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44:59When modern antidepressants like Prozac were launched in the late 1980s, they were quickly heralded as wonder drugs for treating anxiety and depression with few side effects. While many say they have benefited from taking the drugs, there is an increasing body of evidence that reveal physical and mental side effects of the drugs that are wide-ranging and are often downplayed. From headaches and brain fog, to loss of sexual function and suicidal thoughts. The Antidepressant Story speaks to patients grappling with side effects such as these and asks if this multi-billion dollar pharmaceutical industry is really helping.
The War at Home: The Untold History of Class War in the United States is a series that traverses the history of the labour movement and state repression in the United States. The series looks at history through the lens of the working class, from the Haymarket massacre in Chicago in 1886 to the Jim Crow spread in Louisiana, to the Triangle Shirtwaist tragedy of 1911, to the violent strikes and police raids of the Great Depression, and beyond. The series makes the connection between the purging of radicals from unions and the decline of union power in the 1920s, towards the 1960s and beyond.
Misogyny is rampant in this culture, and corporations capitalise on making women hate their bodies. Indeed all aspects of womanhood are commodified, hypersexualised, and squeezed into gender stereotypes. Being female comes at a cost. So it’s no wonder that young people growing up can feel horrible about themselves and their bodies, and further feel confused about what it means to be a woman in today’s world. Into this perfect storm steps queer theory, an ideology born in the 1990s, that tells people that all the confusing feelings they may experience about the world they live in can be fixed not by changing the world, but by changing themselves. The past decade has seen a steep rise in the number of young girls seeking to alter their bodies by undergoing life threatening, irreversible procedures. Dysphoric is a series that explores this concept of gender transition, told through the voices of clinicians, psychiatrists, sociologists, feminists, academics, detransitioners, and concerned citizens and parents. The series also discusses the permanent medical side-effects of hormones and surgeries, the propaganda of corporations that glorify thousands of stereotypical gender presentations coalesced as fashion, the surge in pronoun policing, censorship and the curtailment of speech, language hijacking that calls women “menstruators,” and the many other hurdles women face while trying to question this modern-day misogyny.
1:16:489/11: I Was There presents an portrayal of the attack on New York on 11th September 2001, from the perspective of several ordinary people who chose to pick up their video cameras and descend into the chaos that was happening around them on that day. The film is a collage of their personal video diaries, that document the attacks as they unfold, and the aftermath.
Q: Into the Storm is a series that examines the far-right conspiracy theory QAnon that alleges there is a secret cabal of satan-worshipping, cannibalistic paedophiles running a global child sex-trafficking ring and plotting against former United States president Donald Trump. Spanning three years and traversing the globe, the series investigates the movement as it grows in scope and political significance, chronicling its evolution in real time, revealing how “Q” used information warfare to game the internet, hijack politics, and manipulate people’s thinking. Filmmaker Cullen Hoback gains unprecedented access to key players in the spectacle, including Jim and Ron Watkins, the father/son team behind the 8chan website that “Q” calls home, and explores their rivalry with Fredrick Brennan, the original creator of the website. The series profiles “Q-tubers,” Q debunkers, political operatives, and journalists who have been closely following the movement since it began in 2017, showing connections between QAnon, President Trump, and political and ex-military operatives, as well as other various right-wing movements associated with 8chan, including “Gamergate” and “Pizzagate” that contextualises QAnon’s influence on culture and politics in the United States.
Can’t Get You Out of My Head: An Emotional History of the Modern World is a six-part series that explores how modern society has arrived to the strange place it is today. The series traverses themes of love, power, money, corruption, the ghosts of empire, the history of China, opium and opioids, the strange roots of modern conspiracy theories, and the history of Artificial Intelligence and surveillance. The series deals with the rise of individualism and populism throughout history, and the failures of a wide range of resistance movements throughout time and various countries, pointing to how revolution has been subsumed in various ways by spectacle and culture, because of the way power has been forgotten or given away.
In the United States and elsewhere, both sides of politics have revelled in spectacle and image for many decades. But when Donald Trump, the billionaire reality-television host became president, a new escalation of image and spectacle engulfed dominant culture. The Trump Show is a series that explores the beguiling spectacle of the Trump years, through interviews with former White House staffers, media managers, campaign directors, and other personalities that were close to Trump during his presidency. The series documents how image has now replaced substance in politics in a totalising way, and how false constructions seek to pave over reality through a culture that is deeply rooted in hyper-individualism, fierce and corrupt competition, ideological dogmatism, and post-modern delusions.
