Films about legal system
The Invisible War documents the rapid militarisation of police in recent years by looking at the deployment of so-called ‘non-lethal’ weapons and the real effects of their use. Shotguns loaded with bean bags, rubber bullets, wood, rubber, and foam cylinders; electrical tasers; pepper sprays, OC-gas, and other chemical weapons; microwaves, stink bombs, pulsed energy weapons and many more. What is interesting is that, according to an overwhelming amount of recorded cases, these weapons have turned out to have caused many deaths and/or serious injuries, and are more often used on peaceful non-compliant citizens, or protesters, as a means of obedience rather than protection—invoking serious questions about the future of police and society.
By the close of the Industrial Revolution, the food supply in the United States was tainted with frauds, fakes, and legions of new and untested chemicals, dangerously threatening the health of the public. The Poison Squad, based on the book by the same name from author Deborah Blum, tells the story of Dr. Harvey Wiley, a government chemist who was determined to banish these dangerous substances from dinner tables, and so took on powerful food manufacturers and their allies. Wiley embarked upon a series of bold and controversial trials on 12 human subjects who would become known as the “Poison Squad.” Following Wiley’s unusual experiments and tireless advocacy, the film charts the path of the forgotten heroes who together laid the groundwork for consumer protection laws in the United States, and ultimately, paved the way for the creation of the Food and Drug Administration.
It has been 30 years since Title IX legislation granted women equal playing time, but the male-dominated world of sports journalism has yet to catch up with the law. Coverage of women’s sport lags far behind men’s, and focuses on female athletes femininity and sexuality over their achievements on the court and field. While female athleticism challenges the narrative of gender roles, women athletes continue to be depicted in traditional roles that reaffirm their femininity as wives and mothers or sex objects. By comparison, male athletes are framed according to heroic masculine ideals that honour courage, strength, and endurance. Playing Unfair is the first video to critically examine the post-Title IX media landscape in terms of the representation of female athletes, using numerous media examples to catalyse debate among women and men, athletes and non-athletes, about the meaning of images in a world transformed by the presence of women in sport.
For years, the Earth Liberation Front—autonomous individuals operating in separate anonymous cells without any central leadership—carried out spectacular direct-actions against businesses that destroy the environment. Some of the targets were logging corporations, SUV dealerships, ranger stations, a slaughterhouse and a multi-million dollar ski-lodge at Vail, Colorado that was expanding into national forest. As authorities were not able to crack the case and disbanded many years later, the FBI got lucky when they were led to a former activist who agreed to co-operate with them and become an informant. If A Tree Falls provokes hard questions about environmentalism, activism, and the way ‘terrorism’ is defined by following the story of the activists who were turned over to the FBI, and their fate…
When the hired guns of British American Tobacco came to Australia to appeal a decision in favour of a terminally-ill wife and mother, they didn’t stop once they had the award overturned. They then set out to pursue the family of Rolah McCabe in order to cover their own legal costs in the case. Combining tense legal action with the highly-charged emotional fallout that is the legacy of those who put themselves in the sights of Big Tobacco, The Big Lie is an eloquent essay in deceit and corporate thuggery.
From the courtroom to the lounge room—helped extensively by television and the infamous series “CSI”—forensic science brims with flash and glamour, where cutting-edge technology always reveals the “truth,” and is routinely called on to solve the most difficult criminal cases with ease and “objectivity.” But how reliable is the science behind forensics and its methods as they interface with the legal system? The Real CSI investigates these questions and finds serious flaws in some of the best-known tools of forensics, with systemic inconsistencies in how evidence is presented in the courtroom, along with how the culture of entertainment of this sort can seriously skew a jury’s perceptions. From the sensational murder trial of Casey Anthony, to the FBI’s botched investigation of the Madrid bombing, to capital cases in rural Mississippi of the United States; The Real CSI documents how a field with few standards and unproven science can seriously undermine the concept of justice, and what this means for a future of continued technological escalation…
McCarthy chronicles the rise and fall of Joseph McCarthy, the United States senator who came to power after a stunning victory in an election that no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening the United States—not emanating from a rival superpower, but from within. Then, without restraint or oversight, he conducted a vast crusade against those he accused of being “enemies of the state,” a chilling campaign marked by groundless accusations, bullying, intimidation, grandiose showmanship, and cruel victimisation. With lawyer Roy Cohn at his side, McCarthy belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach.
