Outage: We're currently experiencing server problems in certain regions. Please check back soon if titles are not working for you.Films about governments
1:59:02Ghosts of Rwanda marks the 10th anniversary of the genocide in Rwanda—a state-sponsored massacre in which some 800,000 Rwandans were methodically hunted down and murdered, as the United Nations and other states refused to intervene. The film examines the social, political, and diplomatic failures that converged to enable the genocide to occur. Through interviews with key government officials, diplomats, soldiers, and survivors of the slaughter, Ghosts of Rwanda presents first-hand accounts of the genocide from those who lived it—the diplomats on the scene who thought they were building peace only to see their colleagues murdered; the Tutsi survivors who recount the horror of seeing their friends and family slaughtered by Hutu friends and co-workers; and the UN peacekeepers in Rwanda who were ordered not to intervene in the massacre happening all around them.
1:39:18A Thousand Cuts is a timely film about modern-day journalism and freedom of the press inside the Philippines where the political space has been usurped by social media disinformation campaigns, celebrity propaganda spectacle, and direct organised political violence. The film comes as the world awaits the verdict of the case against of Maria Ressa, the CEO and founder of the news network Rappler, who has been vocal about holding president Rodrigo Duterte accountable for his government’s much-criticised and violent “war on drugs.” In what is a salient trend of our time, A Thousand Cuts examines the disinformation campaigns and the crackdown on the media, while journalists Maria Ressa and her team place the tools of their trade—and their freedom—on the line in defence of truth and democracy.
58:37In 1978, Australia was shocked by the explosion of a massive bomb placed in a rubbish bin outside the Sydney Hilton Hotel in NSW. The perpetrators were never found. However, evidence that the Australian security and intelligence forces may have been responsible resulted in the NSW State Parliament unanimously calling for an inquiry in 1991 and then again in 1995. The Federal Government vetoed any inquiry. No investigation was held. The government then set-up the Australian Federal Police and increased support for “anti-terrorist measures”…
Pandora’s Box — A fable from the age of science, is a six part series examining the consequences of political and technocratic rationalism, tying together communism in the Soviet Union, systems analysis and game theory during the Cold War, economy in the United Kingdom during the 1970s, the insecticide DDT, Kwame Nkrumah’s leadership in Ghana during the 1950s and 1960s and the history of nuclear power.
1:12:45Resist — The Aftermath Of The RNC8 follows activists Rob Czernik, Garrett Fitzgerald and Luce Guillen-Givins; attorney Robert Kolstad, volunteers/arrestees from the community, and others impacted by the actions against the Republican National Convention in 2008. Taking a look back over the last year, the video shares some helpful advice for activists organising under state repression…
51:13Cambodia — Year One investigates the effect of aid to Cambodia and the extent of the country’s so-called new found stability as in 1980. The film portrays Cambodia on a brink of famine and cultural annihilation, but in the process of recovery, also showing the continued support for the Khmer Rouge regime by China and the United Nations.
57:10Unprecedented looks at voting irregularities in the controversial presidential election in the United States from the year 2000. With a focus on the swing state of Florida, the recount, the ensuing supreme court decision in December, and future elections; the film also shows how fundamentally, many people—the majority being African-American—have outright been refused the ability to vote by a clever mix of legalese, electronic voting machines, political maneuvering and simple racism. A 1868 law prevented felons from voting—originally crafted to keep blacks from the polls in the wake of the Civil War—was resurrected in 2000, used to create a computerised list of people supposedly illegible to vote. The list had weird parameters and included as many as 57,000 to 91,000 non-felons; overwhelmingly targeting people of colour. On election day, these people were turned away at the polls. The role of electronic voting machines is also examined, as they are totally unaccountable and do not allow audits. The argument is made because of copyright over the software and trademarks. The machines also do not give paper receipts, so there is no physical evidence in case of the need for a recount. How does the United States—the so-called and self-proclaimed world-famous democracy—fair as one in light of this?
The Power of Big Oil is a three-part series that investigates the decades-long failure to confront the threat of climate change and the role of the fossil fuel industry. The series presents a parade of former oil company scientists, lobbyists, and public relations strategists who lay bare how the biggest petroleum firm in the United States, Exxon, and then the broader petroleum industry globally, moved from attempting to understand the causes of a global heating to a concerted campaign to hide the making of an environmental catastrophe. Over three episodes—Denial, Doubt, Delay—the series documents the corporate cooptation of science, the manipulation of public opinion, and political figureheads that mirror conduct by other industries—from big tobacco to the pharmaceutical companies responsible for the opioid epidemic.