1:28:38Brazen Hussies documents how a daring and diverse group of women joined forces in Australia to create profound social change, contributing to one of the greatest social movements of the 20th Century. The film weaves archival footage, personal photographs, memorabilia, and lively accounts from the women who reignited the feminist movement in Australia, at times at great personal cost, to show how women began organising around issues such as equal pay, reproductive rights, affordable childcare, and the prevention of family violence and rape. As the story unfolds, these issues go from being dismissed as the outrageous demands of a few “brazen hussies” to becoming crucial elements of mainstream politics. The film documents how ASIO spied on the movement, the pushback from male-dominated media, and the impact of internal struggles, such as the inclusion of lesbians and the relevance of the movement to Aboriginal women. 50 years on, the work of this movement paved the way for where feminism finds itself today. And while the landscape, breadth and diversity of feminism is vastly different, without this movement and the changes it achieved, we wouldn’t be where we are now. Recording and celebrating this important history, offers a valuable opportunity to reassess and discuss where we are now as a society, what gains have been made, what is at risk, and where we are headed.
1:29:27During the 2019–2020 Hong Kong protests, after 6 months of ongoing actions, and with protesters facing escalating stakes from police shootings and other violent repression, students began to fortify a number of the city’s major universities and occupy vital roads nearby. This lead to a peak moment in the protest movement—the siege of the Hong Kong Polytechnic University. Protesters gathered at the university to defend their roadblocks, while the police shot tear gas and used water cannons to shower the protesters with water containing blue colouring and chemical irritants. 1,458 canisters of tear gas were fired at protesters, as well as 1,391 rubber bullets, 325 bean bag rounds, and 256 sponge grenades. The city’s hospitals were overwhelmed by the number of protesters needing urgent medical attention. Burn with Us documents a first-hand view of the conflict, and its results, in a fly-on-the-wall style.
53:12Despite decades of environmental impacts and campaigning for bans and other regulations, the plastic industry continues to expand. From 1990 to 2010 alone, production of plastics more than doubled. Fracking has provided cheap natural gas which is also driving down the cost of making plastic. The United States is now one of the world’s largest plastic producers, and industry is investing tens of billions of dollars in new plastic plants. By 2050, it’s estimated that global production of plastic will triple. Alongside, the industry has pushed a greenwashing image of recycling to fend off negative public opinion, and sell more plastic. Plastic Wars examines how this has come to be, using industry documents and former insiders, and presents the urgency of the need for change, now more than ever.
1:34:33After Truth is about the growing proliferation of modern disinformation, where almost anybody with a computer and social media access can have a powerful platform without oversight, influencing the information experiences of billions of people. The melting pot is catalysed by Facebook, Twitter, Reddit, 4chan, and other websites that spread disinformation to huge audiences with a profit incentive, competing to capture everyone’s attention. After Truth asks the question about where all this is heading, by exemplifying events such as Jade Helm, Seth Rich, and Pizzagate, but also profiling some major and minor personalities involved in spreading disinformation, conspiracy theories, fear, and uncertainty. With an empire in collapse, and physical reality being increasingly replaced by popular postmodern theories of “there is only subjective truth,” this film not only presents the challenge of returning to what is real, but the task of stopping disinformation from continuing to divide, confuse, distract, and destroy.
1:25:32What does it mean when so-called Artificial Intelligence systems increasingly govern all of our civil rights and social interactions? What are the consequences for the people AI systems are biased against? When MIT Media Lab researcher Joy Buolamwini discovers that many facial recognition technologies do not accurately detect dark-skinned faces nor properly detect the faces of women, she delves into an investigation which reveals widespread bias in the algorithms that already drive much of the modern world. As she uncovers, these systems are not neutral, and are already having severe social and political impacts. Coded Bias documents this investigation, and the women who are leading the charge to ensure civil rights are protected from the relentless inertia of technology.
1:35:29When Hong Kongers took to the streets to protest a controversial extradition bill proposed by China in 2019, it exposed the tensions long brewing in the city. Over two days of conflict, Hong Kong Moments follows a pro-democracy protester, a tea-shop owner, a paramedic, a cab driver, a police officer, and two politicians with conflicting politics as the demonstrations shoehorn the political into the personal. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong’s politics have become.