For 20 years the NSW Crime Commission went about its business with drugs quietly. When it scored a bust, it stood back and let politicians and the police bask in credit. But all that changed with the sensational arrest of the commission’s assistant director, Mark Standen, on charges of trafficking drugs. His spectacular downfall threw a spotlight onto the Crime Commission’s remarkable array of powers and how it abuses them. Secret hearings, witnesses compelled to answer questions, broad powers of search and surveillance, no independent review process…
Abused—Battered Woman’s Syndrome and Murder is a revelatory film showing how the legal system of this culture treats women who fight back against their abusers. 19 year-old Susan Greenberg pled guilty to killing the man who systematically abused her and was sentenced to twenty-five years to life for first degree murder. After serving 18 years in prison, Greenberg was one of the first women to test a new state law that allows women convicted of murder to ask a judge for release based on evidence of Battered Woman Syndrome. This story follows her struggle and the surprising dramatic results.
Resist — The Aftermath Of The RNC8 follows activists Rob Czernik, Garrett Fitzgerald and Luce Guillen-Givins; attorney Robert Kolstad, volunteers/arrestees from the community, and others impacted by the actions against the Republican National Convention in 2008. Taking a look back over the last year, the video shares some helpful advice for activists organising under state repression…
At the Heart of Gold: Inside the USA Gymnastics Scandal reveals a dangerous athletic culture that prioritised winning over everything else, including protecting young female athletes. For more than 30 years, Larry Nassar worked with gymnasts, as a respected trainer and doctor. He was charming, taught at church, volunteered in the community, and was seemingly well-liked throughout. He treated girls’ aches and pains, becoming a friend and confidant to many along the way, while also sexually abusing them during sessions for many years. When some girls began to speak up about their experiences, they were silenced, gaslighted or denied, all the way up to the highest levels of management, across multiple sporting institutions. After many complaints and eventually a cumulative legal investigation, Nassar ends up exposed as a serial sex offender. This film unpacks the scandal, its cover-up, and aftermath, through interviews with dozens of survivors, as well as coaches, lawyers and journalists, as one of the most high-profile paedophile trials in recent years. It documents the grooming, methods, and psychology of a charismatic sexual abuser, as well as the culture that enables and perpetuates it.
In Mexico, ‘maquiladoras’ is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos…
Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people—young and old, male and female, northern and southern—who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality—a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.
The Australian Federal Police—the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978—has enjoyed consistent showers of praise by politicians and the public ever since it’s inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the “terrorism case” against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP…
Do Not Resist documents, from the perspective of the police, their view of the social unrest following the shooting and killing of Michael Brown by police in Ferguson, 2014, against a backdrop of the routine and escalating use of military tactics and high-powered weaponry by local police forces throughout the United States in the past two decades. Military equipment deployed throughout the Middle East returns home to be used against the citizenry. Local police recruitment and training is awash in military commandments backed by views of escalating ‘righteous’ violence and sadism. Meanwhile curfews are imposed, along with frivolous drug raids and incessant racial profiling. The voices of concerned citizens ignored. What is the cultural and technological trajectory here?
As one of the largest and most controversial legal cases on the planet, Crude takes a look inside the $27 billion “Amazon Chernobyl” case, viewing the real-life high stakes legal drama set against a backdrop of the environmental movement, globalisation, hackneyed celebrity ‘activism’, human rights, multinational corporate power and rapidly-disappearing indigenous cultures…
For the past 15 years, the misnomer “War on Terror” has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?
Bananas!* documents the legal battle of banana plantation workers in Nicaragua against the Dole Food Company over cases of sterility caused by the pesticide DBCP. The chemical, despite being banned, was knowingly sprayed on crops and workers. The result is the same old battle with corporate power as the film unpacks the issues of the case and the lives of the workers through the local lawyer Juan Dominguez. Dominguez bridges the gap between the rapacious North American company and the South American workers who were not told about or protected from the pesticide, to make a claim against one of the largest corporations in the world for justice for its workers.
In 1992, Bhanwari Devi, an Indian social worker hailing from the Kumhar caste in rural Rajasthan, was gang-raped by upper caste men for having the temerity to intervene and stop the child-marriage of an infant. The subsequent acquittal of the accused in connivance with the State machinery outraged India and galvanized women’s activism that led to the Vishaka Guidelines, and subsequently, the Sexual Harassment of Women at Workplace Act in 2013. In this feature-length documentary shot by an all-women crew, Director Vaishnavi Sundar juxtaposes the law on paper with the ground realities, through this first-of-its-kind log of stories and experiences of over two dozen Indian women; tales of sexual violence that they face—from opulent corporate offices, to construction sites, to manual scavenging—and their fight for justice against an obstinate patriarchal State. But What Was She Wearing? attempts to portray the impotence of this law and the impossible odds Indian women are up against in pursuit of justice.