the United States, of which little is known in the West.
1:06:43Physician and mother of two Dr. Delaney Ruston became interested in how much screen time is too much when her preteen started begging for a smartphone. Ruston saw other parents equally confused on how to balance technology with a young developing mind, so she decided to delve into the science behind screen time to understand how it affects young people’s minds and development. Through personal stories and input from leading researchers, the result is Screenagers, a film that sheds light on the impact screen time is having on kids; exploring how learning, playing, and socialising online effects teens’ developing attention span, fragile self-esteem, and moral instincts. Screenagers examines the real risks of failing in school, social isolation, and digital addiction. It also explores solutions to handle screen time and provides parents with tools to help young people develop self-control and find balance in their digital lives, rather than rapid-fire thumbs and a six-second attention span.
1:34:32Miraculous and vital, Seed—The Untold Story follows passionate seed keepers that are tirelessly working to protect a 12,000 year-old food legacy. For only in the last century, 94% of seed varieties have disappeared, as biotech and chemical companies rapaciously took over control over the majority of the world’s food seeds. Farmers, scientists, lawyers, and indigenous seed keepers fight literally a battle for life to defend the future of food. In a harrowing and heartening story, these heroes rekindle a lost connection to a treasured source of life, and revive a culture connected to food, and the Earth.
57:15Servant or Slave follows the lives of five Aboriginal women who were stolen from their families and forced into indentured labour to be domestic “servants” for white people during the late 1890s and into 1900s in Australia. With the government exercising complete control over their wages and livelihood, many thousands of Aboriginal children were condemned to a treadmill of abuse, battery, rape, and slavery, only to discover that even today they’ve had to fight for recognition, respect and reparation for their treatment in the past. This film recounts their experiences, as a portrait of courage, strength and the fortitude to pursue justice for the crimes committed against them.
1:32:22Chasing Asylum explores the human, political, financial and moral consequences of the Australian Government’s “off-shore processing” immigration policy, which is the only country in the world to mandate indefinite detention for adults and children seeking asylum. Since this policy was restarted in 2001, it has grown into an internationally condemned, secretive regime. Inside the detention centres there have been violent deaths, suicides, horrific acts of self-harm, sexual abuse, and mass protests. Composed of footage secretly recorded inside Australia’s offshore detention camps, and explored through the eye-witness accounts of social workers and support workers, Chasing Asylum presents the hidden offshore world, where governments choose detention over compassion, a system of depriving vulnerable people of their basic human rights, and spending huge amounts of money keeping it secret and out of the public eye. The result is a sobering overall picture of a system that asks its citizens to abide by rule of law, but shows little regard to do so itself.
43:03The setting is in the current and ongoing troubling police culture of violence, profiling and racism. Even a former NYPD officer now breaks ranks to say that the force aggressively targets poor and minority communities in order to meet secret and illegal arrest quotas. The result is a level of systemic harassment and brutality that could be hard to demonstrate, if not for growing groups of Cop Watchers—everyday citizens wielding cameras, that routinely record and publish troves of evidence documenting all kinds of patterns of police brutality and misconduct. This film follows some of the people who are doing this work, and clearly the police don’t like it. They push back hard. Cop Watchers hence face long prison sentences and trumped up charges for simply recording the police—something that is not itself a crime. In an age of intense corruption of public institutions, this film lays out abuses of power on a frightening scale, showing just how urgent serious action is required if a free society is said to continue to exist.
1:38:40Copwatch depicts WeCopWatch, an organisation dedicated to video recording the police in the United States. For example, Cop Watch members capture original video of the deaths of Eric Garner in Staten Island and Freddie Gray in Baltimore. Its members legally record and document police arrests as part of a movement for police accountability and transparency, but often find themselves to be the victims of chaos and police brutality as a result of the culture of extreme police misconduct and violence. The stories are told through Ramsey Orta, Kevin Moore, who filmed the police abuse of Freddie Gray, and David Whitt who lived in the apartment complex where Michael Brown was killed, as well as Jacob Crawford, who co-founded Copwatch groups inspired by the Berkeley Copwatch group. The film shows how Cop Watchers are dedicated to bringing awareness to their community, by exposing police brutality and harassment.
