The Chicago Conspiracy reviews the legacy of the military dictatorship in Chile by sharing the story of combatant youth who were killed by the Pinochet regime as a backdrop to the history of the military dictatorship and current social conflict. The larger history is wrapped around three shorter pieces, which explore the student movement, the history of neighbourhoods that became centres of armed resistance against the dictatorship, and the story of the indigenous Mapuche...
Did you know that the legal system recognises a corporation as a person? What kind of 'person' is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
Robert Beckford visits Ghana to investigate the hidden costs of rice, chocolate and gold and why, 50 years after independence, a country so rich in 'natural resources' is one of the poorest in the world. He discovers child labourers farming cocoa instead of attending school and asks if the activities of multinationals, the World Bank and International Monetary Fund have actually made the country’s problems worse...
Drawing on unpublished diaries, memoirs and letters, The Great War documentary series tells the rich and complex story of World War I through the voices of nurses, journalists, aviators and troops who came to be known as “doughboys.” The series explores the experiences of African-American and Latino soldiers, suffragists, Native American “code talkers” and others whose participation in the war has been largely forgotten. The series explores how a brilliant PR man bolstered support for the war in a country hesitant to put lives on the line for a foreign conflict, and how the ardent patriotism and determination to support America’s crusade led to one of the most oppressive crackdowns on civil liberties at home in US history.
The Great White Hoax contextualises the current day politicking in the United States, with a primary focus on Donald Trump's race-baiting 2016 campaign for president. The film also widens scope however to show how Trump’s charged rhetoric fits into a long-standing historical pattern in politics in the United States, offering a stunning survey of how racism and racial scapegoating have shaped American politics for centuries. The film becomes a solid resource for a basis on race relations, white privilege, the intersectionality of race, class, and gender identities, presidential politics, and political propaganda in the age of "social media."
The Hacker Wars explores the strange duality of the modern-day computer-hacker as a mischievous provocateur, but also in some cases, societal activists with underlying political fervour, serious or not. The film explores this by profiling some of the renowned characters that have tickled the secretive inner workings of corporations and government agencies for various reasons—ranging from the nefarious and narcissistic, to the political and scandalous. Some do it for the lulz, others do it to prove a point, and others do it to "speak truth to power." In any event, many have faced severe punishments as a result. By following through this, The Hacker Wars touches on issues of whistleblowing, social justice, and power relations, in a time where computer technologies represent extreme power and control. But for whom? And what? This poses the question in deciphering the personalities of the hackers themselves. Are they serious activists with good intentions, or are they driven by insane ideologies?
The Internet's Own Boy is a biographical documentary of the programmer and activist Aaron Swartz, who died at age 26. From his help in the development of the basic Internet protocol RSS at age 14, to the co-founding of the social network website Reddit in 2006, Swartz becomes disillusioned with the grooming of academia to the corporate life presented to him, and turns instead to work on issues of sociology, civic awareness and activism. It then becomes Swartz's work in social justice issues and political organising, combined with an open and sharing approach to information access that ensnares him in a two year legal battle, in which authorities seek to make an example of him and the work. The battle sadly ends with Swartz taking his own life. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to the political system, civil liberties and human relationships.
The Carlyle Group is one of the largest investment banks in the world. Based in Washington, it has accumulated its wealth mainly by investments in defence--a lucrative market in the continued tradition of American war, imperialism and militarism. A strange coincidence? Their list of private investors include George Soros, the Saudi Royal Family and the Bin Laden Family. How does the Carlyle Group really operate and who are the people behind it?
For many years now the American foreign policy has been characterized by the strong tie between the United States and Israel. Does the United States in fact keep Israel on its feet? And how long will it continue to do so?
The Killing$ of Tony Blair documents former UK Prime Minister Tony Blair's well-remunerated business interests since leaving government, and his complicity in the thousands of innocent people who have died following his decision to invade Iraq.
In these three films, John Pilger and Alan Lowery return to Australia to celebrate the country’s bicentenary, interviewing an extraordinary range of Australians from diverse backgrounds, each of whose views are a long way from those of the treasured Aussie stereotypes...
The Living Dead: Three Films About the Power of the Past is a series of films that investigate the way that history and memory (both national and individual) have been manipulated and distorted by politicians and others for various means of control...
The Mayfair Set is a four part series that studies how capitalists overtly and surreptitiously came to prolifically shape governments during the 1980s, epitomised by the Thatcher government in Britain at the time. But the corporate influence of political power doesn't simply arrive, it rather culminates after decades of engineering rooted in the economic collapse from the aftermath of the Second World War. This series focuses on the unreported and almost unseen approach that capitalists have taken since the 1940s to gradually take control of the political systems of not only the United States and Britain, but elsewhere around the world—exemplified by the boom of globalisation.
