King Corn follows two college friends curious about the food system, as they decide to have a shot at farming an acre of corn. In the process, the two examine the role that the increasing production of corn has had across not only on the concepts of industrial food, but the health of the land, the health of the environment, and the health of people. The film spotlights the role of government subsidies which make huge monocrops of corn possible, which itself has—as industrial agriculture—a catastrophic ecological impact, but in-turn drives factory-farming of animals and other atrocities such as the production of high-fructose corn syrup which is saturated throughout industrial food, not least, fast-food. We see how this industrialisation has eliminated the family farm and local food production—things which are increasingly impossible in this brutal arrangement of corporate power.
McCarthy chronicles the rise and fall of Joseph McCarthy, the United States senator who came to power after a stunning victory in an election that no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening the United States--not emanating from a rival superpower, but from within. Then, without restraint or oversight, he conducted a vast crusade against those he accused of being "enemies of the state," a chilling campaign marked by groundless accusations, bullying, intimidation, grandiose showmanship, and cruel victimisation. With lawyer Roy Cohn at his side, McCarthy belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach.
The discrepancies between the "War on Terror" and the facts on the ground in Afghanistan and Iraq are many. In 2001, as the bombs began to drop, George W. Bush promised Afghanistan, "the generosity of America and its allies." Now, the familiar old warlords are retaining their power, religious fundamentalism is expanding its grip and military 'skirmishes' continue routinely. In "liberated" Afghanistan, America has its military base and pipeline access, while the people have the warlords who are, as one woman says in the film, "in many ways worse than the Taliban."
The Mayfair Set is a four part series that studies how capitalists overtly and surreptitiously came to prolifically shape governments during the 1980s, epitomised by the Thatcher government in Britain at the time. But the corporate influence of political power doesn't simply arrive, it rather culminates after decades of engineering rooted in the economic collapse from the aftermath of the Second World War. This series focuses on the unreported and almost unseen approach that capitalists have taken since the 1940s to gradually take control of the political systems of not only the United States and Britain, but elsewhere around the world—exemplified by the boom of globalisation.
US Foreign Policy -- The War Against The Third World is a video compilation series of 10 segments about CIA covert operations and military interventions since World War II.
Cambodia -- Year Ten Update examines the reactions of the British government and the United Nations to the international outcry over the situation in Cambodia.
The United States proudly self-identifies as the major purveyor of peace and democracy across the world. But does this perception of self match up to the actual policies and history of military actions throughout recent decades? Are the United States' seemingly constant wars of aggression befitting to achieving peace? These are some of the central dichotomies addressed in this short film In Whose Interest? We see internal documentation of the US involvement in countries like Vietnam or Guatemala which indicate that the main factors motivating American foreign policy are clearly economic concerns. In Guatemala, the United States overthrows a democratically elected government to install a military-backed dictatorship that is suitable to the American United Fruit corporation. A similar pattern emerges in Vietnam, El Salvador and East Timor. Perhaps most oppressive yet is US policy in the Middle East, where the US provides Israel with more than $3 billion per year in military assistance—more aid than they give to the entire continent of Africa. We see how American policy is determined by the corporate sector, tightly linked to the state, which makes decisions in their own self-interest—in stark opposition to the rhetoric of democracy...
Since the late 1980s, BBC news crews have filmed all across the Soviet Union and Russia, but only a tiny portion of their footage was ever used for news reports. The rest was left unseen on tapes in Moscow. Filmmaker Adam Curtis obtains these tapes and uses them to chronicle the collapse of the Soviet Union, the rise of capitalist Russia and its oligarchs, and the effects of this on Russian people of all levels of society, leading to the rise to power of Vladimir Putin, and today's invasions of Ukraine. The films take you from inside the Kremlin, to the frozen mining cities in the Arctic circle, to tiny villages of the vast steppes of Russia, and the strange wars fought in the mountains and forests of the Caucasus.
To many in both business and government, the triumph of the self is the ultimate expression of democracy, where power is truly moved into the hands of the people. Certainly the people may feel they are in charge, but are they really? The Century of the Self tells the untold and controversial story of the growth of the mass-consumer society. How is the all-consuming self created, by whom, and in whose interest?