1:50:38The Conservation Game follows the story of Tim Harrison, an Ohio cop who stumbles upon a bombshell discovery while undercover at an exotic animal auction. He starts to suspect that America’s top television celebrity conservationists may be secretly connected to the exotic pet trade. As his investigation leads deeper into the secret world of the big cat trade, Tim and his team take their fight to the halls of Congress, pressing lawmakers to pass federal legislation that would end the private breeding and exploitation of these endangered animals. But when opposition comes from an unexpected source, Tim is forced to face the demons of his own past, while wrestling with the consequences of exposing his childhood hero.
1:28:02Millions of people around the world are finding work by-the-job online. The “gig economy” is worth more than $5 trillion worldwide, and seemingly growing. But who are these workers? Seduced by the promise of independence, and control over their working hours and income, people around the world that are lured into the gig economy now face the harsh reality of it algorithmically-driven market place: dangerous working conditions, instability, and the precariousness of their work that can stop overnight in the case of deactivation or a bad review. Through committed characters, The Gig is Up shows that the so-called ‘freedom’ that is espoused by this technological economy is only an illusion.
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today’s invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.
1:41:38Roe v. Wade, the 1973 Supreme Court decision that protected a women’s right to an abortion, had not yet been handed down, meaning the procedure was illegal throughout most of the United States, forcing women with unwanted pregnancies to turn to exploitative abortion providers (like the Mafia) or resort to dangerous methods to self-induce an abortion. Using code names, blindfolds, and safe houses, a group of brave women built an underground service for women seeking safe, affordable, illegal abortions calling themselves JANE. Ultimately, the Jane Collective provided close to 11,000 abortions by the time Roe v. Wade came into effect. Through interviews with the former Janes, this film portraits the history of JANE, and reminds the viewer of their commitment to ensuring the safety and well-being of other women was a measured, intelligent response to the inadequacies of a system that refused to fend for its own.
1:22:35The murder of George Floyd by police officer Derek Chauvin on May 25, 2020, was arguably a pivotal event in the history of race and policing in the United States. Police on Trial shows, Chauvin’s encounter with Floyd was not the first time the Minneapolis police officer used excessive force on a Black citizen. Nor was it the first time that questions were raised around the culture of the Minneapolis Police Department itself. The film draws on reporting from the Minneapolis Star Tribune, and features never-before-published police cam video of Derek Chauvin using excessive force years before George Floyd’s death, to document the trial and murder-conviction of Chauvin, and the various responses for police accountability and reform in Minneapolis.
44:41Facing Beauty examines the explosive growth of the plastic surgery industry, by looking through China’s beauty obsession and the social media influencers that are driving its mindset. A mobile app has captured the population by promoting an “ideal ratio in human facial features,” where users’ faces are assessed and given a score. The app then draws up plans for surgeries to lower that score, referring users to endorsed clinics, driving both non-invasive and invasive surgeries and procedures. Now, demand for those procedures is so widespread among the country’s youth population, it’s estimated the industry will be worth US$200 billion by 2030. This growth in the industry has led to an expansion of ‘beauty’ institutions that employ staff without adequate medical qualifications or protections, and even though some procedures have been banned and the negative health impacts shown, demand continues to increase at fever pitch.
The Power of Big Oil is a three-part series that investigates the decades-long failure to confront the threat of climate change and the role of the fossil fuel industry. The series presents a parade of former oil company scientists, lobbyists, and public relations strategists who lay bare how the biggest petroleum firm in the United States, Exxon, and then the broader petroleum industry globally, moved from attempting to understand the causes of a global heating to a concerted campaign to hide the making of an environmental catastrophe. Over three episodes—Denial, Doubt, Delay—the series documents the corporate cooptation of science, the manipulation of public opinion, and political figureheads that mirror conduct by other industries—from big tobacco to the pharmaceutical companies responsible for the opioid epidemic.
53:13In the United States, a year after Joe Biden’s inauguration, around two-thirds of Republican voters believe his election was illegitimate, and the idea that the 2020 election was stolen from Donald Trump is now a defining issue of the Republican Party. Yet the story of how lies about election fraud made their way to the center of American politics has not been fully told. Plot to Overturn the Election traces the hidden sources of misinformation about the 2020 election, demonstrating how a handful of people have had an outsized impact on the current crisis of democratic legitimacy.