The Mexicans
The Mexicans reports on the history of political repression and corruption in Mexico, a country dominated to this day by its close neighbour—the United States.
The Monopoly of Violence is a study of police brutality in France, specifically documenting the gilet jaunes protest movement of 2018 and 2019. But the footage could just as easily have been from the United States, or Hong Kong, or Britain. Citing the work of sociologist Max Weber as a starting point, which shows that the state has the monopoly on the legitimate use of physical force, the film expands into the space of questioning a form of policing that descends into systematic brutality and violence. Using footage from demonstrators and independent journalists to ground the analysis, the images are discussed between lawyers, representatives of social movements, academics, police officers, and victims of police aggression. The result is a clarion call for the rights of the citizen, and the accountability and responsibility of the State.
In 1971, Daniel Ellsberg shook the United States to its foundations when he leaked top-secret Pentagon documents to the New York Times that showed how five Presidents consistently lied about the Vietnam War. Consequently, National Security Advisor Henry Kissinger called Ellsberg "the most dangerous man in America," who "had to be stopped at all costs." But Ellsberg wasn't stopped. Facing 115 years in prison on espionage and conspiracy charges, he fought back...
The untold history of The Project for the New American Century is no more. This film exposes how every major war in US history was based on a complete fraud with video of insiders themselves admitting it. This documentary shows how the first film theatres in the US were used over a hundred years ago to broadcast propaganda to rile the American people into the Spanish-American War; the white papers of the oil company Unocal which called for the creation of a pipeline through Afghanistan and how their exact needs were fulfilled through the US invasion of Afghanistan; how Halliburton under their "cost plus" exclusive contract with the US Government went on a mad dash spending spree akin to something out of the movie Brewster's Millions...
A documentary series that explores an investigation led by freelance writer Danny Casolaro on what he called "The Octopus," an elaborate conspiracy network involving the United States government and its covert operations. The series stems from the circumstances around Casolaro eventually being found dead in a hotel room. Researcher Christian Hansen revisits Casolaro's work and questions whether Casolaro actually died by suicide. The series tracks Casolaro investigating the circumstances around Inslaw's PROMIS software, a database system built to to aid law enforcement and legal prosecutors in tracking court cases, which the Department of Justice began using, stopped paying for, and then was later accused of stealing. The Iran-Contra affair also features, and the 1980 'October Surprise', where Ronald Reagan's presidential campaign covertly negotiated with Iran to delay the release of American hostages until after the election to influence its outcome. Through a cast of shady characters, the corporate world, spies, and interesting real and theorised information, The Octopus Murders is a murder mystery wrapped in major 20th-century scandals.
The Panama Deception documents the invasion of Panama in December 1989—codenamed Operation 'Just Cause.' The film gives context to the events which led to the invasion, and explores the real impact on the ground and devastating aftermath—all contrary to the views portrayed by mainstream media and rhetoric espoused at the time by government officials in the Bush administration. News footage and media critics reveal the extent of media control and self censorship of the invasion, relevant to any news coverage today, particularly during times of war.
The Power of Big Oil is a three-part series that investigates the decades-long failure to confront the threat of climate change and the role of the fossil fuel industry. The series presents a parade of former oil company scientists, lobbyists, and public relations strategists who lay bare how the biggest petroleum firm in the United States, Exxon, and then the broader petroleum industry globally, moved from attempting to understand the causes of a global heating to a concerted campaign to hide the making of an environmental catastrophe. Over three episodes--Denial, Doubt, Delay--the series documents the corporate cooptation of science, the manipulation of public opinion, and political figureheads that mirror conduct by other industries--from big tobacco to the pharmaceutical companies responsible for the opioid epidemic.
Is the threat of radical Islamism as a massive, sinister organised force of destruction—specifically in the form of al-Qaeda—a myth perpetrated by politicians across the globe, but particularly the American neo-conservatives, in order to unite and justify empire? This series of films charts the rise of both groups and movements, drawing comparisons between them and their origins, to provide much-needed and missing context to the War of Terror.
The Power Principle is a series of films examining the history of the United States and the building of its empire with particular emphasis on the last seventy years of United States foreign policy. The methods that make empire possible are also examined—the politics of fear, the rise of public relations, the 'Mafia Principle' and the reoccurring use of fabled enemies, contrasting the Soviet Union and the Cold War alongside the parallels of today with the "War On Terror". Not only does The Power Principle tie together historical events to revive a common thread, the series may also encourage viewers to reconsider their understanding of historical events and the portrayal of them, showing how those in power play a role in manipulating the collective memory through generations.
