For the past 15 years, the misnomer "War on Terror" has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?
Bananas!* documents the legal battle of banana plantation workers in Nicaragua against the Dole Food Company over cases of sterility caused by the pesticide DBCP. The chemical, despite being banned, was knowingly sprayed on crops and workers. The result is the same old battle with corporate power as the film unpacks the issues of the case and the lives of the workers through the local lawyer Juan Dominguez. Dominguez bridges the gap between the rapacious North American company and the South American workers who were not told about or protected from the pesticide, to make a claim against one of the largest corporations in the world for justice for its workers.
In 1992, Bhanwari Devi, an Indian social worker hailing from the Kumhar caste in rural Rajasthan, was gang-raped by upper caste men for having the temerity to intervene and stop the child-marriage of an infant. The subsequent acquittal of the accused in connivance with the State machinery outraged India and galvanized women’s activism that led to the Vishaka Guidelines, and subsequently, the Sexual Harassment of Women at Workplace Act in 2013. In this feature-length documentary shot by an all-women crew, Director Vaishnavi Sundar juxtaposes the law on paper with the ground realities, through this first-of-its-kind log of stories and experiences of over two dozen Indian women; tales of sexual violence that they face--from opulent corporate offices, to construction sites, to manual scavenging--and their fight for justice against an obstinate patriarchal State. But What Was She Wearing? attempts to portray the impotence of this law and the impossible odds Indian women are up against in pursuit of justice.
Did you know that the legal system recognises a corporation as a person? What kind of 'person' is it then? What would happen if it sat down with a psychologist to discuss its behaviour and attitude towards society and the environment? Explored through specific examples, this film shows how and why the modern-day corporation has rapaciously pressed itself into the dominant institution of our time, posing big questions about what must be done if we want a equitable and sustainable world. What must we do when corporations are psychopaths?
In the wake of the September 11th attacks, amongst the ravaging of war, the United States has been secretly deploying drones to carry out assassinations throughout the Middle East. The drones are increasingly piloted by the likes of young computer gamers groomed by screen culture and computer games of war, where in many cases, the Pentagon is directly involved in the creation of such games as recruitment tools, actively working to lure young people proficient with technology into the new era of the military-industrial-complex. Drone unravels this complex phenomenon while travelling to places such as Waziristan, where innocent civilians, including children and rescue workers are routinely secretly killed, where families and communities ravaged by the drone strikes search for understanding, accountability and adjustment to the daily horrors. The film also takes a look at the young people sitting behind the screens of the new war machines, half a world away, that actually pull the trigger, asking what kind of world is being built in the rise of seemingly endless and lucrative war driven by technological escalation.
Several lawsuits have been brought against McDonald's corporation in that they are knowingly selling food that is unhealthy. Some of the court decisions have stated that consumers would have a claim if they could prove that eating the food every day for every meal is dangerous. So with that, Super Size Me follows film-maker Morgan Spurlock conducting the experiment -- he eats only McDonald's for thirty days, three meals a day, and if asked to super size a meal, he has to say yes. By the end of the thirty days, he will have eaten every single menu item at least once. The film documents the drastic effect on Spurlock's health, while exploring the fast food industry's corporate influence, advertising and how it encourages poor nutrition for its own profit...
Migratory Songbird populations are drastically collapsing. Many species have already been driven extinct. But yet, as an endangered species, the birds are still targeted by poachers. Millions of birds are unlawfully slaughtered each year for large sums on the black market. Emptying the Skies explores the wonder of these marvelously tiny globe-flying birds, along with the story of the Committee Against Bird Slaughter, an action group of citizens who have dedicated their lives to directly stop and confront the poachers. They disrupt and destroy trapping, freeing as many birds as possible, changing the world one bird at a time.
A few weeks after the September 11 attacks in 2001, the United States congress quickly passed the USA PATRIOT Act--a complicated and controversial law which was purportedly required to help with tracking future terrorist threats. Unconstitutional sets out to explain this law and examine its true impact. Citing a trove of examples from people whose lives have been directly effected, what we see is how law enforcement has rounded up Muslims and people with Arabic names to detain them for wild unspecified lengths of time without due process or even charges; the massive curtailment of civil liberties; erosion of enshrined privacy rights, increases in surveillance; and the abuses of Guantanamo Bay and Abu Ghraib.
