13th explores the intersection of race, justice, and mass incarceration in the United States, as titled after the Thirteenth Amendment to the United States Constitution, adopted in 1865, which purported to abolish slavery throughout the United States and end involuntary servitude except as a punishment for conviction of a crime. The film contends that slavery has been perpetuated since the end of the American Civil War through criminalising behaviour and enabling police to arrest poor enslaved people and force them to work for the state under convict leasing; suppression of African Americans by disenfranchisement, lynchings and Jim Crow; politicians declaring a war on drugs that weighs more heavily on minority communities and, by the late 20th century, mass incarceration of people of colour in the United States. 13th examines the prison-industrial complex and the emerging detention-industrial complex, discussing how much money is being made by corporations from mass incarcerations.
A Nod And A Wink reviews the use of vague Conspiracy laws in Britain from 1975, laws which are much in the same as those used in police states such as Brazil and the Soviet Union to suppress political and moral dissent. This film raises and addresses the serious questions about the way the legal system works in Britain--and indeed elsewhere...
A Thousand Cuts is a timely film about modern-day journalism and freedom of the press inside the Philippines where the political space has been usurped by social media disinformation campaigns, celebrity propaganda spectacle, and direct organised political violence. The film comes as the world awaits the verdict of the case against of Maria Ressa, the CEO and founder of the news network Rappler, who has been vocal about holding president Rodrigo Duterte accountable for his government's much-criticised and violent "war on drugs." In what is a salient trend of our time, A Thousand Cuts examines the disinformation campaigns and the crackdown on the media, while journalists Maria Ressa and her team place the tools of their trade--and their freedom--on the line in defence of truth and democracy.
Abused--Battered Woman's Syndrome and Murder is a revelatory film showing how the legal system of this culture treats women who fight back against their abusers. 19 year-old Susan Greenberg pled guilty to killing the man who systematically abused her and was sentenced to twenty-five years to life for first degree murder. After serving 18 years in prison, Greenberg was one of the first women to test a new state law that allows women convicted of murder to ask a judge for release based on evidence of Battered Woman Syndrome. This story follows her struggle and the surprising dramatic results.
Arresting Power documents the history of conflict between the Portland police and members of the community throughout the past fifty years in the United States. The film portrays personal stories of victims of police misconduct, the families of people who were killed by police, and members of community activist groups working for reform and abolition. Using experimental filming techniques, meditative footage, and official police radio audio feeds, Arresting Power pieces together a space for understanding a lens on the impacts of police violence and community attitudes.
At the Heart of Gold: Inside the USA Gymnastics Scandal reveals a dangerous athletic culture that prioritised winning over everything else, including protecting young female athletes. For more than 30 years, Larry Nassar worked with gymnasts, as a respected trainer and doctor. He was charming, taught at church, volunteered in the community, and was seemingly well-liked throughout. He treated girls' aches and pains, becoming a friend and confidant to many along the way, while also sexually abusing them during sessions for many years. When some girls began to speak up about their experiences, they were silenced, gaslighted or denied, all the way up to the highest levels of management, across multiple sporting institutions. After many complaints and eventually a cumulative legal investigation, Nassar ends up exposed as a serial sex offender. This film unpacks the scandal, its cover-up, and aftermath, through interviews with dozens of survivors, as well as coaches, lawyers and journalists, as one of the most high-profile paedophile trials in recent years. It documents the grooming, methods, and psychology of a charismatic sexual abuser, as well as the culture that enables and perpetuates it.
Audrie & Daisy is a documentary about the trend of teenage girls in the United States being sexually assaulted by their male classmates, and having the assaults recorded and shared on social media. It looks at the trend that the legal system tends to systematically minimise and dismiss cases, resulting in victimised girls not receiving justice. Girls often end up getting bullied both in school as well as online for being rape victims, and the pictures and videos are posted online--almost as trophies--by teens that have committed and witnessed these crimes. The online forum for sharing these images and comments has become the new public square of shame for adolescents. Audrie & Daisy aims to shed light on this dark corner of life facing young adults, and serves to form a powerful tool for honest conversation, analysis, and real justice.
Bananas!* documents the legal battle of banana plantation workers in Nicaragua against the Dole Food Company over cases of sterility caused by the pesticide DBCP. The chemical, despite being banned, was knowingly sprayed on crops and workers. The result is the same old battle with corporate power as the film unpacks the issues of the case and the lives of the workers through the local lawyer Juan Dominguez. Dominguez bridges the gap between the rapacious North American company and the South American workers who were not told about or protected from the pesticide, to make a claim against one of the largest corporations in the world for justice for its workers.
In 1992, Bhanwari Devi, an Indian social worker hailing from the Kumhar caste in rural Rajasthan, was gang-raped by upper caste men for having the temerity to intervene and stop the child-marriage of an infant. The subsequent acquittal of the accused in connivance with the State machinery outraged India and galvanized women’s activism that led to the Vishaka Guidelines, and subsequently, the Sexual Harassment of Women at Workplace Act in 2013. In this feature-length documentary shot by an all-women crew, Director Vaishnavi Sundar juxtaposes the law on paper with the ground realities, through this first-of-its-kind log of stories and experiences of over two dozen Indian women; tales of sexual violence that they face--from opulent corporate offices, to construction sites, to manual scavenging--and their fight for justice against an obstinate patriarchal State. But What Was She Wearing? attempts to portray the impotence of this law and the impossible odds Indian women are up against in pursuit of justice.