In December 2001, David Hicks, an Australian citizen, was captured in Afghanistan and handed over to the United States military, where he was moved to Guantanamo Bay for "interrogation." He has been held there ever since, not charged with any crime. Despite this, the United States labelled him an "unlawful combatant," a legal fiction concocted by the United States in order for them to torture Hicks and many other people like him, in the name of fighting the so-called "War on Terror." Many people, including Hicks, were kept in detention without charge for many years, denied a fair trial, and denied access to the United States' legal system. So how did a 26 year old former-stockman from Adelaide end up in the United States' torture chamber? Terry Hicks, David's father, sets out to answer this question, as he traces his son's journey from Adelaide to Japan to Kosovo, through Pakistan and Afghanistan, where he is captured in Taliban country.
The Revolution Business examines the role of United States intelligence agencies in the recent revolutionary movements such as the Arab Spring and others by the use of "Revolution Consultants." Of particular interest is a Serbian man Srđa Popović, who formed an organisation called Отпор! (Otpor) which tought "non-violent struggle" in the overthrow of Slobodan Milošević in Serbia during the 1990s, and which has now gone on to inspire a new generation of activists. However, some political commentators like William Engdahl are convinced that Otpor is financed by the United States and has ties to intelligence agenices, also having dubious funding from sources such as the Rand Corporation, the Department of Defence, as well as various fronts such as the National Endowment for Democracy (NED), the International Republican Institute (IRI), the US Institute of Peace and the Ford Foundation--all of which have a long history of collaborating with the Pentagon, the State Department and the CIA in destabilising movements and usurping popular uprisings, removing their teeth.
The Revolution Will Not Be Televised documents first-hand the events in Venezuela leading up to and during the April 2002 coup d'état attempt which briefly deposed President Hugo Chávez. A television crew from Ireland's national broadcaster, RTÉ happened to be recording a documentary about Chávez during the events. Shifting focus, the crew followed events as they occurred and captured images that they say contradict explanations given by Chávez's opposition, the private media, the US State Department, and then White House Press Secretary Ari Fleischer. The Revolution Will Not Be Televised details how the coup was the result of a conspiracy between various old guard and anti-Chávez factions within Venezuela and the United States...
The Road to Guantánamo is a docu-drama about the incarceration of three British citizens--otherwise known as the Tipton Three--who were captured in Afghanistan in 2001 and detained for more than two years by the United States in Guantánamo Bay Naval Base, Cuba. The three were held in mostly solitary confinement and without legal representation for that time, after being released in 2004 without charge. Based on interviews, The Road to Guantánamo reenacts their experience in the camp, depicting the use of torture techniques such as stress positions, and attempts by the United States Army and CIA interrogators to extract forced confessions of involvement with al-Qaeda and the Taliban.
The Secret Government, as its title suggests, is essentially an investigation into the processes, plans, operations and persons responsible for systemic abuses of power at senior levels of the United States government during the 1980s. The film covers multiple covert operations and secret projects, but takes a particular focus on the Iran–Contra affair of 1986, where Ronald Regan secretly facilitated the illegal sale of arms to Iran—which was the subject of an arms embargo at the time—to support a right-wing terrorist group called "The Contras," and also make obscene profits from the sale of such weapons. Transported to the political happenings of today, The Secret Government is a call to remember history, and see that mass profits from weapons dealing running covert/secret wars were a reality then, and now, as well as to reveal just how far institutionalised propaganda and obfuscation works to conceal these home truths, still generations later.
By comparing the confluence of ideas about modifying behaviour using shock therapy and other forms of sensory deprivation (which culminated in the top-secret CIA project called MKULTRA during the 1950s) alongside the metaphor of similar shock treatment modifying national economics using the teachings of Milton Friedman and the Chicago School of economics, The Shock Doctrine presents the workings of global capitalism in this framework of how the United States, along with other western countries, has exploited natural and human-engineered disasters across the globe to push through reforms and set-up other mechanisms that suit those in power and 'shock' other countries into a certain wanted behaviour. Chronologically, some historical examples are the using of Pinochet's Chile, Argentina and its junta, Yeltsin's Russia, and the invasion of Iraq. A trumped-up villain always provides distraction or rationalisation for the intervention of the United States—for example, the threat of Marxism, the Falklands, nuclear weapons, or terrorists—and further, is used by those in power as more justification for the great shift of money and power from the many into the hands of the few(er).