Why have a real election when you can just buy the result? In Bush Family Fortunes, Greg Palast examines various aspects of the Presidency of George W. Bush, including the very controversial 2000 US Presidential 'election' and of course, the invasion of Iraq. What are the Bush family connections?
In January 2012, two controversial pieces of legislation were making their way through the United States Congress. SOPA, the "Stop Online Piracy Act", and PIPA, the "Protect Intellectual Property Act", were meant to 'crack down' on the illegal sharing of digital media. The laws were drafted on request of the 'content industry' -- Hollywood studios and major record labels. But websites reacted against the government to speak out against SOPA, and the bill was effectively killed off after the largest online 'protest' in history. But it was only one win in a long battle between authorities and online users over Internet regulation. SOPA and PIPA were just the latest in a long line of 'anti-piracy' legislation that governments have been pressing since the 1990s. Can and should the internet be controlled? Who gets that power? How far will the United States government go to control the Internet?
Counter-Intelligence is a 5 part series that explores in-depth, the vast, sprawling and secret National Security State that operates throughout the United States--and indeed the world. The series examines the foundations of the Military-Industrial-Intelligence Complex, charting through to the myriad consequences in today's world where secret intelligence organisations continue to hijack governments, manipulate elections and commit heinous crimes against humanity--all under the cloak of "National Security". In the wake of the continued revelations of the NSA PRISM program, this series is now more important than ever to provide a solid historical context to the workings of the rapacious and ever-expanding National Security State...
Chasing Asylum explores the human, political, financial and moral consequences of the Australian Government's "off-shore processing" immigration policy, which is the only country in the world to mandate indefinite detention for adults and children seeking asylum. Since this policy was restarted in 2001, it has grown into an internationally condemned, secretive regime. Inside the detention centres there have been violent deaths, suicides, horrific acts of self-harm, sexual abuse, and mass protests. Composed of footage secretly recorded inside Australia's offshore detention camps, and explored through the eye-witness accounts of social workers and support workers, Chasing Asylum presents the hidden offshore world, where governments choose detention over compassion, a system of depriving vulnerable people of their basic human rights, and spending huge amounts of money keeping it secret and out of the public eye. The result is a sobering overall picture of a system that asks its citizens to abide by rule of law, but shows little regard to do so itself.
If one steps back and looks at what freedom actually means in the West today, it's a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for "individual freedom," yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force "freedom" on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.
The Trials of Henry Kissinger examines the evidence of war crimes by Henry Kissinger during his time as the United States "National Security Advisor" and later Secretary of State for President Nixon and President Ford. Acting in the role of the prosecution, journalist Christopher Hitchens presents solid evidence of Kissinger's complicity in a series of war crimes involving Indonesia, Bangladesh, Chile, Cyprus, East Timor and many other countries...
In 1978, three years after the end of the Vietnam War, film-maker John Pilger travels back to Vietnam to find out what had happened under the new regime. Do You Remember Vietnam? recounts numerous personal stories: talks with a young tour guide at a war crimes museum who had been imprisoned in the infamous US tiger cages; a former North Vietnamese soldier into the underground base where he spent 20 years crawling through tunnels undetected; and views from the streets in Hanoi, where the largest single aerial bombardment in history took place.
Underground is a film about the Weather Underground Organisation—a group founded as a militant faction of the civil rights and anti-war movement of the 1960s and 1970s. The film combines interviews with members of the group after they went underground who explain how they became radicalised amongst the political happenings in the United States at the time, as well as the revolutionary struggles in Cuba, Russia and China, and the history of struggles over Native American rights and labour issues. Also detailed is the group's analysis of American society, addressing those who have inspired them, and further explaining the reasons behind their militancy, while also introducing the issue of tactics. We see the use of property destruction as a way to bring about change and destabilise the current political order. Underground takes an intimate look at the inner workings of the Weather Underground and their strong internal collective identity, providing a record of how a bunch of middle-class Americans became self-styled militant revolutionaries, raising questions not only about the merits of their struggle, but also about past and future radical actions.