53:10Shortly before dawn on August 21, 1992, United States Marshals initiated actions to apprehend and arrest Randy Weaver, a former US Army engineer, when he failed to appear in court on firearms charges after being coaxed by undercover agents to sell them sawed-off shotguns after hanging out with nazis and white supremacists. Given three conflicting dates for his court appearance, and suspecting a conspiracy against him, Weaver refused to surrender, and members of his immediate family and family friend Kevin Harris resisted as well, isolating themselves in their mountaintop home in Ruby Ridge, Idaho. When federal agents surveilling the property got close to members of the family, they also initiated a gunfight that mesmerised the nation, leaving Weaver injured, his son killed, and Striker the family dog dead. In the subsequent siege led by the FBI, Weaver’s wife Vicki was also killed, while holding her baby, by a shot in the head from a FBI sniper. Drawing upon eyewitness accounts, including interviews with Weaver’s daughter, Sara, and federal agents involved in the confrontation, Ruby Ridge is an overview of a tragic catalysing event that helped fuel conspiracy theories and give rise to the modern American militia movement.
57:45How can we make political change if peaceful demonstration is not effective and violence only brings more violence? War/Peace posits this question by reintroducing two surviving figures from the Weather Underground movement of the late 1960s, Bernardine Dohrn and Bill Ayers. Coming from the hippy counterculture, the Weather Underground was a radical militant organisation, with revolutionary positions characterised by the Black Power and civil rights movements, as well as opposition to the Vietnam War. In 1970, the group issued a “Declaration of a State of War” against the United States government, with the goal to overthrow the government and end United States’ imperialism, culminating in a bombing campaign targeting government buildings along with several banks. War/Peace rewinds to the past to draw out the complexity of these political struggles, and what went wrong, while drawing parallels to the struggles of today, where a lot has changed, but a lot has also remained the same.
On April 19, 1995, Timothy McVeigh, a former soldier deeply influenced by the literature and ideas of the radical right, parked a truck with a five-ton fertiliser bomb in front of the Alfred P. Murrah Federal building in Oklahoma City. Moments later, 168 people were killed and 675 were injured in the blast. Oklahoma City traces the events that led McVeigh to that day from the perspective of the survivors, first-responders, investigators, and journalists who covered the events. The film provides an exploration of the convergence of various conservative religious movements and white supremacist militias that rose to prominence in the early 1990s, and were catalysed by the actions of government during that time.
1:11:57Do Not Resist documents, from the perspective of the police, their view of the social unrest following the shooting and killing of Michael Brown by police in Ferguson, 2014, against a backdrop of the routine and escalating use of military tactics and high-powered weaponry by local police forces throughout the United States in the past two decades. Military equipment deployed throughout the Middle East returns home to be used against the citizenry. Local police recruitment and training is awash in military commandments backed by views of escalating ‘righteous’ violence and sadism. Meanwhile curfews are imposed, along with frivolous drug raids and incessant racial profiling. The voices of concerned citizens ignored. What is the cultural and technological trajectory here?
41:57Governments all around the world are using high-tech mass surveillance tools to monitor their citizens. Western corporations, including Britain’s largest weapons manufacturer, BAE, are among those which are creating and selling mass surveillance infrastructures all across the globe, but especially to particularly repressive regimes. Weapons of Mass Surveillance makes example of what is happening throughout the Middle East where journalists, human rights advocates and activists are being targeted with surveillance tools developed by western corporations with extreme real-world consequences. Political opponents to tyrannical power are targeted, jailed, and in some cases, tortured or “disappeared.” This shows the power of mass surveillance tools for great harm, and how the west is culpable in perpetuating systemic repression both at home and abroad.
1:12:47The Great White Hoax contextualises the current day politicking in the United States, with a primary focus on Donald Trump’s race-baiting 2016 campaign for president. The film also widens scope however to show how Trump’s charged rhetoric fits into a long-standing historical pattern in politics in the United States, offering a stunning survey of how racism and racial scapegoating have shaped American politics for centuries. The film becomes a solid resource for a basis on race relations, white privilege, the intersectionality of race, class, and gender identities, presidential politics, and political propaganda in the age of “social media.”
1:18:01The Spider’s Web: Britain’s Second Empire shows how Britain transformed from a colonial power into a global financial power. At the demise of empire, the City of London’s financial interests created a web of offshore secrecy jurisdictions that captured wealth from across the globe and hid it behind obscure financial structures, and webs of offshore islands. Today, up to half of global offshore wealth may be hidden in British offshore jurisdictions, and these are now the largest players in the world of international finance. Based in part on the book Treasure Islands by expert Nicholas Shaxson, and through contributions from former-insiders, academics, and campaigners for justice, The Spider’s Web reveals how, in the world of international finance, corruption and secrecy have prevailed over regulation and transparency, and how the United Kingdom is a pioneer of the modern corrupt global economy.