Copwatch depicts WeCopWatch, an organisation dedicated to video recording the police in the United States. For example, Cop Watch members capture original video of the deaths of Eric Garner in Staten Island and Freddie Gray in Baltimore. Its members legally record and document police arrests as part of a movement for police accountability and transparency, but often find themselves to be the victims of chaos and police brutality as a result of the culture of extreme police misconduct and violence. The stories are told through Ramsey Orta, Kevin Moore, who filmed the police abuse of Freddie Gray, and David Whitt who lived in the apartment complex where Michael Brown was killed, as well as Jacob Crawford, who co-founded Copwatch groups inspired by the Berkeley Copwatch group. The film shows how Cop Watchers are dedicated to bringing awareness to their community, by exposing police brutality and harassment.
Corporations On Trial is a five-part series following just some of the many lawsuits being brought against multinational corporations for war crimes, conspiracy, corruption, assassinations, environmental devastation and payments to terrorists. Such serious charges have forced some of the world's largest companies to hire high-profile defence lawyers to protect public relations in cases often brought by plaintiffs who are barely literate. These five films reveal a growing anxiety about the power and influence of big business, as many multinational corporations have annual revenues greater than some countries' national budgets and indeed increasingly hold governments to ransom by their economic power. Around the world, ordinary people are fighting back and asking how many more times their interests should be sacrificed for corporate greed and shareholder profit...
As one of the largest and most controversial legal cases on the planet, Crude takes a look inside the $27 billion "Amazon Chernobyl" case, viewing the real-life high stakes legal drama set against a backdrop of the environmental movement, globalisation, hackneyed celebrity 'activism', human rights, multinational corporate power and rapidly-disappearing indigenous cultures...
Imagine that a storm blows across your garden and that now, without your knowledge or consent, foreign and genetically-modified seeds are in your vegetable patch which you have nourished and maintained for over 50 years. A few days later, representatives of a large multi-national corporation secretly visit your home, only to return later and demand that you surrender all your vegetables and seeds. Then, they file a lawsuit against you for the illegal use of their patented and genetically-modified seeds that you never planted or used and, what's more, the court rules in favour of the corporation. Yet, you still fight back. This is the true story of Percy Schmeiser versus Monsanto.
Do Not Resist documents, from the perspective of the police, their view of the social unrest following the shooting and killing of Michael Brown by police in Ferguson, 2014, against a backdrop of the routine and escalating use of military tactics and high-powered weaponry by local police forces throughout the United States in the past two decades. Military equipment deployed throughout the Middle East returns home to be used against the citizenry. Local police recruitment and training is awash in military commandments backed by views of escalating 'righteous' violence and sadism. Meanwhile curfews are imposed, along with frivolous drug raids and incessant racial profiling. The voices of concerned citizens ignored. What is the cultural and technological trajectory here?
Law Professor James Duane from the Regent Law School in Virginia Beach, Virginia; and Police Officer George Bruch from the Virginia Beach Police Department, both explain why even innocent people should never talk to the police or agree to answer questions from the police. Citing a trove of examples and even though pertaining to US law, this talk is particularly applicable for political activists the world over as Security Culture 101.
In the wake of the September 11th attacks, amongst the ravaging of war, the United States has been secretly deploying drones to carry out assassinations throughout the Middle East. The drones are increasingly piloted by the likes of young computer gamers groomed by screen culture and computer games of war, where in many cases, the Pentagon is directly involved in the creation of such games as recruitment tools, actively working to lure young people proficient with technology into the new era of the military-industrial-complex. Drone unravels this complex phenomenon while travelling to places such as Waziristan, where innocent civilians, including children and rescue workers are routinely secretly killed, where families and communities ravaged by the drone strikes search for understanding, accountability and adjustment to the daily horrors. The film also takes a look at the young people sitting behind the screens of the new war machines, half a world away, that actually pull the trigger, asking what kind of world is being built in the rise of seemingly endless and lucrative war driven by technological escalation.
Migratory Songbird populations are drastically collapsing. Many species have already been driven extinct. But yet, as an endangered species, the birds are still targeted by poachers. Millions of birds are unlawfully slaughtered each year for large sums on the black market. Emptying the Skies explores the wonder of these marvelously tiny globe-flying birds, along with the story of the Committee Against Bird Slaughter, an action group of citizens who have dedicated their lives to directly stop and confront the poachers. They disrupt and destroy trapping, freeing as many birds as possible, changing the world one bird at a time.