42;26Mega-corporations like Apple, Amazon, Google and Facebook are incredibly powerful, and their growth shows no signs of slowing down. The pandemic has only them more influential. Experts have long watched as they breach antitrust laws, while also receiving special treatment when it comes to paying low wages, avoiding taxes, flouting laws, and even making their […]
1:21:54For several years, PBS Frontline has collaborated with ProPublica to investigate the rise of extremism in the United States. In the aftermath of the January 6th riot at the Capitol building, Frontline, ProPublica and Berkeley Journalism’s Investigative Reporting Program teamed up to examine how far-right extremist groups had evolved in the wake of the deadly 2017 Charlottesville rally. American Insurrection is a report that draws on this extensive background to examine the latest developments and pose questions about where these extremist movements may be headed.
54:31The Power of the Fed investigates how the United States central bank’s actions have played out over the years on Wall Street versus Main Street, since the last financial crash of 2008. The film traces how the experiment the Fed began in 2008 has been dramatically ratcheting up, peaking with the COVID-19 crisis in 2020. But, of course, rather than help correct from the huge corruption and financial abstractions that caused the 2008 crash, the fed has doubled down on its policies of “quantitative easing” which have gone on to help widen the greatest inequality of wealth in history, pushing financial products even further removed from the economy, driving inflation, automation, and worsening the impending cycles of boom and bust. The rise of speculative cryptocurrencies and non-fungible tokens (NFTs) has only fueled the mania, as economic volatility increases.
52:34Following the police shootings of Bernardo Palacios Carbajal and George Floyd in the United States, Shots Fired investigates the use of deadly force by police in Utah, with local journalism partner The Salt Lake Tribune. The filmmakers are given rare behind the scenes access to police training, and in the police’s bid to smooth public perceptions, access to discuss tactics and accountability, as well as racial disparities in the way force is used. The film pieces together data and videos from police ‘use of force’ cases, and asks the hard questions about police culture in the United States in general.
Ithaka depicts the incarceration of WikiLeaks founder Julian Assange through the experience of his wife Stella Assange and his father John Shipton. Julian Assange faces a 175-year sentence if extradited to the United States. His family members are confronting the prospect of losing Julian forever to the abyss of the justice system. This David-and-Goliath struggle is personal, and, with Julian’s health declining in a British maximum-security prison, the clock is ticking. Through this behind-the-scenes view of the extradition hearing, the films grasp the personal cost paid by Julian and the true cost of truth.
1:48:34All Light, Everywhere is an arthouse film that traverses the biases of how we see things, told through the use of police body-worn cameras from the Axon corporation. As such surveillance technologies become a fixture in everyday life, the film interrogates the myth of an objective point of view, probing the biases inherent in both human perception, the lens, and the culture driving the surveillance machines—asking what it means to look and see, but also what is not viewed, and the power imbalance of whom watches whom. Through provocative vignettes, the film provides space to dismantle the perpetual insistence that if everything was recorded and processed by purportedly “neutral” sources, then both criminal activity and authoritarian malfeasance would be reduced.
1:33:21The Social Dilemma brings together former product directors and designers of Facebook, Google, Instagram, Pintrest, Twitter, and so on, to reflect on their creations and face questions about the age of addiction, information manipulation, and algorithmic social control they’ve ushered in. The creators speak openly about how they themselves took part in this co-optation of society, either naively or with malignant indifference, by designing websites in such a way to influence and manipulate billions of people for corporate interests by using deep psychological and addictive triggers in the human mind. Detailed explanations about how this can play out in the real world are illustrated through dramatisations, which are also expanded upon by experts in psychology, technology, and social studies. The result is a sobering call for emergency damage control, to undo the massive harm that technology companies have unleashed on society unrestrained for the past several decades, at a time of rapid social unravelling.
1:28:32The Monopoly of Violence is a study of police brutality in France, specifically documenting the gilet jaunes protest movement of 2018 and 2019. But the footage could just as easily have been from the United States, or Hong Kong, or Britain. Citing the work of sociologist Max Weber as a starting point, which shows that the state has the monopoly on the legitimate use of physical force, the film expands into the space of questioning a form of policing that descends into systematic brutality and violence. Using footage from demonstrators and independent journalists to ground the analysis, the images are discussed between lawyers, representatives of social movements, academics, police officers, and victims of police aggression. The result is a clarion call for the rights of the citizen, and the accountability and responsibility of the State.