1:29:50Filmed over 3 years, Complicit is an undercover investigation into the lives and conditions of workers that assemble iPhones, tablets, and other electronics in factories such as Foxconn in Shenzhen and Guangzhou, China. The film reveals the global economy’s factory floors, showing the conditions under which China’s youth have migrated by the millions in search of the espoused “better life” working for big corporations. But the reality is working long hours with toxic chemicals that cause many cumulative detrimental health conditions, including cancers. As such, a focal point of the story is Yi Yeting, who takes his fight against the global electronic industry from his hospital bed to the international stage. While battling his own work-induced leukemia, Yi Yeting teaches himself labour law in order to prepare a legal challenge against his former employers. As the struggle to defend the lives of millions of Chinese people from becoming terminally ill from work necessitates confrontation with some of the world’s largest corporations, including Apple and Samsung, Complicit turns to become a powerful portrait of courage and resistance against screens and rapacious corporate power in a toxic culture.
47:31Spy Merchants reveals how highly-invasive spyware, which can capture the electronic communications of a town, can be purchased in a ‘grey market’ where regulations are ignored or bypassed. Mass surveillance equipment can then be sold onto authoritarian governments, criminals, and terrorists alike. During a four-month undercover operation, an industry insider working for Al Jazeera filmed the negotiation of several illegal, multi-million dollar deals that breach international sanctions. The proposed deals include the supply of highly restricted surveillance equipment. The undercover operative also secured an extraordinary agreement to purchase powerful spyware with a company who said they didn’t care who was the end-user.
1:54:03Consisting entirely of archival footage, LA ’92 chronicles the 1992 Los Angeles riots, 25 years after they have passed. It includes film and video from the 1965 Watts Riots, the 1973 election of Tom Bradley, the 1978 promotion of Daryl Gates to Chief of LA Police, the shooting of Latasha Harlins, the Rodney King videotape, and the subsequent riots and violence that erupted after the acquittal of the officers involved in King’s beating.
2:23:49Let It Fall: Los Angeles 1982–1992 is a deep examination of a tumultuous decade in the city of Los Angeles, United States, leading up to the events of April 29, 1992, when the verdict was announced in the Rodney King case. The film traverses the conflicts between law enforcement and the black community to look at tensions across the city as a whole, and traces the roots of civil unrest to a decade before uprisings, as told through interviews with eyewitnesses and people directly involved in the events from diverse neighbourhoods across the city, including black, white, Hispanic, Korean, and Japanese Americans.
1:41:20Told by the activists and leaders who live and breathe for justice, Whose Streets? is an unflinching look at the uprising in Ferguson in the United States after unarmed teenager Michael Brown is killed by police and left lying in the street. Grief, long-standing racial tensions, and renewed anger bring residents together to hold vigil, and protest the latest tragedy in a long history of police brutality. Empowered parents, artists, and teachers from around the country come together to act and support. As the national guard descends on Ferguson with military grade weaponry, young community members become the torch-bearers of a new generation of resistance. Whose Streets? is a powerful battle cry from a generation fighting, not only for their civil rights, but for the right to live.
1:28:10Young filmmaker Julia Barnes embarks on a journey around the world to investigate the causes and solutions to some of the most pressing threats facing the oceans, such as the decimation of the world’s fish populations and ocean acidification. Through interviews with scientists, researchers, and activists, the film reveals the interconnections of all life on earth, positing that the current mass extinction in the oceans will have devastating impacts on terrestrial life too, including humans. Sea of Life becomes a call to action, with the view that once more people know what’s happening in the ocean, they’ll want to fight for its protection. Barnes then documents some of the largest environmental rallies, including the People’s Climate March in New York and protests at COP21 in Paris, but concludes that these actions will not be enough to save our future. Sea of Life calls for a revolution in the way we approach activism.
2:46:31HyperNormalisation wades through the culmination of forces that have driven this culture into mass uncertainty, confusion, spectacle and simulation. Where events keep happening that seem crazy, inexplicable and out of control—from Donald Trump to Brexit, to the War in Syria, mass immigration, extreme disparity in wealth, and increasing bomb attacks in the West—this film shows a basis to not only why these chaotic events are happening, but also why we, as well as those in power, may not understand them. We have retreated into a simplified, and often completely fake version of the world. And because it is reflected all around us, ubiquitous, we accept it as normal. This epic narrative of how we got here spans over 40 years, with an extraordinary cast of characters—the Assad dynasty, Donald Trump, Henry Kissinger, Patti Smith, early performance artists in New York, President Putin, Japanese gangsters, suicide bombers, Colonel Gaddafi and the Internet. HyperNormalisation weaves these historical narratives back together to show how today’s fake and hollow world was created and is sustained. This shows that a new kind of resistance must be imagined and actioned, as well as an unprecedented reawakening in a time where it matters like never before.