1:32:27Why was the the electric vehicle made by General Motors destroyed in the late 1990s? Why did it receive only limited commercialisation despite being hugely popular? It was among the fastest, most efficient production cars ever built. It ran on electricity, produced no exhaust and catapulted American technology to the forefront of the automotive industry. The lucky few who drove it never wanted to give it up. So why did General Motors suddenly crush its fleet of EV-1 electric vehicles in the Arizona desert? Was it because of a lack of consumer confidence or conspiracy?
52:54The secret history of Australia is a historical conspiracy of silence. Written history has long applied selectivity to what it records, largely ignoring the shameful way that the Indigenous people were, and continue to be, treated…
1:19:45Film maker David Bond lives in one of the most intrusive surveillance states in the world — Britain. When David receives a letter stating that both he and his daughter are amongst the 25 million residents whose details have been lost by the government in a massive data breach, David sets out to investigate some potential impacts of such data being lost in a society of mass surveillance. Erasing David documents the test where David hires two private detectives to track him down as he chooses to ‘disappear’ for 30 days to see if he can avoid being caught amongst the vast data trails generated by modern society…
52:04In the wake of September 11, 2001, Sibel Edmonds is approached by the FBI. As an American of Iranian and Turkish origin, Edmonds’ linguistic skill-set makes her a valuable asset to the Language Services Unit, where she spends months translating high-security clearance documents. One day shortly after reporting the possible infiltration of her unit by Turkish spies to her supervisors and their supervisors, Edmonds’ world is turned upside-down. Instead of seeing her colleague become the target of an investigation, she is interrogated, then unceremoniously fired and warned not to pursue her claims any further as she would be watched and listened to. Kill The Messenger documents both Edmonds’ personal struggle to expose the criminality uncovered while at the FBI, and also the September 11 tied ‘secret’ itself—the network of nuclear black-market, narcotics and illegal arms trafficking activities.
1:12:47The Great White Hoax contextualises the current day politicking in the United States, with a primary focus on Donald Trump’s race-baiting 2016 campaign for president. The film also widens scope however to show how Trump’s charged rhetoric fits into a long-standing historical pattern in politics in the United States, offering a stunning survey of how racism and racial scapegoating have shaped American politics for centuries. The film becomes a solid resource for a basis on race relations, white privilege, the intersectionality of race, class, and gender identities, presidential politics, and political propaganda in the age of “social media.”
1:39:04Is American foreign policy dominated by the idea of military supremacy? Why We Fight examines America’s policies regarding making war, most recently the Iraq invasion and what is termed “the Bush doctrine” that includes pre-emptive strikes. This policy has been in the works for many years on reflection of the past wars of the 20th century alone. In this film, a variety of people are asked “Why We Fight?” with a variety of answers, followed by a look at today’s U.S. military industrial complex via interviews with individuals involved with it…
56:40In the 1960s and 70s, British governments conspiring with American officials, secretly tricked into leaving and then expelled, the entire population of the Chagos islands in the Indian Ocean as to make way for a major American military base. Indeed from Diego Garcia, American military planes have since bombed Afghanistan and Iraq. Stealing A Nation documents the story of the islanders who were dumped in the slums of Mauritius and in the words of the British officials who left a ‘paper trail’ of what the International Criminal Court now describes as ‘a crime against humanity’…
26:37A Nod And A Wink reviews the use of vague Conspiracy laws in Britain from 1975, laws which are much in the same as those used in police states such as Brazil and the Soviet Union to suppress political and moral dissent. This film raises and addresses the serious questions about the way the legal system works in Britain—and indeed elsewhere…
1:34:02In Mediastan, an undercover team of journalists drive across central Asia interviewing editors of local media outlets to publish secret US diplomatic cables that were provided to WikiLeaks in 2010. Success is varied. And so, after regrouping with Julian Assange in England, questioning the editor of the Guardian, and obtaining candid footage of the New York Times editor and its publisher Arthur Sulzberger, Mediastan closes by leaving the viewer with an informative first-hand overview of the machinations of mainstream media. By venturing into the minds—and actions—of the people and institutions who shape the news, Mediastan shows the system for what it’s worth, and reveals its true motivations…
1:35:29When Hong Kongers took to the streets to protest a controversial extradition bill proposed by China in 2019, it exposed the tensions long brewing in the city. Over two days of conflict, Hong Kong Moments follows a pro-democracy protester, a tea-shop owner, a paramedic, a cab driver, a police officer, and two politicians with conflicting politics as the demonstrations shoehorn the political into the personal. On September 21, 2019, protestors from three districts join forces, resulting in unprecedented violence. Just 10 days later on October 1, the National Day of the People’s Republic of China, previously undecided onlookers show their stripes. Thoughts transform into action in this demonstration of how mercurial and personal Hong Kong’s politics have become.