In the United States and elsewhere, both sides of politics have revelled in spectacle and image for many decades. But when Donald Trump, the billionaire reality-television host became president, a new escalation of image and spectacle engulfed dominant culture. The Trump Show is a series that explores the beguiling spectacle of the Trump years, through interviews with former White House staffers, media managers, campaign directors, and other personalities that were close to Trump during his presidency. The series documents how image has now replaced substance in politics in a totalising way, and how false constructions seek to pave over reality through a culture that is deeply rooted in hyper-individualism, fierce and corrupt competition, ideological dogmatism, and post-modern delusions.
Did you know that the legal system recognises a corporation as a person? What kind of 'person' is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
Australian journalist, author and film maker John Pilger speaks about global media consolidation, war by journalism, the US military and its quest for domination/hegemony in the post 9-11 era and the false history that is presented in the guise of 'objective' journalism...
In 1971, Daniel Ellsberg shook the United States to its foundations when he leaked top-secret Pentagon documents to the New York Times that showed how five Presidents consistently lied about the Vietnam War. Consequently, National Security Advisor Henry Kissinger called Ellsberg "the most dangerous man in America," who "had to be stopped at all costs." But Ellsberg wasn't stopped. Facing 115 years in prison on espionage and conspiracy charges, he fought back...
Over half a century, Rupert Murdoch's rapacious business audacity has built one of the world's most powerful and ubiquitous media empires. But with revelations of bribery, blackmail, collusion with police and government, wiretapping and other invasions on privacy, the empire seems to be showing cracks. The scandal has prompted criminal investigations on both sides of the Atlantic and also broken open the insular world of the Murdoch family, its news executives, and the vast political elite who court their favour. Murdoch's Scandal tells the story of the battle over the future of News Corporation and the challenging of the extensive media empire...
Using Oliver Stone's epic film "JFK" as a springboard, Beyond JFK: The Question of Conspiracy brings together extensive research around the assassination of John F Kennedy in 1963, to challenge serious flaws in the official narrative. Featuring interviews with Jim Garrison, the District Attorney who brought the conspiracy case of Clay Shaw in 1969, as well as interviews with his staff, Numa Bertel, Lou Ivon and Perry Russo; in addition to numerous reporters, eyewitnesses, archivists, and others, Beyond JFK is a cumulative look into the huge amounts of public research that went into the counter-narrative of the JFK assassination, forming the basis of the production of the JFK movie as a way of presenting the research to the public through pop-culture.
Ithaka depicts the incarceration of WikiLeaks founder Julian Assange through the experience of his wife Stella Assange and his father John Shipton. Julian Assange faces a 175-year sentence if extradited to the United States. His family members are confronting the prospect of losing Julian forever to the abyss of the justice system. This David-and-Goliath struggle is personal, and, with Julian's health declining in a British maximum-security prison, the clock is ticking. Through this behind-the-scenes view of the extradition hearing, the films grasp the personal cost paid by Julian and the true cost of truth.
Filmed over three years, Hacking Democracy documents a group of American citizens investigating anomalies and irregularities with the electronic voting systems used during the 2000 and 2004 US Presidential elections. The investigation revolves around the flawed integrity and security of the machines, particularly those made by the Diebold corporation. Could the elections have been rigged?
The American Blackout chronicles the 2002 defeat, and 2004 re-election, of Congresswoman Cynthia McKinney to the U.S. House of Representatives, focussing on issues surrounding voter disenfranchisement and the use of electronic voting machines in both the 2000 and 2004 presidential elections...
Along the way to winning an eight-hour workday and fair wages in the early 20th century, the Wobblies were one of the few unions to be racially and sexually integrated and often met with imprisonment, violence, and the privations of prolonged strikes. The Wobblies airs a provocative look at the forgotten American history of this most radical of unions, screening the unforgettable and still-fiery voices of Wobbly members -- lumberjacks, migratory workers, and silk weavers -- in their 70s, 80s, and 90s.
Why did appointed officials of the Australian Reserve Bank and its employees break sanctions in Iraq and cosy up to Saddam Hussein through a frontman during the late 1990s, early 2000s and beyond? Why did a former Deputy Governor and other directors hand-picked by the Reserve Bank to safeguard its subsidiary companies from corruption, end up--over a decade--overseeing some of the most corrupt business practices possible? How did they allow millions of dollars to be wired to third parties in foreign countries--including a known arms dealer--in order to win banknote contracts knowingly using bribery and supporting corruption?