John Pilger once again travels to Cambodia to report on the brutality and murderous political ambitions of the Pol Pot and Khmer Rouge totalitarian regime which brought genocide and despair to the people of Cambodia; while neighbouring countries, including Australia and the United Nations shamefully ignored the immense human suffering and unspeakable crimes that bloodied the country...
War Matters chronicles a decade of anti-war protest in Britain through the story of veteran peace campaigner Brian Haw, who camped in Parliament Square for over 10 years in protest against the UK government's policies in the Middle East. Brian began his campaign against war on 2nd June 2001, initially in protest of the sanctions against Iraq. After the September 11 attacks in the United States later on that year, Brian's campaign took on a whole new level of importance. War Matters documents this shift by examining the larger issue of the British arms trade and the repercussions of the Iraq and Afghanistan wars around the world, as civil rights are being curtailed in so-called democracies. Where does democracy end and tyranny begin?
On April 19, 1995, Timothy McVeigh, a former soldier deeply influenced by the literature and ideas of the radical right, parked a truck with a five-ton fertiliser bomb in front of the Alfred P. Murrah Federal building in Oklahoma City. Moments later, 168 people were killed and 675 were injured in the blast. Oklahoma City traces the events that led McVeigh to that day from the perspective of the survivors, first-responders, investigators, and journalists who covered the events. The film provides an exploration of the convergence of various conservative religious movements and white supremacist militias that rose to prominence in the early 1990s, and were catalysed by the actions of government during that time.
To its backers, Woomera detention centre played a so-called "humane yet crucial role in housing the growing numbers of 'boat people' landing on Australia's shores." To its critics, this prison, as a heavily guarded cluster of buildings ringed by red desert and razor wire, represented the "dead-heart of asylum-seeker policy" and Australia's lacklustre regard for human rights. Woomera opened for business less than four years ago. Built for 400 people, it soon housed more than 1,400. It became notorious for riots, protests and breakouts by desperate detainees. There were reports that mental illness and self-harm were rife and as the reports mounted, TV cameras captured the protests at the perimeter fence. Certain press warned of detainees' declining health and morale. Yet when Woomera was quietly placed in mothballs last month, its full story remained to be told...
John Pilger returns to the Occupied Territories of the West Bank and Gaza where, in 1974, he filmed a documentary with the same title -- Palestine Is Still The Issue -- a film about the same issues, a nation of people, the Palestinians, forced off their land and subjected to military occupation by Israel. Pilger hears extraordinary stories from Palestinians, though most of his interviews are with Israelis whose voices are seldom heard, including the remarkable witness of a man who lost his daughter in a suicide bombing. But for Palestinians, the overriding, routine terror, day after day, has been the ruthless control of almost every aspect of their lives, as if they live in an open prison. This film is about the Palestinians and a group of courageous Israelis united in the fight to be free...
From conflicts of interests in politics and collusion with corporate power, to a global mainstream media that serves the interests of a powerful few, Ethos explores aspects of the machinations of today's global systems that work against democracy, the natural environment and lead populations into consumerism and warfare...
In the spring of 2012, a massive student strike in opposition to a tuition hike, rocked the streets of the Montréal for over six months. Protests and mass direct-action on the street became part of daily and nightly reality. Several times during the tumultuous spring, the numbers in the streets would reach over one hundred thousand. Police routinely clubbed students and their allies, and arrested them by the hundreds. Some were even banned from entering the city. But every time the cops struck, the student movement got bigger and angrier. This is a story about how the arrogance of a government underestimated a dedicated group of students, who through long-term organising, laid the foundation for some of the largest mass demonstrations in Canada's history.
All Governments Lie: Truth, Deception, and the Legacy of I.F. Stone looks at an array of award-winning filmmakers who subscribed to I. F. Stone's newsletter in their teens, revealing a new wave of independent, investigative, adversarial journalists following in Stone's footsteps. Reflecting on his work during the era of McCarthyism, a chorus of independent journalists also reflect on today where giant media conglomerates are reluctant to investigate or criticise government policies--particularly on defence, security and intelligence issues. With government deception rampant, and intrusion of state surveillance into our private lives never before more egregious, independent journalists tell their story of being inspired by the iconoclastic Stone, whose fearless, independent reporting from 1953 to 1971 filled a tiny 4-page newsletter. Stone is little known today, but All Governments Lie reveals the profound influence he had on contemporary independent journalism.