1:27:44Every day, escalating technologies are being used to monitor all of us as populations with unprecedented scrutiny—from driving habits to workplace surveillance, as shoppers, as consumers, as citizens. We are all increasingly being observed and analysed. Internet searches are monitored and used as evidence in court, the police track our movements on the road, governments collect our DNA, fingerprints and iris scans, corporations assemble huge databases for profiling and selling data, while governments collude with such lucrative businesses—for example, Acxiom, Lexis Nexis and ChoicePoint—to gain access to vast volumes of information about people and the machinations of modern society. What will it take for us to stop this system before it boils over into a full-blown technocratic authoritarian regime?
The Living Dead: Three Films About the Power of the Past is a series of films that investigate the way that history and memory (both national and individual) have been manipulated and distorted by politicians and others for various means of control…
50:30For many years now the American foreign policy has been characterized by the strong tie between the United States and Israel. Does the United States in fact keep Israel on its feet? And how long will it continue to do so?
52:01John Pilger once again travels to Cambodia to report on the brutality and murderous political ambitions of the Pol Pot and Khmer Rouge totalitarian regime which brought genocide and despair to the people of Cambodia; while neighbouring countries, including Australia and the United Nations shamefully ignored the immense human suffering and unspeakable crimes that bloodied the country…
49:54War Matters chronicles a decade of anti-war protest in Britain through the story of veteran peace campaigner Brian Haw, who camped in Parliament Square for over 10 years in protest against the UK government’s policies in the Middle East. Brian began his campaign against war on 2nd June 2001, initially in protest of the sanctions against Iraq. After the September 11 attacks in the United States later on that year, Brian’s campaign took on a whole new level of importance. War Matters documents this shift by examining the larger issue of the British arms trade and the repercussions of the Iraq and Afghanistan wars around the world, as civil rights are being curtailed in so-called democracies. Where does democracy end and tyranny begin?
On April 19, 1995, Timothy McVeigh, a former soldier deeply influenced by the literature and ideas of the radical right, parked a truck with a five-ton fertiliser bomb in front of the Alfred P. Murrah Federal building in Oklahoma City. Moments later, 168 people were killed and 675 were injured in the blast. Oklahoma City traces the events that led McVeigh to that day from the perspective of the survivors, first-responders, investigators, and journalists who covered the events. The film provides an exploration of the convergence of various conservative religious movements and white supremacist militias that rose to prominence in the early 1990s, and were catalysed by the actions of government during that time.
59:09To its backers, Woomera detention centre played a so-called “humane yet crucial role in housing the growing numbers of ‘boat people’ landing on Australia’s shores.” To its critics, this prison, as a heavily guarded cluster of buildings ringed by red desert and razor wire, represented the “dead-heart of asylum-seeker policy” and Australia’s lacklustre regard for human rights. Woomera opened for business less than four years ago. Built for 400 people, it soon housed more than 1,400. It became notorious for riots, protests and breakouts by desperate detainees. There were reports that mental illness and self-harm were rife and as the reports mounted, TV cameras captured the protests at the perimeter fence. Certain press warned of detainees’ declining health and morale. Yet when Woomera was quietly placed in mothballs last month, its full story remained to be told…
52:49John Pilger returns to the Occupied Territories of the West Bank and Gaza where, in 1974, he filmed a documentary with the same title — Palestine Is Still The Issue — a film about the same issues, a nation of people, the Palestinians, forced off their land and subjected to military occupation by Israel. Pilger hears extraordinary stories from Palestinians, though most of his interviews are with Israelis whose voices are seldom heard, including the remarkable witness of a man who lost his daughter in a suicide bombing. But for Palestinians, the overriding, routine terror, day after day, has been the ruthless control of almost every aspect of their lives, as if they live in an open prison. This film is about the Palestinians and a group of courageous Israelis united in the fight to be free…
1:12:30From conflicts of interests in politics and collusion with corporate power, to a global mainstream media that serves the interests of a powerful few, Ethos explores aspects of the machinations of today’s global systems that work against democracy, the natural environment and lead populations into consumerism and warfare…
33:39In the spring of 2012, a massive student strike in opposition to a tuition hike, rocked the streets of the Montréal for over six months. Protests and mass direct-action on the street became part of daily and nightly reality. Several times during the tumultuous spring, the numbers in the streets would reach over one hundred thousand. Police routinely clubbed students and their allies, and arrested them by the hundreds. Some were even banned from entering the city. But every time the cops struck, the student movement got bigger and angrier. This is a story about how the arrogance of a government underestimated a dedicated group of students, who through long-term organising, laid the foundation for some of the largest mass demonstrations in Canada’s history.