1:35:29Behind the Curve documents the resurgence of believers of a flat Earth, as made popular through YouTube videos. The film is a personal exploration of how people became exposed to flat Earth theories (the YouTube algorithm), and how those ideas were reinforced in an echo chamber of social media, rejecting empirical evidence, at a time of increasing countercultural distrust in authority figures and the epistemology of science. The narrative at the core of the film reveals how the screen bubble can envelop a person’s informational exposure, and change their relationships and perceptions in the real world, where confirmation bias is reinforced, making alternative views threatening, and individualism sacrosanct. Information that is contrary to a deeply held belief then becomes increasingly impossible to accept, especially if it has changed your life and circle of friends. So with empathy and a playful warmth, Behind the Curve becomes a warning light to the importance of honest discourse and critical analysis, falsifiability and dogma, but above all, to empathy and understanding of a person’s desire to create meaning and acceptance in a lonely, fragmented culture.
49:43Slavery is still existing in Mauritania, although it has officially been prohibited by law. The government of Mauritania has been trying to hide slavery from the outside world for years. Slavery has officially been abolished since 1981, almost a century after it happened worldwide. But activists are still fighting for the liberation of tens of thousands of black Mauritanians owned by someone else. Slavery still exists.
1:10:19The Viewing Booth recounts a unique encounter between a filmmaker and a viewer—exploring the way meaning is attributed to images in today’s culture of the screen. In a lab-like location, Maia Levy, a young Jewish American woman, watches videos portraying life in the occupied West Bank, while verbalising her thoughts and feelings in real time. Maia is an enthusiastic supporter of Israel, and the images in the videos, depicting Palestinian life under Israeli military rule, contradict some of her most deep-seated beliefs. Empathy, anger, embarrassment, innate biases, and healthy curiosity all play out before our eyes, as we watch her watch the images created by the occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer, most especially in the digital era.
1:53:50AI, or Artificial Intelligence, is spouted as the ability of machines to “think” [sic] at a speed and depth far beyond the capacity of any human. Proponents of these digital technologies claim their systems are used in ways that are beneficial for society. But as we see, the current use of AI isn’t necessarily aligned with the goals of building a better society. There still remain escalating concerns about labour, the future of work, privacy, the surveillance society, and social control—all valid criticisms that go back many decades—while the rivalry for technological supremacy between the United States and China mirrors the dynamics of the cold war. In the Age of AI is an investigation that touches on these areas, providing a platform to ask fundamental questions about unrestrained technological escalation.
1:30:39University of Toronto psychology professor Jordan Peterson launched into the public eye after he published a controversial video series entitled Professor Against Political Correctness in 2016. Within 2 years, he sells over 3 million copies of his self-help book, appears on numerous television shows, and fills theatres with his lectures. At the same time, he endures a swell of backlash, including that from a former colleague that now labels him as a dangerous threat. After mobilising some on the right for his criticisms of the left, Peterson fends-off being labelled a right-wing figurehead while moving through the media spectacle, arguing his shifting philosophical views. Filmed during this period of Peterson’s rise to fame, and told through family, friends, and foes, The Rise of Jordan Peterson presents a complex kaleidoscopic narrative and personal portrait, enabling the viewer to examine Peterson in several different ways, while considering his wide and often conflicting range of perspectives and social commentary.
1:19:30Artifishal is a film about people, rivers, and the fight for the future of wild fish and the environment that supports them. It explores wild salmon’s slide toward extinction, threats posed by fish hatcheries and fish farms, and this culture’s relentless pursuit of engineering, mechanisation, and commodification in the face of environmental collapse. The film shows how fish hatcheries and fish farms threaten wild salmon populations, which in-turn has wide effects on the rest of the environment, but instead of helping wild salmon recover, this culture powers on with hatcheries and farms at great cost, both economically and ecologically. Artifishal explores the process, and what’s at stake if this culture continues its destructive path.