Reaching into the Orwellian memory hole, War Made Easy exposes the some 50-year pattern of government deception and media spin that has dragged the United States into one war after another from Vietnam to Iraq. Using archival footage of official distortion and exaggeration from LBJ to George Bush, this film reveals how the American news media have uncritically disseminated the pro-war messages of successive governments -- paying special attention to the parallels between the Vietnam war and the war in Iraq...
War By Other Means examines the policy of western banks making loans to so-called 'third world' countries, which are then unable to meet the crippling interest charges—debt used as a weapon. The film primarily analyses 'Structural Adjustment Programs,' which are proclaimed to enable countries to compete in the 'global economy,' but have the opposite effect of lowering wages which in turn further transfers the wealth from the poor to the rich.
Cambodia -- The Betrayal is the fourth follow-up to John Pilger and David Munro's series on Cambodia, the film Year Ten from 1989, which examined the hypocrisy of western geopolitics by looking at the way in which the United Nations pressured Cambodia to accept the Khmer Rouge regime as part of the United Nations peace plan.
King Corn follows two college friends curious about the food system, as they decide to have a shot at farming an acre of corn. In the process, the two examine the role that the increasing production of corn has had across not only on the concepts of industrial food, but the health of the land, the health of the environment, and the health of people. The film spotlights the role of government subsidies which make huge monocrops of corn possible, which itself has—as industrial agriculture—a catastrophic ecological impact, but in-turn drives factory-farming of animals and other atrocities such as the production of high-fructose corn syrup which is saturated throughout industrial food, not least, fast-food. We see how this industrialisation has eliminated the family farm and local food production—things which are increasingly impossible in this brutal arrangement of corporate power.
McCarthy chronicles the rise and fall of Joseph McCarthy, the United States senator who came to power after a stunning victory in an election that no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening the United States--not emanating from a rival superpower, but from within. Then, without restraint or oversight, he conducted a vast crusade against those he accused of being "enemies of the state," a chilling campaign marked by groundless accusations, bullying, intimidation, grandiose showmanship, and cruel victimisation. With lawyer Roy Cohn at his side, McCarthy belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach.
The discrepancies between the "War on Terror" and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, "the generosity of America and its allies." Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military 'skirmishes' continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, "in many ways worse than the Taliban."
The Mayfair Set is a four part series that studies how capitalists overtly and surreptitiously came to prolifically shape governments during the 1980s, epitomised by the Thatcher government in Britain at the time. But the corporate influence of political power doesn't simply arrive, it rather culminates after decades of engineering rooted in the economic collapse from the aftermath of the Second World War. This series focuses on the unreported and almost unseen approach that capitalists have taken since the 1940s to gradually take control of the political systems of not only the United States and Britain, but elsewhere around the world—exemplified by the boom of globalisation.
US Foreign Policy -- The War Against The Third World is a video compilation series of 10 segments about CIA covert operations and military interventions since World War II.
Cambodia -- Year Ten Update examines the reactions of the British government and the United Nations to the international outcry over the situation in Cambodia.
The United States proudly self-identifies as the major purveyor of peace and democracy across the world. But does this perception of self match up to the actual policies and history of military actions throughout recent decades? Are the United States' seemingly constant wars of aggression befitting to achieving peace? These are some of the central dichotomies addressed in this short film In Whose Interest? We see internal documentation of the US involvement in countries like Vietnam or Guatemala which indicate that the main factors motivating American foreign policy are clearly economic concerns. In Guatemala, the United States overthrows a democratically elected government to install a military-backed dictatorship that is suitable to the American United Fruit corporation. A similar pattern emerges in Vietnam, El Salvador and East Timor. Perhaps most oppressive yet is US policy in the Middle East, where the US provides Israel with more than $3 billion per year in military assistance—more aid than they give to the entire continent of Africa. We see how American policy is determined by the corporate sector, tightly linked to the state, which makes decisions in their own self-interest—in stark opposition to the rhetoric of democracy...
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today's invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.