1:32:33All Governments Lie: Truth, Deception, and the Legacy of I.F. Stone looks at an array of award-winning filmmakers who subscribed to I. F. Stone’s newsletter in their teens, revealing a new wave of independent, investigative, adversarial journalists following in Stone’s footsteps. Reflecting on his work during the era of McCarthyism, a chorus of independent journalists also reflect on today where giant media conglomerates are reluctant to investigate or criticise government policies—particularly on defence, security and intelligence issues. With government deception rampant, and intrusion of state surveillance into our private lives never before more egregious, independent journalists tell their story of being inspired by the iconoclastic Stone, whose fearless, independent reporting from 1953 to 1971 filled a tiny 4-page newsletter. Stone is little known today, but All Governments Lie reveals the profound influence he had on contemporary independent journalism.
1:10:15Reaching into the Orwellian memory hole, War Made Easy exposes the some 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Using archival footage of official distortion and exaggeration from LBJ to George Bush, this film reveals how the American news media have uncritically disseminated the pro-war messages of successive governments — paying special attention to the parallels between the Vietnam war and the war in Iraq…
51:54War By Other Means examines the policy of western banks making loans to so-called ‘third world’ countries, which are then unable to meet the crippling interest charges—debt used as a weapon. The film primarily analyses ‘Structural Adjustment Programs,’ which are proclaimed to enable countries to compete in the ‘global economy,’ but have the opposite effect of lowering wages which in turn further transfers the wealth from the poor to the rich.
51:02Cambodia — The Betrayal is the fourth follow-up to John Pilger and David Munro’s series on Cambodia, the film Year Ten from 1989, which examined the hypocrisy of western geopolitics by looking at the way in which the United Nations pressured Cambodia to accept the Khmer Rouge regime as part of the United Nations peace plan.
1:30:07King Corn follows two college friends curious about the food system, as they decide to have a shot at farming an acre of corn. In the process, the two examine the role that the increasing production of corn has had across not only on the concepts of industrial food, but the health of the land, the health of the environment, and the health of people. The film spotlights the role of government subsidies which make huge monocrops of corn possible, which itself has—as industrial agriculture—a catastrophic ecological impact, but in-turn drives factory-farming of animals and other atrocities such as the production of high-fructose corn syrup which is saturated throughout industrial food, not least, fast-food. We see how this industrialisation has eliminated the family farm and local food production—things which are increasingly impossible in this brutal arrangement of corporate power.
1:50:13McCarthy chronicles the rise and fall of Joseph McCarthy, the United States senator who came to power after a stunning victory in an election that no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening the United States—not emanating from a rival superpower, but from within. Then, without restraint or oversight, he conducted a vast crusade against those he accused of being “enemies of the state,” a chilling campaign marked by groundless accusations, bullying, intimidation, grandiose showmanship, and cruel victimisation. With lawyer Roy Cohn at his side, McCarthy belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach.
51:57The discrepancies between the “War on Terror” and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, “the generosity of America and its allies.” Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military ‘skirmishes’ continue routinely. In “liberated” Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, “in many ways worse than the Taliban.”
The Mayfair Set is a four part series that studies how capitalists overtly and surreptitiously came to prolifically shape governments during the 1980s, epitomised by the Thatcher government in Britain at the time. But the corporate influence of political power doesn’t simply arrive, it rather culminates after decades of engineering rooted in the economic collapse from the aftermath of the Second World War. This series focuses on the unreported and almost unseen approach that capitalists have taken since the 1940s to gradually take control of the political systems of not only the United States and Britain, but elsewhere around the world—exemplified by the boom of globalisation.
2:02:24US Foreign Policy — The War Against The Third World is a video compilation series of 10 segments about CIA covert operations and military interventions since World War II.
51:29Cambodia — Year Ten Update examines the reactions of the British government and the United Nations to the international outcry over the situation in Cambodia.
26:48The United States proudly self-identifies as the major purveyor of peace and democracy across the world. But does this perception of self match up to the actual policies and history of military actions throughout recent decades? Are the United States’ seemingly constant wars of aggression befitting to achieving peace? These are some of the central dichotomies addressed in this short film In Whose Interest? We see internal documentation of the US involvement in countries like Vietnam or Guatemala which indicate that the main factors motivating American foreign policy are clearly economic concerns. In Guatemala, the United States overthrows a democratically elected government to install a military-backed dictatorship that is suitable to the American United Fruit corporation. A similar pattern emerges in Vietnam, El Salvador and East Timor. Perhaps most oppressive yet is US policy in the Middle East, where the US provides Israel with more than $3 billion per year in military assistance—more aid than they give to the entire continent of Africa. We see how American policy is determined by the corporate sector, tightly linked to the state, which makes decisions in their own self-interest—in stark opposition to the rhetoric of democracy…
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today’s invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.