Eyes on the Prize tells the story of the civil rights era from the point of view of the women and men whose extraordinary actions launched a movement that changed the fabric of American society, and embodied a struggle whose reverberations continue to be felt today. It is the story of the people--young and old, male and female, northern and southern--who, compelled by a meeting of conscience and circumstance, worked hard to eradicate a world where whites and blacks could not go to the same school, ride the same bus, vote in the same election, or participate equally in society. It was a world in which peaceful demonstrators were met with resistance and brutality--a reality that is now nearly incomprehensible to many young Americans. Through contemporary interviews and historical footage, Eyes on the Prize traces the civil rights movement from the Montgomery bus boycott to the Voting Rights Act; from early acts of individual courage through the flowering of a mass movement and its eventual split into factions.
Fool Me Twice documents the Australian government's lies about the East Timor massacres, the cover-up of the Bali bombings (including the 1993 World Trade Centre attack) and subsequent anti-terror legislation forced through parliament by the Howard government. Laws that are still in effect today...
The Australian Federal Police--the glamour police force that was set-up after the Sydney Hilton Hotel Bombing in 1978--has enjoyed consistent showers of praise by politicians and the public ever since it's inception. However, the once-lionised AFP is now being ridiculed for bungling, excessive secrecy and collusion after the catastrophic failings of the "terrorism case" against Dr Mohammed Haneef. Good Cop, Bad Cop reveals how the Haneef case is a symptom of the deep cultural problems that beset the AFP...
Guilty Until Proven Innocent reports on the issue of innocent people confined to prisons on remand in the UK, circa 1974. People are imprisoned without trial and are later released with either a small fine, a set of mandatory conditions, or leave completely innocent. It's a strange set of circumstances in a country with such pretensions of a bill of rights and espoused 'legal protections.' Is bail a right or a privilege?
Filmed over three years, Hacking Democracy documents a group of American citizens investigating anomalies and irregularities with the electronic voting systems used during the 2000 and 2004 US Presidential elections. The investigation revolves around the flawed integrity and security of the machines, particularly those made by the Diebold corporation. Could the elections have been rigged?
For years, the Earth Liberation Front--autonomous individuals operating in separate anonymous cells without any central leadership--carried out spectacular direct-actions against businesses that destroy the environment. Some of the targets were logging corporations, SUV dealerships, ranger stations, a slaughterhouse and a multi-million dollar ski-lodge at Vail, Colorado that was expanding into national forest. As authorities were not able to crack the case and disbanded many years later, the FBI got lucky when they were led to a former activist who agreed to co-operate with them and become an informant. If A Tree Falls provokes hard questions about environmentalism, activism, and the way 'terrorism' is defined by following the story of the activists who were turned over to the FBI, and their fate...
For the past 15 years, the misnomer "War on Terror" has been used by the United States to justify everything from mass surveillance and spying on its own citizens, to the use of secret drone strikes to kill people without trial or sometimes even evidence. Governments have always applied surveillance to those they consider a political threat, but the scale of the clandestine PRISM programme, which collects the data of billions of innocent people all across the globe, is unprecedented. Likewise is the call for the journalists who published the documents revealing the PRISM programme to be prosecuted. In the wake of relations about sustained, systematic abuses of power, it is apparent that in many areas, the United States operates on spurious interpretations of law, often explained in confidential memos, hidden from the public. Other times, the law is disregarded entirely. So what does this mean for resistance? How can citizen rights be reconciled with a rogue state security apparatus?
Ithaka depicts the incarceration of WikiLeaks founder Julian Assange through the experience of his wife Stella Assange and his father John Shipton. Julian Assange faces a 175-year sentence if extradited to the United States. His family members are confronting the prospect of losing Julian forever to the abyss of the justice system. This David-and-Goliath struggle is personal, and, with Julian's health declining in a British maximum-security prison, the clock is ticking. Through this behind-the-scenes view of the extradition hearing, the films grasp the personal cost paid by Julian and the true cost of truth.
Lethal Force takes a detailed look at four incidents, in different parts of Australia, where people suffering mental illness or psychological distress died after being shot or tasered by police. Specifically detailed is how in certain cases, the victims had even sought help at hospital and after having left of their own free will, were shot dead by police...
In Mexico, 'maquiladoras' is a word used to describe the sort of factories that have become commonplace with globalisation—mass assembly and manufacturing plants primarily staffed by women for low wage and long hours in unsafe and toxic conditions. Tijuana has attracted so many such factories that it has gained the nickname Maquilapolis. Delving into the landscape of this, this film asks the question: What is the human price of globalisation? Maquilapolis brings American and Mexican-American filmmakers together with Tijuana factory workers and community organisers to answer that question and tell the story of globalisation through the eyes and voices of the workers themselves. The result is a film to inform and inspire, as each day the workers confront labor violations, environmental devastation and urban chaos...
McCarthy chronicles the rise and fall of Joseph McCarthy, the United States senator who came to power after a stunning victory in an election that no one thought he could win. Once in office, he declared that there was a vast conspiracy threatening the United States--not emanating from a rival superpower, but from within. Then, without restraint or oversight, he conducted a vast crusade against those he accused of being "enemies of the state," a chilling campaign marked by groundless accusations, bullying, intimidation, grandiose showmanship, and cruel victimisation. With lawyer Roy Cohn at his side, McCarthy belittled critics, spinning a web of lies and distortions while spreading fear and confusion. After years in the headlines, he was brought down by his own excesses and overreach.