To many in both business and government, the triumph of the self is the ultimate expression of democracy, where power is truly moved into the hands of the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and controversial story of the growth of the mass-consumer society. How is the all-consuming self created, by whom, and in whose interest?
Why have a real election when you can just buy the result? In Bush Family Fortunes, Greg Palast examines various aspects of the Presidency of George W. Bush, including the very controversial 2000 US Presidential 'election' and of course, the invasion of Iraq. What are the Bush family connections?
In January 2012, two controversial pieces of legislation were making their way through the United States Congress. SOPA, the "Stop Online Piracy Act", and PIPA, the "Protect Intellectual Property Act", were meant to 'crack down' on the illegal sharing of digital media. The laws were drafted on request of the 'content industry' -- Hollywood studios and major record labels. But websites reacted against the government to speak out against SOPA, and the bill was effectively killed off after the largest online 'protest' in history. But it was only one win in a long battle between authorities and online users over Internet regulation. SOPA and PIPA were just the latest in a long line of 'anti-piracy' legislation that governments have been pressing since the 1990s. Can and should the internet be controlled? Who gets that power? How far will the United States government go to control the Internet?
Counter-Intelligence is a 5 part series that explores in-depth, the vast, sprawling and secret National Security State that operates throughout the United States--and indeed the world. The series examines the foundations of the Military-Industrial-Intelligence Complex, charting through to the myriad consequences in today's world where secret intelligence organisations continue to hijack governments, manipulate elections and commit heinous crimes against humanity--all under the cloak of "National Security". In the wake of the continued revelations of the NSA PRISM program, this series is now more important than ever to provide a solid historical context to the workings of the rapacious and ever-expanding National Security State...
Chasing Asylum explores the human, political, financial and moral consequences of the Australian Government's "off-shore processing" immigration policy, which is the only country in the world to mandate indefinite detention for adults and children seeking asylum. Since this policy was restarted in 2001, it has grown into an internationally condemned, secretive regime. Inside the detention centres there have been violent deaths, suicides, horrific acts of self-harm, sexual abuse, and mass protests. Composed of footage secretly recorded inside Australia's offshore detention camps, and explored through the eye-witness accounts of social workers and support workers, Chasing Asylum presents the hidden offshore world, where governments choose detention over compassion, a system of depriving vulnerable people of their basic human rights, and spending huge amounts of money keeping it secret and out of the public eye. The result is a sobering overall picture of a system that asks its citizens to abide by rule of law, but shows little regard to do so itself.
If one steps back and looks at what freedom actually means in the West today, it's a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for "individual freedom," yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force "freedom" on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.
The Trials of Henry Kissinger examines the evidence of war crimes by Henry Kissinger during his time as the United States "National Security Advisor" and later Secretary of State for President Nixon and President Ford. Acting in the role of the prosecution, journalist Christopher Hitchens presents solid evidence of Kissinger's complicity in a series of war crimes involving Indonesia, Bangladesh, Chile, Cyprus, East Timor and many other countries...
In 1978, three years after the end of the Vietnam War, film-maker John Pilger travels back to Vietnam to find out what had happened under the new regime. Do You Remember Vietnam? recounts numerous personal stories: talks with a young tour guide at a war crimes museum who had been imprisoned in the infamous US tiger cages; a former North Vietnamese soldier into the underground base where he spent 20 years crawling through tunnels undetected; and views from the streets in Hanoi, where the largest single aerial bombardment in history took place.
Underground is a film about the Weather Underground Organisation—a group founded as a militant faction of the civil rights and anti-war movement of the 1960s and 1970s. The film combines interviews with members of the group after they went underground who explain how they became radicalised amongst the political happenings in the United States at the time, as well as the revolutionary struggles in Cuba, Russia and China, and the history of struggles over Native American rights and labour issues. Also detailed is the group's analysis of American society, addressing those who have inspired them, and further explaining the reasons behind their militancy, while also introducing the issue of tactics. We see the use of property destruction as a way to bring about change and destabilise the current political order. Underground takes an intimate look at the inner workings of the Weather Underground and their strong internal collective identity, providing a record of how a bunch of middle-class Americans became self-styled militant revolutionaries, raising questions not only about the merits of their struggle, but also about past and future radical actions.