The Spider's Web: Britain's Second Empire shows how Britain transformed from a colonial power into a global financial power. At the demise of empire, the City of London's financial interests created a web of offshore secrecy jurisdictions that captured wealth from across the globe and hid it behind obscure financial structures, and webs of offshore islands. Today, up to half of global offshore wealth may be hidden in British offshore jurisdictions, and these are now the largest players in the world of international finance. Based in part on the book Treasure Islands by expert Nicholas Shaxson, and through contributions from former-insiders, academics, and campaigners for justice, The Spider's Web reveals how, in the world of international finance, corruption and secrecy have prevailed over regulation and transparency, and how the United Kingdom is a pioneer of the modern corrupt global economy.
Imagine that a storm blows across your garden and that now, without your knowledge or consent, foreign and genetically-modified seeds are in your vegetable patch which you have nourished and maintained for over 50 years. A few days later, representatives of a large multi-national corporation secretly visit your home, only to return later and demand that you surrender all your vegetables and seeds. Then, they file a lawsuit against you for the illegal use of their patented and genetically-modified seeds that you never planted or used and, what's more, the court rules in favour of the corporation. Yet, you still fight back. This is the true story of Percy Schmeiser versus Monsanto.
Rape Myths on Trial is a provocative presentation by a career criminal prosecutor and advocate for victims of sexual violence, Anne Munch. She examines how cultural attitudes shape the outcomes of rape and sexual assault cases by drawing on years of experience prosecuting sex crimes, showing how rape cases often turn on the involvement of an "unnamed conspirator" -- the often-unexamined complex of myths and stories we tell ourselves as a culture about sex, gender, power, and responsibility. By using examples from real cases, and harrowing evidence from actual emergency calls, Munch reveals how these assumptions that juries bring into the courtroom often stack the odds against victims, and at the same time challenges us to think critically about how our own assumptions might unintentionally reinforce victim-blaming. The result is a stunning look inside the criminal justice system and an incisive analysis of this culture's warped views of women's sexuality and rights as human beings.
A Nod And A Wink reviews the use of vague Conspiracy laws in Britain from 1975, laws which are much in the same as those used in police states such as Brazil and the Soviet Union to suppress political and moral dissent. This film raises and addresses the serious questions about the way the legal system works in Britain--and indeed elsewhere...
Copwatch depicts WeCopWatch, an organisation dedicated to video recording the police in the United States. For example, Cop Watch members capture original video of the deaths of Eric Garner in Staten Island and Freddie Gray in Baltimore. Its members legally record and document police arrests as part of a movement for police accountability and transparency, but often find themselves to be the victims of chaos and police brutality as a result of the culture of extreme police misconduct and violence. The stories are told through Ramsey Orta, Kevin Moore, who filmed the police abuse of Freddie Gray, and David Whitt who lived in the apartment complex where Michael Brown was killed, as well as Jacob Crawford, who co-founded Copwatch groups inspired by the Berkeley Copwatch group. The film shows how Cop Watchers are dedicated to bringing awareness to their community, by exposing police brutality and harassment.
Unprecedented looks at voting irregularities in the controversial presidential election in the United States from the year 2000. With a focus on the swing state of Florida, the recount, the ensuing supreme court decision in December, and future elections; the film also shows how fundamentally, many people--the majority being African-American--have outright been refused the ability to vote by a clever mix of legalese, electronic voting machines, political maneuvering and simple racism. A 1868 law prevented felons from voting--originally crafted to keep blacks from the polls in the wake of the Civil War--was resurrected in 2000, used to create a computerised list of people supposedly illegible to vote. The list had weird parameters and included as many as 57,000 to 91,000 non-felons; overwhelmingly targeting people of colour. On election day, these people were turned away at the polls. The role of electronic voting machines is also examined, as they are totally unaccountable and do not allow audits. The argument is made because of copyright over the software and trademarks. The machines also do not give paper receipts, so there is no physical evidence in case of the need for a recount. How does the United States--the so-called and self-proclaimed world-famous democracy--fair as one in light of this?
