Films about Media

Date
Title
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Comments

3:50

The Rise and Fall of The TV Journalist

Adam Curtis2007

This short film chronicles a metamorphosis of mainstream media and political power throughout the last decades, by looking at the role of the television journalist. In the early 1950s, not long after the invention of television itself, TV journalists essentially served as prompters for government figureheads and official viewpoints. This function changed somewhat however, with the political scandals of the 1960s and 70s, exemplified by Watergate, where some journalists joined the mainstream shift in society of questioning political power, big business and bureaucracy. Out of this boomed a new era of investigative journalism. But this ended with the fall of the Berlin Wall as the old certainties of “good and bad” and “right and left” were blurred and no longer simple. But rather than working to make sense of the complexity, journalism turned from moral principles to a simple reporting of experience, devoid of context. TV journalists now plead with the audience to send in photos and videos as a kind of so-called “democratised” media, but what actually functions as a vast echo-chamber of uncertainty and unaccountability.

52:30

The Search For Truth In Wartime

John Pilger1983

The Search For Truth In Wartime investigates the changing face of war reporting and the role of the media during wartime, in context with the Crimea through the two World Wars, to Vietnam and the Falklands. “What is the role of the media in wartime? Is it simply to record, or is it to explain? And from whose point of view—the military, the politicians or the victims?”

The Secret Rulers of the World

Jon Ronson2001

The Secret Rulers of the World details journalist Jon Ronson’s encounters with key conspiracy theory figures throughout the United States during the early 2000s. The 5 part series is an accompaniment to Ronson’s book Them: Adventures with Extremists which profiles ideologues on the fringe of the political, religious, and sociological spectrum. The series is a rare look at figures who have since gone on to become renowned figures in conspiracy theory circles, before their bigger rises to fame after the September 11th attacks, expanding on their already well-espoused occult theories from throughout the 1990s. The series also provides background on some of the theories that have since entered pop culture and how they originated from connections to neo-nazis, right-wing militia groups, and fundamentalist Christians. Examples being the theory of the New World Order, and various other apocalyptic millenarian scenarios which are influencing escalating lone-wolf terrorism, and the rise to power of authoritarian ultra-nationalist demagogues. The series provides this insight, examining some of the key figures and how they come to believe their theories and perceive the world.

1:14:40

The Society of the Spectacle

Heath Schultz2013

The Society of the Spectacle is a film based on the 1967 book of the same name by French political theorist and philosopher, Guy Debord. The work traces the development of modern society, in which Debord argues that authentic social life has been replaced with representations, and that the history of social life can be understood as “the decline of being into having, and having into merely appearing.” This emerges from and gives rise to a pervasive and all encompassing spectacle in which relations between commodities have supplanted relations between people, in which “passive identification with the spectacle supplants genuine activity.” The film weaves the text of the original book with modern-day imagery, illustrating many elements of the spectacle, including that “the spectacle is not a collection of images, rather, it is a social relation among people, mediated by images.” This makes the material hard to decipher at times, especially with conflicting subtitles between languages: but this is part of Debord’s goal, to “problematise reception” and force the viewer to be active rather than passive. In addition, the words of some of the authors are “détourned” (hijacked) through deliberate misquoting. The result is a foundational work on the concept of the spectacle and its characteristics, to encourage critical thinking, to build and extrapolate critiques to apply to the wider social scale.

The Trap

Adam Curtis2007

If one steps back and looks at what freedom actually means in the West today, it’s a strange and limited kind of freedom. The United States and its empire self-describe fighting the Cold War for “individual freedom,” yet it is still something that the leaders of our so-called democracies continually promise to give us. Abroad, in Iraq and Afghanistan, the attempt to force “freedom” on to other people has led to more than just bloody mayhem, and this, in turn, has helped inspire terrorist attacks in Britain and elsewhere. In response, the government has dismantled long-standing laws that were designed to protect individual freedom and civil liberties.