1:45:22Britain’s National Health Service, the NHS, was the world’s first universal public health service, created out of the ideal that healthcare should be available to everyone, regardless of wealth. Designed to give millions of people “freedom from fear” following the Second World War, the NHS today is under threat of being sold-off and converted to a free-market model, inspired by the private health insurance system in the United States, which results in the deaths of an estimated 45,000 people every year. President Trump says the NHS is “on the table” in any future trade deal with America. Filmed in Britain and the United States, this timely documentary reveals what may be the last battle to preserve the most fundamental human right: health. Veteran filmmaker John Pilger takes us through a history of threats to Britain’s National Health Service, from its founding in 1948, through a push for privatisation during the 1980s, to challenges by the new politics of today and the drive for corporate take-over.
1:59:29The 1953 Iranian coup d’état was the overthrow of the democratically elected government of Iran in favour of strengthening the monarchical rule of the Shah for the purposes of foreign access to Iran’s oil. BP was at the heart of this story. The operation was orchestrated by the United States under the name TPAJAX Project (Operation Ajax) and the United Kingdom under the name Operation Boot. While making a documentary about this CIA/MI6 coup, Iranian director Taghi Amirani and editor Walter Murch discover never seen before archive material hidden for decades. The 16mm footage and documents not only allow the filmmakers to tell the story of the overthrow of the Iranian government in unprecedented detail, but also leads to explosive revelations about dark secrets buried for 67 years. Working with Ralph Fiennes to help bring the lost material to life, what begins as a historical documentary about four days in August 1953 turns into a live investigation, taking the film-makers into uncharted cinematic territory.
1:28:30At the Heart of Gold: Inside the USA Gymnastics Scandal reveals a dangerous athletic culture that prioritised winning over everything else, including protecting young female athletes. For more than 30 years, Larry Nassar worked with gymnasts, as a respected trainer and doctor. He was charming, taught at church, volunteered in the community, and was seemingly well-liked throughout. He treated girls’ aches and pains, becoming a friend and confidant to many along the way, while also sexually abusing them during sessions for many years. When some girls began to speak up about their experiences, they were silenced, gaslighted or denied, all the way up to the highest levels of management, across multiple sporting institutions. After many complaints and eventually a cumulative legal investigation, Nassar ends up exposed as a serial sex offender. This film unpacks the scandal, its cover-up, and aftermath, through interviews with dozens of survivors, as well as coaches, lawyers and journalists, as one of the most high-profile paedophile trials in recent years. It documents the grooming, methods, and psychology of a charismatic sexual abuser, as well as the culture that enables and perpetuates it.
1:06:34Public Figure is a measured exploration of this culture’s obsession with social media, exemplified through the lives of several Instagram “influencers.” The film invites the viewer to question how much of what we see online is real or delusion, while slowly, the “influencers” themselves reveal the extent to which they’ve completely commodified their lives into enterprises, as giant advertising engines, while also touching on the personal impacts of screen culture addiction. These commentaries are contrasted by views from clinical psychologists and counsellors, whom also question the long term effects of social media culture. While some figures use their commodified lives to inspire, promote a cause, or market their business, all in all, each and every “influencer” is wittingly or unwittingly part of a multi-billion dollar advertising engine that spends more money on marketing than education in the United States. Instagram advertisers will spend $2.38 billion on “influencers” in 2019. Public Figure asks us to reflect on our personal social media use, while questioning how society perceives reality.
1:31:32Housing is fundamental human right. But in cities all around the world, housing affordability is decreasing at record pace. The local working and middle classes have become unable to afford housing in major cities: London, New York, Berlin, Hong Kong, Toronto, Tokyo, Valparaiso, Sydney, Melbourne, Caracas, Barcelona, Paris, Amsterdam, Stockholm… the list seems endless. People are being pushed out of their very own homes—because living in them has rapidly become unaffordable. Told through the eyes of Leilani Farha, a United Nations special rapporteur on housing, Push touches on the foundations of the crisis, as we follow the rise of abstract finance and the pervasive influence of neoliberalism that conjures a perfect storm: the global financial crisis of 2008—where houses packaged as “complex financial instruments” were the core of the crisis. Then, once the financial industry was bailed out by the public to the tune of trillions of dollars, financiers bought up millions of houses around the globe for cents on the dollar, and their power and influence has only increased in the subsequent decades. Farha travels all around the world, speaking to people that now spend 90% of their income on rent, after wages have stayed stagnant since 1970s, and how large corporations swallow up entire communities, guided by the same politik. She says we still need to confront those old ideas—the financialisation of the housing ‘market.’ “There’s a huge difference between housing as a commodity and gold as a commodity.” These systems don’t consider the people they extract from.