The murder of George Floyd by police officer Derek Chauvin on May 25, 2020, was arguably a pivotal event in the history of race and policing in the United States. Police on Trial shows, Chauvin’s encounter with Floyd was not the first time the Minneapolis police officer used excessive force on a Black citizen. Nor was it the first time that questions were raised around the culture of the Minneapolis Police Department itself. The film draws on reporting from the Minneapolis Star Tribune, and features never-before-published police cam video of Derek Chauvin using excessive force years before George Floyd’s death, to document the trial and murder-conviction of Chauvin, and the various responses for police accountability and reform in Minneapolis.
McDonald's loved using the UK libel laws to suppress criticism. Major media organisations like the BBC and The Guardian crumbled and apologised. But then they sued environmental activists Helen Steel and Dave Morris. In what then became the longest trial in English legal history, McLibel documents the two activists who represent themselves against McDonald's £10 million legal team with the marathon battle finally concluding at the European Court of Human Rights. The result takes everyone by surprise -- especially the British Government...
The number of women in prison in the United States has grown by over 800% in the past three decades. Two thirds are mothers and are incarcerated for non-violent offenses. More than 80% have been victims of domestic violence or sexual assault at some point in their lives. The Grey Area is a discussion of the complex factors behind these statistics, portraying an intimate look at women's issues from inside the criminal justice system. A small group of female inmates at a maximum women's security prison, share their diverse experiences with motherhood, drug addiction, sexual abuse, murder, and life in prison. The women explore the "grey area" that is often invisible within the prison walls and delve into issues of race, class, sexuality and gender.
Guilty Until Proven Innocent reports on the issue of innocent people confined to prisons on remand in the UK, circa 1974. People are imprisoned without trial and are later released with either a small fine, a set of mandatory conditions, or leave completely innocent. It's a strange set of circumstances in a country with such pretensions of a bill of rights and espoused 'legal protections.' Is bail a right or a privilege?
13th explores the intersection of race, justice, and mass incarceration in the United States, as titled after the Thirteenth Amendment to the United States Constitution, adopted in 1865, which purported to abolish slavery throughout the United States and end involuntary servitude except as a punishment for conviction of a crime. The film contends that slavery has been perpetuated since the end of the American Civil War through criminalising behaviour and enabling police to arrest poor enslaved people and force them to work for the state under convict leasing; suppression of African Americans by disenfranchisement, lynchings and Jim Crow; politicians declaring a war on drugs that weighs more heavily on minority communities and, by the late 20th century, mass incarceration of people of colour in the United States. 13th examines the prison-industrial complex and the emerging detention-industrial complex, discussing how much money is being made by corporations from mass incarcerations.
Rape on the Night Shift is a harrowing investigation into the rampant sexual abuse of the many thousands of unseen women who clean the shopping centres, banks and offices of some of the largest companies throughout the United States. The cleaning companies and contractors themselves are some of the largest companies throughout the country and the world. This report follows a prior investigation about systemic abuse of migrant women working in America's fruit and vegetable fields, as well as packing plants and industry. Both set out to document the many aspects of a booming rape culture, driven in part by the synergy of a failure of criminal prosecutions, the legal system, a culture of pornography, the realities for migrant workers, and a perfect storm for human trafficking.
Ithaka depicts the incarceration of WikiLeaks founder Julian Assange through the experience of his wife Stella Assange and his father John Shipton. Julian Assange faces a 175-year sentence if extradited to the United States. His family members are confronting the prospect of losing Julian forever to the abyss of the justice system. This David-and-Goliath struggle is personal, and, with Julian's health declining in a British maximum-security prison, the clock is ticking. Through this behind-the-scenes view of the extradition hearing, the films grasp the personal cost paid by Julian and the true cost of truth.
This documentary looks at the erosion of civil liberties and increase in government surveillance since 1997 in the UK with the advent of "New Labour" and Tony Blair. Modern politicians, regardless of left or right, always seem to promise hope and change, but what is delivered is more of the same. To illustrate this, the film tracks 6 key areas that have been rapidly dismantled in so-called democracies over the last few decades: Freedom of speech; the right to assemble and protest; the presumption of innocence; the right to privacy; detention without charge, the prohibition on torture...
For more than three decades, transnational corporations have been busy buying up what used to be thought of and known as unbuyable--forests, oceans, public broadcast airwaves, important intellectual and cultural works. Before their commodification, these commons were recognised as things in common to all people, for the benefit of all people. In This Land is Our Land, author David Bollier confronts the free-market extremism of our age to show how commercial interests have been undermining the public interest for years, and how it's become so normalised that we don't even notice it anymore. By revealing the commons within the tradition of community engagement and the free exchange of ideas and information, This Land is Our Land shows how a bold new international movement is trying to reclaim the commons for the public good by modelling practical alternatives to the restrictive monopoly powers of corporate elites.
Thalidomide: The Ninety-Eight We Forgot follows a four-year investigation on behalf of a group of children damaged at birth by the drug Thalidomide which was introduced in the late 1950s to treat morning sickness and to aid sleep. The drug caused birth deformities, such as phocomelia, with more than 10,000 children in 46 countries born with deformities. This film investigates why a group of people are excluded from compensation from the effects of Thalidomide by various legal proceedings—still relevant today in the context of how the legal system continues to protect corporations at the expense of life itself.
Private Violence focuses on the issue of domestic violence, as told through two survivors: Kit Gruelle, a domestic violence victim turned advocate who seeks justice for all female violence survivors; and Deanna Walters, whose estranged husband Robbie kidnapped and beat her for four days in the cab of his truck. They were pulled over by police and she was taken to the hospital, but in spite of Deanna's devastating injuries, Robbie was not arrested. The film follows Deanna's journey as she rebuilds her life and fights to place Robbie behind bars. Ultimately, Private Violence centers on dispelling the logic of the commonly asked question: “Why didn’t she just leave?”
Rape in The Fields is the first part of a year-long reporting effort into the systemic abuse of migrant women working in the fruit and vegetable fields, packing plants and industry of the United States. The film travels from the almond groves of California's Central Valley to the packing plants of Iowa, from the apple orchards of Washington's Yakima Valley to the tomato fields of Florida, speaking with dozens of women who have been sexually assaulted and abused on the job. What is shown is that in the vast fields and orchards of today's vast agribusiness, it's easy for a rapist to stalk his victims, and the systems function in such a way to protect the rapist, rather than the workers. Many workers are also immigrants who dare not even denounce their attackers for fear they'll be deported. The situation on the whole is rife for ensuring abuses. A Human Rights Watch report published in May of 2014 found that rape and other forms of sexual abuse and harassment of female workers was a common problem. This report sets out to shed a light on that problem and expose the new-style slavery and abuse of workers that still continues to this day.
Filmed over three years, Hacking Democracy documents a group of American citizens investigating anomalies and irregularities with the electronic voting systems used during the 2000 and 2004 US Presidential elections. The investigation revolves around the flawed integrity and security of the machines, particularly those made by the Diebold corporation. Could the elections have been rigged?
If a crime is committed in order to prevent a greater crime, is it excusable? Is it, in fact, necessary? The Reluctant Radical follows Ken Ward as he confronts his fears and acts on these questions to stop climate change. After twenty years leading some of the most renowned mainstream environmental organisations, Ken witnesses first-hand how ineffective and unthreatening they are. As their efforts fail, and environmental collapse increases in scope and speed, Ken comes to see how direct action civil disobedience is the most effective political tool to deal with catastrophic circumstances. Ken breaks the law, to fulfil his obligation to future generations, to stop the oil economy. By following Ken for a year and a half through a series of direct actions, this film culminates with his participation in the coordinated action that shut down all the tar-sands oil pipelines in the United States on October 11, 2016. The film reveals the personal costs but also the true fulfilment that comes from following one's moral calling, even if that means breaking the law and its consequences. Ken has no regrets.